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Color name
RGB 21 243 32

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 243 32 it is the complementary color RGB 234 12 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 243 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 243 32 shade: RGB 26 243 27, RGB 43 255 46, RGB 60 255 65, RGB 77 255 84 and RGB 94 255 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 243 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 243 32 shade: RGB 21 243 32, RGB 4 225 13, RGB 0 207 0, RGB 0 189 0 and RGB 0 171 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 243 32 shade: RGB 22 242 33, RGB 70 242 22, RGB 130 242 22, RGB 189 242 22 and RGB 242 236 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 243 32 shade: RGB 22 242 33, RGB 22 242 92, RGB 22 242 152, RGB 22 242 211 and RGB 22 214 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 243 32 shade matches the following richer shades: RGB 22 242 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 243 32 shade: RGB 22 242 33, RGB 42 222 51, RGB 62 203 69, RGB 81 183 86 and RGB 101 163 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 243 32 shade: RGB 132 242 22, RGB 73 242 22, RGB 22 242 29, RGB 22 242 88 and RGB 22 242 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 243 32 shade: RGB 9 173 17, RGB 11 212 21, RGB 22 242 33, RGB 61 244 70 and RGB 100 246 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 243 32 shade: RGB 21 243 32, RGB 22 191 242 and RGB 242 22 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 243 32 shade: RGB 21 243 32, RGB 29 22 242 and RGB 242 29 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 243 32 shade: RGB 21 243 32, RGB 22 191 242, RGB 242 22 235 and RGB 242 73 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 243 32 shade: RGB 21 243 32, RGB 22 125 242, RGB 242 22 235 and RGB 242 139 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 87 / 5

HEX #15F320

RGB 21 243 32

HSL 122.97, 0.9%, 0.52%

LAB 84.16, -81.63, 76.6

 

Complementary color

CMYK 0 / 95 / 5 / 8

HEX #EA0CDF

RGB 234 12 223

HSL 302.97, 0.9%, 0.48%

LAB 55.16, 89.74, -51.37

 

CMYK 89 / 0 / 89 / 5

HEX #1AF31B

RGB 26 243 27

HSL 120.28, 0.9%, 0.53%

LAB 84.17, -81.52, 77.51

 

CMYK 83 / 0 / 82 / 0

HEX #2BFF2E

RGB 43 255 46

HSL 120.85, 1%, 0.58%

LAB 88.08, -82.72, 77.17

 

CMYK 76 / 0 / 75 / 0

HEX #3CFF41

RGB 60 255 65

HSL 121.54, 1%, 0.62%

LAB 88.38, -79.72, 72.21

 

CMYK 70 / 0 / 67 / 0

HEX #4DFF54

RGB 77 255 84

HSL 122.36, 1%, 0.65%

LAB 88.8, -75.71, 66.08

 

CMYK 63 / 0 / 60 / 0

HEX #5EFF67

RGB 94 255 103

HSL 123.35, 1%, 0.68%

LAB 89.34, -70.72, 59.1

 

CMYK 91 / 0 / 87 / 5

HEX #15F320

RGB 21 243 32

HSL 122.97, 0.9%, 0.52%

LAB 84.16, -81.63, 76.6

 

CMYK 98 / 0 / 94 / 12

HEX #04E10D

RGB 4 225 13

HSL 122.44, 0.97%, 0.45%

LAB 78.41, -78.05, 74.5

 

CMYK 100 / 0 / 100 / 19

HEX #00CF00

RGB 0 207 0

HSL 120, 1%, 0.41%

LAB 72.64, -73.65, 71.08

 

CMYK 100 / 0 / 100 / 26

HEX #00BD00

RGB 0 189 0

HSL 120, 1%, 0.37%

LAB 66.82, -68.81, 66.41

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 91 / 0 / 86 / 5

HEX #16F221

RGB 22 242 33

HSL 123, 0.89%, 0.52%

LAB 83.85, -81.28, 76.15

 

