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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 159 137 it is the complementary color RGB 216 96 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 159 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 39 159 137 shade: RGB 44 159 132, RGB 61 177 151, RGB 78 195 170, RGB 95 213 189 and RGB 112 231 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 159 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 39 159 137 shade: RGB 39 159 137, RGB 22 141 118, RGB 5 123 99, RGB 0 105 80 and RGB 0 87 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 39 159 137 shade: RGB 38 160 137, RGB 38 160 105, RGB 38 160 72, RGB 38 160 39 and RGB 70 160 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 39 159 137 shade: RGB 38 160 137, RGB 38 149 160, RGB 38 116 160, RGB 38 84 160 and RGB 38 51 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 39 159 137 shade matches the following richer shades: RGB 38 160 137, RGB 22 176 148 and RGB 6 192 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 39 159 137 shade: RGB 38 160 137, RGB 54 144 127, RGB 70 127 117, RGB 87 111 107 and RGB 103 95 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 39 159 137 shade: RGB 38 160 73, RGB 38 160 105, RGB 38 160 137, RGB 38 150 160 and RGB 38 117 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 39 159 137 shade: RGB 22 93 80, RGB 30 126 109, RGB 38 160 137, RGB 46 193 166 and RGB 70 210 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 39 159 137 shade: RGB 39 159 137, RGB 40 38 160 and RGB 160 89 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 39 159 137 shade: RGB 39 159 137, RGB 137 38 160 and RGB 160 137 38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 39 159 137 shade: RGB 39 159 137, RGB 40 38 160, RGB 160 38 61 and RGB 158 160 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 39 159 137 shade: RGB 39 159 137, RGB 77 38 160, RGB 160 38 61 and RGB 121 160 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 14 / 38

HEX #279F89

RGB 39 159 137

HSL 169, 0.61%, 0.39%

LAB 59.01, -37.5, 2.21

 

Complementary color

CMYK 0 / 56 / 45 / 15

HEX #D86076

RGB 216 96 118

HSL 349, 0.61%, 0.61%

LAB 56.36, 49.1, 11.18

 

CMYK 72 / 0 / 17 / 38

HEX #2C9F84

RGB 44 159 132

HSL 165.91, 0.57%, 0.4%

LAB 58.97, -38.16, 5

 

CMYK 66 / 0 / 15 / 31

HEX #3DB197

RGB 61 177 151

HSL 166.55, 0.49%, 0.47%

LAB 65.49, -38.63, 3.83

 

CMYK 60 / 0 / 13 / 24

HEX #4EC3AA

RGB 78 195 170

HSL 167.18, 0.49%, 0.54%

LAB 71.93, -38.9, 2.78

 

CMYK 55 / 0 / 11 / 16

HEX #5FD5BD

RGB 95 213 189

HSL 167.8, 0.58%, 0.6%

LAB 78.28, -39.03, 1.82

 

CMYK 52 / 0 / 10 / 9

HEX #70E7D0

RGB 112 231 208

HSL 168.4, 0.71%, 0.67%

LAB 84.56, -39.07, 0.94

 

CMYK 75 / 0 / 14 / 38

HEX #279F89

RGB 39 159 137

HSL 169, 0.61%, 0.39%

LAB 59.01, -37.5, 2.21

 

CMYK 84 / 0 / 16 / 45

HEX #168D76

RGB 22 141 118

HSL 168.4, 0.73%, 0.32%

LAB 52.43, -36.51, 3.52

 

CMYK 96 / 0 / 20 / 52

HEX #057B63

RGB 5 123 99

HSL 167.8, 0.92%, 0.25%

LAB 45.77, -35.04, 5.02

 

CMYK 100 / 0 / 24 / 59

HEX #006950

RGB 0 105 80

HSL 165.71, 1%, 0.21%

LAB 39.04, -32.78, 6.79

 

CMYK 100 / 0 / 30 / 66

HEX #00573D

RGB 0 87 61

HSL 162.07, 1%, 0.17%

LAB 32.15, -30.08, 8.77

 

