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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 2 103 it is the complementary color RGB 28 253 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 2 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 2 103 shade: RGB 232 2 98, RGB 249 20 117, RGB 255 38 136, RGB 255 56 155 and RGB 255 74 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 2 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 2 103 shade: RGB 227 2 103, RGB 210 0 84, RGB 193 0 65, RGB 176 0 46 and RGB 159 0 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 2 103 shade: RGB 227 2 103, RGB 227 2 42 and RGB 227 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 2 103 shade: RGB 227 2 103, RGB 227 2 163, RGB 227 2 224, RGB 169 2 227 and RGB 108 2 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 2 103 shade matches the following richer shades: RGB 227 2 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 2 103 shade: RGB 227 2 103, RGB 208 20 105, RGB 190 39 107, RGB 171 57 108 and RGB 152 76 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 2 103 shade: RGB 227 2 223, RGB 227 2 163, RGB 227 2 103, RGB 227 2 43 and RGB 227 21 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 2 103 shade: RGB 145 1 66, RGB 186 1 84, RGB 227 2 103, RGB 252 18 123 and RGB 253 58 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 2 103 shade: RGB 227 2 103, RGB 227 170 2 and RGB 2 193 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 2 103 shade: RGB 227 2 103, RGB 103 227 2 and RGB 2 103 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 2 103 shade: RGB 227 2 103, RGB 227 170 2, RGB 2 227 125 and RGB 2 58 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 2 103 shade: RGB 227 2 103, RGB 215 227 2, RGB 2 227 125 and RGB 13 2 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

Complementary color

CMYK 89 / 0 / 40 / 1

HEX #1CFD98

RGB 28 253 152

HSL 153.07, 0.98%, 0.55%

LAB 88.34, -71.1, 34.79

 

CMYK 0 / 99 / 58 / 9

HEX #E80262

RGB 232 2 98

HSL 334.96, 0.98%, 0.46%

LAB 49.59, 77.36, 14.17

 

CMYK 0 / 92 / 53 / 2

HEX #F91475

RGB 249 20 117

HSL 334.59, 0.95%, 0.53%

LAB 53.95, 80.93, 9.19

 

CMYK 0 / 85 / 47 / 0

HEX #FF2688

RGB 255 38 136

HSL 332.9, 1%, 0.57%

LAB 56.51, 81.09, 1.64

 

CMYK 0 / 78 / 39 / 0

HEX #FF389B

RGB 255 56 155

HSL 330.15, 1%, 0.61%

LAB 58.47, 78.77, -6.7

 

CMYK 0 / 71 / 32 / 0

HEX #FF4AAE

RGB 255 74 174

HSL 326.85, 1%, 0.65%

LAB 60.97, 75.41, -14

 

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

CMYK 0 / 100 / 60 / 18

HEX #D20054

RGB 210 0 84

HSL 336, 1%, 0.41%

LAB 44.72, 71.68, 15.45

 

CMYK 0 / 100 / 66 / 24

HEX #C10041

RGB 193 0 65

HSL 339.79, 1%, 0.38%

LAB 40.77, 66.65, 21.54

 

CMYK 0 / 100 / 74 / 31

HEX #B0002E

RGB 176 0 46

HSL 344.32, 1%, 0.35%

LAB 36.79, 61.67, 27.83

 

CMYK 0 / 100 / 83 / 38

HEX #9F001B

RGB 159 0 27

HSL 349.81, 1%, 0.31%

LAB 32.81, 56.75, 34.06

 

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

CMYK 0 / 99 / 81 / 11

HEX #E3022A

RGB 227 2 42

HSL 349.33, 0.98%, 0.45%

LAB 47.68, 73.79, 45.06

 

CMYK 0 / 99 / 99 / 11

HEX #E30202

RGB 227 2 2

HSL 0, 0.98%, 0.45%

LAB 47.47, 73.22, 60.98

 

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

CMYK 0 / 99 / 28 / 11

HEX #E302A3

RGB 227 2 163

HSL 317.07, 0.98%, 0.45%

LAB 50.71, 81.81, -23.67

 

CMYK 0 / 99 / 1 / 11

HEX #E302E0

RGB 227 2 224

HSL 300.8, 0.98%, 0.45%

LAB 53.77, 89.42, -54.23

 

CMYK 26 / 99 / 0 / 11

HEX #A902E3

RGB 169 2 227

HSL 284.53, 0.98%, 0.45%

LAB 44.27, 81.6, -71.76

 

CMYK 52 / 99 / 0 / 11

HEX #6C02E3

RGB 108 2 227

HSL 268.27, 0.98%, 0.45%

LAB 35.55, 75.54, -86.41

 

