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Color name
RGB 37 158 201

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 158 201 it is the complementary color RGB 218 97 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 158 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 158 201 shade: RGB 42 158 196, RGB 59 176 215, RGB 76 194 234, RGB 93 212 253 and RGB 110 230 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 158 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 158 201 shade: RGB 37 158 201, RGB 20 140 182, RGB 3 122 163, RGB 0 104 144 and RGB 0 86 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 158 201 shade: RGB 37 159 202, RGB 37 114 202, RGB 37 69 202, RGB 48 37 202 and RGB 93 37 202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 158 201 shade: RGB 37 159 202, RGB 37 114 202, RGB 37 69 202 and RGB 37 37 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 158 201 shade matches the following richer shades: RGB 37 159 202 and RGB 17 168 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 158 201 shade: RGB 37 159 202, RGB 56 149 183, RGB 75 140 163, RGB 95 131 144 and RGB 114 122 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 158 201 shade: RGB 37 202 155, RGB 37 202 199, RGB 37 161 202, RGB 37 117 202 and RGB 37 72 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 158 201 shade: RGB 24 104 132, RGB 30 131 167, RGB 37 159 202, RGB 61 178 219 and RGB 96 191 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 158 201 shade: RGB 37 158 201, RGB 111 37 202 and RGB 202 177 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 158 201 shade: RGB 37 158 201, RGB 202 37 161 and RGB 161 202 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 158 201 shade: RGB 37 158 201, RGB 111 37 202, RGB 202 78 37 and RGB 128 202 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 158 201 shade: RGB 37 158 201, RGB 161 37 202, RGB 202 78 37 and RGB 78 202 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 21 / 0 / 21

HEX #259EC9

RGB 37 158 201

HSL 195.73, 0.69%, 0.47%

LAB 60.84, -17.24, -31.15

 

Complementary color

CMYK 0 / 56 / 75 / 15

HEX #DA6136

RGB 218 97 54

HSL 15.73, 0.69%, 0.53%

LAB 55.81, 44.91, 46.51

 

CMYK 79 / 19 / 0 / 23

HEX #2A9EC4

RGB 42 158 196

HSL 194.81, 0.65%, 0.47%

LAB 60.72, -18.46, -28.52

 

CMYK 73 / 18 / 0 / 16

HEX #3BB0D7

RGB 59 176 215

HSL 195, 0.66%, 0.54%

LAB 67.19, -19.69, -29.06

 

CMYK 68 / 17 / 0 / 8

HEX #4CC2EA

RGB 76 194 234

HSL 195.19, 0.79%, 0.61%

LAB 73.58, -20.65, -29.54

 

CMYK 63 / 16 / 0 / 1

HEX #5DD4FD

RGB 93 212 253

HSL 195.38, 0.98%, 0.68%

LAB 79.9, -21.41, -29.98

 

CMYK 57 / 10 / 0 / 0

HEX #6EE6FF

RGB 110 230 255

HSL 190.34, 1%, 0.72%

LAB 85.57, -26.83, -22.34

 

CMYK 82 / 21 / 0 / 21

HEX #259EC9

RGB 37 158 201

HSL 195.73, 0.69%, 0.47%

LAB 60.84, -17.24, -31.15

 

CMYK 89 / 23 / 0 / 29

HEX #148CB6

RGB 20 140 182

HSL 195.56, 0.8%, 0.4%

LAB 54.33, -15.41, -30.54

 

CMYK 98 / 25 / 0 / 36

HEX #037AA3

RGB 3 122 163

HSL 195.38, 0.96%, 0.33%

LAB 47.73, -13.13, -29.85

 

CMYK 100 / 28 / 0 / 44

HEX #006890

RGB 0 104 144

HSL 196.67, 1%, 0.28%

LAB 41.08, -10.11, -29.01

 

CMYK 100 / 31 / 0 / 51

HEX #00567D

RGB 0 86 125

HSL 198.72, 1%, 0.25%

LAB 34.27, -6.78, -28.15

 

