House of Gold

by House of Gold

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1.
Wool Socks 04:19
We hoped for peace but no good has come. For healing, but there is only terror. For consolation, but there is only science. For persistence… What to make of the hushed laughs and whispers? What to make of the wool socks and early snow? the scratching branches on the windows? It seems there is only forgetting, and being forgotten.
2.
Phenomena 05:11
Maybe I spend too much time thinking about telluric phenomena: low clouds over the lake, bent aspens, rotten stumps, uprooted pines, snowpack depth, exact altitudes, mountain ranges, towering cumuli, mesquite black evenings, balsamic hills and hollows; The whole murderous mass of the continent beneath our feet.
3.
“It was a relationship of no particular importance” was how they described our first collision. I sleep on the couch, wake at 4 am, the headache making its way from my eyes to my jawbone. Everything rushes at me in a bright, multiphonic hiss. You were with me again: your breath on my ear, your quiet laugh, your bony hips, and those moles you were so embarrassed of; your scent of rosemary honey. Stay, my love, stay; at least in dreams. My rhododendron, my ponderosa pine, my blood orange, my silver vessel lost at sea.
4.
Night 03:34
[: Your body close to mine… and the wet wind blows. :] The night roams the broken earth, the living envy the dead, and on and on and on it goes…
5.
Etain 04:55
Voici un temps de guerre et de terre sèche. Soutenez-moi de pain et de pommes, tapissez-moi de cresson et de chèvrefeuille. Que la brise se lève doucement à l’image de la légèreté de ta présence. Ça me fait du bien. Dans l’air de la nuit, soutenez-moi d’éclairs, et de tonnerre. Le matin, de soleil d’étain en éclats sur la surface de l’eau, paupières fermées. Ça me fait du bien, ça me fait du bien, car je suis malade d’amour. Inconditionnellement.
6.
Why are we not together? And who can promise that returning to each other is like returning in breath that which we take from the air? And why am I pining when you will not surrender to me, nor I to you?
7.
Terre noire 05:22
La terre noire, un ciel voilé, la saison épuisée. Soupirs d’adieu. La chaleur rayonnante de ton corps, tes lèvres sur ma nuque, comme le souffle d’un fantôme. La terre noire, un ciel d’ardoise, le parfum de sapins baumiers.
8.
You were my incense, my love, my weapons of war, my final disaster. A paradise of pomegranates, fruits of the orchard, spikenard and saffron, sweet cane and cinnamon, eucalyptus and aloe. You were my rose without thorns, my cypress, my muscat grape, the rain that falls on the dark soil. You were, my dear, the unattainable world.
9.
Blues 02:54
This is love: the stars without you; skin glistening, we search out cooler parts of the sheets. June bug barking dog fox-trot. Mid-July cicada buzz dancing oceanic, crashing-wave blues.

about

Sofa is proud to announce the debut album of Montreal-based band House of Gold, a very special group playing American composer Isaiah Ceccarelli’s songs and compositions. House of Gold is a quartet that blends quiet melodies and songwriting, chamber music, minimalist folk song, improvisation, jazz harmony, and early music influences into an immersive and embracing sonic experience.

Composer, drummer, and singer Isaiah Ceccarelli has built a repertoire of songs around his original texts and intimate music, inspired by his years of composing new chamber music for various ensembles, drumming for jazz, pop, and folk bands, singing in early-music choirs, and travelling the world as an improviser and composer. The music is brought to fruition by the talents and input of multi-instrumentalists Katelyn Clark, Eugénie Jobin, and Frédérique Roy.

House of Gold’s album is fantastical and patient. Each song develops its melody in a different way, using careful layers of voice, drums, organ, and synths. Jobin and Roy’s voices combine into an almost otherworldly sound, bringing out stark harmonies and unisons while giving a tender focus to the lyrics. Minimalistic drums suggest a pulse, but this never dominates the vocal quality of the songs. The organ, synths, and other instrumental components weave in and out of the album, adding a dreamlike atmosphere.

