Showing posts with label Silver Age. Show all posts
Showing posts with label Silver Age. Show all posts

Wednesday, November 11, 2020

Year of the Cheetah: Priscilla Rich in The Silver Age

Episode #21


Look for us on iTunes, ShoutEngine or the Internet Archive, where you can also directly download an art-tagged MP3.


Frank returns after a mere five months off to post an actual second episode in the same "Year of the Cheetah," featuring another guest cameo from Wonder Woman: Warrior for Peace podcast's Angela! The 2019 release of Wonder Woman 1984 is looking more like 2021, so we guess Warner Brothers plans to hold out until we at least finish covering the appearances of the original incarnation of the Cheetah. Gee, we hope it doesn't hurt their pocket money in the meantime. Our coverage includes Priscilla Rich's two published stories set on Earth-One during the Silver Age of Comics, Wonder Woman #160 & 166...

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Thursday, May 31, 2018

“Wonder Girl's Mystery Suitor!” (July, 2000)



On a shore of Paradise Island, Queen Hippolyta looked on as her teenage daughter Diana used her Amazon bracelets to deflect lightning bolts during a rainstorm. Aphrodite appeared in the heavens to condemn this frivolous use of the pantheon's gifts, and ordered Diana to find an appropriate suitor by sundown to prove herself worthy of the Goddess of Love's continued patronage. Diana was swiftly propositioned by her Silver Age beaus Mer-Boy and Bird-Boy, but she only had eyes for a beautiful new arrival, Centaur-Boy. This suitor demonstrated great powers, but was also terribly conceited, only wishing to talk about himself. Though she struggled with her desire for him, Diana ultimately lassoed him to demand the truth. "Your beauty is only skin deep, Centaur-- and I could never love anyone whose flaws outweighed his charm! You're part of Aphrodite's test, aren't you?"

And so it went that Centaur-Boy was a mere illusion, and Aphrodite congratulated Diana's passing the true test to gauge her understanding of "the value of the love that powers you... No matter what the threat, you must always be true to your heart-- and never give it to one unworthy!" Centaur-Boy vanished, leaving Wonder Girl to contemplate whether she would someday choose between Mer-Boy and Bird-Boy.

“Wonder Girl's Mystery Suitor!” was a short back-up story in Silver Age 80-Page Giant #1 by Mark Waid & Ty Templeton

Tuesday, October 25, 2016

Podcast: 75 Birthdays-- The Secret Origins of Wonder Woman

Episode #5

Look for us on iTunes, ShoutEngine or Internet Archive

October 25, 2016 marks the seventy-fifth anniversary of the release date for All-American Publications' All Star Comics #8, which featured the story "Introducing Wonder Woman" by her creators William Moulton Marston and Harry G. Peter in her comics debut! In acknowledgement, your regular host Diabolu Frank covers a variety of different interpretations of Princess Diana of Paradise Island's origin stories from Sensation Comics #1 (1942), Wonder Woman #1 (1942), Wonder Woman #23 (1947), Wonder Woman #45 (1951), Wonder Woman #98 (1958), Wonder Woman #105 (1959), DC Special Series #19 (1979), Wonder Woman #1 (1987), and Secret Origins #6 (2014)! To break up all that information dumping and more treat this momentous occasion as a true celebration, we've also enlisted a slew of notable co-anchors to discuss a bunch of fun, accessible topics relevant to new and old fans of the Amazon Princess! Hola!

R.S.V.P. Attendees
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Sunday, January 26, 2014

2012 Strong Suits: Superhero Playing Cards Wonder Woman art by Craig Bostick

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While working on a deck of playing cards featuring DC Comic's Silver Age heroes, Craig Bostick hit upon the worst extended era of the character in my opinion, and wags his own finger at it on his blog. Regardless, he offers a classic and classy Amazing Amazon.