CMYK 71 / 0 / 91 / 5

HEX #46F216

RGB 70 242 22

HSL 106.91, 0.89%, 0.52%

LAB 84.41, -76.42, 78.68

 

CMYK 46 / 0 / 91 / 5

HEX #82F216

RGB 130 242 22

HSL 90.55, 0.89%, 0.52%

LAB 86.16, -62.24, 80.85

 

CMYK 22 / 0 / 91 / 5

HEX #BDF216

RGB 189 242 22

HSL 74.45, 0.89%, 0.52%

LAB 89.1, -41.79, 84.45

 

CMYK 0 / 2 / 91 / 5

HEX #F2EC16

RGB 242 236 22

HSL 58.36, 0.89%, 0.52%

LAB 91.2, -17.62, 87.69

 

CMYK 91 / 0 / 86 / 5

HEX #16F221

RGB 22 242 33

HSL 123, 0.89%, 0.52%

LAB 83.85, -81.28, 76.15

 

CMYK 91 / 0 / 62 / 5

HEX #16F25C

RGB 22 242 92

HSL 139.09, 0.89%, 0.52%

LAB 84.2, -76.9, 57.62

 

CMYK 91 / 0 / 37 / 5

HEX #16F298

RGB 22 242 152

HSL 155.45, 0.89%, 0.52%

LAB 84.97, -67.67, 30.31

 

CMYK 91 / 0 / 13 / 5

HEX #16F2D3

RGB 22 242 211

HSL 171.55, 0.89%, 0.52%

LAB 86.2, -54.17, 1.54

 

CMYK 91 / 12 / 0 / 5

HEX #16D6F2

RGB 22 214 242

HSL 187.64, 0.89%, 0.52%

LAB 78.85, -32.9, -25.83

 

CMYK 91 / 0 / 86 / 5

HEX #16F221

RGB 22 242 33

HSL 123, 0.89%, 0.52%

LAB 83.85, -81.28, 76.15

 

CMYK 91 / 0 / 86 / 5

HEX #16F221

RGB 22 242 33

HSL 123, 0.89%, 0.52%

LAB 83.85, -81.28, 76.15

 

CMYK 81 / 0 / 77 / 13

HEX #2ADE33

RGB 42 222 51

HSL 123, 0.73%, 0.52%

LAB 77.86, -73.17, 66.21

 

CMYK 69 / 0 / 66 / 20

HEX #3ECB45

RGB 62 203 69

HSL 122.98, 0.58%, 0.52%

LAB 72.34, -62.92, 54.16

 

CMYK 56 / 0 / 53 / 28

HEX #51B756

RGB 81 183 86

HSL 122.94, 0.41%, 0.52%

LAB 66.74, -49.61, 40.17

 

CMYK 38 / 0 / 36 / 36

HEX #65A368

RGB 101 163 104

HSL 122.9, 0.25%, 0.52%

LAB 61.62, -32.48, 24.52

 

CMYK 45 / 0 / 91 / 5

HEX #84F216

RGB 132 242 22

HSL 90, 0.89%, 0.52%

LAB 86.24, -61.63, 80.94

 

CMYK 70 / 0 / 91 / 5

HEX #49F216

RGB 73 242 22

HSL 106.09, 0.89%, 0.52%

LAB 84.47, -75.91, 78.76

 

CMYK 91 / 0 / 88 / 5

HEX #16F21D

RGB 22 242 29

HSL 121.91, 0.89%, 0.52%

LAB 83.84, -81.42, 76.88

 

CMYK 91 / 0 / 64 / 5

HEX #16F258

RGB 22 242 88

HSL 138, 0.89%, 0.52%

LAB 84.16, -77.34, 59.24

 

CMYK 91 / 0 / 39 / 5

HEX #16F293

RGB 22 242 147

HSL 154.09, 0.89%, 0.52%

LAB 84.88, -68.62, 32.72

 

