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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 220 203 it is the complementary color RGB 26 35 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 220 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 220 203 shade: RGB 234 220 198, RGB 251 238 217, RGB 255 255 236 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 220 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 220 203 shade: RGB 229 220 203, RGB 212 202 184, RGB 195 184 165, RGB 178 166 146 and RGB 161 148 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 220 203 shade: RGB 229 220 204, RGB 229 213 204, RGB 229 207 204 and RGB 229 204 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 220 203 shade: RGB 229 220 204, RGB 229 227 204, RGB 224 229 204, RGB 217 229 204 and RGB 210 229 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 220 203 shade matches the following richer shades: RGB 229 220 204, RGB 235 222 197, RGB 241 224 191, RGB 247 226 185 and RGB 254 228 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 220 203 shade: RGB 229 220 204, RGB 223 218 210, RGB 216 216 216, RGB 210 214 222 and RGB 204 213 228

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 220 203 shade: RGB 229 207 204, RGB 229 213 204, RGB 229 220 204, RGB 229 227 204 and RGB 224 229 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 220 203 shade: RGB 201 183 149, RGB 215 202 176, RGB 229 220 204 and RGB 243 239 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 220 203 shade: RGB 229 220 203, RGB 207 229 204 and RGB 210 204 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 220 203 shade: RGB 229 220 203, RGB 204 229 220 and RGB 220 204 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 220 203 shade: RGB 229 220 203, RGB 207 229 204, RGB 204 212 229 and RGB 225 204 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 220 203 shade: RGB 229 220 203, RGB 204 229 207, RGB 204 212 229 and RGB 229 204 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 11 / 10

HEX #E5DCCB

RGB 229 220 203

HSL 39.23, 0.33%, 0.85%

LAB 88.04, 0.23, 9.44

 

Complementary color

CMYK 50 / 33 / 0 / 80

HEX #1A2334

RGB 26 35 52

HSL 219.23, 0.33%, 0.15%

LAB 13.65, 1.59, -12.38

 

CMYK 0 / 6 / 15 / 8

HEX #EADCC6

RGB 234 220 198

HSL 36.67, 0.46%, 0.85%

LAB 88.33, 1.22, 12.53

 

CMYK 0 / 5 / 14 / 2

HEX #FBEED9

RGB 251 238 217

HSL 37.06, 0.81%, 0.92%

LAB 94.6, 0.98, 11.73

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCB

RGB 229 220 203

HSL 39.23, 0.33%, 0.85%

LAB 88.04, 0.23, 9.44

 

CMYK 0 / 5 / 13 / 17

HEX #D4CAB8

RGB 212 202 184

HSL 38.57, 0.25%, 0.78%

LAB 81.67, 0.45, 10.22

 

CMYK 0 / 6 / 15 / 24

HEX #C3B8A5

RGB 195 184 165

HSL 38, 0.2%, 0.71%

LAB 75.2, 0.69, 11.05

 

CMYK 0 / 7 / 18 / 30

HEX #B2A692

RGB 178 166 146

HSL 37.5, 0.17%, 0.64%

LAB 68.62, 0.97, 11.92

 

CMYK 0 / 8 / 21 / 37

HEX #A1947F

RGB 161 148 127

HSL 37.06, 0.15%, 0.56%

LAB 61.9, 1.28, 12.85

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCC

RGB 229 220 204

HSL 38.4, 0.32%, 0.85%

LAB 88.07, 0.39, 8.94

 

CMYK 0 / 7 / 11 / 10

HEX #E5D5CC

RGB 229 213 204

HSL 21.6, 0.32%, 0.85%

LAB 86.31, 4.02, 6.42

 

CMYK 0 / 10 / 11 / 10

HEX #E5CFCC

RGB 229 207 204

HSL 7.2, 0.32%, 0.85%

LAB 84.81, 7.16, 4.26

 

CMYK 0 / 11 / 11 / 10

HEX #E5CCCC

RGB 229 204 204

HSL 0, 0.32%, 0.85%

LAB 84.07, 8.73, 3.19

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCC

RGB 229 220 204

HSL 38.4, 0.32%, 0.85%

LAB 88.07, 0.39, 8.94

 

CMYK 0 / 1 / 11 / 10

HEX #E5E3CC

RGB 229 227 204

HSL 55.2, 0.32%, 0.85%

LAB 89.84, -3.21, 11.47

 

CMYK 2 / 0 / 11 / 10

HEX #E0E5CC

RGB 224 229 204

HSL 72, 0.32%, 0.85%

LAB 89.97, -5.98, 11.61

 

CMYK 5 / 0 / 11 / 10

HEX #D9E5CC

RGB 217 229 204

HSL 88.8, 0.32%, 0.85%

LAB 89.46, -8.42, 10.82

 

CMYK 8 / 0 / 11 / 10

HEX #D2E5CC

RGB 210 229 204

HSL 105.6, 0.32%, 0.85%

LAB 88.97, -10.82, 10.05

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCC

RGB 229 220 204

HSL 38.4, 0.32%, 0.85%

LAB 88.07, 0.39, 8.94

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC5

RGB 235 222 197

HSL 39.47, 0.49%, 0.85%

LAB 88.89, 0.4, 13.86

 

CMYK 0 / 7 / 21 / 5

HEX #F1E0BF

RGB 241 224 191

HSL 39.6, 0.64%, 0.85%

LAB 89.75, 0.66, 18.27

 

CMYK 0 / 9 / 25 / 3

HEX #F7E2B9

RGB 247 226 185

HSL 39.68, 0.79%, 0.85%

LAB 90.63, 1.01, 22.68

 