Craig Bostick

Wednesday, July 17, 2013

Wonder Woman in “The Time Traveler of Terror!” (August, 1960)



In a vast library at Military Intelligence, Col. Steve Trevor showed Lt. Diana Prince a book of disasters, including the sinking of Atlantis, the eruption of Mt. Vesuvius in Pompeii, the 1871 Chicago Fire, and the 1889 Johnstown Flood. Each picture happened to feature a devious onlooker—a lean man with a disproportionally large bald head, prominent apple cheeks, goatee, and arched eyebrows. The often underestimated Trevor shows his brilliance here, as this will be totally relevant to the story, and not just a convenient narrative device to prepare readers for the book’s second-half adventure. It just so happens Steve has to leave “Di” to meet with Wonder Woman, who can’t quite put her finger on something fishy about the pictures, unintentionally shaming military “intelligence.”

The Amazing Amazon and Col. Trevor flew in her transparent robot plane, wherein he fake proposed and she claimed she’d be glad to, “When I’m no longer needed to combat evil!” Ladies, use that line the next time you’re faced with an aggravating suitor at the club. Anyway, the pair were off to a vital experimental base to view preparation for the launch of the world’s largest space exploratory rocket yet. The figures below the plane were quite small, but I’m fairly certain Capt. Adam and Sgt. Gunner were down there somewhere.



Wonder Woman was introduced to the famous scientist Prof. Andro, who she still couldn’t place as the man in all those disaster pictures, because this book ain’t called Detective Comics. The Camera Fluent Amazon snapped Andro’s picture, flew back with Steve to Military Intelligence, developed the picture of the creepiest smile in recorded human history, revisited the library, and wasted a whole afternoon comparing the picture of Andro’s creepy smile to those in the book. Wonder Woman even bragged about her photographic memory while doing so, which eventually prompted Steve to pretend he was amused by the coincidence after the first comparison, but ready to head back to the launching grounds. The genius Steve humored and patronized Wonder Woman through each unnecessary example of what he already knew, since he showed Lt. Prince (whose double identity he obviously also knew, because she’s just Wonder Woman with clothing) the book in the first place. Steve even let Diana slowly, painfully deduce Prof. Andro was a time traveling terrorist, which was blatant from his creepiest smile in recorded human history, before getting frustrated and telling her outright that anyone with such advanced technology could also be behind the disasters, not to mention the ability to trim their goatee and eyebrows so malevolently.



Wonder Woman and Steve Trevor flew back to present “their” findings to Gen. Darnell, who dismissed them and was about to schedule drug testing when Prof. Andro showed up, positively challenging the general to dig up dirt on him instead. Andro pissed clean, as Darnell explained to the stupids that the professor could never have set foot on the base in the first place without a rigorous background check. Wonder Woman was all “duh, of course futureboy could fake credentials” while Steve cursed their powerlessness and erectile dysfunction (where applicable.)

Not content, Prof. Andro showed up with such a diabolically gleeful expression it made me poo myself a little bit, telepathically admitting his guilt while freezing them in place. “You can’t touch me! My super-will prevents you! Just as it enables me to travel through time or space by Mentotravel! Or cause volcanoes, earthquakes, fire or flood by Mentoforce! HA HA!” Prof. Andro released the duo so they could fully appreciate the horror he was about to rain down on the Earth through the rocket. Best Wonder Woman villain ever? So far as I can tell!



Wonder Woman and Steve couldn’t directly confront Andro due to his potency, but fate caused the site’s official photographer to fall ill. Gen. Darnell knew the Amazing Amazon was an expert photog, and with the help of a device from her plane, this was just the opportunity Diana needed! A Flashlight Paralysis Ray emitted during the camera strobe froze everyone in place, except a crystal being from another world sprang out of Andro’s body! As the rocket flew into the sky and Wonder Woman followed by catapulting “on an updraft,” the flying being taunted that the S-Time Bomb planted on the rocket would create the “greatest catastrophe since time began!”

