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Color name
RGB 221 69 126

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 69 126 it is the complementary color RGB 34 186 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 69 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 69 126 shade: RGB 226 69 121, RGB 243 87 140, RGB 255 105 159, RGB 255 123 178 and RGB 255 141 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 69 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 69 126 shade: RGB 221 69 126, RGB 204 51 107, RGB 187 33 88, RGB 170 15 69 and RGB 153 0 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 69 126 shade: RGB 221 69 126, RGB 221 69 85 and RGB 221 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 69 126 shade: RGB 221 69 126, RGB 221 69 167, RGB 221 69 208, RGB 193 69 221 and RGB 152 69 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 69 126 shade matches the following richer shades: RGB 221 69 126 and RGB 238 51 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 69 126 shade: RGB 221 69 126, RGB 203 87 130, RGB 185 105 135, RGB 167 122 139 and RGB 150 140 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 69 126 shade: RGB 221 69 208, RGB 221 69 168, RGB 221 69 127, RGB 221 69 87 and RGB 221 92 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 69 126 shade: RGB 175 32 86, RGB 210 38 103, RGB 221 69 126, RGB 227 104 150 and RGB 233 139 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 69 126 shade: RGB 221 69 126, RGB 221 193 69 and RGB 69 188 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 69 126 shade: RGB 221 69 126, RGB 127 221 69 and RGB 69 127 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 69 126 shade: RGB 221 69 126, RGB 221 193 69, RGB 69 221 163 and RGB 69 97 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 69 126 shade: RGB 221 69 126, RGB 203 221 69, RGB 69 221 163 and RGB 87 69 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 43 / 13

HEX #DD457E

RGB 221 69 126

HSL 337.5, 0.69%, 0.57%

LAB 53.1, 62.97, 1.89

 

Complementary color

CMYK 82 / 0 / 31 / 27

HEX #22BA81

RGB 34 186 129

HSL 157.5, 0.69%, 0.43%

LAB 67.31, -51.26, 18.38

 

CMYK 0 / 69 / 46 / 11

HEX #E24579

RGB 226 69 121

HSL 340.13, 0.73%, 0.58%

LAB 53.82, 63.95, 6.03

 

CMYK 0 / 64 / 42 / 5

HEX #F3578C

RGB 243 87 140

HSL 339.62, 0.87%, 0.65%

LAB 59.68, 63.81, 3.61

 

CMYK 0 / 59 / 38 / 0

HEX #FF699F

RGB 255 105 159

HSL 338.4, 1%, 0.71%

LAB 64.86, 61.86, 0.39

 

CMYK 0 / 52 / 30 / 0

HEX #FF7BB2

RGB 255 123 178

HSL 335, 1%, 0.74%

LAB 68.49, 55.88, -5.06

 

CMYK 0 / 45 / 23 / 0

HEX #FF8DC5

RGB 255 141 197

HSL 330.53, 1%, 0.78%

LAB 72.46, 49.64, -9.78

 

CMYK 0 / 69 / 43 / 13

HEX #DD457E

RGB 221 69 126

HSL 337.5, 0.69%, 0.57%

LAB 53.1, 62.97, 1.89

 

CMYK 0 / 75 / 48 / 20

HEX #CC336B

RGB 204 51 107

HSL 338.04, 0.6%, 0.5%

LAB 47.32, 62.66, 4.67

 

CMYK 0 / 82 / 53 / 27

HEX #BB2158

RGB 187 33 88

HSL 338.57, 0.7%, 0.43%

LAB 41.78, 61.62, 8.15

 

CMYK 0 / 91 / 59 / 33

HEX #AA0F45

RGB 170 15 69

HSL 339.1, 0.84%, 0.36%

LAB 36.59, 59.51, 12.55

 

CMYK 0 / 100 / 67 / 40

HEX #990032

RGB 153 0 50

HSL 340.39, 1%, 0.3%

LAB 31.81, 56.15, 17.97

 

