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Color name
RGB 219 90 139

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 90 139 it is the complementary color RGB 36 165 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 90 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 90 139 shade: RGB 224 90 134, RGB 241 108 153, RGB 255 126 172, RGB 255 144 191 and RGB 255 162 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 90 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 90 139 shade: RGB 219 90 139, RGB 202 72 120, RGB 185 54 101, RGB 168 36 82 and RGB 151 18 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 90 139 shade: RGB 219 91 140, RGB 219 91 105 and RGB 219 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 90 139 shade: RGB 219 91 140, RGB 219 91 174, RGB 219 91 208, RGB 195 91 219 and RGB 160 91 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 90 139 shade matches the following richer shades: RGB 219 91 140, RGB 235 75 136 and RGB 251 59 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 90 139 shade: RGB 219 91 140, RGB 203 107 144, RGB 187 124 147, RGB 170 140 151 and RGB 154 156 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 90 139 shade: RGB 219 91 208, RGB 219 91 174, RGB 219 91 140, RGB 219 91 106 and RGB 219 110 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 90 139 shade: RGB 187 41 96, RGB 211 58 116, RGB 219 91 140, RGB 226 125 164 and RGB 234 159 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 90 139 shade: RGB 219 90 139, RGB 219 195 91 and RGB 91 191 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 90 139 shade: RGB 219 90 139, RGB 140 219 91 and RGB 91 140 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 90 139 shade: RGB 219 90 139, RGB 219 195 91, RGB 91 219 170 and RGB 91 115 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 90 139 shade: RGB 219 90 139, RGB 204 219 91, RGB 91 219 170 and RGB 106 91 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 37 / 14

HEX #DB5A8B

RGB 219 90 139

HSL 337.21, 0.64%, 0.61%

LAB 56.32, 55.08, -1.15

 

Complementary color

CMYK 78 / 0 / 30 / 35

HEX #24A574

RGB 36 165 116

HSL 157.21, 0.64%, 0.39%

LAB 60.38, -45.67, 15.92

 

CMYK 0 / 60 / 40 / 12

HEX #E05A86

RGB 224 90 134

HSL 340.3, 0.68%, 0.62%

LAB 56.96, 56.11, 2.81

 

CMYK 0 / 55 / 37 / 5

HEX #F16C99

RGB 241 108 153

HSL 339.7, 0.83%, 0.68%

LAB 63.12, 55.46, 1.04

 

CMYK 0 / 51 / 33 / 0

HEX #FF7EAC

RGB 255 126 172

HSL 338.6, 1%, 0.75%

LAB 68.87, 53.73, -1.12

 

CMYK 0 / 44 / 25 / 0

HEX #FF90BF

RGB 255 144 191

HSL 334.59, 1%, 0.78%

LAB 72.87, 47.32, -5.84

 

CMYK 0 / 36 / 18 / 0

HEX #FFA2D2

RGB 255 162 210

HSL 329.03, 1%, 0.82%

LAB 77.13, 40.86, -9.95

 

CMYK 0 / 59 / 37 / 14

HEX #DB5A8B

RGB 219 90 139

HSL 337.21, 0.64%, 0.61%

LAB 56.32, 55.08, -1.15

 

CMYK 0 / 64 / 41 / 21

HEX #CA4878

RGB 202 72 120

HSL 337.85, 0.55%, 0.54%

LAB 50.15, 55.53, 0.82

 

CMYK 0 / 71 / 45 / 27

HEX #B93665

RGB 185 54 101

HSL 338.47, 0.55%, 0.47%

LAB 44.08, 55.64, 3.25

 

CMYK 0 / 79 / 51 / 34

HEX #A82452

RGB 168 36 82

HSL 339.09, 0.65%, 0.4%

LAB 38.19, 55.15, 6.36

 

CMYK 0 / 88 / 58 / 41

HEX #97123F

RGB 151 18 63

HSL 339.7, 0.79%, 0.33%

LAB 32.64, 53.64, 10.4

 

