Showing posts with label Ralph McTell. Show all posts
Showing posts with label Ralph McTell. Show all posts

Monday, 21 October 2013

Pot14pouri

It was with some interest, although not necessarily with approval, that I noticed Gerry Adams had tweeted the lyrics of 'Streets of London' just a couple of days after my blog posting about Ralph McTell. I have no stories regarding the Sinn Fein leader, certainly none to rival the one about the Reverend Ian Paisley and the giraffe; an anecdote that I must make room for sometime.

Mr Adams' words are tweeted by an actor

A certain amount of boardgames have been played at more than one location and with more than one group of people including Ice Flow, Love Letter, Revolver, Phase 10 and Tikal.

Miniature Wargames 367 was a mixed read as usual. The series on Salamanca doesn't push any boundaries, but is interesting and the article on Bruce Weigle's terrain was fascinating. The highlight was John Curry's tribute to Donald Featherstone. Neil Shuck continues to puzzle me though. In a review of a new book about Germanicus Caesar he suggests it would make a good basis for an HBO mini series without appearing to be aware of the existence of 'I, Claudius'.

"Why have they forgotten us already?"


Thursday, 17 October 2013

Only the circus is real

I have been to see Ralph McTell. Leeds is full of buskers and it's as likely as not when one turns a corner that one will hear someone singing 'The Streets of London'. The best version is by the chap with the flat cap who is often to be found outside Marks & Spencer's on Briggate. Mind you he does fine versions of all the buskers standbys. All together now: "I am just a poor boy, though my story's seldom told".



McTell is, of course, about much more than one song and the concert was a fine mixture of strong material, entertaining banter between numbers (including, as it happens, a reference to playing on the same bill as Paul Simon)  and excellent singing and playing. His lyrics very often cover wider material than boy meets girl, boy loses girl and he included songs dedicated to performers he admired including Bob Dylan, Robert Johnson and the Reverend Gary Davis; the last featuring in its intro an amusing story about how the Rev almost shot Country Joe McDonald.




And what of his pension plan? He obviously has an ambivalent relationship with it. I have heard him refer to it as "a young man's song", implying that he couldn't or wouldn't write it now. Here he encourages the audience to sing with him and, unusually, it works. I have often had cause to lament the enthusiasm of folkies to join in with the artists because frankly all it does is prove that most people can't hold a tune. (In fairness, it's not just folkies - don't get me started on the white-man clapping that accompanies many performances of all sorts of music). But, for whatever reason, on Streets of London in the City Varieties tonight, it works.

It's a very direct song (Bert Jansch, who played on the single version, said it had no 'mystery') and maybe that's why McTell doesn't rate it so highly. As most readers will probably be aware it's actually about experiences that he had in Paris rather than London, but I think we all recognise a universality of both time and place in the stories. As someone in whom I don't believe said "The poor you will always have with you."




Anyway, I'll end this blog with the first verse from McTell's song 'An Irish Blessing' which speaks to me directly

How my life is changing now  
My young ones start to leave their home 
I wish that their uncertain road  
Was one that I could tread with them