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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 129 219 it is the complementary color RGB 228 126 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 129 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 129 219 shade: RGB 32 129 214, RGB 49 147 233, RGB 66 165 252, RGB 83 183 255 and RGB 100 201 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 129 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 129 219 shade: RGB 27 129 219, RGB 10 111 200, RGB 0 93 181, RGB 0 75 162 and RGB 0 57 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 129 219 shade: RGB 26 128 217, RGB 26 76 217, RGB 28 26 217, RGB 79 26 217 and RGB 131 26 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 129 219 shade: RGB 26 128 217, RGB 26 76 217 and RGB 26 26 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 129 219 shade matches the following richer shades: RGB 26 128 217 and RGB 7 129 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 129 219 shade: RGB 26 128 217, RGB 46 127 198, RGB 66 125 178, RGB 86 124 158 and RGB 106 123 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 129 219 shade: RGB 26 217 205, RGB 26 179 217, RGB 26 128 217, RGB 26 77 217 and RGB 26 26 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 129 219 shade: RGB 17 85 144, RGB 22 106 181, RGB 26 128 217, RGB 55 148 230 and RGB 92 168 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 129 219 shade: RGB 27 129 219, RGB 154 26 217 and RGB 205 217 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 129 219 shade: RGB 27 129 219, RGB 217 26 128 and RGB 128 217 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 129 219 shade: RGB 27 129 219, RGB 154 26 217, RGB 217 116 26 and RGB 90 217 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 129 219 shade: RGB 27 129 219, RGB 211 26 217, RGB 217 116 26 and RGB 33 217 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 41 / 0 / 14

HEX #1B81DB

RGB 27 129 219

HSL 208.13, 0.78%, 0.48%

LAB 53, 5.27, -53.62

 

Complementary color

CMYK 0 / 45 / 84 / 11

HEX #E47E24

RGB 228 126 36

HSL 28.13, 0.78%, 0.52%

LAB 62.96, 33.63, 61.5

 

CMYK 85 / 40 / 0 / 16

HEX #2081D6

RGB 32 129 214

HSL 208.02, 0.74%, 0.48%

LAB 52.8, 3.71, -51.12

 

CMYK 79 / 37 / 0 / 9

HEX #3193E9

RGB 49 147 233

HSL 208.04, 0.81%, 0.55%

LAB 59.35, 1.5, -51.3

 

CMYK 74 / 35 / 0 / 1

HEX #42A5FC

RGB 66 165 252

HSL 208.06, 0.97%, 0.62%

LAB 65.82, -0.3, -51.44

 

CMYK 67 / 28 / 0 / 0

HEX #53B7FF

RGB 83 183 255

HSL 205.12, 1%, 0.66%

LAB 71.5, -7.06, -44.09

 

CMYK 61 / 21 / 0 / 0

HEX #64C9FF

RGB 100 201 255

HSL 200.9, 1%, 0.7%

LAB 77.1, -13.95, -35.34

 

CMYK 88 / 41 / 0 / 14

HEX #1B81DB

RGB 27 129 219

HSL 208.13, 0.78%, 0.48%

LAB 53, 5.27, -53.62

 

CMYK 95 / 45 / 0 / 22

HEX #0A6FC8

RGB 10 111 200

HSL 208.11, 0.9%, 0.41%

LAB 46.45, 8.24, -53.33

 

CMYK 100 / 49 / 0 / 29

HEX #005DB5

RGB 0 93 181

HSL 209.17, 1%, 0.35%

LAB 39.86, 11.83, -52.92

 

CMYK 100 / 54 / 0 / 36

HEX #004BA2

RGB 0 75 162

HSL 212.22, 1%, 0.32%

LAB 33.22, 16.04, -52.37

 

CMYK 100 / 60 / 0 / 44

HEX #00398F

RGB 0 57 143

HSL 216.08, 1%, 0.28%

LAB 26.48, 20.56, -51.79

 

