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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 82 151 it is the complementary color RGB 34 173 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 82 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 82 151 shade: RGB 226 82 146, RGB 243 100 165, RGB 255 118 184, RGB 255 136 203 and RGB 255 154 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 82 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 82 151 shade: RGB 221 82 151, RGB 204 64 132, RGB 187 46 113, RGB 170 28 94 and RGB 153 10 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 82 151 shade: RGB 220 80 149, RGB 220 80 112 and RGB 220 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 82 151 shade: RGB 220 80 149, RGB 220 80 187, RGB 215 80 220, RGB 177 80 220 and RGB 139 80 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 82 151 shade matches the following richer shades: RGB 220 80 149, RGB 237 63 149 and RGB 254 46 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 82 151 shade: RGB 220 80 149, RGB 203 97 150, RGB 186 114 150, RGB 169 131 150 and RGB 152 148 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 82 151 shade: RGB 215 80 220, RGB 220 80 187, RGB 220 80 150, RGB 220 80 113 and RGB 220 85 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 82 151 shade: RGB 182 36 108, RGB 213 45 129, RGB 220 80 149, RGB 227 114 170 and RGB 234 149 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 82 151 shade: RGB 221 82 151, RGB 220 178 80 and RGB 80 206 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 82 151 shade: RGB 221 82 151, RGB 150 220 80 and RGB 80 150 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 82 151 shade: RGB 221 82 151, RGB 220 178 80, RGB 80 220 150 and RGB 80 122 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 82 151 shade: RGB 221 82 151, RGB 220 220 80, RGB 80 220 150 and RGB 80 80 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 32 / 13

HEX #DD5297

RGB 221 82 151

HSL 330.22, 0.67%, 0.59%

LAB 55.73, 60.53, -9.05

 

Complementary color

CMYK 80 / 0 / 40 / 32

HEX #22AD68

RGB 34 173 104

HSL 150.22, 0.67%, 0.41%

LAB 62.7, -51.54, 25.58

 

CMYK 0 / 64 / 35 / 11

HEX #E25292

RGB 226 82 146

HSL 333.33, 0.71%, 0.6%

LAB 56.37, 61.42, -5.08

 

CMYK 0 / 59 / 32 / 5

HEX #F364A5

RGB 243 100 165

HSL 332.73, 0.86%, 0.67%

LAB 62.41, 61.05, -6.86

 

CMYK 0 / 54 / 28 / 0

HEX #FF76B8

RGB 255 118 184

HSL 331.09, 1%, 0.73%

LAB 67.78, 58.96, -9.49

 

CMYK 0 / 47 / 20 / 0

HEX #FF88CB

RGB 255 136 203

HSL 326.22, 1%, 0.77%

LAB 71.68, 52.95, -14.27

 

CMYK 0 / 40 / 13 / 0

HEX #FF9ADE

RGB 255 154 222

HSL 319.6, 1%, 0.8%

LAB 75.85, 46.81, -18.43

 

CMYK 0 / 63 / 32 / 13

HEX #DD5297

RGB 221 82 151

HSL 330.22, 0.67%, 0.59%

LAB 55.73, 60.53, -9.05

 

CMYK 0 / 69 / 35 / 20

HEX #CC4084

RGB 204 64 132

HSL 330.86, 0.58%, 0.53%

LAB 49.7, 60.61, -7.04

 

CMYK 0 / 75 / 40 / 27

HEX #BB2E71

RGB 187 46 113

HSL 331.49, 0.61%, 0.46%

LAB 43.82, 60.17, -4.52

 

CMYK 0 / 84 / 45 / 33

HEX #AA1C5E

RGB 170 28 94

HSL 332.11, 0.72%, 0.39%

LAB 38.17, 58.92, -1.28

 

CMYK 0 / 93 / 51 / 40

HEX #990A4B

RGB 153 10 75

HSL 332.73, 0.88%, 0.32%

LAB 32.91, 56.43, 2.94

 