CMYK 0 / 58 / 36 / 14

HEX #DB5B8C

RGB 219 91 140

HSL 337.03, 0.64%, 0.61%

LAB 56.52, 54.74, -1.45

 

CMYK 0 / 58 / 52 / 14

HEX #DB5B69

RGB 219 91 105

HSL 353.44, 0.64%, 0.61%

LAB 55.65, 51.27, 17.9

 

CMYK 0 / 58 / 58 / 14

HEX #DB5B5B

RGB 219 91 91

HSL 0, 0.64%, 0.61%

LAB 55.38, 50.18, 25.71

 

CMYK 0 / 58 / 36 / 14

HEX #DB5B8C

RGB 219 91 140

HSL 337.03, 0.64%, 0.61%

LAB 56.52, 54.74, -1.45

 

CMYK 0 / 58 / 21 / 14

HEX #DB5BAE

RGB 219 91 174

HSL 321.09, 0.64%, 0.61%

LAB 57.65, 59.07, -19.57

 

CMYK 0 / 58 / 5 / 14

HEX #DB5BD0

RGB 219 91 208

HSL 305.16, 0.64%, 0.61%

LAB 59.06, 64.23, -36.86

 

CMYK 11 / 58 / 0 / 14

HEX #C35BDB

RGB 195 91 219

HSL 288.75, 0.64%, 0.61%

LAB 56.29, 60.07, -47.68

 

CMYK 27 / 58 / 0 / 14

HEX #A05BDB

RGB 160 91 219

HSL 272.34, 0.64%, 0.61%

LAB 51.92, 51.52, -54.9

 

CMYK 0 / 58 / 36 / 14

HEX #DB5B8C

RGB 219 91 140

HSL 337.03, 0.64%, 0.61%

LAB 56.52, 54.74, -1.45

 

CMYK 0 / 68 / 42 / 8

HEX #EB4B88

RGB 235 75 136

HSL 337.13, 0.8%, 0.61%

LAB 56.56, 65.72, 1.27

 

CMYK 0 / 76 / 47 / 2

HEX #FB3B84

RGB 251 59 132

HSL 337.19, 0.96%, 0.61%

LAB 57.37, 74.92, 5.16

 

CMYK 0 / 58 / 36 / 14

HEX #DB5B8C

RGB 219 91 140

HSL 337.03, 0.64%, 0.61%

LAB 56.52, 54.74, -1.45

 

CMYK 0 / 47 / 29 / 20

HEX #CB6B90

RGB 203 107 144

HSL 336.88, 0.48%, 0.61%

LAB 57.29, 42.19, -2.92

 

CMYK 0 / 34 / 21 / 27

HEX #BB7C93

RGB 187 124 147

HSL 338.1, 0.32%, 0.61%

LAB 59.05, 27.8, -2.3

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 1 / 0 / 1 / 39

HEX #9A9C9B

RGB 154 156 155

HSL 150, 0.01%, 0.61%

LAB 64.17, -0.91, 0.26

 

CMYK 0 / 58 / 5 / 14

HEX #DB5BD0

RGB 219 91 208

HSL 305.16, 0.64%, 0.61%

LAB 59.06, 64.23, -36.86

 

CMYK 0 / 58 / 21 / 14

HEX #DB5BAE

RGB 219 91 174

HSL 321.09, 0.64%, 0.61%

LAB 57.65, 59.07, -19.57

 

CMYK 0 / 58 / 36 / 14

HEX #DB5B8C

RGB 219 91 140

HSL 337.03, 0.64%, 0.61%

LAB 56.52, 54.74, -1.45

 

CMYK 0 / 58 / 52 / 14

HEX #DB5B6A

RGB 219 91 106

HSL 352.97, 0.64%, 0.61%

LAB 55.67, 51.36, 17.34

 

CMYK 0 / 50 / 58 / 14

HEX #DB6E5B

RGB 219 110 91

HSL 8.91, 0.64%, 0.61%

LAB 58.94, 40.98, 30.31

 