CMYK 76 / 0 / 14 / 37

HEX #26A089

RGB 38 160 137

HSL 168.69, 0.62%, 0.39%

LAB 59.31, -38.07, 2.65

 

CMYK 76 / 0 / 34 / 37

HEX #26A069

RGB 38 160 105

HSL 152.95, 0.62%, 0.39%

LAB 58.58, -45.84, 19.52

 

CMYK 76 / 0 / 55 / 37

HEX #26A048

RGB 38 160 72

HSL 136.72, 0.62%, 0.39%

LAB 58.06, -51.8, 36.3

 

CMYK 76 / 0 / 76 / 37

HEX #26A027

RGB 38 160 39

HSL 120.49, 0.62%, 0.39%

LAB 57.75, -55.5, 50.4

 

CMYK 56 / 0 / 76 / 37

HEX #46A026

RGB 70 160 38

HSL 104.26, 0.62%, 0.39%

LAB 58.59, -48.64, 51.86

 

CMYK 76 / 0 / 14 / 37

HEX #26A089

RGB 38 160 137

HSL 168.69, 0.62%, 0.39%

LAB 59.31, -38.07, 2.65

 

CMYK 76 / 7 / 0 / 37

HEX #2695A0

RGB 38 149 160

HSL 185.41, 0.62%, 0.39%

LAB 56.53, -26.08, -14.55

 

CMYK 76 / 28 / 0 / 37

HEX #2674A0

RGB 38 116 160

HSL 201.64, 0.62%, 0.39%

LAB 46.23, -8.08, -30.4

 

CMYK 76 / 48 / 0 / 37

HEX #2654A0

RGB 38 84 160

HSL 217.38, 0.62%, 0.39%

LAB 36.54, 12.04, -45.77

 

CMYK 76 / 68 / 0 / 37

HEX #2633A0

RGB 38 51 160

HSL 233.61, 0.62%, 0.39%

LAB 27.62, 34.06, -60.27

 

CMYK 76 / 0 / 14 / 37

HEX #26A089

RGB 38 160 137

HSL 168.69, 0.62%, 0.39%

LAB 59.31, -38.07, 2.65

 

CMYK 88 / 0 / 16 / 31

HEX #16B094

RGB 22 176 148

HSL 169.09, 0.78%, 0.39%

LAB 64.45, -43.54, 3.91

 

CMYK 97 / 0 / 18 / 25

HEX #06C09E

RGB 6 192 158

HSL 169.03, 0.94%, 0.39%

LAB 69.62, -48.27, 5.84

 

CMYK 76 / 0 / 14 / 37

HEX #26A089

RGB 38 160 137

HSL 168.69, 0.62%, 0.39%

LAB 59.31, -38.07, 2.65

 

CMYK 63 / 0 / 12 / 44

HEX #36907F

RGB 54 144 127

HSL 168.67, 0.45%, 0.39%

LAB 54.31, -30.9, 1.13

 

CMYK 45 / 0 / 8 / 50

HEX #467F75

RGB 70 127 117

HSL 169.47, 0.29%, 0.39%

LAB 49.21, -21.33, -0.41

 

CMYK 22 / 0 / 4 / 56

HEX #576F6B

RGB 87 111 107

HSL 170, 0.12%, 0.39%

LAB 44.88, -9.73, -0.69

 

CMYK 0 / 8 / 6 / 60

HEX #675F61

RGB 103 95 97

HSL 345, 0.04%, 0.39%

LAB 41.11, 3.59, 0.01

 

CMYK 76 / 0 / 54 / 37

HEX #26A049

RGB 38 160 73

HSL 137.21, 0.62%, 0.39%

LAB 58.07, -51.66, 35.82

 

CMYK 76 / 0 / 34 / 37

HEX #26A069

RGB 38 160 105

HSL 152.95, 0.62%, 0.39%

LAB 58.58, -45.84, 19.52

 

CMYK 76 / 0 / 14 / 37

HEX #26A089

RGB 38 160 137

HSL 168.69, 0.62%, 0.39%

LAB 59.31, -38.07, 2.65

 

CMYK 76 / 6 / 0 / 37

HEX #2696A0

RGB 38 150 160

HSL 184.92, 0.62%, 0.39%

LAB 56.84, -26.58, -14.08

 

