Marietta - Chalktoberfest 2023

This year the chalk festival was held on Saturday October 14 and Sunday October 15 in Marietta, Georgia. I had planned to leave Nashville for Georgia on that Sunday but when I found out about the festival I left on Saturday. The Craft Beer Fest part of the festival was only on Saturday. With the purchase of a ticket one could have unlimited beer samples from dozens of local and national brands. I don't drink beer often, maybe once or twice a year, so I did not miss attending this. I missed the chalk festival in 2022 as I was travelling out of the country at the time. The chalk festival has grown a lot, maybe too much for my liking. It has become quite commercialized, with more arts and crafts vendors, more food and beverage trucks, with long lines.

I read that, because the weather was cloudy and cool, the crowds were not as large as last year, so I am pleased I did not go last year as already this year it took a while to take pictures as you had to queue to see them. This chalk festival started in 2013 as a fundraiser for the Marietta Cobb Museum of Art with just a few artists. When my late husband and I went to the 2014 festival the 40 professional chalk artists then were from eight US states. Now this year there were 83 chalk professionals from all over the US, many from Mexico as well as some from Japan, Italy, Turkey, Brazil, Colombia, France and Ukraine. They still compete around the Marietta Square, which has not grown any, so it gets crowded. There used to be around 10,000 visitors to the two-day event, but now the number reaches 100,000. There are also now 400 volunteers working in shifts. You can look at earlier posts of the chalk festival by clicking on the side of my blog. The aerial photo of the Square, below, was taken a couple of years ago, when less crowded.

Glover Park is in the center of the Square, with a fountain, benches, children play area and a couple of kiosks. Local bands were playing on the kiosk stage. The park was decorated for Halloween.

There was also a community chalk competition with categories for schools, children, teens and adults. Below are entries from children and teens.

Nowadays with cell phones, most people were taking "selfies" in front of the chalk arts. But it still was worth waiting to look at all these chalk paintings.

It seems that this year there was more 3D or anamorphic chalk art. An anamorphic image is a 3D illusion. It is an image that has been stretched out on the ground so that the 3D effect is only visible from a specific spot. If you walk around the piece, it starts to distort. Be sure to click on collage to enlarge.

I stopped and chatted for a while with Joel Yau, a skilled artist from San Rafael, California. He has been coming to Marietta for years and I took photos of his art each time. This time his subject was Portrait of a Young Man by Annibale Garracci (Italian, 1560-1609.) Joel told me where to find the chalk artist from France, on the other side of the Square.

While walking there I took some photos of the numerous dogs at the event. I tried to take the photo of a friendly white dog, but he kept looking the other way. Then he suddenly turned around and came so close to my Canon on my chest that I could only take his nose with my little Sony. It was easier to take a photo of some stuffed dogs, not moving.

Chalk portrait of dogs, and one cat, on the pavement were not moving, either.

I passed by more lovely chalk art. The name of the sponsor is below the chalk art, as well as a little sign with the name of the artist and a small box for tips.

I reached the spot where Dogan Sitki, a Turkish chalk artist, had created a 3D portrait of Spanish painter Salvador Dali. Sitki is a talented artist who after obtaining a master's degree in industrial design and working as an academic assistant for two years decided that his passion was street art. He has received awards from national and international competitions. I found a couple more of his work online.

Some of the chalk art was on boards rather than on the asphalt.

There were so many more - and I did not take pictures of all of them, but I tried!

The chalk used is much thicker than regular blackboard chalk. The sticks are rougher so they won't constantly break on the tough tarmac of the road.

As usual, there were many colorful and stunning works on the ground. It must be quite tiring to keep drawing, bent over the pavement all day. As I was walking, some of the designs seem to leap off, especially the 3D designs. I have looked in awe at pictures of Julian Beever's anamorphic drawings, or trompe-l'oeil. He is a British sidewalk chalk artist born in 1959 who has been creating his designs on the rough pavement since the 1990s. He is known all over the world for his chalk drawings. Here are some examples of his work, courtesy Julian Beever, net.

As I was slowing walking around the Square I finally reached the surface where Jean-Marc Navello, from France, had drawn his chalk art. By then the crowds were diminishing and I was able to speak to him. He certainly looked up when he heard me speak in French. He said I was the first French person he had seen during the two-day event. He asked me if I was there on vacation and was surprised when I told him I had lived in Cobb County for decades. Jean-Marc came from Toulon, in the South of France. He is a graphic designer and illustrator who started his street painting when he saw a chalk festival in France in 2010. Since then he has not let go of his chalk set. His work that day was a 3D piece inspired by modern art.

