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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 158 184 it is the complementary color RGB 32 97 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 158 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 158 184 shade: RGB 228 158 179, RGB 245 176 198, RGB 255 194 217, RGB 255 212 236 and RGB 255 230 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 158 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 158 184 shade: RGB 223 158 184, RGB 206 140 165, RGB 189 122 146, RGB 172 104 127 and RGB 155 86 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 158 184 shade: RGB 223 159 184, RGB 223 159 167 and RGB 223 159 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 158 184 shade: RGB 223 159 184, RGB 223 159 202, RGB 223 159 219, RGB 209 159 223 and RGB 192 159 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 158 184 shade matches the following richer shades: RGB 223 159 184, RGB 233 149 182, RGB 243 138 180 and RGB 254 128 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 158 184 shade: RGB 223 159 184, RGB 212 169 186, RGB 202 180 189, RGB 192 190 191 and RGB 181 200 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 158 184 shade: RGB 223 159 218, RGB 223 159 201, RGB 223 159 184, RGB 223 159 167 and RGB 223 167 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 158 184 shade: RGB 202 97 139, RGB 212 128 162, RGB 223 159 184, RGB 233 190 207 and RGB 243 221 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 158 184 shade: RGB 223 158 184, RGB 223 210 159 and RGB 159 210 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 158 184 shade: RGB 223 158 184, RGB 184 223 159 and RGB 159 184 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 158 184 shade: RGB 223 158 184, RGB 223 210 159, RGB 159 223 197 and RGB 159 172 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 158 184 shade: RGB 223 158 184, RGB 216 223 159, RGB 159 223 197 and RGB 165 159 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 17 / 13

HEX #DF9EB8

RGB 223 158 184

HSL 336, 0.5%, 0.75%

LAB 71.96, 27.98, -3.72

 

Complementary color

CMYK 67 / 0 / 27 / 62

HEX #206147

RGB 32 97 71

HSL 156, 0.5%, 0.25%

LAB 36.58, -27.45, 8.88

 

CMYK 0 / 31 / 21 / 11

HEX #E49EB3

RGB 228 158 179

HSL 342, 0.56%, 0.76%

LAB 72.36, 29, -0.31

 

CMYK 0 / 28 / 19 / 4

HEX #F5B0C6

RGB 245 176 198

HSL 340.87, 0.78%, 0.83%

LAB 78.78, 28.3, -1.12

 

CMYK 0 / 24 / 15 / 0

HEX #FFC2D9

RGB 255 194 217

HSL 337.38, 1%, 0.88%

LAB 84.41, 25.22, -2.97

 

CMYK 0 / 17 / 7 / 0

HEX #FFD4EC

RGB 255 212 236

HSL 326.51, 1%, 0.92%

LAB 89.11, 18.86, -6.12

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 0 / 29 / 17 / 13

HEX #DF9EB8

RGB 223 158 184

HSL 336, 0.5%, 0.75%

LAB 71.96, 27.98, -3.72

 

CMYK 0 / 32 / 20 / 19

HEX #CE8CA5

RGB 206 140 165

HSL 337.27, 0.4%, 0.68%

LAB 65.43, 28.7, -2.94

 

CMYK 0 / 35 / 23 / 26

HEX #BD7A92

RGB 189 122 146

HSL 338.51, 0.34%, 0.61%

LAB 58.8, 29.48, -2.07

 

CMYK 0 / 40 / 26 / 33

HEX #AC687F

RGB 172 104 127

HSL 339.71, 0.29%, 0.54%

LAB 52.07, 30.33, -1.09

 

CMYK 0 / 45 / 30 / 39

HEX #9B566C

RGB 155 86 108

HSL 340.87, 0.29%, 0.47%

LAB 45.23, 31.24, 0.04

 

CMYK 0 / 29 / 17 / 13

HEX #DF9FB8

RGB 223 159 184

HSL 336.56, 0.5%, 0.75%

LAB 72.19, 27.44, -3.39

 