Through the lightning and rain, the Amazing Amazon tried to lasso the villain, but his willpower caused it to fall away. Wonder Woman stripped off her tiara made of the hardest metal known, amazonium, and flung it to no effect. Then came her bracelets—then ahhhhh—her shoes—and—and—oh wait, my fantasy kicked in there, but she did look kinda bare without her weapons. Nothing was working, so Wonder Woman flew around the rocket with the creature in pursuit until she lured him into shattering contact with lightning.



The rocket flew on, as Wonder Woman fretted about its potentially detonating in Earth atmosphere, but it thankfully made it into space before exploding. Thankfully, I said, as Wonder Woman just kinda floated and watched. Steve Trevor declared, “You did it again, Angel—saved the Earth! With the guidance of my Machiavellian manipulation, of course!” Meanwhile, off to the side, Captain Adam was shaking off that camera flash, and was all like, “But the rocket--? Why couldn’t she have saved the rocket? Where were my atomic powers when I needed them most?” Or maybe Adam blew up on that rocket, which might explain his quantum leaping, with the S-Time Bomb and all. I can’t keep all this retroactive continuity straight.

“The Time Traveler of Terror!” by Robert Kanigher, Ross Andru & Mike Esposito was the second story in Wonder Woman #116 (August, 1960.)

DC Comics Presents

Wednesday, September 5, 2012

The Top 20 Wonder Woman Covers of the 1950s

Hera, fifties Wonder Woman covers were boring. Not only were they rendered in a flat, frigid style, but they were terribly repetitive. Wonder Woman battles a twin Wonder Woman. Wonder Woman struggles against an invisible something. Wonder Woman and an invisible twin Wonder Woman struggle. Wonder Woman's secret identity broadcast. Wonder Woman in a medium shot lassoing something in the distance. Wonder Woman in a medium shot deflecting something coming from a distance. Wonder Woman versus a large animal. Wonder Woman shrunk or fighting a giant version of something. (Shrunken?) Wonder Woman in a medium shot lassoing (a giant?) (animal?) (twin?) something in the distance. Wonder Woman in the foreground fleeing and explosion/fireball in the background. Any of the previous, but in an especially hostile environment (midair/underwater/outer space.) I think that Bob Kanigher had a menu in his office where he'd pick one item (or less) from three prefab columns to form a cover. Wonder Woman also seemed to be an early adopter of the "homage" cover, because when she liked a layout, it would surely be revisited...

20) Wonder Woman #104 (February, 1959)

Tenuous. Emotive expression.

19) Wonder Woman #96 (February, 1958)

Echoing themes we'll see further up the chart.

18) Sensation Comics #106 (November-December, 1951)

The muted colors may deceive and blunt the depth, but this image is jam packed with cool details and scope.

17) Wonder Woman #39 (January-February, 1950)

I like how busy Princess Diana looks. There's all this stuff going down and she's running all over town to sort it out.

16) All-Star Comics #57 (February-March, 1951)

A group shot with a prominent Wonder Woman from the rare perspective of coming out of a sewer manhole in Paris.

15) Wonder Woman #53 (May-June, 1952)

Strapped to a polygraph? How meta!

14) Sensation Comics #99 (September, 1950)

Bernard Sachs brings the big alien spiked fist down on a crowd of bystanders with only the Amazon Wonder acting in their defense. A bit awkward, but effective, and I suspect this inspired all of those bland "giant attack" imitators that followed.

13) Wonder Woman #62 (November-December, 1953)

This "perpetrator's POV" perspective would remain popular in the years to come, as would Wonder Woman seen in triplicate, which we do again here. Heck, it's even another Novick cover to later be swiped by Andru.

12) Sensation Comics #97 (March, 1950)

A sweet, romantic, enduring piece.

11) Wonder Woman #77 (October, 1955)

I love the perspective on this one, and the severity of Diana's face under trying circumstances. She looks like she's been swimming all night. The mild pink skyline doesn't hurt.

