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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 183 116 it is the complementary color RGB 226 72 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 183 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 183 116 shade: RGB 34 183 111, RGB 51 201 130, RGB 68 219 149, RGB 85 237 168 and RGB 102 255 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 183 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 183 116 shade: RGB 29 183 116, RGB 12 165 97, RGB 0 147 78, RGB 0 129 59 and RGB 0 111 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 183 116 shade: RGB 28 185 117, RGB 28 185 75, RGB 28 185 32, RGB 67 185 28 and RGB 109 185 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 183 116 shade: RGB 28 185 117, RGB 28 185 159, RGB 28 168 185, RGB 28 126 185 and RGB 28 84 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 183 116 shade matches the following richer shades: RGB 28 185 117 and RGB 11 202 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 183 116 shade: RGB 28 185 117, RGB 46 167 115, RGB 63 150 112, RGB 80 133 110 and RGB 98 115 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 183 116 shade: RGB 28 185 31, RGB 28 185 73, RGB 28 185 114, RGB 28 185 156 and RGB 28 172 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 183 116 shade: RGB 17 113 72, RGB 23 149 94, RGB 28 185 117, RGB 34 220 139 and RGB 70 226 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 183 116 shade: RGB 29 183 116, RGB 28 68 185 and RGB 185 52 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 183 116 shade: RGB 29 183 116, RGB 114 28 185 and RGB 185 114 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 183 116 shade: RGB 29 183 116, RGB 28 68 185, RGB 185 28 99 and RGB 185 146 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 183 116 shade: RGB 29 183 116, RGB 36 28 185, RGB 185 28 99 and RGB 177 185 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 37 / 28

HEX #1DB774

RGB 29 183 116

HSL 153.9, 0.73%, 0.42%

LAB 66.05, -53.36, 23.63

 

Complementary color

CMYK 0 / 68 / 38 / 11

HEX #E2488B

RGB 226 72 139

HSL 333.9, 0.73%, 0.58%

LAB 54.73, 64.58, -3.36

 

CMYK 81 / 0 / 39 / 28

HEX #22B76F

RGB 34 183 111

HSL 151.01, 0.69%, 0.43%

LAB 66.02, -53.88, 26.26

 

CMYK 75 / 0 / 35 / 21

HEX #33C982

RGB 51 201 130

HSL 151.6, 0.6%, 0.49%

LAB 72.29, -54.81, 24.67

 

CMYK 69 / 0 / 32 / 14

HEX #44DB95

RGB 68 219 149

HSL 152.19, 0.68%, 0.56%

LAB 78.5, -55.4, 23.21

 

CMYK 64 / 0 / 29 / 7

HEX #55EDA8

RGB 85 237 168

HSL 152.76, 0.81%, 0.63%

LAB 84.65, -55.75, 21.86

 

CMYK 60 / 0 / 27 / 0

HEX #66FFBB

RGB 102 255 187

HSL 153.33, 1%, 0.7%

LAB 90.75, -55.94, 20.62

 

CMYK 84 / 0 / 37 / 28

HEX #1DB774

RGB 29 183 116

HSL 153.9, 0.73%, 0.42%

LAB 66.05, -53.36, 23.63

 

CMYK 93 / 0 / 41 / 35

HEX #0CA561

RGB 12 165 97

HSL 153.33, 0.86%, 0.35%

LAB 59.75, -51.81, 25.39

 

CMYK 100 / 0 / 47 / 42

HEX #00934E

RGB 0 147 78

HSL 151.84, 1%, 0.29%

LAB 53.4, -49.66, 27.31

 

CMYK 100 / 0 / 54 / 49

HEX #00813B

RGB 0 129 59

HSL 147.44, 1%, 0.25%

LAB 47, -46.72, 29.37

 

CMYK 100 / 0 / 64 / 56

HEX #006F28

RGB 0 111 40

HSL 141.62, 1%, 0.22%

LAB 40.45, -43.47, 31.33

 

