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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 148 182 it is the complementary color RGB 32 107 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 148 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 148 182 shade: RGB 228 148 177, RGB 245 166 196, RGB 255 184 215, RGB 255 202 234 and RGB 255 220 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 148 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 148 182 shade: RGB 223 148 182, RGB 206 130 163, RGB 189 112 144, RGB 172 94 125 and RGB 155 76 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 148 182 shade: RGB 223 148 182, RGB 223 148 162 and RGB 223 148 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 148 182 shade: RGB 223 148 182, RGB 223 148 202, RGB 223 148 222, RGB 203 148 223 and RGB 183 148 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 148 182 shade matches the following richer shades: RGB 223 148 182, RGB 234 137 181 and RGB 245 126 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 148 182 shade: RGB 223 148 182, RGB 212 160 183, RGB 201 171 184, RGB 189 182 185 and RGB 178 193 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 148 182 shade: RGB 223 148 223, RGB 223 148 203, RGB 223 148 183, RGB 223 148 163 and RGB 223 153 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 148 182 shade: RGB 204 85 139, RGB 213 117 161, RGB 223 148 182, RGB 232 180 204 and RGB 242 212 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 148 182 shade: RGB 223 148 182, RGB 223 203 148 and RGB 148 213 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 148 182 shade: RGB 223 148 182, RGB 183 223 148 and RGB 148 183 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 148 182 shade: RGB 223 148 182, RGB 223 203 148, RGB 148 223 188 and RGB 148 168 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 148 182 shade: RGB 223 148 182, RGB 220 223 148, RGB 148 223 188 and RGB 151 148 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 18 / 13

HEX #DF94B6

RGB 223 148 182

HSL 332.8, 0.54%, 0.73%

LAB 69.64, 33.03, -6.04

 

Complementary color

CMYK 70 / 0 / 32 / 58

HEX #206B49

RGB 32 107 73

HSL 152.8, 0.54%, 0.27%

LAB 40.09, -31.61, 12.54

 

CMYK 0 / 35 / 22 / 11

HEX #E494B1

RGB 228 148 177

HSL 338.25, 0.6%, 0.74%

LAB 70.07, 34.03, -2.56

 

CMYK 0 / 32 / 20 / 4

HEX #F5A6C4

RGB 245 166 196

HSL 337.22, 0.8%, 0.81%

LAB 76.48, 33.27, -3.4

 

CMYK 0 / 28 / 16 / 0

HEX #FFB8D7

RGB 255 184 215

HSL 333.8, 1%, 0.86%

LAB 82.08, 30.16, -5.33

 

CMYK 0 / 21 / 8 / 0

HEX #FFCAEA

RGB 255 202 234

HSL 323.77, 1%, 0.9%

LAB 86.72, 23.77, -8.61

 

CMYK 0 / 14 / 1 / 0

HEX #FFDCFD

RGB 255 220 253

HSL 303.43, 1%, 0.93%

LAB 91.48, 17.63, -11.55

 

CMYK 0 / 34 / 18 / 13

HEX #DF94B6

RGB 223 148 182

HSL 332.8, 0.54%, 0.73%

LAB 69.64, 33.03, -6.04

 

CMYK 0 / 37 / 21 / 19

HEX #CE82A3

RGB 206 130 163

HSL 333.95, 0.44%, 0.66%

LAB 63.12, 33.81, -5.21

 

CMYK 0 / 41 / 24 / 26

HEX #BD7090

RGB 189 112 144

HSL 335.06, 0.37%, 0.59%

LAB 56.51, 34.63, -4.29

 

CMYK 0 / 45 / 27 / 33

HEX #AC5E7D

RGB 172 94 125

HSL 336.15, 0.32%, 0.52%

LAB 49.81, 35.5, -3.23

 

CMYK 0 / 51 / 32 / 39

HEX #9B4C6A

RGB 155 76 106

HSL 337.22, 0.34%, 0.45%

LAB 43.03, 36.38, -1.96

 

