Early September Roundup.

Caddy-Ten Times Four. Tomas Dahl is back again as Caddy after his work with Aussie band The Stanleys and he continues to be one of power pop's best-kept secrets. Ten Times Four, as the title implies, is Dahl's fourth Caddy album and might be the best of the lot. "Miracle Turn" is a driving midtempo pop tune that recalls classic Teenage Fanclub, while "Somewhere Beautiful" is another earworm and lead single "Contagious" recalls The Raspberries. Other standouts include the 70s rock of "Avoiding Me Avoiding You" and the sweet harmonies among the crunchy guitars of "Safe Travels". With not one bad track, Dahl goes 10-for-10 here and has one of 2018's best to date.

Kool Kat | iTunes



Rayland Baxter-Wide Awake. Nashville singer-songwriter Rayland Baxter has been better known through his first two albums as a roots-rocker, more known in Americana circles. With Wide Awake, Baxter turns his songcraft to a more pop-oriented sound and has also fashioned one of 2018's best. The lead single "Casanova" is my favorite track of 2018, with its slinky (Kinks-y?) melody and infectious chorus (try to get "back to the hole that I came from" out of your head). But the fun doesn't stop here - "Angeline" is a McCartney-esque track with baroque backing, "79 Shiny Revolvers" is a wonderfully melodic track that tackles America's gun violence, "Amelia Baker" owes to Ray Davies as well, "Hey Larocco" recalls the Jayhawks at their poppiest, and the lovely ballad "Without Me" bears a Harry Nilsson influence. If you want a melodic gem of an album that strays off the beaten power pop path, Wide Awake is a must.

iTunes



Johnny Stanec-The Future of Nothing. Johnny Stanec is nothing if not prolific - The Future of Nothing is the eleventh album released under his own name or his band First in Space in the last 11-12 years or so. His latest doesn't break the Midwestern power pop a la The Gin Blossoms mold of his body of work but it's one of the best-sounding examples of it. Opener "I'll Be Your Ghost" is pleasingly melodic, "Feeling Lost" has that BoDeans/Connells feel to it, while "Phases of the Moon" and "The Strangest Sound" delve into Jayhawks-styled Americana. If you have any or all of his previous ten releases, you'll want this one.

iTunes

First IN Space-A Different Animal.

Going to start trying something different here as I'm planning on doing one release at a time three or so times a week rather than 3-4 at one time every couple of weeks. (Also Johnny Stanec keeps emailing me asking when I'm going to review the new First in Space and I forgot to do so last roundup).

First IN Space returns with their fifth full-length album and first since 2014, although frontman Johnny Stanec during that time has released two solo albums in the similar style of the band's classic Midwestern power pop/rock, so it's like they never went away. So is the new album really A Different Animal? The chiming guitars in the minute-plus intro to opener "Living in the Dark" evoke U2 in a way, while the song itself doesn't stray too much from their sound. The uptempo "The Bitter End" is the catchiest track here, giving the Gin Blossoms a run for their money, while "Never Going Back Again" recalls Don't Tell a Soul-era Replacements. The rest of the album provides a steady diet of tuneful rockers worth your listen, but the "different animal" here is the closer "Enough". A moody, midtempo piece that builds up to an inspiring crescendo, it gives the collection an album "feel" rather than 10 random tracks. Stanec & Co. don't really break the mold here, but if ain't broke, don't fix it.

iTunes

Early February Roundup.

Joey Sykes-Classic New Rock. Those of us in the power pop community have known Joey Sykes over the years for his former band New English and his fine 2010 solo album Human, Being Human (which placed #27 on my year-end list then). Lately, though, he's been getting more exposure as the new guitarist for 70s/80s hitmakers The Babys, and with new fans on board he's released another solo album. The title both sums up Sykes' sound and his career and this is top shelf power pop that recalls the likes of Badfinger and Wanderlust (as well as solo Rob Bonfiglio). Not a bad track here, but "That's American Life", the piano-backed "When Life Goes Right" and the midtempo "Finish Line" are the standouts. One of 2016's best out of the gate.

Kool Kat



Johnny Stanec-Farewell, Sadness. Johnny Stanec is no stranger to this site, staying prolific over the last 6-7 years with numerous releases from his band First in Space, which broke up in 2014, and as a solo artist. His latest is another fine collection of Heartland pop/rock, somewhere in the sweet spot between Ryan Adams and The Gin Blossoms. So at one end you get singer-songwriter-styled tracks like the opener "Tired of Today" and the other there are quality rockers like "The Sky is Falling" and "Find Your Place". And "In Conclusion" is a perfect album closer, a wonderful track about finding humility in life.

iTunes



The Four Chords-The Four Chords. I haven't been able to find out a whole lot about this band after finding them on Bandcamp, so I'll just let their music speak for themselves: Straight-ahead classic power pop that's implied by their one-chord-too-many name. Or as they put it, "The Four Chords have a keen pop sense and combine multi-part vocal harmonies with a large dose of over the top rock n' roll--power chords, big guitar solos and guilty pleasure arena rock." Just stream it below, and if you like you can name your price at Bandcamp.