CMYK 76 / 27 / 0 / 37

HEX #2675A0

RGB 38 117 160

HSL 201.15, 0.62%, 0.39%

LAB 46.54, -8.66, -29.91

 

CMYK 76 / 0 / 14 / 64

HEX #165D50

RGB 22 93 80

HSL 169.01, 0.62%, 0.23%

LAB 35.16, -24.88, 1.26

 

CMYK 76 / 0 / 13 / 51

HEX #1E7E6D

RGB 30 126 109

HSL 169.38, 0.62%, 0.31%

LAB 47.37, -31.29, 1.46

 

CMYK 76 / 0 / 14 / 37

HEX #26A089

RGB 38 160 137

HSL 168.69, 0.62%, 0.39%

LAB 59.31, -38.07, 2.65

 

CMYK 76 / 0 / 14 / 24

HEX #2EC1A6

RGB 46 193 166

HSL 168.98, 0.62%, 0.47%

LAB 70.51, -43.87, 2.81

 

CMYK 67 / 0 / 12 / 18

HEX #46D2B8

RGB 70 210 184

HSL 168.86, 0.61%, 0.55%

LAB 76.59, -43.39, 1.96

 

CMYK 75 / 0 / 14 / 38

HEX #279F89

RGB 39 159 137

HSL 169, 0.61%, 0.39%

LAB 59.01, -37.5, 2.21

 

CMYK 75 / 76 / 0 / 37

HEX #2826A0

RGB 40 38 160

HSL 240.98, 0.62%, 0.39%

LAB 24.88, 42.14, -64.79

 

CMYK 0 / 44 / 76 / 37

HEX #A05926

RGB 160 89 38

HSL 25.08, 0.62%, 0.39%

LAB 45.3, 25.12, 40.84

 

CMYK 75 / 0 / 14 / 38

HEX #279F89

RGB 39 159 137

HSL 169, 0.61%, 0.39%

LAB 59.01, -37.5, 2.21

 

CMYK 14 / 76 / 0 / 37

HEX #8926A0

RGB 137 38 160

HSL 288.69, 0.62%, 0.39%

LAB 36.45, 57.59, -45.43

 

CMYK 0 / 14 / 76 / 37

HEX #A08926

RGB 160 137 38

HSL 48.69, 0.62%, 0.39%

LAB 57.56, -1.97, 52.89

 

CMYK 75 / 0 / 14 / 38

HEX #279F89

RGB 39 159 137

HSL 169, 0.61%, 0.39%

LAB 59.01, -37.5, 2.21

 

CMYK 75 / 76 / 0 / 37

HEX #2826A0

RGB 40 38 160

HSL 240.98, 0.62%, 0.39%

LAB 24.88, 42.14, -64.79

 

CMYK 0 / 76 / 62 / 37

HEX #A0263D

RGB 160 38 61

HSL 348.69, 0.62%, 0.39%

LAB 36.36, 50.57, 17.05

 

CMYK 1 / 0 / 76 / 37

HEX #9EA026

RGB 158 160 38

HSL 60.98, 0.62%, 0.39%

LAB 63.8, -15.18, 58.65

 

CMYK 75 / 0 / 14 / 38

HEX #279F89

RGB 39 159 137

HSL 169, 0.61%, 0.39%

LAB 59.01, -37.5, 2.21

 

CMYK 52 / 76 / 0 / 37

HEX #4D26A0

RGB 77 38 160

HSL 259.18, 0.62%, 0.39%

LAB 28.12, 46.65, -59.33

 

CMYK 0 / 76 / 62 / 37

HEX #A0263D

RGB 160 38 61

HSL 348.69, 0.62%, 0.39%

LAB 36.36, 50.57, 17.05

 

CMYK 24 / 0 / 76 / 37

HEX #79A026

RGB 121 160 38

HSL 79.18, 0.62%, 0.39%

LAB 61.09, -30.93, 55.14

 

Description

Color code: RGB 39 159 137 | qconv.com Color code: RGB 39 159 137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 159 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 159 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 14 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 14% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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