Late April EPs & Singles Roundup.

Steven Wright-Mark-Wake Up! This EP is the first new music from NYC's Steven Wright-Mark since 2012's Plastic World, and it's great to have him back even if it's only four tunes. But it's a case of quality over quantity as all four tracks are pop gems that will appeal to fans of Cliff Hillis and Michael Carpenter. "Just a Dream" features a great call-and-response chorus, "Runaway, Baby" adds some Tom Petty influence to the mix, and "Whisper in the Wind" is a top-notch ballad. But the lead single "Underground" is worth the price of admission alone, one of 2020's best songs to date. It's a thinly-veiled commentary on the state of things today, but is anything but preachy and features handclaps and an irresistible chorus. A shoo-in for my year-end EP list.

iTunes

Steven Wright-Mark · Wake Up!

Mitch Linker-I'll Take My Chances EP. Speaking of long absences, Hartford's Mitch Linker brings us his first new music in 13 years. Perhaps best known for the short-lived power pop band The Day Traders, Linker serves up a slick four-track EP that could be called adult contemporary in the vein of Josh Rouse or David Mead. "Given Everything" and "I'll Take My Chances" are the standouts here, mellow gold for a new decade.

iTunes



The Explorers Club-Ruby/I Wonder What She's Doing Tonite. Like presidential elections and Summer Olympics (though maybe not this year), The Explorers Club has been releasing new much precisely every four years since 2008. This two-song single is a preview of the two albums they have coming out this summer, one consisting of originals and the other all covers. We get one of each here, with the original "Ruby" a great example of their glorious sunshine pop finding the mean between 60s California pop and Merseyside. "I Wonder What She's Doing Tonite", meanwhile, is a cover of the 1968 Boyce & Hart top 10 hit that's of a piece with band's sound. This is all making me eagerly await the full-length releases.

iTunes



Creamer-Hideaway. Phillip Creamer's debut album was one of my favorites of 2018 as it perfectly captured the early 70s Big Star sound, and his new single is more of the same - a gentle ballad that builds to an operatic crescendo. Hoping this heralds a new album.

iTunes



Bleu-I Wanna Write You a Symphony. Another artist from whom new music is always welcome is the irrepressible Bleu, and his new single is as a grandiose undertaking as its title implies with all of his trademark bells and whistles.

iTunes



Salim Nourallah-Building a Case. The man who brought us my favorite album of 2012, Hit Parade, otherwise has released several albums I've enjoyed but haven't been over the moon about. But this catchy new single about his lover "building a case against our love" demonstrates his clever charm and wit and wouldn't have been out of place on Hit Parade, so I'm highly recommending it.

iTunes

Midweek Roundup.

Cliff Hills-Dream Good. About four years ago, I wrote that Cliff Hillis "is the golden mean of power pop - punchy enough to satisfy fans of Fountains of Wayne or Cheap Trick, but melodic enough to satisfy fans of Squeeze, Michael Carpenter and Paul McCartney". That was the last time Hillis released a solo disc, and now he's back with Dream Good which is just as good as The Long Now if not better. Hillis has a preternatural gift for melody and the immediate hooks of "Keep the Blue Skies" threaten to make it your new favorite song after just one listen. "Sing it Once Again" is an acoustic-guitar based gem with handclaps, "Ways and Means" finds him rocking like his days in Ike, and the moody, melodic Beatlesque "Welcome to You" would have fit in snugly on the last Red Button album. Just take about 35-40 minutes and listen below - it's easily one of the year's best.

Kool Kat | iTunes



Salim Nourallah-Hit Parade. A search of my archives reveals that somehow I've never featured a Salim Nourallah album here despite the fact that he's been a prolific artist producing high-quality pop for many years now. Nourallah is part of the "Texas pop/rock mafia" that features the likes of Rhett Miller, Joe Reyes, John Dufilho, John Lefler and others, who all tend to produce or play on each other's albums. Anyway, Hit Parade is perhaps the apotheosis of Nourallah's career, a fully-realized pop masterpiece. There's plenty to reward repeated listenings - for example, opener "38 Rue de Sevigne" sounds like your typical slow acoustic opening number until it isn't, "Travolta" sounds like an amusing faux-disco number until a closer listen to the lyrics reveals it to be the story of a man in crisis with a marriage pending, and "Never Felt Better" ends up belying its title. Nourallah's songcraft is at its peak - the Lennonesque title track burrows into your head, while "Goddamn Life" and "The Quitter" are top-notch guitar pop. With the surfeit of music out there, we don't always have the time to let albums grow on us, but this one is worth the effort in that department. I liked it on first listen, loved it a month later, and now I'm thinking it's my favorite album of the year so far. (Wish I had better samples for this, but the snippets below with the previews at Amazon/iTunes should give you a good idea of the sound).

Amazon | iTunes