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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 224 196 it is the complementary color RGB 220 31 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 224 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 224 196 shade: RGB 40 224 191, RGB 57 242 210, RGB 74 255 229, RGB 91 255 248 and RGB 108 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 224 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 224 196 shade: RGB 35 224 196, RGB 18 206 177, RGB 1 188 158, RGB 0 170 139 and RGB 0 152 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 224 196 shade: RGB 36 223 195, RGB 36 223 145, RGB 36 223 94, RGB 36 223 44 and RGB 78 223 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 224 196 shade: RGB 36 223 195, RGB 36 200 223, RGB 36 150 223, RGB 36 99 223 and RGB 36 49 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 224 196 shade matches the following richer shades: RGB 36 223 195 and RGB 16 243 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 224 196 shade: RGB 36 223 195, RGB 56 203 181, RGB 76 183 167, RGB 96 163 153 and RGB 117 142 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 224 196 shade: RGB 36 223 95, RGB 36 223 145, RGB 36 223 195, RGB 36 201 223 and RGB 36 151 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 224 196 shade: RGB 22 155 135, RGB 27 191 167, RGB 36 223 195, RGB 72 228 205 and RGB 108 234 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 224 196 shade: RGB 35 224 196, RGB 45 36 223 and RGB 223 120 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 224 196 shade: RGB 35 224 196, RGB 195 36 223 and RGB 223 195 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 224 196 shade: RGB 35 224 196, RGB 45 36 223, RGB 223 36 64 and RGB 214 223 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 224 196 shade: RGB 35 224 196, RGB 101 36 223, RGB 223 36 64 and RGB 158 223 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 13 / 12

HEX #23E0C4

RGB 35 224 196

HSL 171.11, 0.75%, 0.51%

LAB 80.55, -50.04, 1.24

 

Complementary color

CMYK 0 / 86 / 73 / 14

HEX #DC1F3B

RGB 220 31 59

HSL 351.11, 0.75%, 0.49%

LAB 47.64, 69.11, 34.9

 

CMYK 82 / 0 / 15 / 12

HEX #28E0BF

RGB 40 224 191

HSL 169.24, 0.75%, 0.52%

LAB 80.47, -50.97, 3.79

 

CMYK 76 / 0 / 13 / 5

HEX #39F2D2

RGB 57 242 210

HSL 169.62, 0.88%, 0.59%

LAB 86.52, -51.98, 2.58

 

CMYK 71 / 0 / 10 / 0

HEX #4AFFE5

RGB 74 255 229

HSL 171.38, 1%, 0.65%

LAB 91.07, -50.66, -0.65

 

CMYK 64 / 0 / 3 / 0

HEX #5BFFF8

RGB 91 255 248

HSL 177.44, 1%, 0.68%

LAB 91.92, -43.47, -9.21

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 84 / 0 / 13 / 12

HEX #23E0C4

RGB 35 224 196

HSL 171.11, 0.75%, 0.51%

LAB 80.55, -50.04, 1.24

 

CMYK 91 / 0 / 14 / 19

HEX #12CEB1

RGB 18 206 177

HSL 170.74, 0.84%, 0.44%

LAB 74.47, -48.57, 2.56

 

CMYK 99 / 0 / 16 / 26

HEX #01BC9E

RGB 1 188 158

HSL 170.37, 0.99%, 0.37%

LAB 68.34, -46.79, 4

 

CMYK 100 / 0 / 18 / 33

HEX #00AA8B

RGB 0 170 139

HSL 169.06, 1%, 0.33%

LAB 62.18, -44.45, 5.62

 

CMYK 100 / 0 / 21 / 40

HEX #009878

RGB 0 152 120

HSL 167.37, 1%, 0.3%

LAB 55.9, -42.02, 7.33

 

CMYK 84 / 0 / 13 / 13

HEX #24DFC3

RGB 36 223 195

HSL 171.02, 0.75%, 0.51%

LAB 80.23, -49.82, 1.31

 