CMYK 85 / 0 / 37 / 27

HEX #1CB975

RGB 28 185 117

HSL 154.01, 0.74%, 0.42%

LAB 66.69, -53.99, 23.96

 

CMYK 85 / 0 / 59 / 27

HEX #1CB94B

RGB 28 185 75

HSL 137.96, 0.74%, 0.42%

LAB 66.1, -61.02, 44.37

 

CMYK 85 / 0 / 83 / 27

HEX #1CB920

RGB 28 185 32

HSL 121.53, 0.74%, 0.42%

LAB 65.79, -64.93, 60.22

 

CMYK 64 / 0 / 85 / 27

HEX #43B91C

RGB 67 185 28

HSL 105.1, 0.74%, 0.42%

LAB 66.5, -58.84, 62.14

 

CMYK 41 / 0 / 85 / 27

HEX #6DB91C

RGB 109 185 28

HSL 89.04, 0.74%, 0.42%

LAB 68.04, -46.83, 64.1

 

CMYK 85 / 0 / 37 / 27

HEX #1CB975

RGB 28 185 117

HSL 154.01, 0.74%, 0.42%

LAB 66.69, -53.99, 23.96

 

CMYK 85 / 0 / 14 / 27

HEX #1CB99F

RGB 28 185 159

HSL 170.06, 0.74%, 0.42%

LAB 67.61, -43.99, 2.41

 

CMYK 85 / 9 / 0 / 27

HEX #1CA8B9

RGB 28 168 185

HSL 186.5, 0.74%, 0.42%

LAB 63.14, -28.47, -18.67

 

CMYK 85 / 32 / 0 / 27

HEX #1C7EB9

RGB 28 126 185

HSL 202.55, 0.74%, 0.42%

LAB 50.3, -5.75, -38.56

 

CMYK 85 / 55 / 0 / 27

HEX #1C54B9

RGB 28 84 185

HSL 218.6, 0.74%, 0.42%

LAB 38, 20.86, -58.25

 

CMYK 85 / 0 / 37 / 27

HEX #1CB975

RGB 28 185 117

HSL 154.01, 0.74%, 0.42%

LAB 66.69, -53.99, 23.96

 

CMYK 95 / 0 / 41 / 21

HEX #0BCA77

RGB 11 202 119

HSL 153.93, 0.9%, 0.42%

LAB 71.99, -60.68, 29.93

 

CMYK 85 / 0 / 37 / 27

HEX #1CB975

RGB 28 185 117

HSL 154.01, 0.74%, 0.42%

LAB 66.69, -53.99, 23.96

 

CMYK 72 / 0 / 31 / 35

HEX #2EA773

RGB 46 167 115

HSL 154.21, 0.57%, 0.42%

LAB 61.18, -45.34, 17.6

 

CMYK 58 / 0 / 25 / 41

HEX #3F9670

RGB 63 150 112

HSL 153.79, 0.41%, 0.42%

LAB 56.13, -35.5, 12.34

 

CMYK 40 / 0 / 17 / 48

HEX #50856E

RGB 80 133 110

HSL 153.96, 0.25%, 0.42%

LAB 51.39, -23.24, 6.89

 

CMYK 15 / 0 / 6 / 55

HEX #62736C

RGB 98 115 108

HSL 155.29, 0.08%, 0.42%

LAB 46.9, -7.84, 1.74

 

CMYK 85 / 0 / 83 / 27

HEX #1CB91F

RGB 28 185 31

HSL 121.15, 0.74%, 0.42%

LAB 65.78, -64.98, 60.48

 

CMYK 85 / 0 / 61 / 27

HEX #1CB949

RGB 28 185 73

HSL 137.2, 0.74%, 0.42%

LAB 66.08, -61.28, 45.26

 

CMYK 85 / 0 / 38 / 27

HEX #1CB972

RGB 28 185 114

HSL 152.87, 0.74%, 0.42%

LAB 66.64, -54.59, 25.48

 