10) Wonder Woman #42 (July-August, 1950)

This is a nifty, propulsive piece, especially when you factor in that this sort of automotive defying of gravity wasn't as common at the time as it would become from-- what-- the '70s or so on (especially on bad TV action series.) I guess this Novick cover sold, because he self-swiped two years later.

9) Wonder Woman #45 (January-February, 1951)

A thoroughly okay cover concept that for some reason got revisited numerous times, the first within the same decade.

8) Wonder Woman #50 (November-December, 1951)

This one is very exciting, with Diana in a strong pose, bullets flying, missile launching, etc. etc.

7) Wonder Woman #99 (July, 1958)

Great Balls of Fire were a real issue for the Amazing Amazon on Silver Age covers. This was one of the more dynamic space age age examples.

6) Wonder Woman #80 (February, 1956)

It may seem a bit sexist, but a dehumanizing mask with a built-in bomb strapped to your face about to explode would make anyone piddle.

5) Wonder Woman #106 (May, 1959)

Charm bracelets are so girly, and it totally works in context, especially as a manifestation of relationship anxiety.

4) Wonder Woman #49 (September-October, 1951)

I love how all-around kickass this cover is. Diana just tossed that woman over her shoulder and dodged explosions while running with her back to lemon yellow sunshine. Fierce! I like the unusually tight framing of the figures, as well.

3) Wonder Woman #88 (February, 1957)

That red and black background is seriously ominous, and you totally want a peek in the box for yourself, don't you Pandora? Quality rendering by Irv Novick.

2) Wonder Woman #95 (January, 1958)

The loving manner in which Diana cradles Steve's head-- against an atomic bomb(!)-- makes this one very memorable. So does the perspective, the fuschia background, and the artistry of Ross Andru.

1) Wonder Woman #108 (August, 1959)

This fantastic Ross Andru piece resounds with McCarthyism, and was used on one of the Showcase Presents collections for obvious reasons. I suspect it may have inspired droves a similarly themed covers, perhaps most famously, Uncanny X-Men #141.

Honorable Mentions:

Sunday, March 4, 2012

2010-2011 The Justice League of America 100 Project charity art by Craig Rousseau

Click To Expand & Enlarge


The Silver Age Founding Five Justice League in the ginchy-good animated style!

In late 2000, a consortium of comic publishers came up with the idea to create a financial safety net for comic creators, much in the same fashion that exists in almost any other trade from plumbing to pottery. By March of 2001, the federal government approved The Hero Initiative as a publicly supported not-for-profit corporation under section 501 (c) (3).

Since its inception, The Hero Initiative (Formerly known as A.C.T.O.R., A Commitment To Our Roots) has had the good fortune to grant over $400,000 to the comic book veterans who have paved the way for those in the industry today.

The Hero Initiative is the first-ever federally chartered not-for-profit corporation dedicated strictly to helping comic book creators in need. Hero creates a financial safety net for yesterdays' creators who may need emergency medical aid, financial support for essentials of life, and an avenue back into paying work. It's a chance for all of us to give back something to the people who have given us so much enjoyment.


ALL 104 JUSTICE LEAGUE #50 ORIGINALS…NOW ON DISPLAY!

Please enjoy this gallery of ALL 104 original Justice League of America #50 Hero Initiative covers!

Hardcover and softcover versions of a book collecting all the covers will be available in December, 2011. AND all the originals will be auctioned off according to the following schedule:

• December 3, 2011, Meltdown Comics, Los Angeles, CA: Display of all 104 covers and auction of first one-third
• Jan. 20-22, 2012, Tate's Comics, Lauderhill, FL (Miami/Ft. Lauderdale area): Display of remaining covers and auction of second one-third.
• Feb. 17-19, 2012: Orlando MegaCon, Orlando, FL: Display and auction of final one-third.

All covers will be sold via LIVE AUCTION on-site at the venues above. If you cannot attend but wish to bid, proxy bidding is available.
Contact Joe Davidson at: yensid4disney@gmail.com
Deadlines for each grouping are below, and each cover carries a minimum bid of $100.