CMYK 0 / 29 / 25 / 13

HEX #DF9FA7

RGB 223 159 167

HSL 352.5, 0.5%, 0.75%

LAB 71.74, 24.91, 5.36

 

CMYK 0 / 29 / 29 / 13

HEX #DF9F9F

RGB 223 159 159

HSL 0, 0.5%, 0.75%

LAB 71.55, 23.8, 9.5

 

CMYK 0 / 29 / 17 / 13

HEX #DF9FB8

RGB 223 159 184

HSL 336.56, 0.5%, 0.75%

LAB 72.19, 27.44, -3.39

 

CMYK 0 / 29 / 9 / 13

HEX #DF9FCA

RGB 223 159 202

HSL 319.69, 0.5%, 0.75%

LAB 72.73, 30.37, -12.52

 

CMYK 0 / 29 / 2 / 13

HEX #DF9FDB

RGB 223 159 219

HSL 303.75, 0.5%, 0.75%

LAB 73.28, 33.36, -21.02

 

CMYK 6 / 29 / 0 / 13

HEX #D19FDF

RGB 209 159 223

HSL 286.88, 0.5%, 0.75%

LAB 72.01, 29.6, -25.28

 

CMYK 14 / 29 / 0 / 13

HEX #C09FDF

RGB 192 159 223

HSL 270.94, 0.5%, 0.75%

LAB 70.41, 24.22, -27.88

 

CMYK 0 / 29 / 17 / 13

HEX #DF9FB8

RGB 223 159 184

HSL 336.56, 0.5%, 0.75%

LAB 72.19, 27.44, -3.39

 

CMYK 0 / 36 / 22 / 9

HEX #E995B6

RGB 233 149 182

HSL 336.43, 0.66%, 0.75%

LAB 71.01, 35.99, -3.9

 

CMYK 0 / 43 / 26 / 5

HEX #F38AB4

RGB 243 138 180

HSL 336, 0.81%, 0.75%

LAB 69.84, 44.84, -4.36

 

CMYK 0 / 50 / 30 / 0

HEX #FE80B2

RGB 254 128 178

HSL 336.19, 0.98%, 0.75%

LAB 69.27, 53.18, -3.92

 

CMYK 0 / 29 / 17 / 13

HEX #DF9FB8

RGB 223 159 184

HSL 336.56, 0.5%, 0.75%

LAB 72.19, 27.44, -3.39

 

CMYK 0 / 20 / 12 / 17

HEX #D4A9BA

RGB 212 169 186

HSL 336.28, 0.33%, 0.75%

LAB 73.49, 18.43, -2.7

 

CMYK 0 / 11 / 6 / 21

HEX #CAB4BD

RGB 202 180 189

HSL 335.45, 0.17%, 0.75%

LAB 75.37, 9.41, -1.69

 

CMYK 0 / 1 / 1 / 25

HEX #C0BEBF

RGB 192 190 191

HSL 330, 0.02%, 0.75%

LAB 77.16, 0.88, -0.27

 

CMYK 10 / 0 / 4 / 22

HEX #B5C8C1

RGB 181 200 193

HSL 157.89, 0.15%, 0.75%

LAB 79.03, -7.78, 1.29

 

CMYK 0 / 29 / 2 / 13

HEX #DF9FDA

RGB 223 159 218

HSL 304.69, 0.5%, 0.75%

LAB 73.25, 33.18, -20.52

 

CMYK 0 / 29 / 10 / 13

HEX #DF9FC9

RGB 223 159 201

HSL 320.63, 0.5%, 0.75%

LAB 72.69, 30.2, -12.02

 

CMYK 0 / 29 / 17 / 13

HEX #DF9FB8

RGB 223 159 184

HSL 336.56, 0.5%, 0.75%

LAB 72.19, 27.44, -3.39

 

CMYK 0 / 29 / 25 / 13

HEX #DF9FA7

RGB 223 159 167

HSL 352.5, 0.5%, 0.75%

LAB 71.74, 24.91, 5.36

 

