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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 199 106 it is the complementary color RGB 225 56 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 199 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 199 106 shade: RGB 35 199 101, RGB 52 217 120, RGB 69 235 139, RGB 86 253 158 and RGB 103 255 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 199 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 199 106 shade: RGB 30 199 106, RGB 13 181 87, RGB 0 163 68, RGB 0 145 49 and RGB 0 127 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 199 106 shade: RGB 29 199 106, RGB 29 199 60, RGB 45 199 29, RGB 90 199 29 and RGB 136 199 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 199 106 shade: RGB 29 199 106, RGB 29 199 151, RGB 29 199 197, RGB 29 155 199 and RGB 29 109 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 199 106 shade matches the following richer shades: RGB 29 199 106 and RGB 11 218 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 199 106 shade: RGB 29 199 106, RGB 48 181 108, RGB 66 162 109, RGB 85 143 111 and RGB 104 125 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 199 106 shade: RGB 46 199 29, RGB 29 199 58, RGB 29 199 103, RGB 29 199 148 and RGB 29 199 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 199 106 shade: RGB 19 127 68, RGB 24 163 87, RGB 29 199 106, RGB 46 223 126 and RGB 82 229 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 199 106 shade: RGB 30 199 106, RGB 29 92 199 and RGB 199 35 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 199 106 shade: RGB 30 199 106, RGB 103 29 199 and RGB 199 103 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 199 106 shade: RGB 30 199 106, RGB 29 92 199, RGB 199 29 126 and RGB 199 137 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 199 106 shade: RGB 30 199 106, RGB 29 41 199, RGB 199 29 126 and RGB 199 188 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 47 / 22

HEX #1EC76A

RGB 30 199 106

HSL 146.98, 0.74%, 0.45%

LAB 70.98, -60.84, 35.28

 

Complementary color

CMYK 0 / 75 / 34 / 12

HEX #E13895

RGB 225 56 149

HSL 326.98, 0.74%, 0.55%

LAB 52.96, 70.76, -11.96

 

CMYK 82 / 0 / 49 / 22

HEX #23C765

RGB 35 199 101

HSL 144.15, 0.7%, 0.46%

LAB 70.97, -61.2, 37.78

 

CMYK 76 / 0 / 45 / 15

HEX #34D978

RGB 52 217 120

HSL 144.73, 0.68%, 0.53%

LAB 77.11, -62.34, 36.15

 

CMYK 71 / 0 / 41 / 8

HEX #45EB8B

RGB 69 235 139

HSL 145.3, 0.81%, 0.6%

LAB 83.2, -63.1, 34.61

 

CMYK 66 / 0 / 38 / 1

HEX #56FD9E

RGB 86 253 158

HSL 145.87, 0.98%, 0.66%

LAB 89.25, -63.58, 33.17

 

CMYK 60 / 0 / 31 / 0

HEX #67FFB1

RGB 103 255 177

HSL 149.21, 1%, 0.7%

LAB 90.59, -57.72, 25.49

 

CMYK 85 / 0 / 47 / 22

HEX #1EC76A

RGB 30 199 106

HSL 146.98, 0.74%, 0.45%

LAB 70.98, -60.84, 35.28

 

CMYK 93 / 0 / 52 / 29

HEX #0DB557

RGB 13 181 87

HSL 146.43, 0.87%, 0.38%

LAB 64.82, -59.07, 37.04

 

CMYK 100 / 0 / 58 / 36

HEX #00A344

RGB 0 163 68

HSL 145.03, 1%, 0.32%

LAB 58.61, -56.67, 38.83

 

CMYK 100 / 0 / 66 / 43

HEX #009131

RGB 0 145 49

HSL 140.28, 1%, 0.28%

LAB 52.37, -53.41, 40.54

 

CMYK 100 / 0 / 76 / 50

HEX #007F1E

RGB 0 127 30

HSL 134.17, 1%, 0.25%

LAB 46.01, -49.76, 41.75

 

CMYK 85 / 0 / 47 / 22

HEX #1DC76A

RGB 29 199 106

HSL 147.18, 0.75%, 0.45%

LAB 70.97, -60.92, 35.27

 

