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Color name
RGB 220 149 149

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 149 149 it is the complementary color RGB 35 106 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 149 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 149 149 shade: RGB 225 149 144, RGB 242 167 163, RGB 255 185 182, RGB 255 203 201 and RGB 255 221 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 149 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 149 149 shade: RGB 220 149 149, RGB 203 131 130, RGB 186 113 111, RGB 169 95 92 and RGB 152 77 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 149 149 shade: RGB 219 147 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 149 149 shade: RGB 219 147 147, RGB 219 167 147, RGB 219 186 147, RGB 219 205 147 and RGB 213 219 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 149 149 shade matches the following richer shades: RGB 219 147 147, RGB 230 136 136, RGB 242 124 124 and RGB 253 113 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 149 149 shade: RGB 219 147 147, RGB 207 159 159, RGB 196 171 171, RGB 184 182 182 and RGB 173 194 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 149 149 shade: RGB 219 147 185, RGB 219 147 166, RGB 219 147 147, RGB 219 166 147 and RGB 219 185 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 149 149 shade: RGB 198 86 86, RGB 208 116 116, RGB 219 147 147, RGB 229 178 178 and RGB 239 209 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 149 149 shade: RGB 220 149 149, RGB 205 219 147 and RGB 147 176 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 149 149 shade: RGB 220 149 149, RGB 147 219 147 and RGB 147 147 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 149 149 shade: RGB 220 149 149, RGB 205 219 147, RGB 147 219 219 and RGB 162 147 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 149 149 shade: RGB 220 149 149, RGB 183 219 147, RGB 147 219 219 and RGB 183 147 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 32 / 14

HEX #DC9595

RGB 220 149 149

HSL 0, 0.5%, 0.72%

LAB 68.66, 26.74, 10.91

 

Complementary color

CMYK 67 / 0 / 0 / 58

HEX #236A6A

RGB 35 106 106

HSL 180, 0.5%, 0.28%

LAB 40.74, -21.45, -6.48

 

CMYK 0 / 34 / 36 / 12

HEX #E19590

RGB 225 149 144

HSL 3.7, 0.57%, 0.72%

LAB 69.12, 28.01, 14.43

 

CMYK 0 / 31 / 33 / 5

HEX #F2A7A3

RGB 242 167 163

HSL 3.04, 0.75%, 0.79%

LAB 75.55, 27.15, 13.27

 

CMYK 0 / 27 / 29 / 0

HEX #FFB9B6

RGB 255 185 182

HSL 2.47, 1%, 0.86%

LAB 81.48, 24.91, 11.55

 

CMYK 0 / 20 / 21 / 0

HEX #FFCBC9

RGB 255 203 201

HSL 2.22, 1%, 0.89%

LAB 86.1, 18.09, 8.01

 

CMYK 0 / 13 / 14 / 0

HEX #FFDDDC

RGB 255 221 220

HSL 1.71, 1%, 0.93%

LAB 90.84, 11.58, 4.82

RGB 255 221 220

CMYK 0 / 32 / 32 / 14

HEX #DC9595

RGB 220 149 149

HSL 0, 0.5%, 0.72%

LAB 68.66, 26.74, 10.91

 

CMYK 0 / 35 / 36 / 20

HEX #CB8382

RGB 203 131 130

HSL 0.82, 0.41%, 0.65%

LAB 62.12, 27.62, 12.09

 

CMYK 0 / 39 / 40 / 27

HEX #BA716F

RGB 186 113 111

HSL 1.6, 0.35%, 0.58%

LAB 55.48, 28.6, 13.42

 

CMYK 0 / 44 / 46 / 34

HEX #A95F5C

RGB 169 95 92

HSL 2.34, 0.31%, 0.51%

LAB 48.75, 29.68, 14.95

 

CMYK 0 / 49 / 52 / 40

HEX #984D49

RGB 152 77 73

HSL 3.04, 0.35%, 0.44%

LAB 41.94, 30.87, 16.76

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 24 / 33 / 14

HEX #DBA793

RGB 219 167 147

HSL 16.67, 0.5%, 0.72%

LAB 72.76, 16.4, 17.74

 

CMYK 0 / 15 / 33 / 14

HEX #DBBA93

RGB 219 186 147

HSL 32.5, 0.5%, 0.72%

LAB 77.45, 6.24, 24.18

 

CMYK 0 / 6 / 33 / 14

HEX #DBCD93

RGB 219 205 147

HSL 48.33, 0.5%, 0.72%

LAB 82.29, -3.71, 30.68

 

CMYK 3 / 0 / 33 / 14

HEX #D5DB93

RGB 213 219 147

HSL 65, 0.5%, 0.72%

LAB 85.46, -13.14, 34.79

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 41 / 41 / 10

HEX #E68888

RGB 230 136 136

HSL 0, 0.65%, 0.72%

LAB 66.68, 35.85, 15.57

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 55 / 55 / 1

HEX #FD7171

RGB 253 113 113

HSL 0, 0.97%, 0.72%

LAB 64.87, 53.41, 26.58

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 23 / 23 / 19

HEX #CF9F9F

RGB 207 159 159

HSL 0, 0.33%, 0.72%

LAB 69.87, 17.79, 6.88

 

