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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 78 112 it is the complementary color RGB 28 177 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 78 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 78 112 shade: RGB 232 78 107, RGB 249 96 126, RGB 255 114 145, RGB 255 132 164 and RGB 255 150 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 78 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 78 112 shade: RGB 227 78 112, RGB 210 60 93, RGB 193 42 74, RGB 176 24 55 and RGB 159 6 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 78 112 shade: RGB 227 78 112 and RGB 227 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 78 112 shade: RGB 227 78 112, RGB 227 78 152, RGB 227 78 192, RGB 221 78 227 and RGB 181 78 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 78 112 shade matches the following richer shades: RGB 227 78 112 and RGB 243 62 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 78 112 shade: RGB 227 78 112, RGB 210 95 121, RGB 194 111 130, RGB 177 128 139 and RGB 161 144 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 78 112 shade: RGB 227 78 192, RGB 227 78 153, RGB 227 78 113, RGB 227 83 78 and RGB 227 123 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 78 112 shade: RGB 193 30 67, RGB 221 42 83, RGB 227 78 112, RGB 233 114 141 and RGB 238 149 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 78 112 shade: RGB 227 78 112, RGB 227 222 78 and RGB 78 172 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 78 112 shade: RGB 227 78 112, RGB 113 227 78 and RGB 78 113 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 78 112 shade: RGB 227 78 112, RGB 227 222 78, RGB 78 227 192 and RGB 78 83 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 78 112 shade: RGB 227 78 112, RGB 187 227 78, RGB 78 227 192 and RGB 118 78 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 51 / 11

HEX #E34E70

RGB 227 78 112

HSL 346.31, 0.73%, 0.6%

LAB 55.02, 60.03, 13.11

 

Complementary color

CMYK 84 / 0 / 19 / 31

HEX #1CB18F

RGB 28 177 143

HSL 166.31, 0.73%, 0.4%

LAB 64.7, -44.83, 7.05

 

CMYK 0 / 66 / 54 / 9

HEX #E84E6B

RGB 232 78 107

HSL 348.7, 0.77%, 0.61%

LAB 55.75, 61.18, 17.21

 

CMYK 0 / 61 / 49 / 2

HEX #F9607E

RGB 249 96 126

HSL 348.24, 0.93%, 0.68%

LAB 61.66, 60.67, 14.7

 

CMYK 0 / 55 / 43 / 0

HEX #FF7291

RGB 255 114 145

HSL 346.81, 1%, 0.72%

LAB 66.01, 56.4, 10.04

 

CMYK 0 / 48 / 36 / 0

HEX #FF84A4

RGB 255 132 164

HSL 344.39, 1%, 0.76%

LAB 69.78, 49.89, 4.7

 

CMYK 0 / 41 / 28 / 0

HEX #FF96B7

RGB 255 150 183

HSL 341.14, 1%, 0.79%

LAB 73.86, 43.22, 0.05

 

CMYK 0 / 66 / 51 / 11

HEX #E34E70

RGB 227 78 112

HSL 346.31, 0.73%, 0.6%

LAB 55.02, 60.03, 13.11

 

CMYK 0 / 71 / 56 / 18

HEX #D23C5D

RGB 210 60 93

HSL 346.8, 0.63%, 0.53%

LAB 49.16, 60.22, 15.96

 

CMYK 0 / 78 / 62 / 24

HEX #C12A4A

RGB 193 42 74

HSL 347.28, 0.64%, 0.46%

LAB 43.49, 59.86, 19.45

 

CMYK 0 / 86 / 69 / 31

HEX #B01837

RGB 176 24 55

HSL 347.76, 0.76%, 0.39%

LAB 38.13, 58.64, 23.78

 

CMYK 0 / 96 / 77 / 38

HEX #9F0624

RGB 159 6 36

HSL 348.24, 0.93%, 0.32%

LAB 33.2, 56.22, 29

 

CMYK 0 / 66 / 51 / 11

HEX #E34E70

RGB 227 78 112

HSL 346.31, 0.73%, 0.6%

LAB 55.02, 60.03, 13.11

 

CMYK 0 / 66 / 66 / 11

HEX #E34E4E

RGB 227 78 78

HSL 0, 0.73%, 0.6%

LAB 54.38, 57.68, 32.22

 

CMYK 0 / 66 / 51 / 11

HEX #E34E70

RGB 227 78 112

HSL 346.31, 0.73%, 0.6%

LAB 55.02, 60.03, 13.11

 

CMYK 0 / 66 / 33 / 11

HEX #E34E98

RGB 227 78 152

HSL 330.2, 0.73%, 0.6%

LAB 56.13, 63.99, -8.93

 

CMYK 0 / 66 / 15 / 11

HEX #E34EC0

RGB 227 78 192

HSL 314.09, 0.73%, 0.6%

LAB 57.64, 69.13, -29.86

 

CMYK 3 / 66 / 0 / 11

HEX #DD4EE3

RGB 221 78 227

HSL 297.58, 0.73%, 0.6%

LAB 58.38, 73.1, -48.63

 

CMYK 20 / 66 / 0 / 11

HEX #B54EE3

RGB 181 78 227

HSL 281.48, 0.73%, 0.6%

LAB 52.75, 64.23, -57.95

 

CMYK 0 / 66 / 51 / 11

HEX #E34E70

RGB 227 78 112

HSL 346.31, 0.73%, 0.6%

LAB 55.02, 60.03, 13.11

 