CMYK 85 / 0 / 70 / 22

HEX #1DC73C

RGB 29 199 60

HSL 130.94, 0.75%, 0.45%

LAB 70.48, -66.95, 55.6

 

CMYK 77 / 0 / 85 / 22

HEX #2DC71D

RGB 45 199 29

HSL 114.35, 0.75%, 0.45%

LAB 70.52, -67.21, 65.31

 

CMYK 55 / 0 / 85 / 22

HEX #5AC71D

RGB 90 199 29

HSL 98.47, 0.75%, 0.45%

LAB 71.63, -57.94, 66.72

 

CMYK 32 / 0 / 85 / 22

HEX #88C71D

RGB 136 199 29

HSL 82.24, 0.75%, 0.45%

LAB 73.66, -43.02, 69.27

 

CMYK 85 / 0 / 47 / 22

HEX #1DC76A

RGB 29 199 106

HSL 147.18, 0.75%, 0.45%

LAB 70.97, -60.92, 35.27

 

CMYK 85 / 0 / 24 / 22

HEX #1DC797

RGB 29 199 151

HSL 163.06, 0.75%, 0.45%

LAB 71.79, -51.68, 12.75

 

CMYK 85 / 0 / 1 / 22

HEX #1DC7C5

RGB 29 199 197

HSL 179.29, 0.75%, 0.45%

LAB 72.98, -39.35, -10.46

 

CMYK 85 / 22 / 0 / 22

HEX #1D9BC7

RGB 29 155 199

HSL 195.53, 0.75%, 0.45%

LAB 59.73, -16.96, -31.75

 

CMYK 85 / 45 / 0 / 22

HEX #1D6DC7

RGB 29 109 199

HSL 211.76, 0.75%, 0.45%

LAB 46.07, 10.15, -53.35

 

CMYK 85 / 0 / 47 / 22

HEX #1DC76A

RGB 29 199 106

HSL 147.18, 0.75%, 0.45%

LAB 70.97, -60.92, 35.27

 

CMYK 95 / 0 / 52 / 15

HEX #0BDA68

RGB 11 218 104

HSL 146.96, 0.9%, 0.45%

LAB 76.81, -68.5, 43.51

 

CMYK 85 / 0 / 47 / 22

HEX #1DC76A

RGB 29 199 106

HSL 147.18, 0.75%, 0.45%

LAB 70.97, -60.92, 35.27

 

CMYK 73 / 0 / 40 / 29

HEX #30B56C

RGB 48 181 108

HSL 147.07, 0.58%, 0.45%

LAB 65.56, -51.95, 27.28

 

CMYK 59 / 0 / 33 / 36

HEX #42A26D

RGB 66 162 109

HSL 146.88, 0.42%, 0.45%

LAB 59.98, -40.76, 19.34

 

CMYK 41 / 0 / 22 / 44

HEX #558F6F

RGB 85 143 111

HSL 146.9, 0.25%, 0.45%

LAB 54.79, -26.54, 11.16

 

CMYK 17 / 0 / 10 / 51

HEX #687D71

RGB 104 125 113

HSL 145.71, 0.09%, 0.45%

LAB 50.46, -10.24, 3.99

 

CMYK 77 / 0 / 85 / 22

HEX #2EC71D

RGB 46 199 29

HSL 114, 0.75%, 0.45%

LAB 70.54, -67.07, 65.33

 

CMYK 85 / 0 / 71 / 22

HEX #1DC73A

RGB 29 199 58

HSL 130.24, 0.75%, 0.45%

LAB 70.46, -67.13, 56.35

 

CMYK 85 / 0 / 48 / 22

HEX #1DC767

RGB 29 199 103

HSL 146.12, 0.75%, 0.45%

LAB 70.93, -61.43, 36.72

 

CMYK 85 / 0 / 26 / 22

HEX #1DC794

RGB 29 199 148

HSL 162, 0.75%, 0.45%

LAB 71.72, -52.39, 14.27

 