CMYK 95 / 0 / 90 / 32

HEX #09AD11

RGB 9 173 17

HSL 122.93, 0.9%, 0.36%

LAB 61.64, -63.52, 59.85

 

CMYK 95 / 0 / 90 / 17

HEX #0BD415

RGB 11 212 21

HSL 122.99, 0.9%, 0.44%

LAB 74.33, -74.11, 70.03

 

CMYK 91 / 0 / 86 / 5

HEX #16F221

RGB 22 242 33

HSL 123, 0.89%, 0.52%

LAB 83.85, -81.28, 76.15

 

CMYK 75 / 0 / 71 / 4

HEX #3DF446

RGB 61 244 70

HSL 122.95, 0.89%, 0.6%

LAB 85.07, -75.95, 67.2

 

CMYK 59 / 0 / 56 / 4

HEX #64F66C

RGB 100 246 108

HSL 123.29, 0.89%, 0.68%

LAB 86.85, -65.79, 54.07

 

CMYK 91 / 0 / 87 / 5

HEX #15F320

RGB 21 243 32

HSL 122.97, 0.9%, 0.52%

LAB 84.16, -81.63, 76.6

 

CMYK 91 / 21 / 0 / 5

HEX #16BFF2

RGB 22 191 242

HSL 193.91, 0.89%, 0.52%

LAB 72.12, -21.5, -36.19

 

CMYK 0 / 91 / 57 / 5

HEX #F21667

RGB 242 22 103

HSL 337.91, 0.89%, 0.52%

LAB 52.32, 78.18, 15.19

 

CMYK 91 / 0 / 87 / 5

HEX #15F320

RGB 21 243 32

HSL 122.97, 0.9%, 0.52%

LAB 84.16, -81.63, 76.6

 

CMYK 88 / 91 / 0 / 5

HEX #1D16F2

RGB 29 22 242

HSL 241.91, 0.89%, 0.52%

LAB 32.36, 72.27, -100.43

 

CMYK 0 / 88 / 91 / 5

HEX #F21D16

RGB 242 29 22

HSL 1.91, 0.89%, 0.52%

LAB 51.63, 74.25, 58.84

 

CMYK 91 / 0 / 87 / 5

HEX #15F320

RGB 21 243 32

HSL 122.97, 0.9%, 0.52%

LAB 84.16, -81.63, 76.6

 

CMYK 91 / 21 / 0 / 5

HEX #16BFF2

RGB 22 191 242

HSL 193.91, 0.89%, 0.52%

LAB 72.12, -21.5, -36.19

 

CMYK 0 / 91 / 3 / 5

HEX #F216EB

RGB 242 22 235

HSL 301.91, 0.89%, 0.52%

LAB 57.51, 91.82, -54.31

 

CMYK 0 / 70 / 91 / 5

HEX #F24916

RGB 242 73 22

HSL 13.91, 0.89%, 0.52%

LAB 55.79, 62.58, 61.6

 

CMYK 91 / 0 / 87 / 5

HEX #15F320

RGB 21 243 32

HSL 122.97, 0.9%, 0.52%

LAB 84.16, -81.63, 76.6

 

CMYK 91 / 48 / 0 / 5

HEX #167DF2

RGB 22 125 242

HSL 211.91, 0.89%, 0.52%

LAB 53.22, 16.31, -66.14

 

CMYK 0 / 91 / 3 / 5

HEX #F216EB

RGB 242 22 235

HSL 301.91, 0.89%, 0.52%

LAB 57.51, 91.82, -54.31

 

CMYK 0 / 43 / 91 / 5

HEX #F28B16

RGB 242 139 22

HSL 31.91, 0.89%, 0.52%

LAB 67.58, 32.31, 69.93

 

Description

Color code: RGB 21 243 32 | qconv.com Color code: RGB 21 243 32 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 243 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 243 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 87 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 87% 5% C M Y K

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Provide designers and agencies with accurate color values.

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