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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 183 70 it is the complementary color RGB 0 72 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 183 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 183 70 shade: RGB 255 183 65, RGB 255 201 84, RGB 255 219 103, RGB 255 237 122 and RGB 255 255 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 183 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 183 70 shade: RGB 255 183 70, RGB 238 165 51, RGB 221 147 32, RGB 204 129 13 and RGB 187 111 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 183 70 shade: RGB 255 183 71, RGB 255 134 71, RGB 255 84 71 and RGB 255 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 183 70 shade: RGB 255 183 71, RGB 255 233 71, RGB 227 255 71, RGB 177 255 71 and RGB 128 255 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 183 70 shade matches the following richer shades: RGB 255 183 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 183 70 shade: RGB 255 183 71, RGB 240 180 86, RGB 225 176 101, RGB 210 173 115 and RGB 195 170 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 183 70 shade: RGB 255 83 71, RGB 255 132 71, RGB 255 181 71, RGB 255 230 71 and RGB 230 255 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 183 70 shade: RGB 243 148 0, RGB 255 167 30, RGB 255 183 71, RGB 255 199 112 and RGB 255 215 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 183 70 shade: RGB 255 183 70, RGB 108 255 71 and RGB 108 71 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 183 70 shade: RGB 255 183 70, RGB 71 255 181 and RGB 181 71 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 183 70 shade: RGB 255 183 70, RGB 108 255 71, RGB 71 144 255 and RGB 218 71 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 183 70 shade: RGB 255 183 70, RGB 71 255 89, RGB 71 144 255 and RGB 255 71 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 73 / 0

HEX #FFB746

RGB 255 183 70

HSL 36.65, 1%, 0.64%

LAB 79.37, 16.12, 64.96

 

Complementary color

CMYK 100 / 61 / 0 / 27

HEX #0048B9

RGB 0 72 185

HSL 216.65, 1%, 0.36%

LAB 34.27, 27.54, -64.36

 

CMYK 0 / 28 / 75 / 0

HEX #FFB741

RGB 255 183 65

HSL 37.26, 1%, 0.63%

LAB 79.33, 15.91, 66.91

 

CMYK 0 / 21 / 67 / 0

HEX #FFC954

RGB 255 201 84

HSL 41.05, 1%, 0.66%

LAB 83.8, 7.47, 63.7

 

CMYK 0 / 14 / 60 / 0

HEX #FFDB67

RGB 255 219 103

HSL 45.79, 1%, 0.7%

LAB 88.4, -0.59, 60.43

 

CMYK 0 / 7 / 52 / 0

HEX #FFED7A

RGB 255 237 122

HSL 51.88, 1%, 0.74%

LAB 93.12, -8.22, 57.24

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 28 / 73 / 0

HEX #FFB746

RGB 255 183 70

HSL 36.65, 1%, 0.64%

LAB 79.37, 16.12, 64.96

 

CMYK 0 / 31 / 79 / 7

HEX #EEA533

RGB 238 165 51

HSL 36.58, 0.85%, 0.57%

LAB 73.11, 17.69, 65.61

 

CMYK 0 / 33 / 86 / 13

HEX #DD9320

RGB 221 147 32

HSL 36.51, 0.75%, 0.5%

LAB 66.78, 19.47, 65.59

 

CMYK 0 / 37 / 94 / 20

HEX #CC810D

RGB 204 129 13

HSL 36.44, 0.88%, 0.43%

LAB 60.4, 21.5, 64.33

 

CMYK 0 / 41 / 100 / 27

HEX #BB6F00

RGB 187 111 0

HSL 35.61, 1%, 0.37%

LAB 53.96, 23.78, 61.21

 

CMYK 0 / 28 / 72 / 0

HEX #FFB747

RGB 255 183 71

HSL 36.52, 1%, 0.64%

LAB 79.38, 16.17, 64.55

 

CMYK 0 / 47 / 72 / 0

HEX #FF8647

RGB 255 134 71

HSL 20.54, 1%, 0.64%

LAB 68.58, 41.47, 53.36

 

CMYK 0 / 67 / 72 / 0

HEX #FF5447

RGB 255 84 71

HSL 4.24, 1%, 0.64%

LAB 59.94, 63.95, 43.89

 

CMYK 0 / 72 / 72 / 0

HEX #FF4747

RGB 255 71 71

HSL 0, 1%, 0.64%

LAB 58.25, 68.6, 41.97

 

CMYK 0 / 28 / 72 / 0

HEX #FFB747

RGB 255 183 71

HSL 36.52, 1%, 0.64%

LAB 79.38, 16.17, 64.55

 

CMYK 0 / 9 / 72 / 0

HEX #FFE947

RGB 255 233 71

HSL 52.83, 1%, 0.64%

LAB 91.68, -9.37, 76.65

 

CMYK 11 / 0 / 72 / 0

HEX #E3FF47

RGB 227 255 71

HSL 69.13, 1%, 0.64%

LAB 95.29, -31.25, 79.35

 

CMYK 31 / 0 / 72 / 0

HEX #B1FF47

RGB 177 255 71

HSL 85.43, 1%, 0.64%

LAB 92.27, -49.97, 75.4

 

CMYK 50 / 0 / 72 / 0

HEX #80FF47

RGB 128 255 71

HSL 101.41, 1%, 0.64%

LAB 90.12, -65.42, 72.54

 

CMYK 0 / 28 / 72 / 0

HEX #FFB747

RGB 255 183 71

HSL 36.52, 1%, 0.64%

LAB 79.38, 16.17, 64.55

 

