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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 38 93 it is the complementary color RGB 217 217 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 38 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 38 93 shade: RGB 43 38 88, RGB 60 56 107, RGB 77 74 126, RGB 94 92 145 and RGB 111 110 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 38 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 38 93 shade: RGB 38 38 93, RGB 21 20 74, RGB 4 2 55, RGB 0 0 36 and RGB 0 0 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 38 93 shade: RGB 38 38 94, RGB 53 38 94, RGB 68 38 94, RGB 83 38 94 and RGB 94 38 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 38 93 shade: RGB 38 38 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 38 93 shade matches the following richer shades: RGB 38 38 94, RGB 27 27 104, RGB 16 16 115 and RGB 6 6 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 38 93 shade: RGB 38 38 94, RGB 49 49 83, RGB 59 59 72, RGB 70 70 61 and RGB 81 81 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 38 93 shade: RGB 38 68 94, RGB 38 53 94, RGB 38 38 94, RGB 53 38 94 and RGB 68 38 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 38 93 shade: RGB 14 14 35, RGB 26 26 64, RGB 38 38 94, RGB 50 50 123 and RGB 62 62 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 38 93 shade: RGB 38 38 93, RGB 94 38 83 and RGB 60 94 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 38 93 shade: RGB 38 38 93, RGB 94 38 38 and RGB 38 94 38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 38 93 shade: RGB 38 38 93, RGB 94 38 83, RGB 94 94 38 and RGB 38 94 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 38 93 shade: RGB 38 38 93, RGB 94 38 66, RGB 94 94 38 and RGB 38 94 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 59 / 0 / 64

HEX #26265D

RGB 38 38 93

HSL 240, 0.42%, 0.26%

LAB 18.31, 17.93, -33.05

 

Complementary color

CMYK 0 / 0 / 25 / 15

HEX #D9D9A2

RGB 217 217 162

HSL 60, 0.42%, 0.74%

LAB 85.5, -8.69, 27.18

 

CMYK 51 / 57 / 0 / 65

HEX #2B2658

RGB 43 38 88

HSL 246, 0.4%, 0.25%

LAB 18.38, 17.36, -29.59

 

CMYK 44 / 48 / 0 / 58

HEX #3C386B

RGB 60 56 107

HSL 244.71, 0.31%, 0.32%

LAB 26.3, 15.98, -29.27

 

CMYK 39 / 41 / 0 / 51

HEX #4D4A7E

RGB 77 74 126

HSL 243.46, 0.26%, 0.39%

LAB 33.94, 14.92, -29.06

 

CMYK 35 / 37 / 0 / 43

HEX #5E5C91

RGB 94 92 145

HSL 242.26, 0.22%, 0.46%

LAB 41.34, 14.07, -28.93

 

CMYK 32 / 33 / 0 / 36

HEX #6F6EA4

RGB 111 110 164

HSL 241.11, 0.23%, 0.54%

LAB 48.53, 13.36, -28.88

 

CMYK 59 / 59 / 0 / 64

HEX #26265D

RGB 38 38 93

HSL 240, 0.42%, 0.26%

LAB 18.31, 17.93, -33.05

 

CMYK 72 / 73 / 0 / 71

HEX #15144A

RGB 21 20 74

HSL 241.11, 0.57%, 0.18%

LAB 10.21, 20.17, -33.39

 

CMYK 93 / 96 / 0 / 78

HEX #040237

RGB 4 2 55

HSL 242.26, 0.93%, 0.11%

LAB 3.12, 17.75, -31.47

 

CMYK 100 / 100 / 0 / 86

HEX #000024

RGB 0 0 36

HSL 240, 1%, 0.07%

LAB 1.15, 8.09, -20.19

 

CMYK 100 / 100 / 0 / 93

HEX #000011

RGB 0 0 17

HSL 240, 1%, 0.03%

LAB 0.37, 2.57, -6.99

 

CMYK 60 / 60 / 0 / 63

HEX #26265E

RGB 38 38 94

HSL 240, 0.42%, 0.26%

LAB 18.39, 18.3, -33.59

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 28 / 60 / 0 / 63

HEX #44265E

RGB 68 38 94

HSL 272.14, 0.42%, 0.26%

LAB 21.67, 26.21, -28.16

 

CMYK 12 / 60 / 0 / 63

HEX #53265E

RGB 83 38 94

HSL 288.21, 0.42%, 0.26%

LAB 23.78, 30.67, -24.66

 

CMYK 0 / 60 / 5 / 63

HEX #5E2659

RGB 94 38 89

HSL 305.36, 0.42%, 0.26%

LAB 25.22, 33.02, -18.99

 

CMYK 60 / 60 / 0 / 63

HEX #26265E

RGB 38 38 94

HSL 240, 0.42%, 0.26%

LAB 18.39, 18.3, -33.59

 

CMYK 60 / 60 / 0 / 63

HEX #26265E

RGB 38 38 94

HSL 240, 0.42%, 0.26%

LAB 18.39, 18.3, -33.59

 

CMYK 74 / 74 / 0 / 59

HEX #1B1B68

RGB 27 27 104

HSL 240, 0.59%, 0.26%

LAB 15.57, 27.72, -44.82

 

CMYK 86 / 86 / 0 / 55

HEX #101073

RGB 16 16 115

HSL 240, 0.76%, 0.26%

LAB 13.93, 37.21, -54.73

 

CMYK 95 / 95 / 0 / 51

HEX #06067E

RGB 6 6 126

HSL 240, 0.91%, 0.26%

LAB 13.68, 44.61, -62.24

 