CMYK 0 / 74 / 58 / 5

HEX #F33E67

RGB 243 62 103

HSL 346.41, 0.88%, 0.6%

LAB 55.56, 69.74, 19.64

 

CMYK 0 / 66 / 51 / 11

HEX #E34E70

RGB 227 78 112

HSL 346.31, 0.73%, 0.6%

LAB 55.02, 60.03, 13.11

 

CMYK 0 / 55 / 42 / 18

HEX #D25F79

RGB 210 95 121

HSL 346.43, 0.56%, 0.6%

LAB 55.35, 47.83, 7.86

 

CMYK 0 / 43 / 33 / 24

HEX #C26F82

RGB 194 111 130

HSL 346.27, 0.4%, 0.6%

LAB 56.54, 35.04, 3.99

 

CMYK 0 / 28 / 21 / 31

HEX #B1808B

RGB 177 128 139

HSL 346.53, 0.24%, 0.6%

LAB 58.65, 20.59, 1.58

 

CMYK 0 / 11 / 8 / 37

HEX #A19094

RGB 161 144 148

HSL 345.88, 0.08%, 0.6%

LAB 61.36, 7.04, 0.19

 

CMYK 0 / 66 / 15 / 11

HEX #E34EC0

RGB 227 78 192

HSL 314.09, 0.73%, 0.6%

LAB 57.64, 69.13, -29.86

 

CMYK 0 / 66 / 33 / 11

HEX #E34E99

RGB 227 78 153

HSL 329.8, 0.73%, 0.6%

LAB 56.17, 64.1, -9.47

 

CMYK 0 / 66 / 50 / 11

HEX #E34E71

RGB 227 78 113

HSL 345.91, 0.73%, 0.6%

LAB 55.04, 60.12, 12.55

 

CMYK 0 / 63 / 66 / 11

HEX #E3534E

RGB 227 83 78

HSL 2.01, 0.73%, 0.6%

LAB 55.14, 55.61, 33.17

 

CMYK 0 / 46 / 66 / 11

HEX #E37B4E

RGB 227 123 78

HSL 18.12, 0.73%, 0.6%

LAB 62.55, 36.56, 42.04

 

CMYK 0 / 84 / 65 / 24

HEX #C11E43

RGB 193 30 67

HSL 346.38, 0.73%, 0.44%

LAB 42.26, 62.55, 22.21

 

CMYK 0 / 81 / 62 / 13

HEX #DD2A53

RGB 221 42 83

HSL 346.26, 0.72%, 0.52%

LAB 49.07, 68.1, 22.28

 

CMYK 0 / 66 / 51 / 11

HEX #E34E70

RGB 227 78 112

HSL 346.31, 0.73%, 0.6%

LAB 55.02, 60.03, 13.11

 

CMYK 0 / 51 / 39 / 9

HEX #E9728D

RGB 233 114 141

HSL 346.39, 0.73%, 0.68%

LAB 62.74, 48.63, 7.24

 

CMYK 0 / 37 / 29 / 7

HEX #EE95AA

RGB 238 149 170

HSL 345.84, 0.72%, 0.76%

LAB 71.27, 36.08, 3.22

 

CMYK 0 / 66 / 51 / 11

HEX #E34E70

RGB 227 78 112

HSL 346.31, 0.73%, 0.6%

LAB 55.02, 60.03, 13.11

 

CMYK 0 / 2 / 66 / 11

HEX #E3DE4E

RGB 227 222 78

HSL 57.99, 0.73%, 0.6%

LAB 86.57, -15.15, 68.24

 

CMYK 66 / 24 / 0 / 11

HEX #4EACE3

RGB 78 172 227

HSL 202.15, 0.73%, 0.6%

LAB 67.03, -10.92, -35.86

 

CMYK 0 / 66 / 51 / 11

HEX #E34E70

RGB 227 78 112

HSL 346.31, 0.73%, 0.6%

LAB 55.02, 60.03, 13.11

 

CMYK 50 / 0 / 66 / 11

HEX #71E34E

RGB 113 227 78

HSL 105.91, 0.73%, 0.6%

LAB 81.29, -58.76, 60.65

 

CMYK 66 / 50 / 0 / 11

HEX #4E71E3

RGB 78 113 227

HSL 225.91, 0.73%, 0.6%

LAB 50.66, 23.86, -61.8

 

CMYK 0 / 66 / 51 / 11

HEX #E34E70

RGB 227 78 112

HSL 346.31, 0.73%, 0.6%

LAB 55.02, 60.03, 13.11

 

CMYK 0 / 2 / 66 / 11

HEX #E3DE4E

RGB 227 222 78

HSL 57.99, 0.73%, 0.6%

LAB 86.57, -15.15, 68.24

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 66 / 63 / 0 / 11

HEX #4E53E3

RGB 78 83 227

HSL 237.99, 0.73%, 0.6%

LAB 43.29, 42.33, -73.77

 

CMYK 0 / 66 / 51 / 11

HEX #E34E70

RGB 227 78 112

HSL 346.31, 0.73%, 0.6%

LAB 55.02, 60.03, 13.11

 

CMYK 18 / 0 / 66 / 11

HEX #BBE34E

RGB 187 227 78

HSL 76.11, 0.73%, 0.6%

LAB 85.02, -33.61, 65.74

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 48 / 66 / 0 / 11

HEX #764EE3

RGB 118 78 227

HSL 256.11, 0.73%, 0.6%

LAB 45.42, 51.54, -70.15

 

Description

Color code: RGB 227 78 112 | qconv.com Color code: RGB 227 78 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 78 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 78 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 51 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 51% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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