CMYK 0 / 34 / 18 / 13

HEX #DF94B6

RGB 223 148 182

HSL 332.8, 0.54%, 0.73%

LAB 69.64, 33.03, -6.04

 

CMYK 0 / 34 / 27 / 13

HEX #DF94A2

RGB 223 148 162

HSL 348.8, 0.54%, 0.73%

LAB 69.09, 30.12, 4.32

 

CMYK 0 / 34 / 34 / 13

HEX #DF9494

RGB 223 148 148

HSL 0, 0.54%, 0.73%

LAB 68.76, 28.28, 11.65

 

CMYK 0 / 34 / 18 / 13

HEX #DF94B6

RGB 223 148 182

HSL 332.8, 0.54%, 0.73%

LAB 69.64, 33.03, -6.04

 

CMYK 0 / 34 / 9 / 13

HEX #DF94CA

RGB 223 148 202

HSL 316.8, 0.54%, 0.73%

LAB 70.27, 36.26, -16.22

 

CMYK 0 / 34 / 0 / 13

HEX #DF94DE

RGB 223 148 222

HSL 300.8, 0.54%, 0.73%

LAB 70.97, 39.78, -26.2

 

CMYK 9 / 34 / 0 / 13

HEX #CB94DF

RGB 203 148 223

HSL 284, 0.54%, 0.73%

LAB 68.9, 33.71, -30.11

 

CMYK 18 / 34 / 0 / 13

HEX #B794DF

RGB 183 148 223

HSL 268, 0.54%, 0.73%

LAB 66.96, 27.56, -33.27

 

CMYK 0 / 34 / 18 / 13

HEX #DF94B6

RGB 223 148 182

HSL 332.8, 0.54%, 0.73%

LAB 69.64, 33.03, -6.04

 

CMYK 0 / 41 / 23 / 8

HEX #EA89B5

RGB 234 137 181

HSL 332.78, 0.7%, 0.73%

LAB 68.55, 42.45, -6.96

 

CMYK 0 / 49 / 27 / 4

HEX #F57EB4

RGB 245 126 180

HSL 332.77, 0.86%, 0.73%

LAB 67.75, 51.48, -7.43

 

CMYK 0 / 34 / 18 / 13

HEX #DF94B6

RGB 223 148 182

HSL 332.8, 0.54%, 0.73%

LAB 69.64, 33.03, -6.04

 

CMYK 0 / 25 / 14 / 17

HEX #D4A0B7

RGB 212 160 183

HSL 333.46, 0.38%, 0.73%

LAB 71.25, 22.82, -4.35

 

CMYK 0 / 15 / 8 / 21

HEX #C9ABB8

RGB 201 171 184

HSL 334, 0.22%, 0.73%

LAB 72.89, 13.07, -2.6

 

CMYK 0 / 4 / 2 / 26

HEX #BDB6B9

RGB 189 182 185

HSL 334.29, 0.05%, 0.73%

LAB 74.68, 3.02, -0.65

 

CMYK 8 / 0 / 4 / 24

HEX #B2C1BA

RGB 178 193 186

HSL 152, 0.11%, 0.73%

LAB 76.77, -6.47, 1.75

 

CMYK 0 / 34 / 0 / 13

HEX #DF94DF

RGB 223 148 223

HSL 300, 0.54%, 0.73%

LAB 71.01, 39.96, -26.69

 

CMYK 0 / 34 / 9 / 13

HEX #DF94CB

RGB 223 148 203

HSL 316, 0.54%, 0.73%

LAB 70.3, 36.43, -16.72

 

CMYK 0 / 34 / 18 / 13

HEX #DF94B7

RGB 223 148 183

HSL 332, 0.54%, 0.73%

LAB 69.67, 33.18, -6.55

 

CMYK 0 / 34 / 27 / 13

HEX #DF94A3

RGB 223 148 163

HSL 348, 0.54%, 0.73%

LAB 69.12, 30.25, 3.8

 

