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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 12 136 it is the complementary color RGB 3 243 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 12 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 12 136 shade: RGB 255 12 131, RGB 255 30 150, RGB 255 48 169, RGB 255 66 188 and RGB 255 84 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 12 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 12 136 shade: RGB 252 12 136, RGB 235 0 117, RGB 218 0 98, RGB 201 0 79 and RGB 184 0 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 12 136 shade: RGB 252 12 136, RGB 252 12 71 and RGB 252 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 12 136 shade: RGB 252 12 136, RGB 252 12 201, RGB 239 12 252, RGB 174 12 252 and RGB 109 12 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 12 136 shade matches the following richer shades: RGB 252 12 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 12 136 shade: RGB 252 12 136, RGB 232 32 135, RGB 212 52 135, RGB 193 72 134 and RGB 173 91 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 12 136 shade: RGB 240 12 252, RGB 252 12 200, RGB 252 12 136, RGB 252 12 72 and RGB 252 16 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 12 136 shade: RGB 180 1 94, RGB 221 2 115, RGB 252 12 136, RGB 252 53 156 and RGB 253 94 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 12 136 shade: RGB 252 12 136, RGB 252 176 12 and RGB 12 232 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 12 136 shade: RGB 252 12 136, RGB 136 252 12 and RGB 12 136 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 12 136 shade: RGB 252 12 136, RGB 252 176 12, RGB 12 252 128 and RGB 12 88 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 12 136 shade: RGB 252 12 136, RGB 252 248 12, RGB 12 252 128 and RGB 12 16 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

Complementary color

CMYK 99 / 0 / 51 / 5

HEX #03F377

RGB 3 243 119

HSL 149, 0.98%, 0.48%

LAB 84.72, -74.32, 46.13

 

CMYK 0 / 95 / 49 / 0

HEX #FF0C83

RGB 255 12 131

HSL 330.62, 1%, 0.52%

LAB 55.24, 83.98, 2.78

 

CMYK 0 / 88 / 41 / 0

HEX #FF1E96

RGB 255 30 150

HSL 328, 1%, 0.56%

LAB 56.48, 83.57, -6.72

 

CMYK 0 / 81 / 34 / 0

HEX #FF30A9

RGB 255 48 169

HSL 324.93, 1%, 0.59%

LAB 58.26, 82.07, -15.19

 

CMYK 0 / 74 / 26 / 0

HEX #FF42BC

RGB 255 66 188

HSL 321.27, 1%, 0.63%

LAB 60.59, 79.49, -22.63

 

CMYK 0 / 67 / 19 / 0

HEX #FF54CF

RGB 255 84 207

HSL 316.84, 1%, 0.66%

LAB 63.43, 75.98, -29.08

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

CMYK 0 / 100 / 50 / 8

HEX #EB0075

RGB 235 0 117

HSL 330.13, 1%, 0.46%

LAB 50.62, 79.45, 4.07

 

CMYK 0 / 100 / 55 / 15

HEX #DA0062

RGB 218 0 98

HSL 333.03, 1%, 0.43%

LAB 46.69, 74.38, 9.71

 

CMYK 0 / 100 / 61 / 21

HEX #C9004F

RGB 201 0 79

HSL 336.42, 1%, 0.39%

LAB 42.74, 69.3, 15.59

 

CMYK 0 / 100 / 67 / 28

HEX #B8003C

RGB 184 0 60

HSL 340.43, 1%, 0.36%

LAB 38.75, 64.25, 21.75

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

CMYK 0 / 95 / 72 / 1

HEX #FC0C47

RGB 252 12 71

HSL 345.25, 0.98%, 0.52%

LAB 53.4, 79.92, 36.2

 

CMYK 0 / 95 / 95 / 1

HEX #FC0C0C

RGB 252 12 12

HSL 0, 0.98%, 0.52%

LAB 52.93, 78.64, 63.79

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

CMYK 0 / 95 / 20 / 1

HEX #FC0CC9

RGB 252 12 201

HSL 312.75, 0.98%, 0.52%

LAB 57.25, 90.1, -35.32

 

CMYK 5 / 95 / 0 / 1

HEX #EF0CFC

RGB 239 12 252

HSL 296.75, 0.98%, 0.52%

LAB 57.7, 94.66, -63.54

 

CMYK 31 / 95 / 0 / 1

HEX #AE0CFC

RGB 174 12 252

HSL 280.5, 0.98%, 0.52%

LAB 47.35, 85.85, -80.79

 