CMYK 0 / 64 / 32 / 14

HEX #DC5095

RGB 220 80 149

HSL 330.43, 0.67%, 0.59%

LAB 55.2, 60.83, -8.68

 

CMYK 0 / 64 / 49 / 14

HEX #DC5070

RGB 220 80 112

HSL 346.29, 0.67%, 0.59%

LAB 54.16, 57.03, 11.73

 

CMYK 0 / 64 / 64 / 14

HEX #DC5050

RGB 220 80 80

HSL 0, 0.67%, 0.59%

LAB 53.53, 54.66, 29.75

 

CMYK 0 / 64 / 32 / 14

HEX #DC5095

RGB 220 80 149

HSL 330.43, 0.67%, 0.59%

LAB 55.2, 60.83, -8.68

 

CMYK 0 / 64 / 15 / 14

HEX #DC50BB

RGB 220 80 187

HSL 314.14, 0.67%, 0.59%

LAB 56.63, 65.83, -28.64

 

CMYK 2 / 64 / 0 / 14

HEX #D750DC

RGB 215 80 220

HSL 297.86, 0.67%, 0.59%

LAB 57.42, 69.79, -46.28

 

CMYK 20 / 64 / 0 / 14

HEX #B150DC

RGB 177 80 220

HSL 281.57, 0.67%, 0.59%

LAB 52.12, 61.03, -55.03

 

CMYK 37 / 64 / 0 / 14

HEX #8B50DC

RGB 139 80 220

HSL 265.29, 0.67%, 0.59%

LAB 47.49, 52.72, -62.73

 

CMYK 0 / 64 / 32 / 14

HEX #DC5095

RGB 220 80 149

HSL 330.43, 0.67%, 0.59%

LAB 55.2, 60.83, -8.68

 

CMYK 0 / 73 / 37 / 7

HEX #ED3F95

RGB 237 63 149

HSL 330.34, 0.83%, 0.59%

LAB 55.82, 71.67, -7.46

 

CMYK 0 / 82 / 41 / 0

HEX #FE2E95

RGB 254 46 149

HSL 330.29, 0.99%, 0.59%

LAB 57.26, 80.36, -4.98

 

CMYK 0 / 64 / 32 / 14

HEX #DC5095

RGB 220 80 149

HSL 330.43, 0.67%, 0.59%

LAB 55.2, 60.83, -8.68

 

CMYK 0 / 52 / 26 / 20

HEX #CB6196

RGB 203 97 150

HSL 330, 0.5%, 0.59%

LAB 55.53, 48.03, -9.04

 

CMYK 0 / 39 / 19 / 27

HEX #BA7296

RGB 186 114 150

HSL 330, 0.34%, 0.59%

LAB 56.76, 33.39, -7.45

 

CMYK 0 / 22 / 11 / 34

HEX #A98396

RGB 169 131 150

HSL 330, 0.18%, 0.59%

LAB 58.85, 17.73, -4.55

 

CMYK 0 / 3 / 1 / 40

HEX #989496

RGB 152 148 150

HSL 330, 0.02%, 0.59%

LAB 61.7, 1.85, -0.54

 

CMYK 2 / 64 / 0 / 14

HEX #D750DC

RGB 215 80 220

HSL 297.86, 0.67%, 0.59%

LAB 57.42, 69.79, -46.28

 

CMYK 0 / 64 / 15 / 14

HEX #DC50BB

RGB 220 80 187

HSL 314.14, 0.67%, 0.59%

LAB 56.63, 65.83, -28.64

 

CMYK 0 / 64 / 32 / 14

HEX #DC5096

RGB 220 80 150

HSL 330, 0.67%, 0.59%

LAB 55.23, 60.95, -9.22

 

CMYK 0 / 64 / 49 / 14

HEX #DC5071

RGB 220 80 113

HSL 345.86, 0.67%, 0.59%

LAB 54.18, 57.12, 11.17

 