CMYK 82 / 21 / 0 / 21

HEX #259FCA

RGB 37 159 202

HSL 195.64, 0.69%, 0.47%

LAB 61.18, -17.43, -31.18

 

CMYK 82 / 44 / 0 / 21

HEX #2572CA

RGB 37 114 202

HSL 212, 0.69%, 0.47%

LAB 47.87, 8.83, -52.17

 

CMYK 82 / 66 / 0 / 21

HEX #2545CA

RGB 37 69 202

HSL 228.36, 0.69%, 0.47%

LAB 35.82, 37.86, -71.74

 

CMYK 76 / 82 / 0 / 21

HEX #3025CA

RGB 48 37 202

HSL 244, 0.69%, 0.47%

LAB 29.95, 56.49, -81.41

 

CMYK 54 / 82 / 0 / 21

HEX #5D25CA

RGB 93 37 202

HSL 260.36, 0.69%, 0.47%

LAB 33.8, 60.46, -74.91

 

CMYK 82 / 21 / 0 / 21

HEX #259FCA

RGB 37 159 202

HSL 195.64, 0.69%, 0.47%

LAB 61.18, -17.43, -31.18

 

CMYK 82 / 44 / 0 / 21

HEX #2572CA

RGB 37 114 202

HSL 212, 0.69%, 0.47%

LAB 47.87, 8.83, -52.17

 

CMYK 82 / 66 / 0 / 21

HEX #2545CA

RGB 37 69 202

HSL 228.36, 0.69%, 0.47%

LAB 35.82, 37.86, -71.74

 

CMYK 82 / 82 / 0 / 21

HEX #2525CA

RGB 37 37 202

HSL 240, 0.69%, 0.47%

LAB 29.36, 55.89, -82.4

 

CMYK 82 / 21 / 0 / 21

HEX #259FCA

RGB 37 159 202

HSL 195.64, 0.69%, 0.47%

LAB 61.18, -17.43, -31.18

 

CMYK 92 / 24 / 0 / 13

HEX #11A8DD

RGB 17 168 221

HSL 195.59, 0.86%, 0.47%

LAB 64.44, -16.88, -36.68

 

CMYK 82 / 21 / 0 / 21

HEX #259FCA

RGB 37 159 202

HSL 195.64, 0.69%, 0.47%

LAB 61.18, -17.43, -31.18

 

CMYK 69 / 19 / 0 / 28

HEX #3895B7

RGB 56 149 183

HSL 196.06, 0.53%, 0.47%

LAB 57.8, -16.2, -25.67

 

CMYK 54 / 14 / 0 / 36

HEX #4B8CA3

RGB 75 140 163

HSL 195.68, 0.37%, 0.47%

LAB 54.97, -14.09, -18.55

 

CMYK 34 / 9 / 0 / 44

HEX #5F8390

RGB 95 131 144

HSL 195.92, 0.21%, 0.47%

LAB 52.6, -9.24, -11.05

 

CMYK 8 / 2 / 0 / 51

HEX #727A7C

RGB 114 122 124

HSL 192, 0.04%, 0.47%

LAB 50.63, -2.55, -2.13

 

CMYK 82 / 0 / 23 / 21

HEX #25CA9B

RGB 37 202 155

HSL 162.91, 0.69%, 0.47%

LAB 72.89, -51.26, 12.17

 

CMYK 82 / 0 / 1 / 21

HEX #25CAC7

RGB 37 202 199

HSL 178.91, 0.69%, 0.47%

LAB 74.03, -39.55, -9.97

 

CMYK 82 / 20 / 0 / 21

HEX #25A1CA

RGB 37 161 202

HSL 194.91, 0.69%, 0.47%

LAB 61.78, -18.5, -30.25

 

CMYK 82 / 42 / 0 / 21

HEX #2575CA

RGB 37 117 202

HSL 210.91, 0.69%, 0.47%

LAB 48.74, 6.95, -50.79

 