CMYK 60 / 60 / 0 / 63

HEX #26265E

RGB 38 38 94

HSL 240, 0.42%, 0.26%

LAB 18.39, 18.3, -33.59

 

CMYK 41 / 41 / 0 / 67

HEX #313153

RGB 49 49 83

HSL 240, 0.26%, 0.26%

LAB 21.85, 9.69, -20.71

 

CMYK 18 / 18 / 0 / 72

HEX #3B3B48

RGB 59 59 72

HSL 240, 0.1%, 0.26%

LAB 25.34, 3.2, -7.94

 

CMYK 0 / 0 / 13 / 73

HEX #46463D

RGB 70 70 61

HSL 60, 0.07%, 0.26%

LAB 29.46, -1.88, 5.43

 

CMYK 0 / 0 / 37 / 68

HEX #515133

RGB 81 81 51

HSL 60, 0.23%, 0.26%

LAB 33.72, -5.38, 17.68

 

CMYK 60 / 28 / 0 / 63

HEX #26445E

RGB 38 68 94

HSL 207.86, 0.42%, 0.26%

LAB 27.72, -2.53, -18.79

 

CMYK 60 / 44 / 0 / 63

HEX #26355E

RGB 38 53 94

HSL 223.93, 0.42%, 0.26%

LAB 22.88, 7.65, -26.39

 

CMYK 60 / 60 / 0 / 63

HEX #26265E

RGB 38 38 94

HSL 240, 0.42%, 0.26%

LAB 18.39, 18.3, -33.59

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 28 / 60 / 0 / 63

HEX #44265E

RGB 68 38 94

HSL 272.14, 0.42%, 0.26%

LAB 21.67, 26.21, -28.16

 

CMYK 60 / 60 / 0 / 86

HEX #0E0E23

RGB 14 14 35

HSL 240, 0.43%, 0.1%

LAB 4.78, 5.69, -13.75

 

CMYK 59 / 59 / 0 / 75

HEX #1A1A40

RGB 26 26 64

HSL 240, 0.42%, 0.18%

LAB 11.47, 12.87, -24.33

 

CMYK 60 / 60 / 0 / 63

HEX #26265E

RGB 38 38 94

HSL 240, 0.42%, 0.26%

LAB 18.39, 18.3, -33.59

 

CMYK 59 / 59 / 0 / 52

HEX #32327B

RGB 50 50 123

HSL 240, 0.42%, 0.34%

LAB 24.92, 23.05, -41.74

 

CMYK 59 / 59 / 0 / 40

HEX #3E3E98

RGB 62 62 152

HSL 240, 0.42%, 0.42%

LAB 31.2, 27.59, -49.5

 

CMYK 59 / 59 / 0 / 64

HEX #26265D

RGB 38 38 93

HSL 240, 0.42%, 0.26%

LAB 18.31, 17.93, -33.05

 

CMYK 0 / 60 / 12 / 63

HEX #5E2653

RGB 94 38 83

HSL 311.79, 0.42%, 0.26%

LAB 24.92, 31.89, -15.48

 

CMYK 36 / 0 / 60 / 63

HEX #3C5E26

RGB 60 94 38

HSL 96.43, 0.42%, 0.26%

LAB 36.19, -23.5, 27.85

 

CMYK 59 / 59 / 0 / 64

HEX #26265D

RGB 38 38 93

HSL 240, 0.42%, 0.26%

LAB 18.31, 17.93, -33.05

 

CMYK 0 / 60 / 60 / 63

HEX #5E2626

RGB 94 38 38

HSL 0, 0.42%, 0.26%

LAB 23.36, 25.6, 12.66

 

CMYK 60 / 0 / 60 / 63

HEX #265E26

RGB 38 94 38

HSL 120, 0.42%, 0.26%

LAB 35.12, -31.11, 26.32

 

CMYK 59 / 59 / 0 / 64

HEX #26265D

RGB 38 38 93

HSL 240, 0.42%, 0.26%

LAB 18.31, 17.93, -33.05

 

CMYK 0 / 60 / 12 / 63

HEX #5E2653

RGB 94 38 83

HSL 311.79, 0.42%, 0.26%

LAB 24.92, 31.89, -15.48

 

CMYK 0 / 0 / 60 / 63

HEX #5E5E26

RGB 94 94 38

HSL 60, 0.42%, 0.26%

LAB 38.77, -8.44, 31.49

 

CMYK 60 / 0 / 48 / 63

HEX #265E31

RGB 38 94 49

HSL 131.79, 0.42%, 0.26%

LAB 35.28, -29.34, 20.35

 

CMYK 59 / 59 / 0 / 64

HEX #26265D

RGB 38 38 93

HSL 240, 0.42%, 0.26%

LAB 18.31, 17.93, -33.05

 

CMYK 0 / 60 / 30 / 63

HEX #5E2642

RGB 94 38 66

HSL 330, 0.42%, 0.26%

LAB 24.19, 29.03, -5.19

 

CMYK 0 / 0 / 60 / 63

HEX #5E5E26

RGB 94 94 38

HSL 60, 0.42%, 0.26%

LAB 38.77, -8.44, 31.49

 

CMYK 60 / 0 / 30 / 63

HEX #265E42

RGB 38 94 66

HSL 150, 0.42%, 0.26%

LAB 35.62, -25.81, 10.63

 

Description

Color code: RGB 38 38 93 | qconv.com Color code: RGB 38 38 93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 38 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 38 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 59 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 59% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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