CMYK 85 / 0 / 16 / 27

HEX #1CB99C

RGB 28 185 156

HSL 168.92, 0.74%, 0.42%

LAB 67.54, -44.79, 3.95

 

CMYK 85 / 7 / 0 / 27

HEX #1CACB9

RGB 28 172 185

HSL 184.97, 0.74%, 0.42%

LAB 64.37, -30.43, -16.81

 

CMYK 85 / 0 / 36 / 56

HEX #117148

RGB 17 113 72

HSL 154.38, 0.74%, 0.25%

LAB 41.84, -36.72, 15.48

 

CMYK 85 / 0 / 37 / 42

HEX #17955E

RGB 23 149 94

HSL 153.81, 0.73%, 0.34%

LAB 54.54, -45.63, 20.1

 

CMYK 85 / 0 / 37 / 27

HEX #1CB975

RGB 28 185 117

HSL 154.01, 0.74%, 0.42%

LAB 66.69, -53.99, 23.96

 

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

CMYK 69 / 0 / 30 / 11

HEX #46E29E

RGB 70 226 158

HSL 153.85, 0.73%, 0.58%

LAB 80.83, -55.96, 21.73

 

CMYK 84 / 0 / 37 / 28

HEX #1DB774

RGB 29 183 116

HSL 153.9, 0.73%, 0.42%

LAB 66.05, -53.36, 23.63

 

CMYK 85 / 63 / 0 / 27

HEX #1C44B9

RGB 28 68 185

HSL 224.71, 0.74%, 0.42%

LAB 33.74, 31.48, -65.2

 

CMYK 0 / 72 / 85 / 27

HEX #B9341C

RGB 185 52 28

HSL 9.17, 0.74%, 0.42%

LAB 42.54, 52.05, 44.48

 

CMYK 84 / 0 / 37 / 28

HEX #1DB774

RGB 29 183 116

HSL 153.9, 0.73%, 0.42%

LAB 66.05, -53.36, 23.63

 

CMYK 38 / 85 / 0 / 27

HEX #721CB9

RGB 114 28 185

HSL 272.87, 0.74%, 0.42%

LAB 33.8, 62.08, -64.84

 

CMYK 0 / 38 / 85 / 27

HEX #B9721C

RGB 185 114 28

HSL 32.87, 0.74%, 0.42%

LAB 54.48, 21.74, 54.78

 

CMYK 84 / 0 / 37 / 28

HEX #1DB774

RGB 29 183 116

HSL 153.9, 0.73%, 0.42%

LAB 66.05, -53.36, 23.63

 

CMYK 85 / 63 / 0 / 27

HEX #1C44B9

RGB 28 68 185

HSL 224.71, 0.74%, 0.42%

LAB 33.74, 31.48, -65.2

 

CMYK 0 / 85 / 46 / 27

HEX #B91C63

RGB 185 28 99

HSL 332.87, 0.74%, 0.42%

LAB 41.29, 63.17, 0.46

 

CMYK 0 / 21 / 85 / 27

HEX #B9921C

RGB 185 146 28

HSL 45.1, 0.74%, 0.42%

LAB 62.47, 4.06, 61.51

 

CMYK 84 / 0 / 37 / 28

HEX #1DB774

RGB 29 183 116

HSL 153.9, 0.73%, 0.42%

LAB 66.05, -53.36, 23.63

 

CMYK 81 / 85 / 0 / 27

HEX #241CB9

RGB 36 28 185

HSL 243.06, 0.74%, 0.42%

LAB 25.89, 54.7, -78.16

 

CMYK 0 / 85 / 46 / 27

HEX #B91C63

RGB 185 28 99

HSL 332.87, 0.74%, 0.42%

LAB 41.29, 63.17, 0.46

 

CMYK 4 / 0 / 85 / 27

HEX #B1B91C

RGB 177 185 28

HSL 63.06, 0.74%, 0.42%

LAB 72.31, -19.94, 69.43

 

Description

Color code: RGB 29 183 116 | qconv.com Color code: RGB 29 183 116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 183 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 183 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 37 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 37% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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