CMYK 82 / 64 / 0 / 21

HEX #2548CA

RGB 37 72 202

HSL 227.27, 0.69%, 0.47%

LAB 36.54, 35.95, -70.55

 

CMYK 82 / 21 / 0 / 48

HEX #186884

RGB 24 104 132

HSL 195.56, 0.69%, 0.31%

LAB 40.83, -13, -22.15

 

CMYK 82 / 22 / 0 / 35

HEX #1E83A7

RGB 30 131 167

HSL 195.77, 0.7%, 0.39%

LAB 51.03, -15.03, -27.02

 

CMYK 82 / 21 / 0 / 21

HEX #259FCA

RGB 37 159 202

HSL 195.64, 0.69%, 0.47%

LAB 61.18, -17.43, -31.18

 

CMYK 72 / 19 / 0 / 14

HEX #3DB2DB

RGB 61 178 219

HSL 195.57, 0.69%, 0.55%

LAB 67.98, -19.19, -30.03

 

CMYK 57 / 15 / 0 / 12

HEX #60BFE1

RGB 96 191 225

HSL 195.81, 0.68%, 0.63%

LAB 73.01, -18.45, -25.49

 

CMYK 82 / 21 / 0 / 21

HEX #259EC9

RGB 37 158 201

HSL 195.73, 0.69%, 0.47%

LAB 60.84, -17.24, -31.15

 

CMYK 45 / 82 / 0 / 21

HEX #6F25CA

RGB 111 37 202

HSL 266.91, 0.69%, 0.47%

LAB 35.92, 62.69, -71.35

 

CMYK 0 / 12 / 82 / 21

HEX #CAB125

RGB 202 177 37

HSL 50.91, 0.69%, 0.47%

LAB 72.32, -4.7, 68.02

 

CMYK 82 / 21 / 0 / 21

HEX #259EC9

RGB 37 158 201

HSL 195.73, 0.69%, 0.47%

LAB 60.84, -17.24, -31.15

 

CMYK 0 / 82 / 20 / 21

HEX #CA25A1

RGB 202 37 161

HSL 314.91, 0.69%, 0.47%

LAB 47.56, 71.86, -27.72

 

CMYK 20 / 0 / 82 / 21

HEX #A1CA25

RGB 161 202 37

HSL 74.91, 0.69%, 0.47%

LAB 76.04, -34.45, 70.03

 

CMYK 82 / 21 / 0 / 21

HEX #259EC9

RGB 37 158 201

HSL 195.73, 0.69%, 0.47%

LAB 60.84, -17.24, -31.15

 

CMYK 45 / 82 / 0 / 21

HEX #6F25CA

RGB 111 37 202

HSL 266.91, 0.69%, 0.47%

LAB 35.92, 62.69, -71.35

 

CMYK 0 / 61 / 82 / 21

HEX #CA4E25

RGB 202 78 37

HSL 14.91, 0.69%, 0.47%

LAB 49.66, 47.33, 47.82

 

CMYK 37 / 0 / 82 / 21

HEX #80CA25

RGB 128 202 37

HSL 86.91, 0.69%, 0.47%

LAB 74.17, -46.87, 67.65

 

CMYK 82 / 21 / 0 / 21

HEX #259EC9

RGB 37 158 201

HSL 195.73, 0.69%, 0.47%

LAB 60.84, -17.24, -31.15

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 0 / 61 / 82 / 21

HEX #CA4E25

RGB 202 78 37

HSL 14.91, 0.69%, 0.47%

LAB 49.66, 47.33, 47.82

 

CMYK 61 / 0 / 82 / 21

HEX #4ECA25

RGB 78 202 37

HSL 105.09, 0.69%, 0.47%

LAB 72.22, -61.65, 65.17

 

Description

Color code: RGB 37 158 201 | qconv.com Color code: RGB 37 158 201 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 158 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 158 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 21 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 21% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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