Jean-Marc told me there are two types of street painters on the ground - first, those who reproduce paintings by great masters or some designs and, second, those who practice free art, which is what he does, mostly in 3D. He said: "It's pure creation. I first create my image on a computer, print it and use it as a model for the reproduction on the floor." Jean-Marc is a multi-award winner, from France, Italy and Great Britain. I asked him if he had entered many street competitions in the US and he replied that is is not easy, as he needs a sponsor to help with costs, and so far he has only been to Marietta, Georgia. He added that it is an ephemeral art form and thus difficult to find sponsors. Below is more of his work.

Chalk street painting is certainly ephemeral - here this weekend and gone within days. But what is not ephemeral? Wealth is made and lost, good health can disappear, friends can drift apart, colors fade, borders shift, and memories are forgotten. Permanence is an illusion. So, let celebrate this ephemeral art and enjoy it while it lasts.

Qual è la vita ma l'ombra di un sogno fugace? - Umberto Eco, Italian, 1936-2016 (Qu'est-ce que la vie sinon l'ombre d'un rêve éphémère? - What is life but the shadow of a fleeting dream?)

Quilts for John Lewis, with joy and gratitude - Atlanta Quilt Festival, part 1

Last week I was in my house in Georgia, again. For those who have not read my prior posts - my house has an address in Marietta, however it is located about 10 miles outside the center of town and city limits. It is nearer two other towns, 6 miles each from Kennesaw and Acworth and 6 miles even from Dallas in the next rural county, Paulding. There is an article in The Discoverer blog mentioning Marietta - read it here "8 of the Most Underrated Cities in the South." I have visited five of these eight - including Ellijay, Georgia; I wrote several posts including Ellijay, look here and here. Below is an overview of Marietta center. My house is west of it, at the base of Kennesaw Mountain, in West Cobb County (where I placed a red mark.) (photo coursesy The Discoverer.) The bottom photos are about a couple of miles from my house.

While there I wanted to go on a small outing, not far. When checking, I found several exhibits in greater Atlanta including a quilt show. I enjoy visiting quilt shows and have posted several from Bulloch Hall, in Roswell, GA - you can find them by clicking on the side of my post. When I saw that this was a special exhibit in honor of our late Georgia Congressman, John Lewis, of course I had to go. It was in Southwest Atlanta, off Cascade Road, at the Southwest Arts Center. Arriving there in mid-morning, two visitors were leaving, and then I was the only one, having the show all to myself. The center is immaculate and well landscaped.

The Atlanta Quilt Festival honoring John Lewis is a trilogy started in 2022 with "Good Trouble Quilts - Celebrating the Life and Legacy of Congressman John Lewis" followed in 2023 and 2024 by quilts focusing on the accomplishments and the life of John, and the power of joy and gratitude expressed by quilters who benefited from his work and sacrifices.

The side building had two large and sunny rooms with the John Lewis quilts.

Most of the quilts in these rooms had small labels next to each quilt with the quilter's name and the meaning of the work. (Please click on collage once or twice to enlarge and be able to read.)

John Lewis was a magnificent man, a good man, an inspiration, a Civil Rights giant. I believe he is one of the most admired and respected Americans in the nation, and frankly, he is a hero of mine. John Lewis (1940-2020) was among the original Freedom Riders (the Black and white activists who challenged segregation in the South in 1961.) He helped organize the March on Washington, where Dr. King was the main speaker. On March 7, 1965, John lead a group of 600 who were marching to demand the right to vote in Selma, Alabama. As they were crossing the Edmund Pettus Bridge they were met by state troopers in riot gear. As they would not disperse the troopers threw tear gas and attacked the marchers with bullwhips and rubber tubing wrapped with barbed wire. There, a trooper cracked John's skull with a club and beat him again while he was on the ground. Some of the quilts below depicts this.

Between 1960 and 1966 John Lewis was arrested 40+times, and beaten repeatedly by Southern policemen. He was left in a pool of blood in Montgomery, Alabama, in a bus terminal where white people had beaten him. He spent many nights in county jails including 31 days in Mississippi's brutal Parchman Penitentiary.

Here in Nashville, John Lewis in February 1960 led a group of students to sit-down at the Woolworth's lunch counter, where only whites could be served. The counter was closed one hour later and the students arrested. John Lewis kept pursuing civil rights equity for the rest of his life. The early movement in Nashville was the start of desegregation of lunch counters and restaurants across the US. (Below vintage photo courtesy The Nashville Tennessean.)

