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Color name
RGB 241 195 79

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 195 79 it is the complementary color RGB 14 60 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 195 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 195 79 shade: RGB 246 195 74, RGB 255 213 93, RGB 255 231 112, RGB 255 249 131 and RGB 255 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 195 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 195 79 shade: RGB 241 195 79, RGB 224 177 60, RGB 207 159 41, RGB 190 141 22 and RGB 173 123 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 195 79 shade: RGB 240 195 80, RGB 240 152 80, RGB 240 108 80 and RGB 240 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 195 79 shade: RGB 240 195 80, RGB 240 238 80, RGB 199 240 80, RGB 156 240 80 and RGB 113 240 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 195 79 shade matches the following richer shades: RGB 240 195 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 195 79 shade: RGB 240 195 80, RGB 225 188 95, RGB 210 182 110, RGB 195 175 126 and RGB 179 168 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 195 79 shade: RGB 240 107 80, RGB 240 149 80, RGB 240 192 80, RGB 240 235 80 and RGB 203 240 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 195 79 shade: RGB 220 163 17, RGB 237 182 42, RGB 240 195 80, RGB 243 208 118 and RGB 247 221 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 195 79 shade: RGB 241 195 79, RGB 96 240 80 and RGB 128 80 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 195 79 shade: RGB 241 195 79, RGB 80 240 192 and RGB 192 80 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 195 79 shade: RGB 241 195 79, RGB 96 240 80, RGB 80 128 240 and RGB 224 80 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 195 79 shade: RGB 241 195 79, RGB 80 240 112, RGB 80 128 240 and RGB 240 80 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 67 / 5

HEX #F1C34F

RGB 241 195 79

HSL 42.96, 0.85%, 0.63%

LAB 80.9, 4.46, 62.34

 

Complementary color

CMYK 92 / 66 / 0 / 31

HEX #0E3CB0

RGB 14 60 176

HSL 222.96, 0.85%, 0.37%

LAB 30.54, 32.5, -65.12

 

CMYK 0 / 21 / 70 / 4

HEX #F6C34A

RGB 246 195 74

HSL 42.21, 0.91%, 0.63%

LAB 81.36, 6.3, 65.04

 

CMYK 0 / 16 / 64 / 0

HEX #FFD55D

RGB 255 213 93

HSL 44.44, 1%, 0.68%

LAB 86.82, 1.82, 63.08

 

CMYK 0 / 9 / 56 / 0

HEX #FFE770

RGB 255 231 112

HSL 49.93, 1%, 0.72%

LAB 91.5, -6, 59.91

 

CMYK 0 / 2 / 49 / 0

HEX #FFF983

RGB 255 249 131

HSL 57.1, 1%, 0.76%

LAB 96.27, -13.37, 56.83

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 19 / 67 / 5

HEX #F1C34F

RGB 241 195 79

HSL 42.96, 0.85%, 0.63%

LAB 80.9, 4.46, 62.34

 

CMYK 0 / 21 / 73 / 12

HEX #E0B13C

RGB 224 177 60

HSL 42.8, 0.73%, 0.56%

LAB 74.58, 5.72, 63.1

 

CMYK 0 / 23 / 80 / 19

HEX #CF9F29

RGB 207 159 41

HSL 42.65, 0.67%, 0.49%

LAB 68.18, 7.19, 63.36

 

CMYK 0 / 26 / 88 / 25

HEX #BE8D16

RGB 190 141 22

HSL 42.5, 0.79%, 0.42%

LAB 61.7, 8.9, 62.68

 

CMYK 0 / 29 / 98 / 32

HEX #AD7B03

RGB 173 123 3

HSL 42.35, 0.97%, 0.35%

LAB 55.13, 10.89, 60.57

 

CMYK 0 / 19 / 67 / 6

HEX #F0C350

RGB 240 195 80

HSL 43.13, 0.84%, 0.63%

LAB 80.81, 4.1, 61.8

 

CMYK 0 / 37 / 67 / 6

HEX #F09850

RGB 240 152 80

HSL 27, 0.84%, 0.63%

LAB 70.57, 26.72, 50.65

 

CMYK 0 / 55 / 67 / 6

HEX #F06C50

RGB 240 108 80

HSL 10.5, 0.84%, 0.63%

LAB 61.51, 49, 40.22

 

CMYK 0 / 67 / 67 / 6

HEX #F05050

RGB 240 80 80

HSL 0, 0.84%, 0.63%

LAB 56.92, 61.16, 34.71

 

CMYK 0 / 19 / 67 / 6

HEX #F0C350

RGB 240 195 80

HSL 43.13, 0.84%, 0.63%

LAB 80.81, 4.1, 61.8

 

CMYK 0 / 1 / 67 / 6

HEX #F0EE50

RGB 240 238 80

HSL 59.25, 0.84%, 0.63%

LAB 91.8, -17.55, 73.13

 

CMYK 17 / 0 / 67 / 6

HEX #C7F050

RGB 199 240 80

HSL 75.38, 0.84%, 0.63%

LAB 89.41, -34.8, 69.76

 

CMYK 35 / 0 / 67 / 6

HEX #9CF050

RGB 156 240 80

HSL 91.5, 0.84%, 0.63%

LAB 86.98, -50.42, 66.48

 

CMYK 53 / 0 / 67 / 6

HEX #71F050

RGB 113 240 80

HSL 107.63, 0.84%, 0.63%

LAB 85.21, -63.36, 64.06

 

CMYK 0 / 19 / 67 / 6

HEX #F0C350

RGB 240 195 80

HSL 43.13, 0.84%, 0.63%

LAB 80.81, 4.1, 61.8

 