Special thanks to Firestorm Fan for the notice!

Wednesday, July 28, 2010

Wonder Woman #115 (July, 1960)



"...At a mountain hideout, gangland chiefs stare at the huge robot Angle Man, the criminal mastermind displays..." Using the underworld figures' funding, Angle Man had built a mechanical brain that could "animate any inanimate object!" Angle Man proved it by having one of the mobsters' cigars become a club to whack all disbelievers. A newspaper had announced Wonder Woman would be investigating a resurfaced graveyard of ancient ships, so Angle Man decided to test his Animox there.

As Princess Diana was preparing to set out, Steve Trevor invited himself along, per orders. Steve had a frogman suit and explosives, which would come in handy once Angle Man launched his Animox against Diana. Wonder Woman was attacked by a wooden Amazon carving from the front of a sunken ship that was her spitting image, and before long, a whole slew of animated figureheads joined in the assault.

While a winged dragon made off with Steve, Wonder Woman tried his explosives and her indestructible amazonium bracelets against the Animox to no avail. The Amazing Amazon cracked open the instrument panel, and with awesome speed of both mind and finger, figured out how to order her pursuers to drop everything and fly into space. This left Angle Man very high and dry, as Princess Diana caught him before he burned up from friction aboard his Animox craft. The figurehead holding Steve ditched Trevor once it was redirected, so Wonder Woman also had to lasso her man from the wing of the robot plane to save his life. Trevor had survived such great heights thanks to his oxygen mask, and reviving in the arms of "the lovely Amazon," Steve was in a dream he didn't wish to wake from.

"Graveyard of Monster Ships!" was by Robert Kanigher, Ross Andru, Mike Esposito; as would be "Mer-Boy's Undersea Party!"

Partway through the previous story, Princess Diana broke the fourth wall to offer a mailing address to readers, so that they could request stories about Wonder Girl and her fishy friend instead of adult super-heroine action. At least young Diana longed to become Wonder Woman, which her mother Hippolyta assured her required study and exercise. With four teachers, Diana practiced speaking caveman, French, Spanish and Martian. Later, she worried about passing a test to remain aloft for thirty minutes by gliding on air currents. Flying to close to the sea, Diana was pulled underwater by Mer-Boy, who had something important to ask her. The princess was furious Mer-Boy had caused her to fail her test, and told him she had no time for anything but developing into Wonder Woman so she could help people in peril.

Suddenly, the teens were attacked by an octopus and a shark, leaving Wonder Girl hauling an unconscious Mer-Boy to safety at the surface. Unfortunately, Mer-Boy was faking to stick close to Diana, hoping she would let him pin her and serve as escort to an underwater party. Diana was furious at the deception, and declared she never wanted to see Mer-Boy again! On land, Wonder Girl's teachers chastised her for being distracted by a boy.

Mer-Boy's friends kept asking about Wonder Girl, while he prayed to Neptune things would work out. Diana made a point of remaining on Paradise Island, where no man can set foot, to avoid the lovesick lad. Finally, Mer-Boy managed to sky-write a message to her with flying fish, making Diana "a laughing stock" amongst the amazons. The Amazon Teenager wished to confront her jilted suitor, but he kept writing her love notes in dangerous places, forcing Wonder Girl to save him from a roc and a giant sea turtle.

Mer-Boy wouldn't stop writing proclamations of love all over the sea, and inadvertently awoke an aquatic dinosaur. The Mer-Boy risked his life to lure the beast away from "my darling," and she returned the favor by enduring the shock of an enormous electric eel that shed set upon the dinosaur. The Amazon Teenager was impressed by Mer-Boy's bravery, and was honored to wear his seashell fraternity pin. The young couple climbed onto a giant seahorse, since Mer-Boy wouldn't "let my best girl swim to the party!"

Meanwhile...