CMYK 0 / 25 / 29 / 13

HEX #DFA79F

RGB 223 167 159

HSL 7.5, 0.5%, 0.75%

LAB 73.43, 19.5, 12.18

 

CMYK 0 / 52 / 31 / 21

HEX #CA618B

RGB 202 97 139

HSL 336, 0.5%, 0.59%

LAB 55.04, 46.24, -3.33

 

CMYK 0 / 40 / 24 / 17

HEX #D480A2

RGB 212 128 162

HSL 335.71, 0.49%, 0.67%

LAB 63.38, 36.84, -4.18

 

CMYK 0 / 29 / 17 / 13

HEX #DF9FB8

RGB 223 159 184

HSL 336.56, 0.5%, 0.75%

LAB 72.19, 27.44, -3.39

 

CMYK 0 / 18 / 11 / 9

HEX #E9BECF

RGB 233 190 207

HSL 336.28, 0.49%, 0.83%

LAB 81.1, 18.05, -2.71

 

CMYK 0 / 9 / 5 / 5

HEX #F3DDE6

RGB 243 221 230

HSL 335.45, 0.48%, 0.91%

LAB 90.08, 9.06, -1.66

 

CMYK 0 / 29 / 17 / 13

HEX #DF9EB8

RGB 223 158 184

HSL 336, 0.5%, 0.75%

LAB 71.96, 27.98, -3.72

 

CMYK 0 / 6 / 29 / 13

HEX #DFD29F

RGB 223 210 159

HSL 47.81, 0.5%, 0.75%

LAB 84.11, -3.24, 26.95

 

CMYK 29 / 6 / 0 / 13

HEX #9FD2DF

RGB 159 210 223

HSL 192.19, 0.5%, 0.75%

LAB 81.18, -13.46, -11.78

 

CMYK 0 / 29 / 17 / 13

HEX #DF9EB8

RGB 223 158 184

HSL 336, 0.5%, 0.75%

LAB 71.96, 27.98, -3.72

 

CMYK 17 / 0 / 29 / 13

HEX #B8DF9F

RGB 184 223 159

HSL 96.56, 0.5%, 0.75%

LAB 84.72, -24.14, 27.3

 

CMYK 29 / 17 / 0 / 13

HEX #9FB8DF

RGB 159 184 223

HSL 216.56, 0.5%, 0.75%

LAB 74.18, 0.3, -22.34

 

CMYK 0 / 29 / 17 / 13

HEX #DF9EB8

RGB 223 158 184

HSL 336, 0.5%, 0.75%

LAB 71.96, 27.98, -3.72

 

CMYK 0 / 6 / 29 / 13

HEX #DFD29F

RGB 223 210 159

HSL 47.81, 0.5%, 0.75%

LAB 84.11, -3.24, 26.95

 

CMYK 29 / 0 / 12 / 13

HEX #9FDFC5

RGB 159 223 197

HSL 155.63, 0.5%, 0.75%

LAB 84.06, -25.61, 6.27

 

CMYK 29 / 23 / 0 / 13

HEX #9FACDF

RGB 159 172 223

HSL 227.81, 0.5%, 0.75%

LAB 71.01, 6.9, -27.18

 

CMYK 0 / 29 / 17 / 13

HEX #DF9EB8

RGB 223 158 184

HSL 336, 0.5%, 0.75%

LAB 71.96, 27.98, -3.72

 

CMYK 3 / 0 / 29 / 13

HEX #D8DF9F

RGB 216 223 159

HSL 66.56, 0.5%, 0.75%

LAB 86.94, -12.49, 30.66

 

CMYK 29 / 0 / 12 / 13

HEX #9FDFC5

RGB 159 223 197

HSL 155.63, 0.5%, 0.75%

LAB 84.06, -25.61, 6.27

 

CMYK 26 / 29 / 0 / 13

HEX #A59FDF

RGB 165 159 223

HSL 245.63, 0.5%, 0.75%

LAB 68.11, 15.96, -31.61

 

Description

Color code: RGB 223 158 184 | qconv.com Color code: RGB 223 158 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 158 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 158 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 17 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 17% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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