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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 109 104 it is the complementary color RGB 33 146 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 109 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 109 104 shade: RGB 227 109 99, RGB 244 127 118, RGB 255 145 137, RGB 255 163 156 and RGB 255 181 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 109 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 109 104 shade: RGB 222 109 104, RGB 205 91 85, RGB 188 73 66, RGB 171 55 47 and RGB 154 37 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 109 104 shade: RGB 221 109 104 and RGB 221 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 109 104 shade: RGB 221 109 104, RGB 221 141 104, RGB 221 172 104, RGB 221 204 104 and RGB 207 221 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 109 104 shade matches the following richer shades: RGB 221 109 104, RGB 236 95 89 and RGB 251 82 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 109 104 shade: RGB 221 109 104, RGB 207 123 119, RGB 192 136 134, RGB 177 150 149 and RGB 162 163 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 109 104 shade: RGB 221 104 163, RGB 221 104 131, RGB 221 108 104, RGB 221 139 104 and RGB 221 171 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 109 104 shade: RGB 199 50 43, RGB 214 76 70, RGB 221 109 104, RGB 229 142 138 and RGB 236 174 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 109 104 shade: RGB 222 109 104, RGB 194 221 104 and RGB 104 147 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 109 104 shade: RGB 222 109 104, RGB 104 221 108 and RGB 108 104 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 109 104 shade: RGB 222 109 104, RGB 194 221 104, RGB 104 218 221 and RGB 131 104 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 109 104 shade: RGB 222 109 104, RGB 159 221 104, RGB 104 218 221 and RGB 167 104 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 53 / 13

HEX #DE6D68

RGB 222 109 104

HSL 2.54, 0.64%, 0.64%

LAB 59.4, 43.62, 23.61

 

Complementary color

CMYK 78 / 3 / 0 / 41

HEX #219297

RGB 33 146 151

HSL 182.54, 0.64%, 0.36%

LAB 55.19, -27.98, -11.42

 

CMYK 0 / 52 / 56 / 11

HEX #E36D63

RGB 227 109 99

HSL 4.69, 0.7%, 0.64%

LAB 60.04, 45.05, 27.43

 

CMYK 0 / 48 / 52 / 4

HEX #F47F76

RGB 244 127 118

HSL 4.29, 0.85%, 0.71%

LAB 66.31, 43.87, 25.45

 

CMYK 0 / 43 / 46 / 0

HEX #FF9189

RGB 255 145 137

HSL 4.07, 1%, 0.77%

LAB 71.77, 40.55, 22.53

 

CMYK 0 / 36 / 39 / 0

HEX #FFA39C

RGB 255 163 156

HSL 4.24, 1%, 0.81%

LAB 75.98, 33.26, 17.9

 

CMYK 0 / 29 / 31 / 0

HEX #FFB5AF

RGB 255 181 175

HSL 4.5, 1%, 0.84%

LAB 80.41, 26.1, 13.81

 

CMYK 0 / 51 / 53 / 13

HEX #DE6D68

RGB 222 109 104

HSL 2.54, 0.64%, 0.64%

LAB 59.4, 43.62, 23.61

 

CMYK 0 / 56 / 59 / 20

HEX #CD5B55

RGB 205 91 85

HSL 3, 0.55%, 0.57%

LAB 53.08, 44.78, 25.78

 

CMYK 0 / 61 / 65 / 26

HEX #BC4942

RGB 188 73 66

HSL 3.44, 0.48%, 0.5%

LAB 46.78, 45.9, 28.33

 

CMYK 0 / 68 / 73 / 33

HEX #AB372F

RGB 171 55 47

HSL 3.87, 0.57%, 0.43%

LAB 40.57, 46.85, 31.36

 

CMYK 0 / 76 / 82 / 40

HEX #9A251C

RGB 154 37 28

HSL 4.29, 0.69%, 0.36%

LAB 34.55, 47.39, 34.85

 