A couple of years ago I had heard that this Woolworth building downtown Nashville had re-opened as a lunch and dinner restaurant after a $6 million renovation. The owner, a Nashville native, had found and assembled many vintage historical artifacts to place in this building, such as the "Black only" sign near a water fountain. The original mezzanine with terrazzo floors and metal railings had also be uncovered. Archival photos were hanged on the wall. I was going to drive there for lunch but then Covid happened. Just now, trying to see if it was still open for business I found out that it closed after the pendemic and was sold. It was re-opened by entrepeneurs after being remodeled into a theatre, Las Vegas style, with a "for adults only" show called "shiners," with some X-rated scenes, and all of it very much insensitive to minorities. Historic Nashville had recommended that a Civil Rights Movement trained preservationist be included in the remodeling to ensure that items of historical value be preserved. This was not done and most were tossed away in a dumpster. Last fall the building was even rented for the premiere of the controversial right-wing film "The Greatest Lie ever Sold: George Floyd and the Rise of the Black Lives Matter." Well, I have no words... Below top photo the building after renovation in 2018 then after remodeling as a theatre in 2020, courtesy Nashville Scene.

It is quite painful for me to see this happening to such an historical building, but then again I am not surprised. In Atlanta there are few historical Civil Rights buildings left, and those that are still standing have received little recognition and are in disrepair; not much for future generations to visit. After having lived in the US many years I realized that this country is not interested in preserving its historical buildings if they have to spend their money, and certainly not for Black History... I wish US tourists would stay here and spend some of their money preserving their own old buildings than crowd European cities like my home town, Paris, France. I checked and in 2022 the US Government funding for the arts (and that includes historic preservation, museums, theatres, etc.) was about $4.40 per habitat. Per comparison France in 2023 is funding the arts in greater Paris 139 Euros per habitat, or $150.21, and 15 Euros, or $16.21 for the rest of the country. If French tax payers did not pay for the arts, by now all the old castles, churches and all the museums would not be worth visiting, as entry fares alone are not enough to maintain them, and churches don't even charge. I have been a member of the American Historic Preservation for many years. Yearly membership is less than a fancy meal at a restaurant. I don't know anyone else who belongs. Here is the latest issue I received.

There were a large amount of quilts in the main building, and I'll show them in part two of this post. More to come ...

Don Quixote at the Atlanta Ballet

In June or July 2022 I watched an interview with the dancer and choreographer Mikhail Baryshnikov on the TV show CBS Sunday Morning. The music from the short clip of him dancing sounded very familiar; I did not know from which ballet this was. For the next several weeks I tried to find out on the Internet where this short dance came from. Finally I found out that it was called the Basilio Variation from the Ballet Don Quixote. I really wished to see this ballet that I had never seen. I had attended ballet performances in Paris at the Opera Garnier, at the San Francisco Opera House, Odessa National Academic Opera and Ballet Theatre in Ukraine, and during my first stay in St. Petersburg, Russia, at the Mariinsky Ballet and Opera House, but never seen this ballet. It had been at least 5 years since I attended, with my late husband, the Moulin Rouge ballet in Atlanta, Georgia.

Then I researched for a while to find where this ballet might be performed within the next few months. I checked all the large cities ballets, such as New York, Los Angeles, San Francisco, Miami, Chicago and more. Then I checked Paris, London, Amsterdam, Zurich, Vienna and Venice - It had been performed there in previous years but not in the near future. I almost gave up and then checked Atlanta. Surprise! It was on the Atlanta Ballet season for 2023, in March. I could not believe that it was so close to home. I waited for tickets to be available and quickly bought one last November. Then my younger daughter told me they were all going to San Salvador for spring break and would fly back into Atlanta just a couple of days before the performance, so I was lucky to find two tickets next to me for my daughter and granddaughter for the Saturday March 18, 2023 matinee performance at the Atlanta Cobb Energy Performing Arts Centre, where ballets take place.

Now I had time to do my favorite thing - research the story, history of the ballet, the music, the artistic directors and choreographers, where and when it had been performed for the first time and more. I found some interesting facts. First of all, the Spanish epic novel Don Quixote was written by Miguel de Cervantes in two parts, in 1605 and 1615. It is considered the first modern novel and one of the greatest. It has been translated into 50+ languages and is the best-selling novel of all times (at least 500 million copies so far.) It has had a great influence on Western books, plays, movies and works of art since then. It offers universal truths, commentaries on social life and provides escapism. Below is Miguel de Cervantes (29 September 1547 - 22 April 1616.)

and some book covers of his novels in several languages; the bottom right one one is an e-book. (Click on collage to enlarge.)