Wednesday, July 14, 2010

Wonder Woman #112 (February, 1960)



Col. Steve Trevor dragged Lt. Diana Prince from her desk at military intelligence to see Wonder Woman at the filming of a television broadcast. Prince used her super speed to race away from Steve, change into Wonder Woman, and return to take Prince's place on Trevor's arm. Wonder Woman then explained that Lt. Prince had dropped off into the secretarial office while Steve was busy talking. How that protected-- and in fact how it didn't completely compromise-- her dual identity is a mystery to me.

Wonder Woman announced on TV a contest with no stated prize, which drew tons of submissions. Meanwhile, country girl Bonnie Bates and her Riccianly enormous brow/receded hairline was tending a flock of sheep in the rain. Two children she knew were swept up in a raging river, so young Bonnie dove in after them. The red-haired heroine kept the children's heads above water until they reached a bank, then performed mouth-to-mouth to start them breathing again. A random photographer recorded the act, sent in the pics a day before the contest's end, and saw Bonnie win three wishes from Wonder Woman. No, she's not a genie.

Bonnie's freakish cranium thought feverishly, until she asked to visit Paradise Island. The Amazons greeted the pair warmly, offering a fresh meal and clothing. Diana showed where the Amazons answer distress call from throughout the solar system, and their subliminal learning tapes used as they slept.

The Amazons held a contest where they would glide on air currents through a series of rings. Bonnie wished Wonder Woman would win in her thoughts, and lost her second wish when it came true. What a rip-off! While Bonnie tried not to think her way out of her final wish, Diana showed her where the Amazons could interpret every language, "from caveman to Martian!"*

Bonnie went swimming, and was nearly drowned by a giant freak water spout. Wonder Woman saved her, then lassoed together the snouts of four hungry sharks lying in wait, and ride back to shore on their backs. Diana dropped Bonnie at a nice quiet library to collect herself, where Bates decided her third wish was to "spend a few hours with you-- when you were my age... When you were Wonder Girl!" The wayback machine was set up, and so it went.

Wonder Girl took Bonnie on an unaided float on air currents, and when asked if she could be taught this skill, "You could-- if you were an Amazon!" Faced! Next the Teenage Amazon showed Bonnie a machine that produced such great cold, it caused objects to shrink. Wonder if that will come up later?

The girls put on transparent diving suits which allowed them to breath underwater and communicate through "a unique thought-wave transmitter built in!" Bonnie wanted to meet Diana's friend Mer-Boy, whom Wonder Girl managed to catch by detecting a giant clam "breathing." Mer-Boy invited the pair to help him explore a sunken Spanish galleon ship, but Diana ordered Bonnie to stay on deck over safety concerns.

Mer-Boy found a treasure chest, but an octopus had found him. The Amazon Teenager tied the octopus' tentacles together pair by pair until it was "disarmed," and in gratitude, Mer-Boy surrendered the chest. On the beach, the girls opened it, and out sprang metallic lotus-like insects. The creatures grew to giant size, and emitted a gas that knocked out all the Amazons. These were alien invaders who had crashed on Earth and been contained by our water. Upon exposure to oxygen, they grew, and exhaled gas. Only the girls were unaffected because of their diving suits, which also allowed them to hear the aliens' thoughts.

Wonder Girl lured the alien insects into the freeze chamber, which shrank them back down to nothingness. "I'm trained to withstand temperature as low as this..." Eat your heart out, Batman!

The Amazons were woken up and Bonnie Bates sent back to the present. Wonder Woman flew the girl and her accompanying forehead home in her invisible plane, while Bonnie wished Diana would offer more kids a chance to enter contest to spend time with the Amazing Amazon. "I'd like to hear from the readers about it first, Bonnie! I can be reached care of Wonder Woman, National Comics."

"The Chest of Monsters" was by Robert Kanigher, Ross Andru, Mike Esposito, and gin & tonic.

*No relation.

Meanwhile...