CMYK 0 / 51 / 53 / 13

HEX #DD6D68

RGB 221 109 104

HSL 2.56, 0.63%, 0.64%

LAB 59.26, 43.26, 23.4

 

CMYK 0 / 53 / 53 / 13

HEX #DD6868

RGB 221 104 104

HSL 0, 0.63%, 0.64%

LAB 58.29, 45.73, 22.11

 

CMYK 0 / 51 / 53 / 13

HEX #DD6D68

RGB 221 109 104

HSL 2.56, 0.63%, 0.64%

LAB 59.26, 43.26, 23.4

 

CMYK 0 / 36 / 53 / 13

HEX #DD8D68

RGB 221 141 104

HSL 18.97, 0.63%, 0.64%

LAB 66.08, 26.59, 32.3

 

CMYK 0 / 22 / 53 / 13

HEX #DDAC68

RGB 221 172 104

HSL 34.87, 0.63%, 0.64%

LAB 73.47, 9.96, 41.57

 

CMYK 0 / 8 / 53 / 13

HEX #DDCC68

RGB 221 204 104

HSL 51.28, 0.63%, 0.64%

LAB 81.6, -6.79, 51.36

 

CMYK 6 / 0 / 53 / 13

HEX #CFDD68

RGB 207 221 104

HSL 67.18, 0.63%, 0.64%

LAB 84.99, -20.94, 55.03

 

CMYK 0 / 51 / 53 / 13

HEX #DD6D68

RGB 221 109 104

HSL 2.56, 0.63%, 0.64%

LAB 59.26, 43.26, 23.4

 

CMYK 0 / 60 / 62 / 7

HEX #EC5F59

RGB 236 95 89

HSL 2.45, 0.79%, 0.64%

LAB 58.73, 54.09, 31.7

 

CMYK 0 / 67 / 71 / 2

HEX #FB524A

RGB 251 82 74

HSL 2.71, 0.96%, 0.64%

LAB 59.01, 63.58, 41.01

 

CMYK 0 / 51 / 53 / 13

HEX #DD6D68

RGB 221 109 104

HSL 2.56, 0.63%, 0.64%

LAB 59.26, 43.26, 23.4

 

CMYK 0 / 41 / 43 / 19

HEX #CF7B77

RGB 207 123 119

HSL 2.73, 0.48%, 0.64%

LAB 60.57, 32.2, 16.29

 

CMYK 0 / 29 / 30 / 25

HEX #C08886

RGB 192 136 134

HSL 2.07, 0.32%, 0.64%

LAB 62.11, 21.16, 9.63

 

CMYK 0 / 15 / 16 / 31

HEX #B19695

RGB 177 150 149

HSL 2.14, 0.15%, 0.64%

LAB 64.43, 9.87, 4.26

 

CMYK 1 / 0 / 0 / 36

HEX #A2A3A3

RGB 162 163 163

HSL 180, 0.01%, 0.64%

LAB 66.92, -0.35, -0.13

 

CMYK 0 / 53 / 26 / 13

HEX #DD68A3

RGB 221 104 163

HSL 329.74, 0.63%, 0.64%

LAB 59.81, 52.17, -9.92

 

CMYK 0 / 53 / 41 / 13

HEX #DD6883

RGB 221 104 131

HSL 346.15, 0.63%, 0.64%

LAB 58.89, 48.31, 7.28

 

CMYK 0 / 51 / 53 / 13

HEX #DD6C68

RGB 221 108 104

HSL 2.05, 0.63%, 0.64%

LAB 59.06, 43.75, 23.14

 

CMYK 0 / 37 / 53 / 13

HEX #DD8B68

RGB 221 139 104

HSL 17.95, 0.63%, 0.64%

LAB 65.62, 27.66, 31.72

 

CMYK 0 / 23 / 53 / 13

HEX #DDAB68

RGB 221 171 104

HSL 34.36, 0.63%, 0.64%

LAB 73.22, 10.49, 41.27

 