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

CMYK 0 / 90 / 50 / 18

HEX #D01469

RGB 208 20 105

HSL 332.87, 0.82%, 0.45%

LAB 45.54, 70.63, 3.44

 

CMYK 0 / 79 / 44 / 25

HEX #BE276B

RGB 190 39 107

HSL 332.98, 0.66%, 0.45%

LAB 43.45, 62.46, -1.28

 

CMYK 0 / 67 / 37 / 33

HEX #AB396C

RGB 171 57 108

HSL 333.16, 0.5%, 0.45%

LAB 42.26, 50.99, -4.05

 

CMYK 0 / 50 / 28 / 40

HEX #984C6E

RGB 152 76 110

HSL 333.16, 0.33%, 0.45%

LAB 42.72, 35.87, -4.93

 

CMYK 0 / 99 / 2 / 11

HEX #E302DF

RGB 227 2 223

HSL 301.07, 0.98%, 0.45%

LAB 53.71, 89.28, -53.75

 

CMYK 0 / 99 / 28 / 11

HEX #E302A3

RGB 227 2 163

HSL 317.07, 0.98%, 0.45%

LAB 50.71, 81.81, -23.67

 

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

CMYK 0 / 99 / 81 / 11

HEX #E3022B

RGB 227 2 43

HSL 349.07, 0.98%, 0.45%

LAB 47.69, 73.82, 44.53

 

CMYK 0 / 91 / 99 / 11

HEX #E31502

RGB 227 21 2

HSL 5.07, 0.98%, 0.45%

LAB 48.1, 71.4, 61.23

 

CMYK 0 / 99 / 54 / 43

HEX #910142

RGB 145 1 66

HSL 332.92, 0.99%, 0.29%

LAB 30.48, 55.06, 5.2

 

CMYK 0 / 99 / 55 / 27

HEX #BA0154

RGB 186 1 84

HSL 333.08, 0.99%, 0.37%

LAB 39.75, 66.04, 7.8

 

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

CMYK 0 / 93 / 51 / 1

HEX #FC127B

RGB 252 18 123

HSL 333.08, 0.98%, 0.53%

LAB 54.61, 82.23, 6.61

 

CMYK 0 / 77 / 42 / 1

HEX #FD3A92

RGB 253 58 146

HSL 332.92, 0.98%, 0.61%

LAB 58.02, 76.91, -2.11

 

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

CMYK 0 / 25 / 99 / 11

HEX #E3AA02

RGB 227 170 2

HSL 44.8, 0.98%, 0.45%

LAB 72.95, 9.35, 75.87

 

CMYK 99 / 15 / 0 / 11

HEX #02C1E3

RGB 2 193 227

HSL 189.07, 0.98%, 0.45%

LAB 72.03, -28.15, -28.23

 

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

CMYK 55 / 0 / 99 / 11

HEX #67E302

RGB 103 227 2

HSL 93.07, 0.98%, 0.45%

LAB 80.64, -64.88, 77.99

 

CMYK 99 / 55 / 0 / 11

HEX #0267E3

RGB 2 103 227

HSL 213.07, 0.98%, 0.45%

LAB 45.99, 23.83, -69.46

 

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

CMYK 0 / 25 / 99 / 11

HEX #E3AA02

RGB 227 170 2

HSL 44.8, 0.98%, 0.45%

LAB 72.95, 9.35, 75.87

 

CMYK 99 / 0 / 45 / 11

HEX #02E37D

RGB 2 227 125

HSL 152.8, 0.98%, 0.45%

LAB 79.86, -68.29, 37.11

 

CMYK 99 / 74 / 0 / 11

HEX #023AE3

RGB 2 58 227

HSL 225.07, 0.98%, 0.45%

LAB 35.17, 52.03, -87.23

 

CMYK 0 / 99 / 55 / 11

HEX #E30267

RGB 227 2 103

HSL 333.07, 0.98%, 0.45%

LAB 48.7, 76.56, 9.7

 

CMYK 5 / 0 / 99 / 11

HEX #D7E302

RGB 215 227 2

HSL 63.2, 0.98%, 0.45%

LAB 86.7, -24.73, 85.27

 

CMYK 99 / 0 / 45 / 11

HEX #02E37D

RGB 2 227 125

HSL 152.8, 0.98%, 0.45%

LAB 79.86, -68.29, 37.11

 

CMYK 94 / 99 / 0 / 11

HEX #0D02E3

RGB 13 2 227

HSL 242.93, 0.98%, 0.45%

LAB 28.58, 72.25, -98.21

 

Description

Color code: RGB 227 2 103 | qconv.com Color code: RGB 227 2 103 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 2 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 2 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 55 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 55% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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