CMYK 0 / 69 / 43 / 13

HEX #DD457E

RGB 221 69 126

HSL 337.5, 0.69%, 0.57%

LAB 53.1, 62.97, 1.89

 

CMYK 0 / 69 / 62 / 13

HEX #DD4555

RGB 221 69 85

HSL 353.68, 0.69%, 0.57%

LAB 52.16, 59.71, 25.11

 

CMYK 0 / 69 / 69 / 13

HEX #DD4545

RGB 221 69 69

HSL 0, 0.69%, 0.57%

LAB 51.9, 58.81, 34.15

 

CMYK 0 / 69 / 43 / 13

HEX #DD457E

RGB 221 69 126

HSL 337.5, 0.69%, 0.57%

LAB 53.1, 62.97, 1.89

 

CMYK 0 / 69 / 24 / 13

HEX #DD45A7

RGB 221 69 167

HSL 321.32, 0.69%, 0.57%

LAB 54.47, 67.56, -20.34

 

CMYK 0 / 69 / 6 / 13

HEX #DD45D0

RGB 221 69 208

HSL 305.13, 0.69%, 0.57%

LAB 56.27, 73.31, -41.22

 

CMYK 13 / 69 / 0 / 13

HEX #C145DD

RGB 193 69 221

HSL 288.95, 0.69%, 0.57%

LAB 52.75, 69.33, -54.47

 

CMYK 31 / 69 / 0 / 13

HEX #9845DD

RGB 152 69 221

HSL 272.76, 0.69%, 0.57%

LAB 47.17, 60.9, -63.73

 

CMYK 0 / 69 / 43 / 13

HEX #DD457E

RGB 221 69 126

HSL 337.5, 0.69%, 0.57%

LAB 53.1, 62.97, 1.89

 

CMYK 0 / 79 / 49 / 7

HEX #EE337A

RGB 238 51 122

HSL 337.22, 0.85%, 0.57%

LAB 53.97, 72.95, 5.94

 

CMYK 0 / 69 / 43 / 13

HEX #DD457E

RGB 221 69 126

HSL 337.5, 0.69%, 0.57%

LAB 53.1, 62.97, 1.89

 

CMYK 0 / 57 / 36 / 20

HEX #CB5782

RGB 203 87 130

HSL 337.76, 0.53%, 0.57%

LAB 53.09, 50.29, -0.87

 

CMYK 0 / 43 / 27 / 27

HEX #B96987

RGB 185 105 135

HSL 337.5, 0.36%, 0.57%

LAB 54.2, 35.67, -2.48

 

CMYK 0 / 27 / 17 / 35

HEX #A77A8B

RGB 167 122 139

HSL 337.33, 0.2%, 0.57%

LAB 56.09, 20.21, -2.3

 

CMYK 0 / 7 / 4 / 41

HEX #968C90

RGB 150 140 144

HSL 336, 0.05%, 0.57%

LAB 59.21, 4.47, -0.79

 

CMYK 0 / 69 / 6 / 13

HEX #DD45D0

RGB 221 69 208

HSL 305.13, 0.69%, 0.57%

LAB 56.27, 73.31, -41.22

 

CMYK 0 / 69 / 24 / 13

HEX #DD45A8

RGB 221 69 168

HSL 320.92, 0.69%, 0.57%

LAB 54.51, 67.68, -20.86

 

CMYK 0 / 69 / 43 / 13

HEX #DD457F

RGB 221 69 127

HSL 337.11, 0.69%, 0.57%

LAB 53.12, 63.06, 1.33

 

CMYK 0 / 69 / 61 / 13

HEX #DD4557

RGB 221 69 87

HSL 352.89, 0.69%, 0.57%

LAB 52.19, 59.84, 23.97

 

CMYK 0 / 58 / 69 / 13

HEX #DD5C45

RGB 221 92 69

HSL 9.08, 0.69%, 0.57%

LAB 55.54, 49.07, 38.45

 

