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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 217 192 it is the complementary color RGB 25 38 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 217 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 217 192 shade: RGB 235 217 187, RGB 252 235 206, RGB 255 253 225 and RGB 255 255 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 217 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 217 192 shade: RGB 230 217 192, RGB 213 199 173, RGB 196 181 154, RGB 179 163 135 and RGB 162 145 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 217 192 shade: RGB 230 217 193, RGB 230 207 193, RGB 230 197 193 and RGB 230 193 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 217 192 shade: RGB 230 217 193, RGB 230 227 193, RGB 222 230 193, RGB 212 230 193 and RGB 202 230 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 217 192 shade matches the following richer shades: RGB 230 217 193, RGB 237 219 185, RGB 244 221 178 and RGB 251 224 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 217 192 shade: RGB 230 217 193, RGB 223 215 200, RGB 216 213 207, RGB 209 210 214 and RGB 202 208 221

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 217 192 shade: RGB 230 197 193, RGB 230 207 193, RGB 230 217 193, RGB 230 227 193 and RGB 223 230 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 217 192 shade: RGB 206 181 134, RGB 218 199 163, RGB 230 217 193, RGB 242 235 222 and RGB 253 253 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 217 192 shade: RGB 230 217 192, RGB 198 230 193 and RGB 202 193 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 217 192 shade: RGB 230 217 192, RGB 193 230 217 and RGB 217 193 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 217 192 shade: RGB 230 217 192, RGB 198 230 193, RGB 193 206 230 and RGB 224 193 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 217 192 shade: RGB 230 217 192, RGB 193 230 198, RGB 193 206 230 and RGB 230 193 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 17 / 10

HEX #E6D9C0

RGB 230 217 192

HSL 39.47, 0.43%, 0.83%

LAB 87.12, 0.41, 13.92

 

Complementary color

CMYK 60 / 40 / 0 / 75

HEX #19263F

RGB 25 38 63

HSL 219.47, 0.43%, 0.17%

LAB 15.23, 3.22, -17.65

 

CMYK 0 / 8 / 20 / 8

HEX #EBD9BB

RGB 235 217 187

HSL 37.5, 0.55%, 0.83%

LAB 87.42, 1.49, 17.03

 

CMYK 0 / 7 / 18 / 1

HEX #FCEBCE

RGB 252 235 206

HSL 37.83, 0.88%, 0.9%

LAB 93.7, 1.2, 16.15

 

CMYK 0 / 1 / 12 / 0

HEX #FFFDE1

RGB 255 253 225

HSL 56, 1%, 0.94%

LAB 98.81, -3.95, 13.64

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 6 / 17 / 10

HEX #E6D9C0

RGB 230 217 192

HSL 39.47, 0.43%, 0.83%

LAB 87.12, 0.41, 13.92

 

CMYK 0 / 7 / 19 / 16

HEX #D5C7AD

RGB 213 199 173

HSL 39, 0.32%, 0.76%

LAB 80.74, 0.68, 14.78

 

CMYK 0 / 8 / 21 / 23

HEX #C4B59A

RGB 196 181 154

HSL 38.57, 0.26%, 0.69%

LAB 74.26, 0.98, 15.7

 

CMYK 0 / 9 / 25 / 30

HEX #B3A387

RGB 179 163 135

HSL 38.18, 0.22%, 0.62%

LAB 67.67, 1.32, 16.68

 

CMYK 0 / 10 / 28 / 36

HEX #A29174

RGB 162 145 116

HSL 37.83, 0.2%, 0.55%

LAB 60.95, 1.71, 17.73

 

CMYK 0 / 6 / 16 / 10

HEX #E6D9C1

RGB 230 217 193

HSL 38.92, 0.43%, 0.83%

LAB 87.14, 0.56, 13.42

 

CMYK 0 / 10 / 16 / 10

HEX #E6CFC1

RGB 230 207 193

HSL 22.7, 0.43%, 0.83%

LAB 84.64, 5.76, 9.86

 