Bandcamp

We have (a) new Pope!

Greg Pope-Fanboy. The Pope of Power Pop is back! I'm speaking of course of Greg Pope, one of the genre's best and most prolific artists of the last decade-plus, be it in Edmund's Crown or as a solo artist (Popmonster was my #1 album of 2008). And for those who remember Edmund's Crown, you might be interested in knowing drummer David Sprouse joined Pope on the most of the tracks here, and the opener "New Beginning" wouldn't have sounded out of place on their last release, Regrets of a Company Man. Pope also takes a page from Jeff Tweedy, involving his sons in the album as 17-year-old Asher Pope co-wrote "Pretend it's Yesterday" (a lovely acoustic ballad) and plays acoustic guitar on several tracks, while 15-year-old Noah plays drums on "How it Ends". Meanwhile, quality numbers like the title track (which speaks to us obsessives of all stripes) and "Greater Threat" will end up on that best of Greg Pope playlist you'll undoubtedly compile someday soon. When it comes to Greg Pope, I can't help but be a bit of a "fanboy" myself here, and at his site he's offering up a 23-track deluxe edition of the album that includes acoustic work tapes, demos and the like of the main tracks.

Deluxe Edition | iTunes



Johnny Stanec-No Horizon. Speaking of prolific, Johnny Stanec seems determined to stay on your music player of choice, with his third solo disc out now hot on the heels of last fall's First in Space album. When solo, Stanec trades in the Replacements-style rock of his band for more of a singer-songwriter vibe in the vein of Jesse Malin or Ryan Adams. "Let it Slip Away" starts off slowly and acoustically, and then builds into a full-band anthem, while "The Trouble With Spies" sounds like a track that could have been heard on the radio in the late-90s heyday of the likes of Semisonic and Third Eye Blind. The standout for me, though, is the folk-rockish "Winter's Song", which recalls peak-era Blue Rodeo. A solid effort.

CD Baby | iTunes

Weekend Roundup.

First in Space-In the Red. Johnny Stanec and the boys from Youngstown are back with their fourth full-length, and it just might be their best, trading in the Replacements-style rock of the last album for a purer pop sound. Although you wouldn't tell from the driving opener "Letters from Hell", it becomes evident on tracks like the bouncy "Forward Progress" and the midtempo, Gin Blossoms-like "The Other Side", and "Now or Never" is straight-up power pop reminiscent of Cliff Hillis or Michael Carpenter. And you only have to in the red for $5 for a digital copy at Bandcamp.

CD Baby | iTunes



VA-Here Comes the Reign Again: The Second British Invasion. Andrew Curry has done it again. After last year's compilation of contemporary power poppers covering the lite rock classics of the late 70s, Curry has gotten another all-star cast together to tackle the next decade when all those British bands came out of nowhere thanks to the emergence of MTV. Now while last year's comp was my favorite album of the year, this one - while executed just as well - may not achieve those heights due to my own personal preference for those late-70s tracks versus some of the synth-heavy sounds of the early 80s. Still there's plenty here to enjoy (and even geek out over if you're a bigger fan of the era than I) and like on the last compilation, the best covers here are those that sound like natural extensions of the artists covering them. So the suburban milieu of "Life in a Northern Town" is a perfect fit for Fountains of Wayne's Chris Collingwood, and "Everytime You Go Away" sounds so much like a typical Linus of Hollywood track that I forgot it was a cover when listening to it alongside his most recent release. Also in this category are "Save a Prayer", which is in David Mead's ballad wheelhouse, and the pure midetempo pop of "Wouldn't it Be Good" in Cliff Hillis's hands. Then you have the reinterpretations, and the ones that work here best are Mike Viola slowing down "Everybody Wants to Rule the World" and Graham Alexander doing likewise with Tracey Ullman's "They Don't Know". This is another must for power pop fans.

CD Baby | iTunes

Midweek Roundup.