CMYK 88 / 41 / 0 / 15

HEX #1A80D9

RGB 26 128 217

HSL 207.96, 0.79%, 0.48%

LAB 52.58, 5.06, -53.16

 

CMYK 88 / 65 / 0 / 15

HEX #1A4CD9

RGB 26 76 217

HSL 224.29, 0.79%, 0.48%

LAB 38.55, 38.26, -75.92

 

CMYK 87 / 88 / 0 / 15

HEX #1C1AD9

RGB 28 26 217

HSL 240.63, 0.79%, 0.48%

LAB 29.4, 64.36, -91.07

 

CMYK 64 / 88 / 0 / 15

HEX #4F1AD9

RGB 79 26 217

HSL 256.65, 0.79%, 0.48%

LAB 32.72, 66.74, -85.45

 

CMYK 40 / 88 / 0 / 15

HEX #831AD9

RGB 131 26 217

HSL 272.98, 0.79%, 0.48%

LAB 38.85, 71.74, -75.12

 

CMYK 88 / 41 / 0 / 15

HEX #1A80D9

RGB 26 128 217

HSL 207.96, 0.79%, 0.48%

LAB 52.58, 5.06, -53.16

 

CMYK 88 / 65 / 0 / 15

HEX #1A4CD9

RGB 26 76 217

HSL 224.29, 0.79%, 0.48%

LAB 38.55, 38.26, -75.92

 

CMYK 88 / 88 / 0 / 15

HEX #1A1AD9

RGB 26 26 217

HSL 240, 0.79%, 0.48%

LAB 29.33, 64.31, -91.18

 

CMYK 88 / 41 / 0 / 15

HEX #1A80D9

RGB 26 128 217

HSL 207.96, 0.79%, 0.48%

LAB 52.58, 5.06, -53.16

 

CMYK 97 / 46 / 0 / 7

HEX #0781ED

RGB 7 129 237

HSL 208.17, 0.94%, 0.48%

LAB 53.88, 11.39, -62.3

 

CMYK 88 / 41 / 0 / 15

HEX #1A80D9

RGB 26 128 217

HSL 207.96, 0.79%, 0.48%

LAB 52.58, 5.06, -53.16

 

CMYK 77 / 36 / 0 / 22

HEX #2E7FC6

RGB 46 127 198

HSL 208.03, 0.62%, 0.48%

LAB 51.65, 0.28, -43.84

 

CMYK 63 / 30 / 0 / 30

HEX #427DB2

RGB 66 125 178

HSL 208.39, 0.46%, 0.48%

LAB 50.73, -2.57, -33.77

 

CMYK 46 / 22 / 0 / 38

HEX #567C9E

RGB 86 124 158

HSL 208.33, 0.3%, 0.48%

LAB 50.53, -3.84, -22.41

 

CMYK 23 / 11 / 0 / 46

HEX #6A7B8A

RGB 106 123 138

HSL 208.13, 0.13%, 0.48%

LAB 50.76, -2.71, -10.22

 

CMYK 88 / 0 / 6 / 15

HEX #1AD9CD

RGB 26 217 205

HSL 176.23, 0.79%, 0.48%

LAB 78.61, -45.17, -6.41

 

CMYK 88 / 18 / 0 / 15

HEX #1AB3D9

RGB 26 179 217

HSL 191.94, 0.79%, 0.48%

LAB 67.63, -23.59, -29.53

 

CMYK 88 / 41 / 0 / 15

HEX #1A80D9

RGB 26 128 217

HSL 207.96, 0.79%, 0.48%

LAB 52.58, 5.06, -53.16

 

CMYK 88 / 65 / 0 / 15

HEX #1A4DD9

RGB 26 77 217

HSL 223.98, 0.79%, 0.48%

LAB 38.79, 37.62, -75.53

 

CMYK 88 / 88 / 0 / 15

HEX #1A1AD9

RGB 26 26 217

HSL 240, 0.79%, 0.48%

LAB 29.33, 64.31, -91.18

 