CMYK 0 / 10 / 30 / 0

HEX #FEE4B3

RGB 254 228 179

HSL 39.2, 0.97%, 0.85%

LAB 91.6, 1.81, 27.2

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCC

RGB 229 220 204

HSL 38.4, 0.32%, 0.85%

LAB 88.07, 0.39, 8.94

 

CMYK 0 / 2 / 6 / 13

HEX #DFDAD2

RGB 223 218 210

HSL 36.92, 0.17%, 0.85%

LAB 87.23, 0.32, 4.53

 

CMYK 0 / 0 / 0 / 15

HEX #D8D8D8

RGB 216 216 216

HSL 0, 0%, 0.85%

LAB 86.34, 0, -0.01

 

CMYK 5 / 4 / 0 / 13

HEX #D2D6DE

RGB 210 214 222

HSL 220, 0.15%, 0.85%

LAB 85.54, 0.14, -4.41

 

CMYK 11 / 7 / 0 / 11

HEX #CCD5E4

RGB 204 213 228

HSL 217.5, 0.31%, 0.85%

LAB 85.01, -0.13, -8.42

 

CMYK 0 / 10 / 11 / 10

HEX #E5CFCC

RGB 229 207 204

HSL 7.2, 0.32%, 0.85%

LAB 84.81, 7.16, 4.26

 

CMYK 0 / 7 / 11 / 10

HEX #E5D5CC

RGB 229 213 204

HSL 21.6, 0.32%, 0.85%

LAB 86.31, 4.02, 6.42

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCC

RGB 229 220 204

HSL 38.4, 0.32%, 0.85%

LAB 88.07, 0.39, 8.94

 

CMYK 0 / 1 / 11 / 10

HEX #E5E3CC

RGB 229 227 204

HSL 55.2, 0.32%, 0.85%

LAB 89.84, -3.21, 11.47

 

CMYK 2 / 0 / 11 / 10

HEX #E0E5CC

RGB 224 229 204

HSL 72, 0.32%, 0.85%

LAB 89.97, -5.98, 11.61

 

CMYK 0 / 9 / 26 / 21

HEX #C9B795

RGB 201 183 149

HSL 39.23, 0.33%, 0.69%

LAB 75.11, 1.11, 19.64

 

CMYK 0 / 6 / 18 / 16

HEX #D7CAB0

RGB 215 202 176

HSL 40, 0.33%, 0.77%

LAB 81.74, 0.3, 14.61

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCC

RGB 229 220 204

HSL 38.4, 0.32%, 0.85%

LAB 88.07, 0.39, 8.94

 

CMYK 0 / 2 / 5 / 5

HEX #F3EFE7

RGB 243 239 231

HSL 40, 0.33%, 0.93%

LAB 94.55, -0.03, 4.33

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCB

RGB 229 220 203

HSL 39.23, 0.33%, 0.85%

LAB 88.04, 0.23, 9.44

 

CMYK 10 / 0 / 11 / 10

HEX #CFE5CC

RGB 207 229 204

HSL 112.8, 0.32%, 0.85%

LAB 88.76, -11.84, 9.72

 

CMYK 8 / 11 / 0 / 10

HEX #D2CCE5

RGB 210 204 229

HSL 254.4, 0.32%, 0.85%

LAB 83.2, 6.77, -11.6

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCB

RGB 229 220 203

HSL 39.23, 0.33%, 0.85%

LAB 88.04, 0.23, 9.44

 

CMYK 11 / 0 / 4 / 10

HEX #CCE5DC

RGB 204 229 220

HSL 158.4, 0.32%, 0.85%

LAB 88.94, -9.94, 1.58

 

CMYK 4 / 11 / 0 / 10

HEX #DCCCE5

RGB 220 204 229

HSL 278.4, 0.32%, 0.85%

LAB 84, 10.06, -10.33

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCB

RGB 229 220 203

HSL 39.23, 0.33%, 0.85%

LAB 88.04, 0.23, 9.44

 

CMYK 10 / 0 / 11 / 10

HEX #CFE5CC

RGB 207 229 204

HSL 112.8, 0.32%, 0.85%

LAB 88.76, -11.84, 9.72

 

CMYK 11 / 7 / 0 / 10

HEX #CCD4E5

RGB 204 212 229

HSL 220.8, 0.32%, 0.85%

LAB 84.78, 0.59, -9.29

 

CMYK 2 / 11 / 0 / 10

HEX #E1CCE5

RGB 225 204 229

HSL 290.4, 0.32%, 0.85%

LAB 84.41, 11.73, -9.68

 

CMYK 0 / 4 / 11 / 10

HEX #E5DCCB

RGB 229 220 203

HSL 39.23, 0.33%, 0.85%

LAB 88.04, 0.23, 9.44

 

CMYK 11 / 0 / 10 / 10

HEX #CCE5CF

RGB 204 229 207

HSL 127.2, 0.32%, 0.85%

LAB 88.63, -12.32, 7.94

 

CMYK 11 / 7 / 0 / 10

HEX #CCD4E5

RGB 204 212 229

HSL 220.8, 0.32%, 0.85%

LAB 84.78, 0.59, -9.29

 

CMYK 0 / 11 / 2 / 10

HEX #E5CCE1

RGB 229 204 225

HSL 309.6, 0.32%, 0.85%

LAB 84.63, 12.34, -7.18

 

Description

Color code: RGB 229 220 203 | qconv.com Color code: RGB 229 220 203 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 220 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 220 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 11 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 11% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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