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Color name
RGB 240 208 40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 208 40 it is the complementary color RGB 15 47 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 208 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 208 40 shade: RGB 245 208 35, RGB 255 226 54, RGB 255 244 73, RGB 255 255 92 and RGB 255 255 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 208 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 208 40 shade: RGB 240 208 40, RGB 223 190 21, RGB 206 172 2, RGB 189 154 0 and RGB 172 136 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 208 40 shade: RGB 240 208 40, RGB 240 154 40, RGB 240 100 40, RGB 240 46 40 and RGB 240 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 208 40 shade: RGB 240 208 40, RGB 218 240 40, RGB 164 240 40, RGB 110 240 40 and RGB 56 240 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 208 40 shade matches the following richer shades: RGB 240 208 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 208 40 shade: RGB 240 208 40, RGB 221 195 58, RGB 202 182 77, RGB 184 170 96 and RGB 165 157 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 208 40 shade: RGB 240 100 40, RGB 240 153 40, RGB 240 206 40, RGB 220 240 40 and RGB 166 240 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 208 40 shade: RGB 185 157 12, RGB 223 190 15, RGB 240 208 40, RGB 242 216 78 and RGB 245 224 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 208 40 shade: RGB 240 208 40, RGB 40 240 47 and RGB 126 40 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 208 40 shade: RGB 240 208 40, RGB 40 240 206 and RGB 206 40 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 208 40 shade: RGB 240 208 40, RGB 40 240 47, RGB 40 73 240 and RGB 240 40 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 208 40 shade: RGB 240 208 40, RGB 40 240 106, RGB 40 73 240 and RGB 240 40 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 83 / 6

HEX #F0D028

RGB 240 208 40

HSL 50.4, 0.87%, 0.55%

LAB 83.86, -4.2, 78.41

 

Complementary color

CMYK 93 / 78 / 0 / 16

HEX #0F2FD7

RGB 15 47 215

HSL 230.4, 0.87%, 0.45%

LAB 31.9, 54.28, -85.76

 

CMYK 0 / 15 / 86 / 4

HEX #F5D023

RGB 245 208 35

HSL 49.43, 0.91%, 0.55%

LAB 84.3, -2.19, 80.13

 

CMYK 0 / 11 / 79 / 0

HEX #FFE236

RGB 255 226 54

HSL 51.34, 1%, 0.61%

LAB 89.82, -6.53, 80.31

 

CMYK 0 / 4 / 71 / 0

HEX #FFF449

RGB 255 244 73

HSL 56.37, 1%, 0.64%

LAB 94.5, -14.69, 78.67

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 13 / 83 / 6

HEX #F0D028

RGB 240 208 40

HSL 50.4, 0.87%, 0.55%

LAB 83.86, -4.2, 78.41

 

CMYK 0 / 15 / 91 / 13

HEX #DFBE15

RGB 223 190 21

HSL 50.2, 0.83%, 0.48%

LAB 77.62, -2.67, 76.7

 

CMYK 0 / 17 / 99 / 19

HEX #CEAC02

RGB 206 172 2

HSL 50, 0.98%, 0.41%

LAB 71.3, -0.94, 73.72

 

CMYK 0 / 19 / 100 / 26

HEX #BD9A00

RGB 189 154 0

HSL 48.89, 1%, 0.37%

LAB 64.91, 1.05, 68.68

 

CMYK 0 / 21 / 100 / 33

HEX #AC8800

RGB 172 136 0

HSL 47.44, 1%, 0.34%

LAB 58.4, 3.15, 63.31

 

CMYK 0 / 13 / 83 / 6

HEX #F0D028

RGB 240 208 40

HSL 50.4, 0.87%, 0.55%

LAB 83.86, -4.2, 78.41

 

CMYK 0 / 36 / 83 / 6

HEX #F09A28

RGB 240 154 40

HSL 34.2, 0.87%, 0.55%

LAB 70.73, 24.01, 67.36

 

CMYK 0 / 58 / 83 / 6

HEX #F06428

RGB 240 100 40

HSL 18, 0.87%, 0.55%

LAB 59.7, 51.11, 57.87

 

CMYK 0 / 81 / 83 / 6

HEX #F02E28

RGB 240 46 40

HSL 1.8, 0.87%, 0.55%

LAB 52.54, 70.6, 51.56

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 13 / 83 / 6

HEX #F0D028

RGB 240 208 40

HSL 50.4, 0.87%, 0.55%

LAB 83.86, -4.2, 78.41

 

CMYK 9 / 0 / 83 / 6

HEX #DAF028

RGB 218 240 40

HSL 66.6, 0.87%, 0.55%

LAB 90.5, -29.03, 83.26

 

CMYK 32 / 0 / 83 / 6

HEX #A4F028

RGB 164 240 40

HSL 82.8, 0.87%, 0.55%

LAB 87.18, -49.75, 79.11

 

CMYK 54 / 0 / 83 / 6

HEX #6EF028

RGB 110 240 40

HSL 99, 0.87%, 0.55%

LAB 84.89, -66.61, 76.22

 

CMYK 77 / 0 / 83 / 6

HEX #38F028

RGB 56 240 40

HSL 115.2, 0.87%, 0.55%

LAB 83.61, -77.3, 74.59

 

CMYK 0 / 13 / 83 / 6

HEX #F0D028

RGB 240 208 40

HSL 50.4, 0.87%, 0.55%

LAB 83.86, -4.2, 78.41

 