CMYK 0 / 78 / 49 / 27

HEX #BB2960

RGB 187 41 96

HSL 337.4, 0.64%, 0.45%

LAB 42.76, 60.11, 4.51

 

CMYK 0 / 73 / 45 / 17

HEX #D33A74

RGB 211 58 116

HSL 337.25, 0.63%, 0.53%

LAB 49.66, 63.1, 2.71

 

CMYK 0 / 58 / 36 / 14

HEX #DB5B8C

RGB 219 91 140

HSL 337.03, 0.64%, 0.61%

LAB 56.52, 54.74, -1.45

 

CMYK 0 / 45 / 27 / 11

HEX #E27DA4

RGB 226 125 164

HSL 336.83, 0.64%, 0.69%

LAB 64.58, 43.53, -3.35

 

CMYK 0 / 32 / 20 / 8

HEX #EA9FBB

RGB 234 159 187

HSL 337.6, 0.64%, 0.77%

LAB 73.47, 31.78, -3.03

 

CMYK 0 / 59 / 37 / 14

HEX #DB5A8B

RGB 219 90 139

HSL 337.21, 0.64%, 0.61%

LAB 56.32, 55.08, -1.15

 

CMYK 0 / 11 / 58 / 14

HEX #DBC35B

RGB 219 195 91

HSL 48.75, 0.64%, 0.61%

LAB 78.95, -4, 54.32

 

CMYK 58 / 13 / 0 / 14

HEX #5BBFDB

RGB 91 191 219

HSL 193.13, 0.64%, 0.61%

LAB 72.63, -21.16, -22.83

 

CMYK 0 / 59 / 37 / 14

HEX #DB5A8B

RGB 219 90 139

HSL 337.21, 0.64%, 0.61%

LAB 56.32, 55.08, -1.15

 

CMYK 36 / 0 / 58 / 14

HEX #8CDB5B

RGB 140 219 91

HSL 97.03, 0.64%, 0.61%

LAB 80.18, -46.1, 54.27

 

CMYK 58 / 36 / 0 / 14

HEX #5B8CDB

RGB 91 140 219

HSL 217.03, 0.64%, 0.61%

LAB 58.13, 7.04, -45.35

 

CMYK 0 / 59 / 37 / 14

HEX #DB5A8B

RGB 219 90 139

HSL 337.21, 0.64%, 0.61%

LAB 56.32, 55.08, -1.15

 

CMYK 0 / 11 / 58 / 14

HEX #DBC35B

RGB 219 195 91

HSL 48.75, 0.64%, 0.61%

LAB 78.95, -4, 54.32

 

CMYK 58 / 0 / 22 / 14

HEX #5BDBAA

RGB 91 219 170

HSL 157.03, 0.64%, 0.61%

LAB 79.49, -46.85, 13.65

 

CMYK 58 / 47 / 0 / 14

HEX #5B73DB

RGB 91 115 219

HSL 228.75, 0.64%, 0.61%

LAB 51.38, 22.18, -56.09

 

CMYK 0 / 59 / 37 / 14

HEX #DB5A8B

RGB 219 90 139

HSL 337.21, 0.64%, 0.61%

LAB 56.32, 55.08, -1.15

 

CMYK 7 / 0 / 58 / 14

HEX #CCDB5B

RGB 204 219 91

HSL 67.03, 0.64%, 0.61%

LAB 84.1, -22.2, 59.75

 

CMYK 58 / 0 / 22 / 14

HEX #5BDBAA

RGB 91 219 170

HSL 157.03, 0.64%, 0.61%

LAB 79.49, -46.85, 13.65

 

CMYK 52 / 58 / 0 / 14

HEX #6A5BDB

RGB 106 91 219

HSL 247.03, 0.64%, 0.61%

LAB 46.53, 39.66, -63.86

 

Description

Color code: RGB 219 90 139 | qconv.com Color code: RGB 219 90 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 90 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 90 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 37 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 37% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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