CMYK 84 / 0 / 35 / 13

HEX #24DF91

RGB 36 223 145

HSL 154.97, 0.75%, 0.51%

LAB 79.15, -61.49, 26.09

 

CMYK 84 / 0 / 58 / 13

HEX #24DF5E

RGB 36 223 94

HSL 138.61, 0.75%, 0.51%

LAB 78.44, -69.93, 50.15

 

CMYK 84 / 0 / 80 / 13

HEX #24DF2C

RGB 36 223 44

HSL 122.57, 0.75%, 0.51%

LAB 78.07, -74.5, 68.41

 

CMYK 65 / 0 / 84 / 13

HEX #4EDF24

RGB 78 223 36

HSL 106.52, 0.75%, 0.51%

LAB 78.77, -68.61, 71.33

 

CMYK 84 / 0 / 13 / 13

HEX #24DFC3

RGB 36 223 195

HSL 171.02, 0.75%, 0.51%

LAB 80.23, -49.82, 1.31

 

CMYK 84 / 10 / 0 / 13

HEX #24C8DF

RGB 36 200 223

HSL 187.38, 0.75%, 0.51%

LAB 74.2, -31.42, -22.72

 

CMYK 84 / 33 / 0 / 13

HEX #2496DF

RGB 36 150 223

HSL 203.42, 0.75%, 0.51%

LAB 59.45, -5.05, -45.61

 

CMYK 84 / 56 / 0 / 13

HEX #2463DF

RGB 36 99 223

HSL 219.79, 0.75%, 0.51%

LAB 45.12, 26.37, -68.59

 

CMYK 84 / 78 / 0 / 13

HEX #2431DF

RGB 36 49 223

HSL 235.83, 0.75%, 0.51%

LAB 33.77, 56.53, -87.24

 

CMYK 84 / 0 / 13 / 13

HEX #24DFC3

RGB 36 223 195

HSL 171.02, 0.75%, 0.51%

LAB 80.23, -49.82, 1.31

 

CMYK 93 / 0 / 14 / 5

HEX #10F3D2

RGB 16 243 210

HSL 171.28, 0.9%, 0.51%

LAB 86.44, -55.05, 2.41

 

CMYK 84 / 0 / 13 / 13

HEX #24DFC3

RGB 36 223 195

HSL 171.02, 0.75%, 0.51%

LAB 80.23, -49.82, 1.31

 

CMYK 72 / 0 / 11 / 20

HEX #38CBB5

RGB 56 203 181

HSL 171.02, 0.59%, 0.51%

LAB 74.12, -43.06, -0.06

 

CMYK 58 / 0 / 9 / 28

HEX #4CB7A7

RGB 76 183 167

HSL 171.03, 0.43%, 0.51%

LAB 68.16, -34.54, -1.07

 

CMYK 41 / 0 / 6 / 36

HEX #60A399

RGB 96 163 153

HSL 171.04, 0.27%, 0.51%

LAB 62.49, -23.75, -1.5

 

CMYK 18 / 0 / 2 / 44

HEX #758E8B

RGB 117 142 139

HSL 172.8, 0.1%, 0.51%

LAB 57.07, -9.5, -1.37

 

CMYK 84 / 0 / 57 / 13

HEX #24DF5F

RGB 36 223 95

HSL 138.93, 0.75%, 0.51%

LAB 78.45, -69.8, 49.71

 

CMYK 84 / 0 / 35 / 13

HEX #24DF91

RGB 36 223 145

HSL 154.97, 0.75%, 0.51%

LAB 79.15, -61.49, 26.09

 

CMYK 84 / 0 / 13 / 13

HEX #24DFC3

RGB 36 223 195

HSL 171.02, 0.75%, 0.51%

LAB 80.23, -49.82, 1.31

 

CMYK 84 / 10 / 0 / 13

HEX #24C9DF

RGB 36 201 223

HSL 187.06, 0.75%, 0.51%

LAB 74.49, -31.9, -22.27

 