CMYK 0 / 28 / 72 / 0

HEX #FFB747

RGB 255 183 71

HSL 36.52, 1%, 0.64%

LAB 79.38, 16.17, 64.55

 

CMYK 0 / 25 / 64 / 6

HEX #F0B456

RGB 240 180 86

HSL 36.62, 0.84%, 0.64%

LAB 77.18, 12.29, 55.2

 

CMYK 0 / 22 / 55 / 12

HEX #E1B065

RGB 225 176 101

HSL 36.29, 0.67%, 0.64%

LAB 74.82, 9.23, 44.83

 

CMYK 0 / 18 / 45 / 18

HEX #D2AD73

RGB 210 173 115

HSL 36.63, 0.51%, 0.64%

LAB 72.78, 5.93, 34.79

 

CMYK 0 / 13 / 33 / 24

HEX #C3AA82

RGB 195 170 130

HSL 36.92, 0.35%, 0.64%

LAB 70.85, 3.18, 23.99

 

CMYK 0 / 67 / 72 / 0

HEX #FF5347

RGB 255 83 71

HSL 3.91, 1%, 0.64%

LAB 59.8, 64.33, 43.73

 

CMYK 0 / 48 / 72 / 0

HEX #FF8447

RGB 255 132 71

HSL 19.89, 1%, 0.64%

LAB 68.18, 42.46, 52.93

 

CMYK 0 / 29 / 72 / 0

HEX #FFB547

RGB 255 181 71

HSL 35.87, 1%, 0.64%

LAB 78.9, 17.21, 64.08

 

CMYK 0 / 10 / 72 / 0

HEX #FFE647

RGB 255 230 71

HSL 51.85, 1%, 0.64%

LAB 90.92, -7.89, 75.91

 

CMYK 10 / 0 / 72 / 0

HEX #E6FF47

RGB 230 255 71

HSL 68.15, 1%, 0.64%

LAB 95.5, -30.06, 79.62

 

CMYK 0 / 39 / 100 / 5

HEX #F39400

RGB 243 148 0

HSL 36.54, 1%, 0.48%

LAB 69.64, 27.81, 74.81

 

CMYK 0 / 35 / 88 / 0

HEX #FFA71E

RGB 255 167 30

HSL 36.53, 1%, 0.56%

LAB 75.45, 23.23, 74.71

 

CMYK 0 / 28 / 72 / 0

HEX #FFB747

RGB 255 183 71

HSL 36.52, 1%, 0.64%

LAB 79.38, 16.17, 64.55

 

CMYK 0 / 22 / 56 / 0

HEX #FFC770

RGB 255 199 112

HSL 36.5, 1%, 0.72%

LAB 83.59, 10.33, 50.66

 

CMYK 0 / 16 / 40 / 0

HEX #FFD799

RGB 255 215 153

HSL 36.47, 1%, 0.8%

LAB 88.05, 5.82, 35.78

 

CMYK 0 / 28 / 73 / 0

HEX #FFB746

RGB 255 183 70

HSL 36.65, 1%, 0.64%

LAB 79.37, 16.12, 64.96

 

CMYK 58 / 0 / 72 / 0

HEX #6CFF47

RGB 108 255 71

HSL 107.93, 1%, 0.64%

LAB 89.47, -70.53, 71.68

 

CMYK 58 / 72 / 0 / 0

HEX #6C47FF

RGB 108 71 255

HSL 252.07, 1%, 0.64%

LAB 45.52, 61.43, -85.78

 

CMYK 0 / 28 / 73 / 0

HEX #FFB746

RGB 255 183 70

HSL 36.65, 1%, 0.64%

LAB 79.37, 16.12, 64.96

 

CMYK 72 / 0 / 29 / 0

HEX #47FFB5

RGB 71 255 181

HSL 155.87, 1%, 0.64%

LAB 89.95, -62.14, 22.47

 

CMYK 29 / 72 / 0 / 0

HEX #B547FF

RGB 181 71 255

HSL 275.87, 1%, 0.64%

LAB 53.55, 72.91, -72.33

 

CMYK 0 / 28 / 73 / 0

HEX #FFB746

RGB 255 183 70

HSL 36.65, 1%, 0.64%

LAB 79.37, 16.12, 64.96

 

CMYK 58 / 0 / 72 / 0

HEX #6CFF47

RGB 108 255 71

HSL 107.93, 1%, 0.64%

LAB 89.47, -70.53, 71.68

 

CMYK 72 / 44 / 0 / 0

HEX #4790FF

RGB 71 144 255

HSL 216.2, 1%, 0.64%

LAB 60.34, 13.7, -61.8

 

CMYK 15 / 72 / 0 / 0

HEX #DA47FF

RGB 218 71 255

HSL 287.93, 1%, 0.64%

LAB 58.63, 79.82, -63.87

 

CMYK 0 / 28 / 73 / 0

HEX #FFB746

RGB 255 183 70

HSL 36.65, 1%, 0.64%

LAB 79.37, 16.12, 64.96

 

CMYK 72 / 0 / 65 / 0

HEX #47FF59

RGB 71 255 89

HSL 125.87, 1%, 0.64%

LAB 88.72, -76.2, 64.03

 

CMYK 72 / 44 / 0 / 0

HEX #4790FF

RGB 71 144 255

HSL 216.2, 1%, 0.64%

LAB 60.34, 13.7, -61.8

 

CMYK 0 / 72 / 7 / 0

HEX #FF47EC

RGB 255 71 236

HSL 306.2, 1%, 0.64%

LAB 63.2, 84.27, -45.72

 

Description

Color code: RGB 255 183 70 | qconv.com Color code: RGB 255 183 70 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 183 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 183 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 73 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 73% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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