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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 48 33 it is the complementary color RGB 34 207 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 48 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 48 33 shade: RGB 226 48 28, RGB 243 66 47, RGB 255 84 66, RGB 255 102 85 and RGB 255 120 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 48 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 48 33 shade: RGB 221 48 33, RGB 204 30 14, RGB 187 12 0, RGB 170 0 0 and RGB 153 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 48 33 shade: RGB 221 48 33 and RGB 221 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 48 33 shade: RGB 221 48 33, RGB 221 99 33, RGB 221 149 33, RGB 221 200 33 and RGB 191 221 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 48 33 shade matches the following richer shades: RGB 221 48 33 and RGB 242 30 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 48 33 shade: RGB 221 48 33, RGB 201 65 53, RGB 180 82 74, RGB 159 100 95 and RGB 139 117 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 48 33 shade: RGB 221 33 121, RGB 221 33 70, RGB 221 45 33, RGB 221 96 33 and RGB 221 146 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 48 33 shade: RGB 150 32 22, RGB 185 40 27, RGB 221 48 33, RGB 227 81 69 and RGB 232 115 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 48 33 shade: RGB 221 48 33, RGB 171 221 33 and RGB 33 96 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 48 33 shade: RGB 221 48 33, RGB 33 221 45 and RGB 45 33 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 48 33 shade: RGB 221 48 33, RGB 171 221 33, RGB 33 209 221 and RGB 83 33 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 48 33 shade: RGB 221 48 33, RGB 114 221 33, RGB 33 209 221 and RGB 140 33 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

Complementary color

CMYK 85 / 7 / 0 / 13

HEX #22CFDE

RGB 34 207 222

HSL 184.79, 0.74%, 0.5%

LAB 76.22, -35.19, -19.11

 

CMYK 0 / 79 / 88 / 11

HEX #E2301C

RGB 226 48 28

HSL 6.06, 0.78%, 0.5%

LAB 49.94, 65.89, 53.79

 

CMYK 0 / 73 / 81 / 5

HEX #F3422F

RGB 243 66 47

HSL 5.82, 0.89%, 0.57%

LAB 55.23, 65.85, 50.81

 

CMYK 0 / 67 / 74 / 0

HEX #FF5442

RGB 255 84 66

HSL 5.71, 1%, 0.63%

LAB 59.88, 63.75, 46.49

 

CMYK 0 / 60 / 67 / 0

HEX #FF6655

RGB 255 102 85

HSL 6, 1%, 0.67%

LAB 62.86, 57.24, 39.68

 

CMYK 0 / 53 / 59 / 0

HEX #FF7868

RGB 255 120 104

HSL 6.36, 1%, 0.7%

LAB 66.28, 50.17, 33.49

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 0 / 85 / 93 / 20

HEX #CC1E0E

RGB 204 30 14

HSL 5.05, 0.87%, 0.43%

LAB 43.94, 63.88, 52.99

 

CMYK 0 / 94 / 100 / 27

HEX #BB0C00

RGB 187 12 0

HSL 3.85, 1%, 0.37%

LAB 39.29, 62.15, 53.4

 

CMYK 0 / 100 / 100 / 33

HEX #AA0000

RGB 170 0 0

HSL 0, 1%, 0.33%

LAB 35.1, 59.12, 49.41

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 0 / 85 / 85 / 13

HEX #DD2121

RGB 221 33 33

HSL 0, 0.74%, 0.5%

LAB 47.71, 68.2, 49.29

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 0 / 55 / 85 / 13

HEX #DD6321

RGB 221 99 33

HSL 21.06, 0.74%, 0.5%

LAB 56.49, 44.39, 56.73

 

CMYK 0 / 33 / 85 / 13

HEX #DD9521

RGB 221 149 33

HSL 37.02, 0.74%, 0.5%

LAB 67.26, 18.42, 65.69

 

CMYK 0 / 10 / 85 / 13

HEX #DDC821

RGB 221 200 33

HSL 53.3, 0.74%, 0.5%

LAB 80.06, -8.43, 76.22

 

CMYK 14 / 0 / 85 / 13

HEX #BFDD21

RGB 191 221 33

HSL 69.57, 0.74%, 0.5%

LAB 83.39, -31.29, 78.02

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 0 / 88 / 95 / 5

HEX #F21E0C

RGB 242 30 12

HSL 4.7, 0.91%, 0.5%

LAB 51.65, 73.99, 62.01

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 0 / 68 / 74 / 21

HEX #C94135

RGB 201 65 53

HSL 4.86, 0.58%, 0.5%

LAB 47.57, 53.14, 37.31

 