CMYK 0 / 61 / 64 / 14

HEX #DC5550

RGB 220 85 80

HSL 2.14, 0.67%, 0.59%

LAB 54.34, 52.5, 30.77

 

CMYK 0 / 80 / 41 / 29

HEX #B6246C

RGB 182 36 108

HSL 330.41, 0.67%, 0.43%

LAB 41.67, 61.3, -4.69

 

CMYK 0 / 79 / 39 / 16

HEX #D52D81

RGB 213 45 129

HSL 330, 0.67%, 0.51%

LAB 49.02, 68.82, -6.08

 

CMYK 0 / 64 / 32 / 14

HEX #DC5095

RGB 220 80 149

HSL 330.43, 0.67%, 0.59%

LAB 55.2, 60.83, -8.68

 

CMYK 0 / 50 / 25 / 11

HEX #E372AA

RGB 227 114 170

HSL 330.27, 0.67%, 0.67%

LAB 62.73, 50.19, -9.49

 

CMYK 0 / 36 / 18 / 8

HEX #EA95BF

RGB 234 149 191

HSL 330.35, 0.67%, 0.75%

LAB 71.38, 37.67, -8.32

 

CMYK 0 / 63 / 32 / 13

HEX #DD5297

RGB 221 82 151

HSL 330.22, 0.67%, 0.59%

LAB 55.73, 60.53, -9.05

 

CMYK 0 / 19 / 64 / 14

HEX #DCB250

RGB 220 178 80

HSL 42, 0.67%, 0.59%

LAB 74.59, 4.57, 54.51

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 0 / 63 / 32 / 13

HEX #DD5297

RGB 221 82 151

HSL 330.22, 0.67%, 0.59%

LAB 55.73, 60.53, -9.05

 

CMYK 32 / 0 / 64 / 14

HEX #96DC50

RGB 150 220 80

HSL 90, 0.67%, 0.59%

LAB 80.88, -44.07, 59.88

 

CMYK 64 / 32 / 0 / 14

HEX #5096DC

RGB 80 150 220

HSL 210, 0.67%, 0.59%

LAB 60.5, -0.53, -42.19

 

CMYK 0 / 63 / 32 / 13

HEX #DD5297

RGB 221 82 151

HSL 330.22, 0.67%, 0.59%

LAB 55.73, 60.53, -9.05

 

CMYK 0 / 19 / 64 / 14

HEX #DCB250

RGB 220 178 80

HSL 42, 0.67%, 0.59%

LAB 74.59, 4.57, 54.51

 

CMYK 64 / 0 / 32 / 14

HEX #50DC96

RGB 80 220 150

HSL 150, 0.67%, 0.59%

LAB 79.1, -53.55, 23.55

 

CMYK 64 / 45 / 0 / 14

HEX #507ADC

RGB 80 122 220

HSL 222, 0.67%, 0.59%

LAB 52.72, 16.2, -54.54

 

CMYK 0 / 63 / 32 / 13

HEX #DD5297

RGB 221 82 151

HSL 330.22, 0.67%, 0.59%

LAB 55.73, 60.53, -9.05

 

CMYK 0 / 0 / 64 / 14

HEX #DCDC50

RGB 220 220 80

HSL 60, 0.67%, 0.59%

LAB 85.49, -16.93, 66.17

 

CMYK 64 / 0 / 32 / 14

HEX #50DC96

RGB 80 220 150

HSL 150, 0.67%, 0.59%

LAB 79.1, -53.55, 23.55

 

CMYK 64 / 64 / 0 / 14

HEX #5050DC

RGB 80 80 220

HSL 240, 0.67%, 0.59%

LAB 42.17, 42.11, -71.61

 

Description

Color code: RGB 221 82 151 | qconv.com Color code: RGB 221 82 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 82 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 82 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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