CMYK 57 / 95 / 0 / 1

HEX #6D0CFC

RGB 109 12 252

HSL 264.25, 0.98%, 0.52%

LAB 38.8, 79.87, -95.19

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

CMYK 0 / 86 / 42 / 9

HEX #E82087

RGB 232 32 135

HSL 329.1, 0.81%, 0.52%

LAB 51.77, 76.79, -5.23

 

CMYK 0 / 75 / 36 / 17

HEX #D43487

RGB 212 52 135

HSL 328.88, 0.65%, 0.52%

LAB 49.74, 67.18, -8.65

 

CMYK 0 / 63 / 31 / 24

HEX #C14886

RGB 193 72 134

HSL 329.26, 0.49%, 0.52%

LAB 49.12, 54.4, -9.3

 

CMYK 0 / 47 / 23 / 32

HEX #AD5B85

RGB 173 91 133

HSL 329.27, 0.33%, 0.52%

LAB 49.57, 38.62, -8.34

 

CMYK 5 / 95 / 0 / 1

HEX #F00CFC

RGB 240 12 252

HSL 297, 0.98%, 0.52%

LAB 57.86, 94.81, -63.26

 

CMYK 0 / 95 / 21 / 1

HEX #FC0CC8

RGB 252 12 200

HSL 313, 0.98%, 0.52%

LAB 57.2, 89.99, -34.81

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

CMYK 0 / 95 / 71 / 1

HEX #FC0C48

RGB 252 12 72

HSL 345, 0.98%, 0.52%

LAB 53.41, 79.96, 35.62

 

CMYK 0 / 94 / 95 / 1

HEX #FC100C

RGB 252 16 12

HSL 1, 0.98%, 0.52%

LAB 53.05, 78.3, 63.85

 

CMYK 0 / 99 / 48 / 29

HEX #B4015E

RGB 180 1 94

HSL 328.83, 0.99%, 0.35%

LAB 38.78, 65.43, -0.15

 

CMYK 0 / 99 / 48 / 13

HEX #DD0273

RGB 221 2 115

HSL 329.04, 0.98%, 0.44%

LAB 47.82, 76.1, 0.89

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

CMYK 0 / 79 / 38 / 1

HEX #FC359C

RGB 252 53 156

HSL 328.94, 0.97%, 0.6%

LAB 57.7, 78.9, -8.5

 

CMYK 0 / 63 / 30 / 1

HEX #FD5EB0

RGB 253 94 176

HSL 329.06, 0.98%, 0.68%

LAB 63.36, 67.77, -11.59

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

CMYK 0 / 30 / 95 / 1

HEX #FCB00C

RGB 252 176 12

HSL 41, 0.98%, 0.52%

LAB 77.14, 17.02, 78.96

 

CMYK 95 / 8 / 0 / 1

HEX #0CE8FC

RGB 12 232 252

HSL 185, 0.98%, 0.52%

LAB 84.39, -38.52, -22.7

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

CMYK 46 / 0 / 95 / 1

HEX #88FC0C

RGB 136 252 12

HSL 89, 0.98%, 0.52%

LAB 89.34, -64.26, 84.6

 

CMYK 95 / 46 / 0 / 1

HEX #0C88FC

RGB 12 136 252

HSL 209, 0.98%, 0.52%

LAB 56.8, 12.97, -65.91

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

CMYK 0 / 30 / 95 / 1

HEX #FCB00C

RGB 252 176 12

HSL 41, 0.98%, 0.52%

LAB 77.14, 17.02, 78.96

 

CMYK 95 / 0 / 49 / 1

HEX #0CFC80

RGB 12 252 128

HSL 149, 0.98%, 0.52%

LAB 87.61, -75.5, 45.49

 

CMYK 95 / 65 / 0 / 1

HEX #0C58FC

RGB 12 88 252

HSL 221, 0.98%, 0.52%

LAB 44.36, 43.13, -86.17

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C88

RGB 252 12 136

HSL 329, 0.98%, 0.52%

LAB 54.8, 83.72, -0.93

 

CMYK 0 / 2 / 95 / 1

HEX #FCF80C

RGB 252 248 12

HSL 59, 0.98%, 0.52%

LAB 95.1, -19.37, 92.03

 

CMYK 95 / 0 / 49 / 1

HEX #0CFC80

RGB 12 252 128

HSL 149, 0.98%, 0.52%

LAB 87.61, -75.5, 45.49

 

CMYK 95 / 94 / 0 / 1

HEX #0C10FC

RGB 12 16 252

HSL 239, 0.98%, 0.52%

LAB 32.87, 76, -105.23

 

Description

Color code: RGB 252 12 136 | qconv.com Color code: RGB 252 12 136 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 12 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 12 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 46 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 46% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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