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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 101 60 it is the complementary color RGB 25 154 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 101 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 101 60 shade: RGB 235 101 55, RGB 252 119 74, RGB 255 137 93, RGB 255 155 112 and RGB 255 173 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 101 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 101 60 shade: RGB 230 101 60, RGB 213 83 41, RGB 196 65 22, RGB 179 47 3 and RGB 162 29 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 101 60 shade: RGB 229 101 60 and RGB 229 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 101 60 shade: RGB 229 101 60, RGB 229 147 60, RGB 229 192 60, RGB 221 229 60 and RGB 175 229 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 101 60 shade matches the following richer shades: RGB 229 101 60 and RGB 247 92 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 101 60 shade: RGB 229 101 60, RGB 212 110 78, RGB 194 120 96, RGB 176 129 114 and RGB 158 138 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 101 60 shade: RGB 229 60 111, RGB 229 60 66, RGB 229 100 60, RGB 229 145 60 and RGB 229 190 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 101 60 shade: RGB 184 62 23, RGB 220 75 28, RGB 229 101 60, RGB 234 130 97 and RGB 239 159 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 101 60 shade: RGB 230 101 60, RGB 156 229 60 and RGB 60 89 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 101 60 shade: RGB 230 101 60, RGB 60 229 100 and RGB 100 60 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 101 60 shade: RGB 230 101 60, RGB 156 229 60, RGB 60 190 229 and RGB 134 60 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 101 60 shade: RGB 230 101 60, RGB 105 229 60, RGB 60 190 229 and RGB 184 60 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 74 / 10

HEX #E6653C

RGB 230 101 60

HSL 14.47, 0.77%, 0.57%

LAB 58.47, 47.69, 46.87

 

Complementary color

CMYK 87 / 21 / 0 / 24

HEX #199AC3

RGB 25 154 195

HSL 194.47, 0.77%, 0.43%

LAB 59.21, -18.1, -30.32

 

CMYK 0 / 57 / 77 / 8

HEX #EB6537

RGB 235 101 55

HSL 15.33, 0.82%, 0.57%

LAB 59.2, 49.31, 50.36

 

CMYK 0 / 53 / 71 / 1

HEX #FC774A

RGB 252 119 74

HSL 15.17, 0.97%, 0.64%

LAB 65.27, 47.83, 48.15

 

CMYK 0 / 46 / 64 / 0

HEX #FF895D

RGB 255 137 93

HSL 16.3, 1%, 0.68%

LAB 69.43, 41.14, 43.28

 

CMYK 0 / 39 / 56 / 0

HEX #FF9B70

RGB 255 155 112

HSL 18.04, 1%, 0.72%

LAB 73.46, 33.27, 38.26

 

CMYK 0 / 32 / 49 / 0

HEX #FFAD83

RGB 255 173 131

HSL 20.32, 1%, 0.76%

LAB 77.75, 25.5, 33.72

 

CMYK 0 / 56 / 74 / 10

HEX #E6653C

RGB 230 101 60

HSL 14.47, 0.77%, 0.57%

LAB 58.47, 47.69, 46.87

 

CMYK 0 / 61 / 81 / 16

HEX #D55329

RGB 213 83 41

HSL 14.65, 0.68%, 0.5%

LAB 52.39, 49.15, 49.16

 

CMYK 0 / 67 / 89 / 23

HEX #C44116

RGB 196 65 22

HSL 14.83, 0.8%, 0.43%

LAB 46.41, 50.49, 51.08

 

CMYK 0 / 74 / 98 / 30

HEX #B32F03

RGB 179 47 3

HSL 15, 0.97%, 0.36%

LAB 40.61, 51.5, 51.95

 

CMYK 0 / 82 / 100 / 36

HEX #A21D00

RGB 162 29 0

HSL 10.74, 1%, 0.32%

LAB 35.12, 51.87, 48.49

 

CMYK 0 / 56 / 74 / 10

HEX #E5653C

RGB 229 101 60

HSL 14.56, 0.76%, 0.57%

LAB 58.31, 47.32, 46.66

 

CMYK 0 / 74 / 74 / 10

HEX #E53C3C

RGB 229 60 60

HSL 0, 0.76%, 0.57%

LAB 52.08, 64.06, 39.84

 

CMYK 0 / 56 / 74 / 10

HEX #E5653C

RGB 229 101 60

HSL 14.56, 0.76%, 0.57%

LAB 58.31, 47.32, 46.66

 

CMYK 0 / 36 / 74 / 10

HEX #E5933C

RGB 229 147 60

HSL 30.89, 0.76%, 0.57%

LAB 67.91, 23.82, 56.64

 

CMYK 0 / 16 / 74 / 10

HEX #E5C03C

RGB 229 192 60

HSL 46.86, 0.76%, 0.57%

LAB 78.86, 0.01, 67.42

 

CMYK 3 / 0 / 74 / 10

HEX #DDE53C

RGB 221 229 60

HSL 62.84, 0.76%, 0.57%

LAB 87.84, -21.91, 75.67

 

CMYK 24 / 0 / 74 / 10

HEX #AFE53C

RGB 175 229 60

HSL 79.17, 0.76%, 0.57%

LAB 84.73, -40.16, 71.63

 

CMYK 0 / 56 / 74 / 10

HEX #E5653C

RGB 229 101 60

HSL 14.56, 0.76%, 0.57%

LAB 58.31, 47.32, 46.66

 

CMYK 0 / 63 / 83 / 3

HEX #F75C2B

RGB 247 92 43

HSL 14.41, 0.93%, 0.57%

LAB 59.53, 57.15, 56.89

 

CMYK 0 / 56 / 74 / 10

HEX #E5653C

RGB 229 101 60

HSL 14.56, 0.76%, 0.57%

LAB 58.31, 47.32, 46.66

 