CMYK 0 / 19 / 67 / 6

HEX #F0C350

RGB 240 195 80

HSL 43.13, 0.84%, 0.63%

LAB 80.81, 4.1, 61.8

 

CMYK 0 / 16 / 58 / 12

HEX #E1BC5F

RGB 225 188 95

HSL 42.92, 0.68%, 0.63%

LAB 77.76, 2.44, 51.23

 

CMYK 0 / 13 / 48 / 18

HEX #D2B66E

RGB 210 182 110

HSL 43.2, 0.53%, 0.63%

LAB 75, 0.65, 40.19

 

CMYK 0 / 10 / 35 / 24

HEX #C3AF7E

RGB 195 175 126

HSL 42.61, 0.37%, 0.63%

LAB 72.07, 0, 27.78

 

CMYK 0 / 6 / 21 / 30

HEX #B3A88D

RGB 179 168 141

HSL 42.63, 0.2%, 0.63%

LAB 69.12, -0.5, 15.39

 

CMYK 0 / 55 / 67 / 6

HEX #F06B50

RGB 240 107 80

HSL 10.13, 0.84%, 0.63%

LAB 61.32, 49.47, 40

 

CMYK 0 / 38 / 67 / 6

HEX #F09550

RGB 240 149 80

HSL 25.88, 0.84%, 0.63%

LAB 69.89, 28.3, 49.89

 

CMYK 0 / 20 / 67 / 6

HEX #F0C050

RGB 240 192 80

HSL 42, 0.84%, 0.63%

LAB 80.07, 5.66, 61.01

 

CMYK 0 / 2 / 67 / 6

HEX #F0EB50

RGB 240 235 80

HSL 58.13, 0.84%, 0.63%

LAB 91.02, -16.09, 72.34

 

CMYK 15 / 0 / 67 / 6

HEX #CBF050

RGB 203 240 80

HSL 73.88, 0.84%, 0.63%

LAB 89.67, -33.25, 70.11

 

CMYK 0 / 26 / 92 / 14

HEX #DCA311

RGB 220 163 17

HSL 43.15, 0.86%, 0.46%

LAB 70.49, 10.18, 71.85

 

CMYK 0 / 23 / 82 / 7

HEX #EDB62A

RGB 237 182 42

HSL 43.08, 0.84%, 0.55%

LAB 77.06, 8.01, 72.02

 

CMYK 0 / 19 / 67 / 6

HEX #F0C350

RGB 240 195 80

HSL 43.13, 0.84%, 0.63%

LAB 80.81, 4.1, 61.8

 

CMYK 0 / 14 / 51 / 5

HEX #F3D076

RGB 243 208 118

HSL 43.2, 0.84%, 0.71%

LAB 84.73, 1.29, 48.85

 

CMYK 0 / 11 / 37 / 3

HEX #F7DD9C

RGB 247 221 156

HSL 42.86, 0.85%, 0.79%

LAB 88.87, -0.03, 35.21

 

CMYK 0 / 19 / 67 / 5

HEX #F1C34F

RGB 241 195 79

HSL 42.96, 0.85%, 0.63%

LAB 80.9, 4.46, 62.34

 

CMYK 60 / 0 / 67 / 6

HEX #60F050

RGB 96 240 80

HSL 114, 0.84%, 0.63%

LAB 84.68, -67.48, 63.34

 

CMYK 47 / 67 / 0 / 6

HEX #8050F0

RGB 128 80 240

HSL 258, 0.84%, 0.63%

LAB 47.77, 55.8, -73.62

 

CMYK 0 / 19 / 67 / 5

HEX #F1C34F

RGB 241 195 79

HSL 42.96, 0.85%, 0.63%

LAB 80.9, 4.46, 62.34

 

CMYK 67 / 0 / 20 / 6

HEX #50F0C0

RGB 80 240 192

HSL 162, 0.84%, 0.63%

LAB 85.92, -52.58, 11.17

 

CMYK 20 / 67 / 0 / 6

HEX #C050F0

RGB 192 80 240

HSL 282, 0.84%, 0.63%

LAB 55.31, 68.35, -61.05

 

CMYK 0 / 19 / 67 / 5

HEX #F1C34F

RGB 241 195 79

HSL 42.96, 0.85%, 0.63%

LAB 80.9, 4.46, 62.34

 

CMYK 60 / 0 / 67 / 6

HEX #60F050

RGB 96 240 80

HSL 114, 0.84%, 0.63%

LAB 84.68, -67.48, 63.34

 

CMYK 67 / 47 / 0 / 6

HEX #5080F0

RGB 80 128 240

HSL 222, 0.84%, 0.63%

LAB 55.52, 19.42, -61.25

 

CMYK 7 / 67 / 0 / 6

HEX #E050F0

RGB 224 80 240

HSL 294, 0.84%, 0.63%

LAB 59.78, 75.21, -53.66

 

CMYK 0 / 19 / 67 / 5

HEX #F1C34F

RGB 241 195 79

HSL 42.96, 0.85%, 0.63%

LAB 80.9, 4.46, 62.34

 

CMYK 67 / 0 / 53 / 6

HEX #50F070

RGB 80 240 112

HSL 132, 0.84%, 0.63%

LAB 84.58, -67.18, 49.43

 

CMYK 67 / 47 / 0 / 6

HEX #5080F0

RGB 80 128 240

HSL 222, 0.84%, 0.63%

LAB 55.52, 19.42, -61.25

 

CMYK 0 / 67 / 13 / 6

HEX #F050D0

RGB 240 80 208

HSL 312, 0.84%, 0.63%

LAB 60.62, 73.88, -34.19

 

Description

Color code: RGB 241 195 79 | qconv.com Color code: RGB 241 195 79 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 195 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 195 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 67% 5% C M Y K

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