CMYK 85 / 0 / 3 / 22

HEX #1DC7C2

RGB 29 199 194

HSL 178.24, 0.75%, 0.45%

LAB 72.89, -40.22, -8.96

 

CMYK 85 / 0 / 46 / 50

HEX #137F44

RGB 19 127 68

HSL 147.22, 0.74%, 0.29%

LAB 46.62, -42.87, 24.08

 

CMYK 85 / 0 / 47 / 36

HEX #18A357

RGB 24 163 87

HSL 147.19, 0.74%, 0.37%

LAB 59.05, -52.11, 29.8

 

CMYK 85 / 0 / 47 / 22

HEX #1DC76A

RGB 29 199 106

HSL 147.18, 0.75%, 0.45%

LAB 70.97, -60.92, 35.27

 

CMYK 79 / 0 / 43 / 13

HEX #2EDF7E

RGB 46 223 126

HSL 147.12, 0.73%, 0.53%

LAB 78.96, -64.11, 35.52

 

CMYK 64 / 0 / 35 / 10

HEX #52E594

RGB 82 229 148

HSL 146.94, 0.74%, 0.61%

LAB 81.82, -57.08, 28.28

 

CMYK 85 / 0 / 47 / 22

HEX #1EC76A

RGB 30 199 106

HSL 146.98, 0.74%, 0.45%

LAB 70.98, -60.84, 35.28

 

CMYK 85 / 54 / 0 / 22

HEX #1D5CC7

RGB 29 92 199

HSL 217.76, 0.75%, 0.45%

LAB 41.28, 21.15, -61.09

 

CMYK 0 / 82 / 85 / 22

HEX #C7231D

RGB 199 35 29

HSL 2.12, 0.75%, 0.45%

LAB 43.41, 61.6, 45.81

 

CMYK 85 / 0 / 47 / 22

HEX #1EC76A

RGB 30 199 106

HSL 146.98, 0.74%, 0.45%

LAB 70.98, -60.84, 35.28

 

CMYK 48 / 85 / 0 / 22

HEX #671DC7

RGB 103 29 199

HSL 266.12, 0.75%, 0.45%

LAB 33.74, 63.62, -73.22

 

CMYK 0 / 48 / 85 / 22

HEX #C7671D

RGB 199 103 29

HSL 26.12, 0.75%, 0.45%

LAB 53.95, 33.62, 54.76

 

CMYK 85 / 0 / 47 / 22

HEX #1EC76A

RGB 30 199 106

HSL 146.98, 0.74%, 0.45%

LAB 70.98, -60.84, 35.28

 

CMYK 85 / 54 / 0 / 22

HEX #1D5CC7

RGB 29 92 199

HSL 217.76, 0.75%, 0.45%

LAB 41.28, 21.15, -61.09

 

CMYK 0 / 85 / 37 / 22

HEX #C71D7E

RGB 199 29 126

HSL 325.76, 0.75%, 0.45%

LAB 44.98, 68.89, -10.56

 

CMYK 0 / 31 / 85 / 22

HEX #C7891D

RGB 199 137 29

HSL 38.12, 0.75%, 0.45%

LAB 61.76, 15.26, 61.26

 

CMYK 85 / 0 / 47 / 22

HEX #1EC76A

RGB 30 199 106

HSL 146.98, 0.74%, 0.45%

LAB 70.98, -60.84, 35.28

 

CMYK 85 / 79 / 0 / 22

HEX #1D29C7

RGB 29 41 199

HSL 235.76, 0.75%, 0.45%

LAB 29.34, 52.65, -80.7

 

CMYK 0 / 85 / 37 / 22

HEX #C71D7E

RGB 199 29 126

HSL 325.76, 0.75%, 0.45%

LAB 44.98, 68.89, -10.56

 

CMYK 0 / 6 / 85 / 22

HEX #C7BC1D

RGB 199 188 29

HSL 56.12, 0.75%, 0.45%

LAB 74.95, -11.92, 72.13

 

Description

Color code: RGB 30 199 106 | qconv.com Color code: RGB 30 199 106 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 199 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 199 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 47 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 47% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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