CMYK 0 / 82 / 51 / 31

HEX #AF2056

RGB 175 32 86

HSL 337.34, 0.69%, 0.41%

LAB 39.27, 58.53, 5.53

 

CMYK 0 / 82 / 51 / 18

HEX #D22667

RGB 210 38 103

HSL 337.33, 0.69%, 0.49%

LAB 47.06, 67.55, 6.91

 

CMYK 0 / 69 / 43 / 13

HEX #DD457E

RGB 221 69 126

HSL 337.5, 0.69%, 0.57%

LAB 53.1, 62.97, 1.89

 

CMYK 0 / 54 / 34 / 11

HEX #E36896

RGB 227 104 150

HSL 337.56, 0.69%, 0.65%

LAB 60.28, 52.46, -1.63

 

CMYK 0 / 40 / 25 / 9

HEX #E98BAE

RGB 233 139 174

HSL 337.66, 0.68%, 0.73%

LAB 68.64, 40.08, -2.92

 

CMYK 0 / 69 / 43 / 13

HEX #DD457E

RGB 221 69 126

HSL 337.5, 0.69%, 0.57%

LAB 53.1, 62.97, 1.89

 

CMYK 0 / 13 / 69 / 13

HEX #DDC145

RGB 221 193 69

HSL 48.95, 0.69%, 0.57%

LAB 78.43, -3.49, 63.3

 

CMYK 69 / 15 / 0 / 13

HEX #45BCDD

RGB 69 188 221

HSL 193.03, 0.69%, 0.57%

LAB 71.18, -22.63, -26.19

 

CMYK 0 / 69 / 43 / 13

HEX #DD457E

RGB 221 69 126

HSL 337.5, 0.69%, 0.57%

LAB 53.1, 62.97, 1.89

 

CMYK 43 / 0 / 69 / 13

HEX #7FDD45

RGB 127 221 69

HSL 97.11, 0.69%, 0.57%

LAB 79.98, -53.03, 62.93

 

CMYK 69 / 43 / 0 / 13

HEX #457FDD

RGB 69 127 221

HSL 217.11, 0.69%, 0.57%

LAB 53.67, 11.71, -53.61

 

CMYK 0 / 69 / 43 / 13

HEX #DD457E

RGB 221 69 126

HSL 337.5, 0.69%, 0.57%

LAB 53.1, 62.97, 1.89

 

CMYK 0 / 13 / 69 / 13

HEX #DDC145

RGB 221 193 69

HSL 48.95, 0.69%, 0.57%

LAB 78.43, -3.49, 63.3

 

CMYK 69 / 0 / 26 / 13

HEX #45DDA3

RGB 69 221 163

HSL 157.11, 0.69%, 0.57%

LAB 79.4, -53.09, 17.13

 

CMYK 69 / 56 / 0 / 13

HEX #4561DD

RGB 69 97 221

HSL 228.95, 0.69%, 0.57%

LAB 45.68, 30.43, -66.48

 

CMYK 0 / 69 / 43 / 13

HEX #DD457E

RGB 221 69 126

HSL 337.5, 0.69%, 0.57%

LAB 53.1, 62.97, 1.89

 

CMYK 8 / 0 / 69 / 13

HEX #CBDD45

RGB 203 221 69

HSL 67.11, 0.69%, 0.57%

LAB 84.4, -24.98, 68.84

 

CMYK 69 / 0 / 26 / 13

HEX #45DDA3

RGB 69 221 163

HSL 157.11, 0.69%, 0.57%

LAB 79.4, -53.09, 17.13

 

CMYK 61 / 69 / 0 / 13

HEX #5745DD

RGB 87 69 221

HSL 247.11, 0.69%, 0.57%

LAB 40.41, 49.75, -75.03

 

Description

Color code: RGB 221 69 126 | qconv.com Color code: RGB 221 69 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 69 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 69 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 43% 13% C M Y K

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Provide designers and agencies with accurate color values.

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