First IN Space-Greatest Hits Vol. III. Since we last left Ohio's First in Space with 2009's Geronimo, frontman Johnny Stanec released a couple of decent solo records which it appears I didn't review on the site but would still recommend. Now he's back with First in Space with the cheekily-titled Greatest Hits Vol. III, the band's third album. Whereas the band's first two albums were more in the vein on Gin Blossoms & R.E.M., Vol. III finds Stanec & Co. in a more rocking mood. The first three song titles ("Downtown War", "Kicking Through the Door", and "Drinking With Enemies") are indicative of their new-found tougher sound, more in line with The Replacements. The first two of these recall the gritty-rock-with-melodies of the 'Mats, while "Drinking With Enemies" has a mature pop-punk sound not unlike Green Day. The overall result is one tight rocker after another (no power ballads, thank you) until the mid-tempo closer "Moonlight Graham", a tribute to the obscure baseball player made famous in Field of Dreams, and which harkens back to the earlier First in Space sound. Maybe they should have titled this "Greatest Rockin' Hits Vol. III". Either way, it's a must for fans of Replacements-style rock.

CD Baby | iTunes

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Sports Fan-Shallow Water EP. Sports Fan is the latest project from Aussie piano popper Dion Read, who gave us a couple of top-notch EPs in the latter half of the previous decade. The title track, featuring guest vocals from Jen Boyce, is a melodic gem that should be a big hit in a just universe, "Little White Lies" sounds like it should have come off the first Ben Folds Five album with its high energy and frat-boy byplay, and "Social Butterfly" is an epic-sounding ballad that's a nice complement to the two tracks before it. This is excellent piano pop, and you can name your price for it at Bandcamp.

Bandcamp | iTunes

CD of the Day, 9/25/09: First In Space-Geronimo

About five months ago, we featured this Ohio band's 2009 reissue of their 2007 debut This is Not Here, and now they're back with the followup, Geronimo. And while the debut was solid, Geronimo is a great leap forward in terms of songcraft and execution.

For those who didn't click on the link above, First In Space has a Gin Blossoms/80s REM hybrid sound, and to that they've added a bit of fellow Midwesterners The Replacements to the mix, especially on the cheerfully-titled opening duo "Goddamn Shame" and "It's All Gone to Hell". "Take it Away", and even moreso "They Won't Catch Me Now" channel the Blossoms, and "Stuck Around You" would make Tom Petty proud. Elsewhere "Down on Me" and "End of the Night" are fabulous midtempo power pop, and the manic "Taking Over" gives them a chance to show their guitar-playing chops. It's a much more consistent and melodic effort this time around (not that the debut wasn't good), and if you like your power pop Midwestern-flavored, look no further.

CD Baby | MySpace

Friday roundup.

The Evening Rig-Is Doin' Stuff. This Minneapolis band lives up to their hometown sound with 11 tracks of rip-roarin' Replacements-style rock'n'roll with a twinge of Americana. Fans of bands I've featured here like High on Stress and The Daylight Titans will find a lot to like here, from the blistering opener "The Steve McQueens" to the Westerbergian "Half Asleep" to the pensive yet rocking "Right Where She Wants Me". You can't always judge an album by its song titles, but "Goddamn, I Could Use a Drink" will give you a pretty good idea of what you're getting here. Here's some stuff to do: listen to the Lala embed below.

CD Baby | MySpace | iTunes

The Goodfight-Good & Evil. The Goodfight is Atlanta's Jonathan Rich, and this release is actually a double EP, broken up into "good" and "evil" sides. Whatever your moral inclinations, this is high-quality indie pop that will appeal to the hipsters as well as the power poppers. The first half (the Good EP?) is filled with tracks that have titles as convoluted as any this side of The Deathray Davies yet are musically straightfoward; the best of these are the propulsive "I Put You in a Box But I'm the One Who's Boxed In" and the Sloan-like "She's Too Pretty to be So Ugly". The second half (the Evil EP?) consists of songs with one-word titles of basics such as "Love", "Blind", and "Revolution" and is the more "indie" sounding of the two. "Revolution" is the tour de force here, a nearly six-minute track that builds to a lovely outro, and "Love" recalls The Eels. So in other words, there's something here for everyone.

Buy @Rebuilt Records | MySpace

First in Space-This is Not Here. Never mind the bollocks. If you're just looking for a straight-ahead melodic, power-poppin' disc without any bells and whistles, grab this release from Ohio's First in Space, who just got done playing IPO Chicago last month. Their sound is a mix of R.E.M., Gin Blossoms and The Raspberries, with a Midwestern sensibility. Standout tracks: "Jenny" (a great driving opener), "What You Need" (Middle American Mersey), the jangly "Anything at All" and the effervescent "Lock it Away". So be first on your block to be First in Space!

MySpace | iTunes