CMYK 0 / 54 / 59 / 29

HEX #B4524A

RGB 180 82 74

HSL 4.53, 0.42%, 0.5%

LAB 47.28, 39.17, 23.97

 

CMYK 0 / 37 / 40 / 38

HEX #9F645F

RGB 159 100 95

HSL 4.69, 0.25%, 0.5%

LAB 48.65, 23.23, 12.82

 

CMYK 0 / 16 / 17 / 45

HEX #8B7573

RGB 139 117 115

HSL 5, 0.09%, 0.5%

LAB 51.21, 8.21, 4.28

 

CMYK 0 / 85 / 45 / 13

HEX #DD2179

RGB 221 33 121

HSL 331.91, 0.74%, 0.5%

LAB 49.3, 72.81, -0.63

 

CMYK 0 / 85 / 68 / 13

HEX #DD2146

RGB 221 33 70

HSL 348.19, 0.74%, 0.5%

LAB 48.14, 69.45, 28.97

 

CMYK 0 / 80 / 85 / 13

HEX #DD2D21

RGB 221 45 33

HSL 3.83, 0.74%, 0.5%

LAB 48.71, 65.37, 50.15

 

CMYK 0 / 57 / 85 / 13

HEX #DD6021

RGB 221 96 33

HSL 20.11, 0.74%, 0.5%

LAB 55.93, 45.83, 56.26

 

CMYK 0 / 34 / 85 / 13

HEX #DD9221

RGB 221 146 33

HSL 36.06, 0.74%, 0.5%

LAB 66.55, 20.03, 65.11

 

CMYK 0 / 79 / 85 / 41

HEX #962016

RGB 150 32 22

HSL 4.69, 0.74%, 0.34%

LAB 33.08, 47.63, 36.43

 

CMYK 0 / 78 / 85 / 27

HEX #B9281B

RGB 185 40 27

HSL 4.94, 0.75%, 0.42%

LAB 41.07, 56.09, 43.68

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 0 / 64 / 70 / 11

HEX #E35145

RGB 227 81 69

HSL 4.56, 0.74%, 0.58%

LAB 54.71, 55.98, 37.72

 

CMYK 0 / 50 / 55 / 9

HEX #E87368

RGB 232 115 104

HSL 5.16, 0.74%, 0.66%

LAB 62.01, 44.3, 27.32

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 23 / 0 / 85 / 13

HEX #ABDD21

RGB 171 221 33

HSL 75.96, 0.74%, 0.5%

LAB 82.1, -39.22, 76.41

 

CMYK 85 / 57 / 0 / 13

HEX #2160DD

RGB 33 96 221

HSL 219.89, 0.74%, 0.5%

LAB 44.1, 27.33, -69.11

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 85 / 0 / 80 / 13

HEX #21DD2D

RGB 33 221 45

HSL 123.83, 0.74%, 0.5%

LAB 77.42, -74.14, 67.51

 

CMYK 80 / 85 / 0 / 13

HEX #2D21DD

RGB 45 33 221

HSL 243.83, 0.74%, 0.5%

LAB 31.5, 63.51, -89.86

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 23 / 0 / 85 / 13

HEX #ABDD21

RGB 171 221 33

HSL 75.96, 0.74%, 0.5%

LAB 82.1, -39.22, 76.41

 

CMYK 85 / 5 / 0 / 13

HEX #21D1DD

RGB 33 209 221

HSL 183.83, 0.74%, 0.5%

LAB 76.77, -36.5, -17.75

 

CMYK 62 / 85 / 0 / 13

HEX #5321DD

RGB 83 33 221

HSL 255.96, 0.74%, 0.5%

LAB 34.29, 65.85, -85.15

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 48 / 0 / 85 / 13

HEX #72DD21

RGB 114 221 33

HSL 94.15, 0.74%, 0.5%

LAB 79.27, -58.98, 72.87

 

CMYK 85 / 5 / 0 / 13

HEX #21D1DD

RGB 33 209 221

HSL 183.83, 0.74%, 0.5%

LAB 76.77, -36.5, -17.75

 

CMYK 37 / 85 / 0 / 13

HEX #8C21DD

RGB 140 33 221

HSL 274.15, 0.74%, 0.5%

LAB 41.03, 72, -73.8

 

Description

Color code: RGB 221 48 33 | qconv.com Color code: RGB 221 48 33 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 48 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 48 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 85 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 85% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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