CMYK 0 / 48 / 63 / 17

HEX #D46E4E

RGB 212 110 78

HSL 14.33, 0.61%, 0.57%

LAB 57.75, 37.4, 35.82

 

CMYK 0 / 38 / 51 / 24

HEX #C27860

RGB 194 120 96

HSL 14.69, 0.45%, 0.57%

LAB 57.8, 26.37, 25.34

 

CMYK 0 / 27 / 35 / 31

HEX #B08172

RGB 176 129 114

HSL 14.52, 0.28%, 0.57%

LAB 58.17, 16.08, 15.25

 

CMYK 0 / 13 / 17 / 38

HEX #9E8A83

RGB 158 138 131

HSL 15.56, 0.12%, 0.57%

LAB 59.05, 6.34, 6.51

 

CMYK 0 / 74 / 52 / 10

HEX #E53C6F

RGB 229 60 111

HSL 341.89, 0.76%, 0.57%

LAB 52.99, 67.05, 10.92

 

CMYK 0 / 74 / 71 / 10

HEX #E53C42

RGB 229 60 66

HSL 357.87, 0.76%, 0.57%

LAB 52.16, 64.31, 36.52

 

CMYK 0 / 56 / 74 / 10

HEX #E5643C

RGB 229 100 60

HSL 14.2, 0.76%, 0.57%

LAB 58.13, 47.8, 46.47

 

CMYK 0 / 37 / 74 / 10

HEX #E5913C

RGB 229 145 60

HSL 30.18, 0.76%, 0.57%

LAB 67.45, 24.88, 56.18

 

CMYK 0 / 17 / 74 / 10

HEX #E5BE3C

RGB 229 190 60

HSL 46.15, 0.76%, 0.57%

LAB 78.35, 1.05, 66.93

 

CMYK 0 / 66 / 88 / 28

HEX #B83E17

RGB 184 62 23

HSL 14.53, 0.78%, 0.41%

LAB 43.8, 47.59, 47.7

 

CMYK 0 / 66 / 87 / 14

HEX #DC4B1C

RGB 220 75 28

HSL 14.69, 0.77%, 0.49%

LAB 52.21, 54.7, 55.1

 

CMYK 0 / 56 / 74 / 10

HEX #E5653C

RGB 229 101 60

HSL 14.56, 0.76%, 0.57%

LAB 58.31, 47.32, 46.66

 

CMYK 0 / 44 / 59 / 8

HEX #EA8261

RGB 234 130 97

HSL 14.45, 0.77%, 0.65%

LAB 65.22, 36.93, 35.35

 

CMYK 0 / 33 / 44 / 6

HEX #EF9F85

RGB 239 159 133

HSL 14.72, 0.77%, 0.73%

LAB 72.79, 26.84, 25.76

 

CMYK 0 / 56 / 74 / 10

HEX #E6653C

RGB 230 101 60

HSL 14.47, 0.77%, 0.57%

LAB 58.47, 47.69, 46.87

 

CMYK 32 / 0 / 74 / 10

HEX #9CE53C

RGB 156 229 60

HSL 85.92, 0.76%, 0.57%

LAB 83.67, -47.13, 70.24

 

CMYK 74 / 61 / 0 / 10

HEX #3C59E5

RGB 60 89 229

HSL 229.7, 0.76%, 0.57%

LAB 43.89, 37.14, -73.96

 

CMYK 0 / 56 / 74 / 10

HEX #E6653C

RGB 230 101 60

HSL 14.47, 0.77%, 0.57%

LAB 58.47, 47.69, 46.87

 

CMYK 74 / 0 / 56 / 10

HEX #3CE564

RGB 60 229 100

HSL 134.2, 0.76%, 0.57%

LAB 80.69, -68.29, 50.18

 

CMYK 56 / 74 / 0 / 10

HEX #643CE5

RGB 100 60 229

HSL 254.2, 0.76%, 0.57%

LAB 40.57, 58.5, -79.3

 

CMYK 0 / 56 / 74 / 10

HEX #E6653C

RGB 230 101 60

HSL 14.47, 0.77%, 0.57%

LAB 58.47, 47.69, 46.87

 

CMYK 32 / 0 / 74 / 10

HEX #9CE53C

RGB 156 229 60

HSL 85.92, 0.76%, 0.57%

LAB 83.67, -47.13, 70.24

 

CMYK 74 / 17 / 0 / 10

HEX #3CBEE5

RGB 60 190 229

HSL 193.85, 0.76%, 0.57%

LAB 71.86, -22.3, -29.52

 

CMYK 41 / 74 / 0 / 10

HEX #863CE5

RGB 134 60 229

HSL 266.27, 0.76%, 0.57%

LAB 44.17, 63.5, -73.26

 

CMYK 0 / 56 / 74 / 10

HEX #E6653C

RGB 230 101 60

HSL 14.47, 0.77%, 0.57%

LAB 58.47, 47.69, 46.87

 

CMYK 54 / 0 / 74 / 10

HEX #69E53C

RGB 105 229 60

HSL 104.02, 0.76%, 0.57%

LAB 81.49, -63.01, 67.37

 

CMYK 74 / 17 / 0 / 10

HEX #3CBEE5

RGB 60 190 229

HSL 193.85, 0.76%, 0.57%

LAB 71.86, -22.3, -29.52

 

CMYK 20 / 74 / 0 / 10

HEX #B83CE5

RGB 184 60 229

HSL 284.02, 0.76%, 0.57%

LAB 50.78, 72.32, -62.23

 

Description

Color code: RGB 230 101 60 | qconv.com Color code: RGB 230 101 60 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 101 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 101 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 74 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 74% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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