CMYK 0 / 13 / 13 / 23

HEX #C4ABAB

RGB 196 171 171

HSL 0, 0.17%, 0.72%

LAB 72.1, 9.04, 3.33

 

CMYK 0 / 1 / 1 / 28

HEX #B8B6B6

RGB 184 182 182

HSL 0, 0.01%, 0.72%

LAB 74.2, 0.71, 0.24

 

CMYK 11 / 0 / 0 / 24

HEX #ADC2C2

RGB 173 194 194

HSL 180, 0.15%, 0.72%

LAB 76.9, -7.11, -2.43

 

CMYK 0 / 33 / 16 / 14

HEX #DB93B9

RGB 219 147 185

HSL 328.33, 0.5%, 0.72%

LAB 69.06, 32.64, -8.62

 

CMYK 0 / 33 / 24 / 14

HEX #DB93A6

RGB 219 147 166

HSL 344.17, 0.5%, 0.72%

LAB 68.52, 29.76, 1.19

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 24 / 33 / 14

HEX #DBA693

RGB 219 166 147

HSL 15.83, 0.5%, 0.72%

LAB 72.52, 16.94, 17.41

 

CMYK 0 / 16 / 33 / 14

HEX #DBB993

RGB 219 185 147

HSL 31.67, 0.5%, 0.72%

LAB 77.2, 6.77, 23.84

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 44 / 44 / 18

HEX #D07474

RGB 208 116 116

HSL 0, 0.49%, 0.64%

LAB 59.12, 35.97, 16.03

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 22 / 22 / 10

HEX #E5B2B2

RGB 229 178 178

HSL 0, 0.5%, 0.8%

LAB 77.11, 18.51, 7.13

 

CMYK 0 / 13 / 13 / 6

HEX #EFD1D1

RGB 239 209 209

HSL 0, 0.48%, 0.88%

LAB 86.28, 10.45, 3.84

 

CMYK 0 / 32 / 32 / 14

HEX #DC9595

RGB 220 149 149

HSL 0, 0.5%, 0.72%

LAB 68.66, 26.74, 10.91

 

CMYK 6 / 0 / 33 / 14

HEX #CDDB93

RGB 205 219 147

HSL 71.67, 0.5%, 0.72%

LAB 84.87, -16.17, 33.9

 

CMYK 33 / 20 / 0 / 14

HEX #93B0DB

RGB 147 176 219

HSL 215.83, 0.5%, 0.72%

LAB 71.12, 0.23, -24.89

 

CMYK 0 / 32 / 32 / 14

HEX #DC9595

RGB 220 149 149

HSL 0, 0.5%, 0.72%

LAB 68.66, 26.74, 10.91

 

CMYK 33 / 0 / 33 / 14

HEX #93DB93

RGB 147 219 147

HSL 120, 0.5%, 0.72%

LAB 81.28, -36.56, 28.48

 

CMYK 33 / 33 / 0 / 14

HEX #9393DB

RGB 147 147 219

HSL 240, 0.5%, 0.72%

LAB 63.5, 16.59, -36.67

 

CMYK 0 / 32 / 32 / 14

HEX #DC9595

RGB 220 149 149

HSL 0, 0.5%, 0.72%

LAB 68.66, 26.74, 10.91

 

CMYK 6 / 0 / 33 / 14

HEX #CDDB93

RGB 205 219 147

HSL 71.67, 0.5%, 0.72%

LAB 84.87, -16.17, 33.9

 

CMYK 33 / 0 / 0 / 14

HEX #93DBDB

RGB 147 219 219

HSL 180, 0.5%, 0.72%

LAB 82.9, -22.27, -7.15

 

CMYK 26 / 33 / 0 / 14

HEX #A293DB

RGB 162 147 219

HSL 252.5, 0.5%, 0.72%

LAB 64.69, 20.91, -34.72

 

CMYK 0 / 32 / 32 / 14

HEX #DC9595

RGB 220 149 149

HSL 0, 0.5%, 0.72%

LAB 68.66, 26.74, 10.91

 

CMYK 16 / 0 / 33 / 14

HEX #B7DB93

RGB 183 219 147

HSL 90, 0.5%, 0.72%

LAB 83.36, -24.29, 31.63

 

CMYK 33 / 0 / 0 / 14

HEX #93DBDB

RGB 147 219 219

HSL 180, 0.5%, 0.72%

LAB 82.9, -22.27, -7.15

 

CMYK 16 / 33 / 0 / 14

HEX #B793DB

RGB 183 147 219

HSL 270, 0.5%, 0.72%

LAB 66.56, 27.24, -31.68

 

Description

Color code: RGB 220 149 149 | qconv.com Color code: RGB 220 149 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 149 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 149 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 32 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 32% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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