CMYK 0 / 75 / 78 / 22

HEX #C7322B

RGB 199 50 43

HSL 2.69, 0.64%, 0.47%

LAB 45.08, 57.64, 40.07

 

CMYK 0 / 64 / 67 / 16

HEX #D64C46

RGB 214 76 70

HSL 2.5, 0.64%, 0.56%

LAB 51.73, 53.78, 33.08

 

CMYK 0 / 51 / 53 / 13

HEX #DD6D68

RGB 221 109 104

HSL 2.56, 0.63%, 0.64%

LAB 59.26, 43.26, 23.4

 

CMYK 0 / 38 / 40 / 10

HEX #E58E8A

RGB 229 142 138

HSL 2.64, 0.64%, 0.72%

LAB 67.9, 32.54, 16.14

 

CMYK 0 / 26 / 27 / 7

HEX #ECAEAC

RGB 236 174 172

HSL 1.87, 0.63%, 0.8%

LAB 76.73, 22.38, 9.94

 

CMYK 0 / 51 / 53 / 13

HEX #DE6D68

RGB 222 109 104

HSL 2.54, 0.64%, 0.64%

LAB 59.4, 43.62, 23.61

 

CMYK 12 / 0 / 53 / 13

HEX #C2DD68

RGB 194 221 104

HSL 73.85, 0.63%, 0.64%

LAB 84.06, -26.05, 53.72

 

CMYK 53 / 33 / 0 / 13

HEX #6893DD

RGB 104 147 221

HSL 217.95, 0.63%, 0.64%

LAB 60.81, 6.28, -42.19

 

CMYK 0 / 51 / 53 / 13

HEX #DE6D68

RGB 222 109 104

HSL 2.54, 0.64%, 0.64%

LAB 59.4, 43.62, 23.61

 

CMYK 53 / 0 / 51 / 13

HEX #68DD6C

RGB 104 221 108

HSL 122.05, 0.63%, 0.64%

LAB 79.46, -55.61, 45.24

 

CMYK 51 / 53 / 0 / 13

HEX #6C68DD

RGB 108 104 221

HSL 242.05, 0.63%, 0.64%

LAB 49.87, 32.92, -59.59

 

CMYK 0 / 51 / 53 / 13

HEX #DE6D68

RGB 222 109 104

HSL 2.54, 0.64%, 0.64%

LAB 59.4, 43.62, 23.61

 

CMYK 12 / 0 / 53 / 13

HEX #C2DD68

RGB 194 221 104

HSL 73.85, 0.63%, 0.64%

LAB 84.06, -26.05, 53.72

 

CMYK 53 / 1 / 0 / 13

HEX #68DADD

RGB 104 218 221

HSL 181.54, 0.63%, 0.64%

LAB 80.91, -31.42, -11.37

 

CMYK 41 / 53 / 0 / 13

HEX #8368DD

RGB 131 104 221

HSL 253.85, 0.63%, 0.64%

LAB 51.78, 38, -56.42

 

CMYK 0 / 51 / 53 / 13

HEX #DE6D68

RGB 222 109 104

HSL 2.54, 0.64%, 0.64%

LAB 59.4, 43.62, 23.61

 

CMYK 28 / 0 / 53 / 13

HEX #9FDD68

RGB 159 221 104

HSL 91.79, 0.63%, 0.64%

LAB 81.88, -39.11, 50.62

 

CMYK 53 / 1 / 0 / 13

HEX #68DADD

RGB 104 218 221

HSL 181.54, 0.63%, 0.64%

LAB 80.91, -31.42, -11.37

 

CMYK 24 / 53 / 0 / 13

HEX #A768DD

RGB 167 104 221

HSL 272.31, 0.63%, 0.64%

LAB 55.42, 46.89, -50.4

 

Description

Color code: RGB 222 109 104 | qconv.com Color code: RGB 222 109 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 109 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 109 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 53 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 53% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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