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Color name
RGB 224 198 212

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 198 212 it is the complementary color RGB 31 57 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 198 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 198 212 shade: RGB 229 198 207, RGB 246 216 226, RGB 255 234 245 and RGB 255 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 198 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 198 212 shade: RGB 224 198 212, RGB 207 180 193, RGB 190 162 174, RGB 173 144 155 and RGB 156 126 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 198 212 shade: RGB 224 198 212, RGB 224 198 205 and RGB 224 198 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 198 212 shade: RGB 224 198 212, RGB 224 198 219, RGB 222 198 224, RGB 215 198 224 and RGB 208 198 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 198 212 shade matches the following richer shades: RGB 224 198 212, RGB 231 191 213, RGB 238 184 213, RGB 245 177 214 and RGB 252 170 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 198 212 shade: RGB 224 198 212, RGB 217 205 212, RGB 210 212 211, RGB 203 219 211 and RGB 196 226 210

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 198 212 shade: RGB 222 198 224, RGB 224 198 219, RGB 224 198 212, RGB 224 198 206 and RGB 224 198 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 198 212 shade: RGB 195 145 172, RGB 210 171 192, RGB 224 198 212, RGB 239 225 232 and RGB 253 252 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 198 212 shade: RGB 224 198 212, RGB 224 215 198 and RGB 198 223 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 198 212 shade: RGB 224 198 212, RGB 212 224 198 and RGB 198 212 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 198 212 shade: RGB 224 198 212, RGB 224 215 198, RGB 198 224 210 and RGB 198 207 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 198 212 shade: RGB 224 198 212, RGB 224 223 198, RGB 198 224 210 and RGB 198 199 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

Complementary color

CMYK 46 / 0 / 25 / 78

HEX #1F392B

RGB 31 57 43

HSL 147.69, 0.3%, 0.17%

LAB 21.55, -13.87, 5.64

 

CMYK 0 / 14 / 10 / 10

HEX #E5C6CF

RGB 229 198 207

HSL 342.58, 0.37%, 0.84%

LAB 82.67, 12.4, -0.45

 

CMYK 0 / 12 / 8 / 4

HEX #F6D8E2

RGB 246 216 226

HSL 340, 0.63%, 0.91%

LAB 89.01, 12.02, -1.09

 

CMYK 0 / 8 / 4 / 0

HEX #FFEAF5

RGB 255 234 245

HSL 328.57, 1%, 0.96%

LAB 94.61, 8.97, -2.74

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

CMYK 0 / 13 / 7 / 19

HEX #CFB4C1

RGB 207 180 193

HSL 331.11, 0.22%, 0.76%

LAB 75.92, 11.89, -3.02

 

CMYK 0 / 15 / 8 / 25

HEX #BEA2AE

RGB 190 162 174

HSL 334.29, 0.18%, 0.69%

LAB 69.36, 12.3, -2.39

 

CMYK 0 / 17 / 10 / 32

HEX #AD909B

RGB 173 144 155

HSL 337.24, 0.15%, 0.62%

LAB 62.67, 12.75, -1.73

 

CMYK 0 / 19 / 13 / 39

HEX #9C7E88

RGB 156 126 136

HSL 340, 0.13%, 0.55%

LAB 55.85, 13.25, -1.03

 

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

CMYK 0 / 12 / 8 / 12

HEX #E0C6CD

RGB 224 198 205

HSL 343.85, 0.3%, 0.83%

LAB 82.19, 10.31, -0.14

 

CMYK 0 / 12 / 12 / 12

HEX #E0C6C6

RGB 224 198 198

HSL 0, 0.3%, 0.83%

LAB 82.01, 9.14, 3.35

 

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

CMYK 0 / 12 / 2 / 12

HEX #E0C6DB

RGB 224 198 219

HSL 311.54, 0.3%, 0.83%

LAB 82.57, 12.75, -7.08

 

CMYK 1 / 12 / 0 / 12

HEX #DEC6E0

RGB 222 198 224

HSL 295.38, 0.3%, 0.83%

LAB 82.54, 12.99, -9.81

 

CMYK 4 / 12 / 0 / 12

HEX #D7C6E0

RGB 215 198 224

HSL 279.23, 0.3%, 0.83%

LAB 81.96, 10.64, -10.75

 

CMYK 7 / 12 / 0 / 12

HEX #D0C6E0

RGB 208 198 224

HSL 263.08, 0.3%, 0.83%

LAB 81.39, 8.32, -11.65

 

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

CMYK 0 / 17 / 8 / 9

HEX #E7BFD5

RGB 231 191 213

HSL 327, 0.45%, 0.83%

LAB 81.32, 17.83, -5.63

 

CMYK 0 / 23 / 11 / 7

HEX #EEB8D5

RGB 238 184 213

HSL 327.78, 0.61%, 0.83%

LAB 80.33, 23.98, -7.03

 