CMYK 84 / 32 / 0 / 13

HEX #2497DF

RGB 36 151 223

HSL 203.1, 0.75%, 0.51%

LAB 59.74, -5.62, -45.14

 

CMYK 86 / 0 / 13 / 39

HEX #169B87

RGB 22 155 135

HSL 170.98, 0.75%, 0.35%

LAB 57.43, -37.99, 1.02

 

CMYK 86 / 0 / 13 / 25

HEX #1BBFA7

RGB 27 191 167

HSL 171.22, 0.75%, 0.43%

LAB 69.67, -44.46, 1.02

 

CMYK 84 / 0 / 13 / 13

HEX #24DFC3

RGB 36 223 195

HSL 171.02, 0.75%, 0.51%

LAB 80.23, -49.82, 1.31

 

CMYK 68 / 0 / 10 / 11

HEX #48E4CD

RGB 72 228 205

HSL 171.15, 0.74%, 0.59%

LAB 82.52, -45.55, -0.58

 

CMYK 54 / 0 / 8 / 8

HEX #6CEAD7

RGB 108 234 215

HSL 170.95, 0.75%, 0.67%

LAB 85.47, -39.57, -1.43

 

CMYK 84 / 0 / 13 / 12

HEX #23E0C4

RGB 35 224 196

HSL 171.11, 0.75%, 0.51%

LAB 80.55, -50.04, 1.24

 

CMYK 80 / 84 / 0 / 13

HEX #2D24DF

RGB 45 36 223

HSL 242.89, 0.75%, 0.51%

LAB 32.14, 62.9, -89.94

 

CMYK 0 / 46 / 84 / 13

HEX #DF7824

RGB 223 120 36

HSL 26.95, 0.75%, 0.51%

LAB 61, 34.71, 59.55

 

CMYK 84 / 0 / 13 / 12

HEX #23E0C4

RGB 35 224 196

HSL 171.11, 0.75%, 0.51%

LAB 80.55, -50.04, 1.24

 

CMYK 13 / 84 / 0 / 13

HEX #C324DF

RGB 195 36 223

HSL 291.02, 0.75%, 0.51%

LAB 49.73, 79.98, -60.44

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 84 / 0 / 13 / 12

HEX #23E0C4

RGB 35 224 196

HSL 171.11, 0.75%, 0.51%

LAB 80.55, -50.04, 1.24

 

CMYK 80 / 84 / 0 / 13

HEX #2D24DF

RGB 45 36 223

HSL 242.89, 0.75%, 0.51%

LAB 32.14, 62.9, -89.94

 

CMYK 0 / 84 / 71 / 13

HEX #DF2440

RGB 223 36 64

HSL 351.02, 0.75%, 0.51%

LAB 48.66, 69.08, 33.29

 

CMYK 4 / 0 / 84 / 13

HEX #D6DF24

RGB 214 223 36

HSL 62.89, 0.75%, 0.51%

LAB 85.6, -22.72, 79.91

 

CMYK 84 / 0 / 13 / 12

HEX #23E0C4

RGB 35 224 196

HSL 171.11, 0.75%, 0.51%

LAB 80.55, -50.04, 1.24

 

CMYK 55 / 84 / 0 / 13

HEX #6524DF

RGB 101 36 223

HSL 260.86, 0.75%, 0.51%

LAB 36.66, 66.98, -82.31

 

CMYK 0 / 84 / 71 / 13

HEX #DF2440

RGB 223 36 64

HSL 351.02, 0.75%, 0.51%

LAB 48.66, 69.08, 33.29

 

CMYK 29 / 0 / 84 / 13

HEX #9EDF24

RGB 158 223 36

HSL 80.86, 0.75%, 0.51%

LAB 81.93, -44.92, 75.33

 

Description

Color code: RGB 35 224 196 | qconv.com Color code: RGB 35 224 196 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 224 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 224 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 13 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 13% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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