Italy in the 17th and 18th centuries was the European country where one should travel to visit Roman ruins, or view statues, paintings and so forth. But starting in the 19th century, around 1820, travelers switched their interest to Spain. Writers like Victor Hugo, Alexandre Dumas and others thought that Spain offered more inspiration and adventures. French and Russian writers, painters, musicians, and choreographers were inspired by Spain. Europe as a whole shared a fascination for Spain.

Alexander III (1845-1894) Emperor of Russia, was a patron of the ballet, and requested a Spanish-themed ballet be shown in Russia. The imperial theatre commissioned Marius Petipa to mount and choreograph a work in the Spanish style. Below photo of Petipa.

I found the life of Marius Petipa fascinating. Victor Marius Alphonse Petipa was born in 1818 in Marseille, France. His father Jean Antoine Petipa was working as principal dancer and Maitre de Ballet in Marseille. Petipa's mother, Victorine Grasseau, was a drama actress playing tragic roles. His brother Lucien became a distinguished dancer and his sister, Victorine, a noted singer. They were a close-knit family. His father began teaching ballet to Marius when he was seven, and at the age of nine he made his stage debut in one of his father's ballets at the Theatre de la Monnaie in Brussels, Belgium. Marius was appointed to the Ballet of Nantes, France, as principal dancer then in Bordeaux. Below is the Petipa family, with Marius on the left, then his brother Lucien, his sister Victorine and mother Victorine.

In 1843 Marius started a 3-year working tour in Spain where he became master in Sevillian dances and castanets. He then began to choreograph his own ballets. He had already spent time in Paris where his brother Lucien was principal dancer at the Paris Opera. Lucien worked also in Russia and provided Marius with an invitation to travel to St. Petersburg, Russia, in 1847 to become principal dancer at the Imperial Ballet. A year later, in 1848, his father joined him there to be a teacher at the Imperial Ballet School (call the Vaganova Ballet Academy of Russian Ballet since 1957, and shown below.)

Marius Petipa signed a one-year contract in St. Petersburg but was to live there the rest of his life. Following his father's path as a ballet dancer he then had a career in choreography where he created more than 60 ballets, reworked 20 old pieces and re-arranged the dancing in over 35 operas. He also prepared galas and divertissements for court performances, royal nuptials, etc. The St. Petersburg's public adored the ballet and expected brilliant performances; news media reported every detail. Petipa had to keep the highest standards of excellence and perfection, and he did. Tsar Nicholas I attended Petipa's debut performance in October 1847 and a week later presented him with an Imperial gift of a ruby and diamond ring, the first Royal gift in Petipa's long career. The Russian Emperor's treasury (who at the time was the world's wealthiest person) - lavished millions of rubles a year on the Imperial Ballet and Opera, and demanded opulent ballets with perfect technique. Petipa became the Imperial Chief Ballet Master and principal choreographer until 1903 - at 85 years of age.

When Petipa in early 1869 was asked by an Imperial Special Commission to mount a Spanish-themed work he suggested that Ludwig Minkus write the music for the ballet he was considering, a tale from Cervantes' Don Quixote. I read on Minkus - he was also an interesting man. Ludwig Minkus was born on March 23, 1826, in Vienna (at the time the capital of the Austrian Empire.) Minkus' father was a wholesale wine merchant and owned in a district of Vienna a restaurant with its own orchestra. Ludwig started playing the violin at age four and made his public debut at a recital at the age of 8. Later he had an orchestra that competed with another Viennese conductor, the young Johann Strauss, II. In 1853 Ludwig immigrated to St. Petersburg to be the conductor of the orchestra for Prince Nikolai Yusupov. He went on to serve as conductor and principal violinist in the orchestra of the Moscow Imperial Bolshoi Theatre, and was then promoted to the prestigious position of Inspector of the Imperial Theatre Orchestras in Moscow. Below photo of Ludwig Minkus (1826-1917) taken between 1865-1870.