CMYK 0 / 13 / 83 / 6

HEX #F0D028

RGB 240 208 40

HSL 50.4, 0.87%, 0.55%

LAB 83.86, -4.2, 78.41

 

CMYK 0 / 12 / 74 / 13

HEX #DDC33A

RGB 221 195 58

HSL 50.43, 0.71%, 0.55%

LAB 78.87, -5.04, 67.89

 

CMYK 0 / 10 / 62 / 21

HEX #CAB64D

RGB 202 182 77

HSL 50.4, 0.54%, 0.55%

LAB 73.9, -5.38, 54.61

 

CMYK 0 / 8 / 48 / 28

HEX #B8AA60

RGB 184 170 96

HSL 50.45, 0.38%, 0.55%

LAB 69.32, -5.13, 39.75

 

CMYK 0 / 5 / 31 / 35

HEX #A59D72

RGB 165 157 114

HSL 50.59, 0.22%, 0.55%

LAB 64.43, -3.93, 23.59

 

CMYK 0 / 58 / 83 / 6

HEX #F06428

RGB 240 100 40

HSL 18, 0.87%, 0.55%

LAB 59.7, 51.11, 57.87

 

CMYK 0 / 36 / 83 / 6

HEX #F09928

RGB 240 153 40

HSL 33.9, 0.87%, 0.55%

LAB 70.5, 24.53, 67.17

 

CMYK 0 / 14 / 83 / 6

HEX #F0CE28

RGB 240 206 40

HSL 49.8, 0.87%, 0.55%

LAB 83.35, -3.18, 77.98

 

CMYK 8 / 0 / 83 / 6

HEX #DCF028

RGB 220 240 40

HSL 66, 0.87%, 0.55%

LAB 90.64, -28.22, 83.43

 

CMYK 31 / 0 / 83 / 6

HEX #A6F028

RGB 166 240 40

HSL 82.2, 0.87%, 0.55%

LAB 87.28, -49.04, 79.24

 

CMYK 0 / 15 / 94 / 27

HEX #B99D0C

RGB 185 157 12

HSL 50.29, 0.88%, 0.39%

LAB 65.32, -2.22, 67.16

 

CMYK 0 / 15 / 93 / 13

HEX #DFBE0F

RGB 223 190 15

HSL 50.48, 0.87%, 0.47%

LAB 77.61, -2.75, 77.57

 

CMYK 0 / 13 / 83 / 6

HEX #F0D028

RGB 240 208 40

HSL 50.4, 0.87%, 0.55%

LAB 83.86, -4.2, 78.41

 

CMYK 0 / 11 / 68 / 5

HEX #F2D84E

RGB 242 216 78

HSL 50.49, 0.86%, 0.63%

LAB 86.28, -5.93, 68.35

 

CMYK 0 / 9 / 52 / 4

HEX #F5E075

RGB 245 224 117

HSL 50.16, 0.86%, 0.71%

LAB 88.93, -6.13, 54.4

 

CMYK 0 / 13 / 83 / 6

HEX #F0D028

RGB 240 208 40

HSL 50.4, 0.87%, 0.55%

LAB 83.86, -4.2, 78.41

 

CMYK 83 / 0 / 80 / 6

HEX #28F02F

RGB 40 240 47

HSL 122.1, 0.87%, 0.55%

LAB 83.43, -78.77, 72.62

 

CMYK 48 / 83 / 0 / 6

HEX #7E28F0

RGB 126 40 240

HSL 265.8, 0.87%, 0.55%

LAB 41.6, 72.46, -83.74

 

CMYK 0 / 13 / 83 / 6

HEX #F0D028

RGB 240 208 40

HSL 50.4, 0.87%, 0.55%

LAB 83.86, -4.2, 78.41

 

CMYK 83 / 0 / 14 / 6

HEX #28F0CE

RGB 40 240 206

HSL 169.8, 0.87%, 0.55%

LAB 85.62, -53.65, 3.34

 

CMYK 14 / 83 / 0 / 6

HEX #CE28F0

RGB 206 40 240

HSL 289.8, 0.87%, 0.55%

LAB 52.87, 83.79, -64.88

 

CMYK 0 / 13 / 83 / 6

HEX #F0D028

RGB 240 208 40

HSL 50.4, 0.87%, 0.55%

LAB 83.86, -4.2, 78.41

 

CMYK 83 / 0 / 80 / 6

HEX #28F02F

RGB 40 240 47

HSL 122.1, 0.87%, 0.55%

LAB 83.43, -78.77, 72.62

 

CMYK 83 / 70 / 0 / 6

HEX #2849F0

RGB 40 73 240

HSL 230.1, 0.87%, 0.55%

LAB 40.42, 49.08, -85.9

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 0 / 13 / 83 / 6

HEX #F0D028

RGB 240 208 40

HSL 50.4, 0.87%, 0.55%

LAB 83.86, -4.2, 78.41

 

CMYK 83 / 0 / 56 / 6

HEX #28F06A

RGB 40 240 106

HSL 139.8, 0.87%, 0.55%

LAB 83.87, -73.33, 51.16

 

CMYK 83 / 70 / 0 / 6

HEX #2849F0

RGB 40 73 240

HSL 230.1, 0.87%, 0.55%

LAB 40.42, 49.08, -85.9

 

CMYK 0 / 83 / 28 / 6

HEX #F028AD

RGB 240 40 173

HSL 320.1, 0.87%, 0.55%

LAB 55.13, 80.87, -22.54

 

Description

Color code: RGB 240 208 40 | qconv.com Color code: RGB 240 208 40 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 208 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 208 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 83 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 83% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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