CMYK 88 / 41 / 0 / 44

HEX #115590

RGB 17 85 144

HSL 207.87, 0.79%, 0.32%

LAB 35.26, 2.76, -38.2

 

CMYK 88 / 41 / 0 / 29

HEX #166AB5

RGB 22 106 181

HSL 208.3, 0.78%, 0.4%

LAB 43.97, 4.48, -46.3

 

CMYK 88 / 41 / 0 / 15

HEX #1A80D9

RGB 26 128 217

HSL 207.96, 0.79%, 0.48%

LAB 52.58, 5.06, -53.16

 

CMYK 76 / 36 / 0 / 10

HEX #3794E6

RGB 55 148 230

HSL 208.11, 0.78%, 0.56%

LAB 59.62, 0.48, -49.19

 

CMYK 61 / 28 / 0 / 8

HEX #5CA8EA

RGB 92 168 234

HSL 207.89, 0.77%, 0.64%

LAB 66.69, -4.05, -40.19

 

CMYK 88 / 41 / 0 / 14

HEX #1B81DB

RGB 27 129 219

HSL 208.13, 0.78%, 0.48%

LAB 53, 5.27, -53.62

 

CMYK 29 / 88 / 0 / 15

HEX #9A1AD9

RGB 154 26 217

HSL 280.21, 0.79%, 0.48%

LAB 42.18, 74.7, -69.54

 

CMYK 6 / 0 / 88 / 15

HEX #CDD91A

RGB 205 217 26

HSL 63.77, 0.79%, 0.48%

LAB 83.27, -23.8, 79.65

 

CMYK 88 / 41 / 0 / 14

HEX #1B81DB

RGB 27 129 219

HSL 208.13, 0.78%, 0.48%

LAB 53, 5.27, -53.62

 

CMYK 0 / 88 / 41 / 15

HEX #D91A80

RGB 217 26 128

HSL 327.96, 0.79%, 0.48%

LAB 48.32, 73.75, -6.42

 

CMYK 41 / 0 / 88 / 15

HEX #80D91A

RGB 128 217 26

HSL 87.96, 0.79%, 0.48%

LAB 78.63, -53.3, 73.93

 

CMYK 88 / 41 / 0 / 14

HEX #1B81DB

RGB 27 129 219

HSL 208.13, 0.78%, 0.48%

LAB 53, 5.27, -53.62

 

CMYK 29 / 88 / 0 / 15

HEX #9A1AD9

RGB 154 26 217

HSL 280.21, 0.79%, 0.48%

LAB 42.18, 74.7, -69.54

 

CMYK 0 / 47 / 88 / 15

HEX #D9741A

RGB 217 116 26

HSL 28.27, 0.79%, 0.48%

LAB 59.27, 34.12, 61.12

 

CMYK 59 / 0 / 88 / 15

HEX #5AD91A

RGB 90 217 26

HSL 99.9, 0.79%, 0.48%

LAB 77.21, -64.31, 72.15

 

CMYK 88 / 41 / 0 / 14

HEX #1B81DB

RGB 27 129 219

HSL 208.13, 0.78%, 0.48%

LAB 53, 5.27, -53.62

 

CMYK 3 / 88 / 0 / 15

HEX #D31AD9

RGB 211 26 217

HSL 298.12, 0.79%, 0.48%

LAB 51.38, 83.51, -54.22

 

CMYK 0 / 47 / 88 / 15

HEX #D9741A

RGB 217 116 26

HSL 28.27, 0.79%, 0.48%

LAB 59.27, 34.12, 61.12

 

CMYK 85 / 0 / 88 / 15

HEX #21D91A

RGB 33 217 26

HSL 117.8, 0.79%, 0.48%

LAB 76.08, -73.9, 70.74

 

Description

Color code: RGB 27 129 219 | qconv.com Color code: RGB 27 129 219 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 129 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 129 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 41 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 41% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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