CMYK 0 / 14 / 16 / 10

HEX #E6C5C1

RGB 230 197 193

HSL 6.49, 0.43%, 0.83%

LAB 82.17, 11.02, 6.32

 

CMYK 0 / 16 / 16 / 10

HEX #E6C1C1

RGB 230 193 193

HSL 0, 0.43%, 0.83%

LAB 81.19, 13.14, 4.91

 

CMYK 0 / 6 / 16 / 10

HEX #E6D9C1

RGB 230 217 193

HSL 38.92, 0.43%, 0.83%

LAB 87.14, 0.56, 13.42

 

CMYK 0 / 1 / 16 / 10

HEX #E6E3C1

RGB 230 227 193

HSL 55.14, 0.43%, 0.83%

LAB 89.68, -4.56, 17

 

CMYK 3 / 0 / 16 / 10

HEX #DEE6C1

RGB 222 230 193

HSL 72.97, 0.43%, 0.83%

LAB 89.85, -8.94, 17.14

 

CMYK 8 / 0 / 16 / 10

HEX #D4E6C1

RGB 212 230 193

HSL 89.19, 0.43%, 0.83%

LAB 89.13, -12.47, 16.03

 

CMYK 12 / 0 / 16 / 10

HEX #CAE6C1

RGB 202 230 193

HSL 105.41, 0.43%, 0.83%

LAB 88.45, -15.92, 14.97

 

CMYK 0 / 6 / 16 / 10

HEX #E6D9C1

RGB 230 217 193

HSL 38.92, 0.43%, 0.83%

LAB 87.14, 0.56, 13.42

 

CMYK 0 / 8 / 22 / 7

HEX #EDDBB9

RGB 237 219 185

HSL 39.23, 0.59%, 0.83%

LAB 88.05, 0.91, 18.97

 

CMYK 0 / 9 / 27 / 4

HEX #F4DDB2

RGB 244 221 178

HSL 39.09, 0.75%, 0.83%

LAB 89, 1.52, 24.02

 

CMYK 0 / 11 / 32 / 2

HEX #FBE0AB

RGB 251 224 171

HSL 39.75, 0.91%, 0.83%

LAB 90.21, 1.73, 29.39

 

CMYK 0 / 6 / 16 / 10

HEX #E6D9C1

RGB 230 217 193

HSL 38.92, 0.43%, 0.83%

LAB 87.14, 0.56, 13.42

 

CMYK 0 / 4 / 10 / 13

HEX #DFD7C8

RGB 223 215 200

HSL 39.13, 0.26%, 0.83%

LAB 86.24, 0.2, 8.37

 

CMYK 0 / 1 / 4 / 15

HEX #D8D5CF

RGB 216 213 207

HSL 40, 0.1%, 0.83%

LAB 85.35, -0.03, 3.31

 

CMYK 2 / 2 / 0 / 16

HEX #D1D2D6

RGB 209 210 214

HSL 228, 0.06%, 0.83%

LAB 84.23, 0.4, -2.1

 

CMYK 9 / 6 / 0 / 13

HEX #CAD0DD

RGB 202 208 221

HSL 221.05, 0.22%, 0.83%

LAB 83.38, 0.45, -7.13

 

CMYK 0 / 14 / 16 / 10

HEX #E6C5C1

RGB 230 197 193

HSL 6.49, 0.43%, 0.83%

LAB 82.17, 11.02, 6.32

 

CMYK 0 / 10 / 16 / 10

HEX #E6CFC1

RGB 230 207 193

HSL 22.7, 0.43%, 0.83%

LAB 84.64, 5.76, 9.86

 

CMYK 0 / 6 / 16 / 10

HEX #E6D9C1

RGB 230 217 193

HSL 38.92, 0.43%, 0.83%

LAB 87.14, 0.56, 13.42

 

CMYK 0 / 1 / 16 / 10

HEX #E6E3C1

RGB 230 227 193

HSL 55.14, 0.43%, 0.83%

LAB 89.68, -4.56, 17

 

CMYK 3 / 0 / 16 / 10

HEX #DFE6C1

RGB 223 230 193

HSL 71.35, 0.43%, 0.83%

LAB 89.92, -8.59, 17.26

 