Isaiah Ceccarelli says of the project: “The idea for House of Gold began to form in 2017 when I was asked to write some music for an ensemble that was performing at a gallery in Montreal’s Parc-Extension neighborhood. That’s where I met Frédérique Roy and Eugénie Jobin, who were members of the ensemble. Having already formed a solid musical relationship and friendship with Kate Clark for the past ten years—and with a recording together on my first Another Timbre album—it didn’t take long for the band to form.

I originally imagined writing chamber music for this lineup, but as I talked more with Kate, Eugénie, and Frédérique (who were so encouraging), I knew that I wanted to write songs. I had always written lyrics—some of the texts that appear on this record have their genesis in the late 1990s or early 2000s—and I wanted to take a definitive step into the world of song that had attracted me since my university days. House of Gold is a synthesis of everything I love about music: multiple singers, layered, free percussion textures, early music influences, drones…

Our three-song demo was recorded on March 10, 2020, several days before the entire world closed down. House of Gold was born in a chaotic time: a time of disquiet, of profound personal realizations about the precarious nature of today’s music and art world in the face of difficulty, a time when we hoped for (…) consolation, but there [was] only science.

House of Gold is a definitive before-and-after benchmark in my career. The lyrics, the way I approach working in the studio and collaborating with others, even the way I play drums and how I describe the music I want to make from now on—and most importantly the fierce attachment to and respect I feel for the three other members of the quartet, with their talent and impeccable attention to detail—everything points to this being an important step forward.”

SOFA is extremely excited to release the debut album of this wonderful group. House of Gold will be released as LP, CD and DL with art direction by Stephen O’Malley and a beautiful sleeve photo by Eleonore Huisse.



Isaiah Ceccarelli is a drummer, composer, and singer.

His album Bow was released to critical acclaim as part of the British label Another Timbre’s Canadian Composers Series in 2017 and was followed up by Landmarks, a 2022 collaboratively composed duo album with Katelyn Clark featuring chamber organ, orchestral bass drum, bells, and synthesizer. House of Gold, his new songwriting endeavour featuring Katelyn Clark, Eugénie Jobin, and Frédérique Roy, will be released on SOFA (Norway) in May 2024. His chamber music has been performed by the Bozzini Quartet, TAK Ensemble, the London Contemporary Orchestra Soloists, violinist Mira Benjamin, harpsichordist and organist Katelyn Clark, the Suoni per il Popolo festival’s Stretch Wood Ensemble, and Voces Boreales featuring Architek Percussion.

As a drummer and percussionist, Isaiah has performed and recorded in countless jazz and improvised music settings since the early 2000s. He is also an avid choral singer and regularly organizes recitals of Gregorian chant, medieval, and early Renaissance music.

credits

released May 10, 2024

Eugénie Jobin: voice, synthesizer
Frédérique Roy: voice, piano [4,5,7], synthesizer
Katelyn Clark: organetto, piano [2,3], synthesizer
Isaiah Ceccarelli: drums, voice [8], synthesizer [8]

&
Guido Del Fabbro: violin [8]

All additional instruments played by the band.

All lyrics and music: Isaiah Ceccarelli [SOCAN], except “The unattainable world”: Isaiah Ceccarelli, with inspiration from an anonymous eighteenth-century Corsican voceru.
All arrangements by Jobin, Roy, Clark, Ceccarelli.

Recorded and mixed by Guido Del Fabbro, Studio Resther, Montréal, 2021–2022.
Mastered by Marc Thériault, Le Lab Mastering, Montréal, 2022.
Artwork by Eléonore Huisse. Art direction: Stephen O’Malley

Artist photo: Manoushka Larouche (@documentoriginal)



A special thank you to my family, my bandmates, Guido, and the Sofa team for making this all come together

All rights reserved (SOCAN/N©B)
℗+©2023 SOFA MUSIC

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