Recorded live at The Pier in Baltimore on September 8, 1991. A cracking set straight from the soundboard.
Showing posts with label JOHN HIATT. Show all posts
Showing posts with label JOHN HIATT. Show all posts
Sunday, October 31, 2010
Friday, March 19, 2010
John Hiatt - 2010 - The Open Road [320]
Looking at life through the rearview mirror was the inspiration for John Hiatt s brand new album, The Open Road. A classic Hiatt record, the rockin songs sizzle with the heat from two-lane blacktop on a summer s day. Hiatt and his touring band (Kenny Blevins on drums, Patrick O Hearn on bass and Doug Lancio on guitars) recorded a set that gives Garage Rock a new meaning. All the other years, my songs are about coming home, Hiatt says. But within these 11 new songs including Haulin and the title track The Open Road home is never the destination.
Friday, March 12, 2010
John Hiatt - 2008 - Same Old Man [320]
New West Records will release John Hiatt s new full length album Same Old Man, his first album since 2005 s critically acclaimed Master of Disaster. Same Old Man was recorded at Highway 61 Recordings and produced by John Hiatt. Appearing on the album are Kenneth Blevins on drums, Patrick O Hearn on bass and Luther Dickinson on guitar, mandolin and national resonator. John s daughter, Lilly Hiatt, sings harmony on the songs Love You Again and What Love Can Do. John Hiatt s career has spanned more than 30 years and his songs have been covered by everyone from Bonnie Raitt, Bob Dylan, Eric Clapton and BB King to Iggy Pop, Three Dog Night and The Neville Brothers.
John Hiatt & The Goners - 2003 - Beneath This Gruff Exterior [320]
Much to his credit, John Hiatt has never strayed very far from the bluesy garage rock roots of his Indiana childhood. That fact is raucously underscored here, a gritty collection that finds the veteran singer/songwriter co-crediting his longtime band, the Goners (guitarist Sonny Landreth, bassist Dave Ranson and Kenneth Blevins on drums) for the first time--and for good reason. While Hiatt's songwriting efforts are typically strong throughout, with gems like "Almost Fed Up With the Blues," "My Dog and Me," "My Baby Blue," and "The Most Unoriginal Sin" (originally recorded by Willie Nelson in ‘93) showcasing his tough wit and tender heart, this is decidedly a band effort from the rollicking first notes of "Uncommon Connection." Recorded live in the studio, Hiatt and the Goners evoke everything from chugging Sun Records' shuffles to swampy Delta blues, early Ry Cooder and the Band, all of it informed by the almost telepathic sense of interplay these musicians have developed over decades of touring. This is easily the most overtly rocking album of Hiatt's career, but one that hasn't sacrificed an ounce of soul for its joyous energy.
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