CMYK 0 / 12 / 35 / 19

HEX #CEB586

RGB 206 181 134

HSL 39.17, 0.42%, 0.67%

LAB 74.76, 2.17, 27.27

 

CMYK 0 / 9 / 25 / 15

HEX #DAC7A3

RGB 218 199 163

HSL 39.27, 0.43%, 0.75%

LAB 80.96, 1.11, 20.47

 

CMYK 0 / 6 / 16 / 10

HEX #E6D9C1

RGB 230 217 193

HSL 38.92, 0.43%, 0.83%

LAB 87.14, 0.56, 13.42

 

CMYK 0 / 3 / 8 / 5

HEX #F2EBDE

RGB 242 235 222

HSL 39, 0.43%, 0.91%

LAB 93.26, 0.16, 7.13

 

CMYK 0 / 0 / 0 / 1

HEX #FDFDFC

RGB 253 253 252

HSL 60, 0.2%, 0.99%

LAB 99.28, -0.17, 0.47

 

CMYK 0 / 6 / 17 / 10

HEX #E6D9C0

RGB 230 217 192

HSL 39.47, 0.43%, 0.83%

LAB 87.12, 0.41, 13.92

 

CMYK 14 / 0 / 16 / 10

HEX #C6E6C1

RGB 198 230 193

HSL 111.89, 0.43%, 0.83%

LAB 88.18, -17.29, 14.57

 

CMYK 12 / 16 / 0 / 10

HEX #CAC1E6

RGB 202 193 230

HSL 254.59, 0.43%, 0.83%

LAB 79.85, 10.26, -17.23

 

CMYK 0 / 6 / 17 / 10

HEX #E6D9C0

RGB 230 217 192

HSL 39.47, 0.43%, 0.83%

LAB 87.12, 0.41, 13.92

 

CMYK 16 / 0 / 6 / 10

HEX #C1E6D9

RGB 193 230 217

HSL 158.92, 0.43%, 0.83%

LAB 88.42, -14.56, 2.3

 

CMYK 6 / 16 / 0 / 10

HEX #D9C1E6

RGB 217 193 230

HSL 278.92, 0.43%, 0.83%

LAB 81.07, 15.14, -15.26

 

CMYK 0 / 6 / 17 / 10

HEX #E6D9C0

RGB 230 217 192

HSL 39.47, 0.43%, 0.83%

LAB 87.12, 0.41, 13.92

 

CMYK 14 / 0 / 16 / 10

HEX #C6E6C1

RGB 198 230 193

HSL 111.89, 0.43%, 0.83%

LAB 88.18, -17.29, 14.57

 

CMYK 16 / 10 / 0 / 10

HEX #C1CEE6

RGB 193 206 230

HSL 218.92, 0.43%, 0.83%

LAB 82.48, 0.45, -13.34

 

CMYK 3 / 16 / 0 / 10

HEX #E0C1E6

RGB 224 193 230

HSL 290.27, 0.43%, 0.83%

LAB 81.68, 17.44, -14.3

 

CMYK 0 / 6 / 17 / 10

HEX #E6D9C0

RGB 230 217 192

HSL 39.47, 0.43%, 0.83%

LAB 87.12, 0.41, 13.92

 

CMYK 16 / 0 / 14 / 10

HEX #C1E6C6

RGB 193 230 198

HSL 128.11, 0.43%, 0.83%

LAB 87.97, -18.09, 11.61

 

CMYK 16 / 10 / 0 / 10

HEX #C1CEE6

RGB 193 206 230

HSL 218.92, 0.43%, 0.83%

LAB 82.48, 0.45, -13.34

 

CMYK 0 / 16 / 3 / 10

HEX #E6C1E0

RGB 230 193 224

HSL 309.73, 0.43%, 0.83%

LAB 82.03, 18.35, -10.51

 

Description

Color code: RGB 230 217 192 | qconv.com Color code: RGB 230 217 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 217 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 217 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 17 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 17% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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