CMYK 0 / 31 / 34 / 13

HEX #DF9994

RGB 223 153 148

HSL 4, 0.54%, 0.73%

LAB 69.9, 25.6, 13.26

 

CMYK 0 / 58 / 32 / 20

HEX #CC558B

RGB 204 85 139

HSL 332.77, 0.54%, 0.57%

LAB 53.17, 52.62, -6.07

 

CMYK 0 / 45 / 24 / 16

HEX #D575A1

RGB 213 117 161

HSL 332.5, 0.53%, 0.65%

LAB 61.17, 42.8, -6.87

 

CMYK 0 / 34 / 18 / 13

HEX #DF94B6

RGB 223 148 182

HSL 332.8, 0.54%, 0.73%

LAB 69.64, 33.03, -6.04

 

CMYK 0 / 22 / 12 / 9

HEX #E8B4CC

RGB 232 180 204

HSL 332.31, 0.53%, 0.81%

LAB 78.55, 22.54, -4.85

 

CMYK 0 / 12 / 7 / 5

HEX #F2D4E2

RGB 242 212 226

HSL 332, 0.54%, 0.89%

LAB 87.71, 12.74, -3.05

 

CMYK 0 / 34 / 18 / 13

HEX #DF94B6

RGB 223 148 182

HSL 332.8, 0.54%, 0.73%

LAB 69.64, 33.03, -6.04

 

CMYK 0 / 9 / 34 / 13

HEX #DFCB94

RGB 223 203 148

HSL 44, 0.54%, 0.73%

LAB 82.13, -1, 30.01

 

CMYK 34 / 4 / 0 / 13

HEX #94D5DF

RGB 148 213 223

HSL 188, 0.54%, 0.73%

LAB 81.41, -18.06, -11.5

 

CMYK 0 / 34 / 18 / 13

HEX #DF94B6

RGB 223 148 182

HSL 332.8, 0.54%, 0.73%

LAB 69.64, 33.03, -6.04

 

CMYK 18 / 0 / 34 / 13

HEX #B7DF94

RGB 183 223 148

HSL 92, 0.54%, 0.73%

LAB 84.47, -26.08, 32.6

 

CMYK 34 / 18 / 0 / 13

HEX #94B7DF

RGB 148 183 223

HSL 212, 0.54%, 0.73%

LAB 73.21, -2.3, -23.87

 

CMYK 0 / 34 / 18 / 13

HEX #DF94B6

RGB 223 148 182

HSL 332.8, 0.54%, 0.73%

LAB 69.64, 33.03, -6.04

 

CMYK 0 / 9 / 34 / 13

HEX #DFCB94

RGB 223 203 148

HSL 44, 0.54%, 0.73%

LAB 82.13, -1, 30.01

 

CMYK 34 / 0 / 16 / 13

HEX #94DFBC

RGB 148 223 188

HSL 152, 0.54%, 0.73%

LAB 83.29, -30.68, 9.84

 

CMYK 34 / 25 / 0 / 13

HEX #94A8DF

RGB 148 168 223

HSL 224, 0.54%, 0.73%

LAB 69.2, 5.98, -30.02

 

CMYK 0 / 34 / 18 / 13

HEX #DF94B6

RGB 223 148 182

HSL 332.8, 0.54%, 0.73%

LAB 69.64, 33.03, -6.04

 

CMYK 1 / 0 / 34 / 13

HEX #DCDF94

RGB 220 223 148

HSL 62.4, 0.54%, 0.73%

LAB 87.06, -12.35, 36.48

 

CMYK 34 / 0 / 16 / 13

HEX #94DFBC

RGB 148 223 188

HSL 152, 0.54%, 0.73%

LAB 83.29, -30.68, 9.84

 

CMYK 32 / 34 / 0 / 13

HEX #9794DF

RGB 151 148 223

HSL 242.4, 0.54%, 0.73%

LAB 64.23, 18.18, -37.72

 

Description

Color code: RGB 223 148 182 | qconv.com Color code: RGB 223 148 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 148 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 148 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 18 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 18% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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