Minkus was an excellent choice to compose the music for the Don Quixote ballet. He was a connoisseur of ballet craft. His music bubbling like Champagne invited artists to dance. Petipa and Ludwig worked well together to create cheerful music and dances in the Spanish and Gypsy styles. Ludwig Fyodorovich Minkus (also known as Leon Minkus) became known as one of the greatest ballet composers who co-created with Petipa some of the most famous of classical ballets including La Source (1866, composed jointly with Leo Delibes,) Don Quixote (1869) and La Bayadere (1877.) Today, Minkus' ballet music is still quite popular and performed in the traditional classical ballet repertory. Cervantes' novel had been adapted into a ballet several times: in Austria in 1740, in Vienna in 1780, in 1809 in St. Petersburg, in 1839 in Berlin and in 1843 in Turin, Italy. For this new production Minkus reworked and expanded the score and supplied music filled with a great variety of Spanish-styled flair. The premiere of Don Quixote on 26th December 1869 for the ballet of the Imperial Bolshoi Theatre in Moscow was a resounding success. Below painting of the Imperial Bolshoi Theatre in 1939 by Alexandr Benois, Russian (1870-1960) followed by the current Bolshoi Theatre and interiors.

The Don Quixote Ballet was so successful that Petipa and Minkus wrote a revival libretto in 1871 which was shown at the St. Petersburg's Mariinsky Theatre and became a classic. It still enchants the public today and is presented in various productions by different companies all over the world. Petipa went on to create spectacular ballets such as Sleeping Beauty, Giselle, the Nut Cracker, and many others. Petipa married and had 3 children. At the age of 76 he received Russian citizenship while permitted to keep his French citizenship. A year later he worked with Peter Tchaikovsky to stage the ballet Swan Lake. He is a legend, a lord of the dance, and came to be known as "the father of Russian ballet." His work is in the repertoire of most current companies. He retired in 1903 and spent his final years in Crimea where he died on 14 July 1910 at the age of 92. He is buried in the Alexander Nevsky Monastery in St. Petersburg. Below photos of the Mariinsky Theatre circa 1859, Petipa's grave, the Don Quixote's Dream Scene at the Mariinsky and the playbill.

Don Quixote has been staged in many versions, with different music scores and choreography. In 1900 Alexander Gorsky staged a revival of the ballet with music from French composer Antoine Simon. A modern version in 1965 was created by American choreographer George Balanchine to the music of Nicolas Nabokov. In 1966 Rudolf Nureyev danced and choreographed the ballet for Vienna. In 1980 Mikhail Baryshnikov mounted his version of the ballet as well. I always loved watching Mikhail dancing (born in Latvia in 1948.) He truly is one of the greatest dancers of his generation with flawless technique and incredible high jumps. He seems to float across the stage. Misha is a superlative dancer combining balance, control and artistry. He is semi-retired for now as he opened in 2005 the Baryshnikov Arts Center in New York City, where he is active. Below are photos of Mikhail Baryshnikov in his younger years, dancing the Don Quixote ballet and receiving the prestigious Royal Academy of Dance's Queen Elizabeth II Coronation Award at Buckingham Palace on November 16, 2022, presented by Camilla, the Queen Consort (her first solo reception since she assumed her new role.) Camilla, wearing a ballerina brooch on her coat, told him "It's a great honor to be able to give you the award. Nobody deserves it more."

Below is the YouTube clip of Mikhail that indicated to me last summer that I was looking for the Don Quixote ballet. Looking at the Atlanta playbill I was pleased to see that the choreographer Yuri Possokhov (born in Lugansk, Ukraine) and the artistic director Gennadi Nedvigin (born in Rostov, Russia) had based their Don Quixote production of March 17-19, 2023, after Petipa and Minkus.

Saturday March 18, 2023 was a cool but sunny day in Atlanta. We arrived in plenty of time to walk around the foyer and take some pictures. As you can see from the photo of my grandaughter and me walking toward the orchestra seating of the theatre that she is about as tall as me at 9 years old (I am 5ft 3.) She takes after her mother who, in the photograph, is 6 ft tall with heels.

Another lovely scene from the ballet is Kitri's Entrance in Act I. It is danced by the talented Manuela Nunez in the video below. She is an Argentine-British ballerina born in Buenos Aires on March 23, 1982 and now principal dancer at the Royal Ballet in London. Drawn from an episode in Part II of the Cervantes' novel this was a two hour but fast moving ballet. I enjoyed the vintage and cheerful Minkus music. The lavish and colorful costumes, the many male dancers (more than in other ballets.) the flamenco dancers, the cheeky humor and the comedy were delightful. Sancho Panza, the trusted sidekick and squire of Don Quixote, brought many laughs. The horse Rocinante, a puppet manned by two Atlanta Ballet students, was entertaining as well. Don Quixote by the Atlanta Ballet had been a fast-paced production with impressive dancing and amusing comedy. I was pleased to have found this enchanting ballet in Atlanta.

Photos courtesy the Atlanta Ballet, Atlanta Constitution and Arts Atlanta as photos were not allowed in the theatre.