CMYK 0 / 28 / 13 / 4

HEX #F5B1D6

RGB 245 177 214

HSL 327.35, 0.77%, 0.83%

LAB 79.45, 30.26, -8.8

 

CMYK 0 / 33 / 15 / 1

HEX #FCAAD6

RGB 252 170 214

HSL 327.8, 0.93%, 0.83%

LAB 78.64, 36.31, -9.93

 

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

CMYK 0 / 6 / 2 / 15

HEX #D9CDD4

RGB 217 205 212

HSL 325, 0.14%, 0.83%

LAB 83.53, 5.39, -1.99

 

CMYK 1 / 0 / 0 / 17

HEX #D2D4D3

RGB 210 212 211

HSL 150, 0.02%, 0.83%

LAB 84.74, -0.86, 0.25

 

CMYK 7 / 0 / 4 / 14

HEX #CBDBD3

RGB 203 219 211

HSL 150, 0.18%, 0.83%

LAB 86.04, -6.84, 2.08

 

CMYK 13 / 0 / 7 / 11

HEX #C4E2D2

RGB 196 226 210

HSL 148, 0.34%, 0.83%

LAB 87.38, -12.91, 4.49

 

CMYK 1 / 12 / 0 / 12

HEX #DEC6E0

RGB 222 198 224

HSL 295.38, 0.3%, 0.83%

LAB 82.54, 12.99, -9.81

 

CMYK 0 / 12 / 2 / 12

HEX #E0C6DB

RGB 224 198 219

HSL 311.54, 0.3%, 0.83%

LAB 82.57, 12.75, -7.08

 

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

CMYK 0 / 12 / 8 / 12

HEX #E0C6CE

RGB 224 198 206

HSL 341.54, 0.3%, 0.83%

LAB 82.21, 10.48, -0.64

 

CMYK 0 / 12 / 11 / 12

HEX #E0C6C7

RGB 224 198 199

HSL 357.69, 0.3%, 0.83%

LAB 82.03, 9.3, 2.85

 

CMYK 0 / 26 / 12 / 24

HEX #C391AC

RGB 195 145 172

HSL 327.6, 0.29%, 0.67%

LAB 65.62, 23.14, -6.74

 

CMYK 0 / 19 / 9 / 18

HEX #D2ABC0

RGB 210 171 192

HSL 327.69, 0.3%, 0.75%

LAB 73.95, 17.65, -5.34

 

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

CMYK 0 / 6 / 3 / 6

HEX #EFE1E8

RGB 239 225 232

HSL 330, 0.3%, 0.91%

LAB 90.79, 5.97, -1.71

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

 

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

CMYK 0 / 4 / 12 / 12

HEX #E0D7C6

RGB 224 215 198

HSL 39.23, 0.3%, 0.83%

LAB 86.27, 0.23, 9.48

 

CMYK 12 / 0 / 0 / 12

HEX #C6DFE0

RGB 198 223 224

HSL 182.31, 0.3%, 0.83%

LAB 87.08, -8.04, -3.3

 

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

CMYK 5 / 0 / 12 / 12

HEX #D4E0C6

RGB 212 224 198

HSL 87.69, 0.3%, 0.83%

LAB 87.67, -8.62, 11.36

 

CMYK 12 / 5 / 0 / 12

HEX #C6D4E0

RGB 198 212 224

HSL 207.69, 0.3%, 0.83%

LAB 84.21, -2.35, -7.53

 

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

CMYK 0 / 4 / 12 / 12

HEX #E0D7C6

RGB 224 215 198

HSL 39.23, 0.3%, 0.83%

LAB 86.27, 0.23, 9.48

 

CMYK 12 / 0 / 6 / 12

HEX #C6E0D2

RGB 198 224 210

HSL 147.69, 0.3%, 0.83%

LAB 86.98, -11.25, 3.93

 

CMYK 12 / 8 / 0 / 12

HEX #C6CFE0

RGB 198 207 224

HSL 219.23, 0.3%, 0.83%

LAB 82.92, 0.28, -9.45

 

CMYK 0 / 12 / 5 / 12

HEX #E0C6D4

RGB 224 198 212

HSL 327.69, 0.3%, 0.83%

LAB 82.37, 11.51, -3.62

 

CMYK 0 / 0 / 12 / 12

HEX #E0DFC6

RGB 224 223 198

HSL 57.69, 0.3%, 0.83%

LAB 88.3, -3.89, 12.38

 

CMYK 12 / 0 / 6 / 12

HEX #C6E0D2

RGB 198 224 210

HSL 147.69, 0.3%, 0.83%

LAB 86.98, -11.25, 3.93

 

CMYK 12 / 11 / 0 / 12

HEX #C6C7E0

RGB 198 199 224

HSL 237.69, 0.3%, 0.83%

LAB 80.87, 4.52, -12.51

 

Description

Color code: RGB 224 198 212 | qconv.com Color code: RGB 224 198 212 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 198 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 198 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 5 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 5% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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