Showing posts with label yugoslavia. Show all posts
Showing posts with label yugoslavia. Show all posts

Saturday, June 16, 2018

Sunday, June 28, 2015

Saturday, November 22, 2014

Saturday, November 13, 2010

Galija - Galija (1979)

Nenad Milosavljevic was a 1970s hippie-influenced singer/songwriter who also composed music for theater plays. In 1977, together with a group of backing musicians, formed GALIJA (Eng. "Galley") in his native town Nis (pronounced: "ni:sh", former Yugoslavia, presently Serbia and Montenegro), named after the coffee bar where they used to hang around. They were notorious for the frequent line-up change, so besides N. Milosavljevic more or less standard band members were: Predrag Milosavljevic (Nenad's brother) who wrote most of the lyrics in the early phase and sang backing vocals, drummer Boban Pavlovic and bass player Zoran Radosavljevic. In the later phase, Radoman Kanjevac contributed with concepts and lyrics, Bratislav Zlatkovic with keyboards and flute playing along with composing, while Nenad also frequently engaged guest musicians, particularly keyboard and guitar players. In the early 1980s GALIJA was among the most popular bands in ex-Yugoslavia. It can be attributed to the sophisticated (although sometimes not too original) and "theatrical" prog rock songs, while their concerts showcased a somewhat "Baroque" and pirate look/galley outfit, along with Nenad imitating the stage movements of Ian Anderson of JETHRO TULL (only instead of flute Nenad occasionally played harmonica). They used to spend summers on the Adriatic Coast, with the town of Makarska (presently Croatia) being a sort of GALIJA fans pilgrimage site with free open-air gigs. From the mid-1980s onward, the band shifted musical direction towards more polished (and less "rocking") art pop-rock with occasional fusion of the Balkan folk themes and frequent use of celebrated South Slav poetry for the song lyrics. The band gained bad reputation when at one time in mid-1990s they collaborated with the autocratic Serbian regime, playing in support of the Establishment ideology. During their career GALIJA remained loyal to the state-owned music label PGP. They are still active in the new millenium and occasionally release albums of the more "mainstream" sound.

First three albums - "Grupa Galija" (often referred to as "Prva plovidba" although such title is missing from the cover!), "Druga plovidba" and "Ipak verujem u sebe" - are generally considered to be the best, given their symphonic prog sound, with characteristic interplay between acoustic and electric passages, atmospheric keyboards, strong and expressive vocals of Milosavljevic brothers and themes filled with romanticism and fairy tale-like lyrics. Obvious influences to the GALIJA music were CAMEL, GENESIS and JETHRO TULL on the prog side, but also THE ROLLING STONES on their rock side (blues-sounding harmonica!). These albums, although not so strong as some other ex-Yugoslavian bands of the era, are recommended listen for prog lovers. The first two albums are released under the name "GRUPA GALIJA", while from the third on they dropped "Grupa" from the name.

by Sead S. Fetahagic

Sunday, July 26, 2009

Spektar - Spektar (1974)

A keyboard trio, Spektar’s sound vacillates between funk (lots of clavinet), progressive (with organ featured) and straight ahead rock with some marginal vocals. There’s definitely some weeds to clear here, but underneath is some prime turf. All the 8 tracks are short. Probably the most obscure album coming from the former Yugoslavia, even more so than Izvir. Adding to the obscurity factor, Suzy was generally known for releasing straight pop music, and Spektar was sort of the odd album out. Not on CD.

CD REISSUE WISHLIST


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Saturday, May 20, 2006

Igra Staklenih Perli

IGRA STAKLENIH PERLI, the ultimate ex-Yugoslavian space psych rock band, was formed in 1976 in Belgrade, Serbia, having been named after the famous novel by Hermann Hesse - "Das Glasperlenspiel" (The Glass Beads Game). The original line-up consisted of: Zoran Lakic (keyboards), Vojkan Rakic (guitar), Predrag Vukovic (percussions) and Drasko Nikodijevic (bass & vocals). In late 1977 Dragan Soc joined the band as drummer while they played live concerts at Belgrade clubs, preparing to start recording their first album, which they did in mid 1978. Upon its release the next year, the band gained reputation for elaborated visual stage effects and light show directed by their friend Goran Cvetic. Nikodijevic was replaced by rock journalist Slobodan Trbojevic on bass prior to recording the second album in late 1979. After its release in 1980 the guitarist Ivan Pajevic replaced Rakic and Nikodijevic was back on bass, but shortly the band ceased to exist. Nikodijevic and Rakic later formed post-punk/neo-psych White Rabbit Band but in late 1980s moved to USA where they continued under the name White Rabbit Cult. The remaining members together with German publisher Thomas Werner released at the beginning of 1990s three albums of ISP old live material and album outtakes for the German-based label Kalemegdan Disk.IGRA STAKLENIH PERLI labelled their music style as "stream of consciousness music". Their both studio albums, the first eponymous "Igra Staklenih Perli" from 1979 and the second "Vrt Svetlosti" from 1980, are pretty similar in sound and resemble the style from early PINK FLOYD and HAWKWIND psychedelia, to German kraut-rock (notably CAN and TANGERINE DREAM), to HILLAGE-era GONG among many. Interesting music effort especially considering the fact it was the new wave boom period when they tried to pursue a quite different music philosophy.Recommended listen to any devoted prog fan. Since all their albums were issued on vinyl format it might be difficult task to find them, but Kalemegdan Disk may be a good starting address.: : : Sead S. Fetahagic, Bosnia and Herzegovina : : :

So, this is a collection of previously unissued tracks recorded by IGRA STAKLENIH PERLI in their early years from 1976-79. It was released by German label Kalemegdan Disk in 1991, which specialized in uncovering the old, classic rock period of the former Yugoslavia. These tracks sound amazingly good and they show how awsome and diverse was the Yugoslavian music scene of the 1970s, in spite of shortage in music instruments, discographic resources and state-controlled market. ISP were well-known as the premier psychedelic band, but what is also obvious from this collection is that they equally cherished their love for German Kraut rock scene. Due to droning spacey electronics, strong rhythm section and whispering vocals, they are the closest to CAN in terms of influences. Just listen to "Magic Machine" and "Lake of Lily" and you will notice the spiritual presence of Damo Suzuki, Holger Czukay et al.; the latter being a fine answer to guitar craziness of "Mother Sky" from CAN's "Soundtracks". The lengthy title track is pure acid rock filled with fuzzed guitar, bongo percussions and tribal bass thumping. This is excellent album that any serious psycho/kraut lover should grab. It's a real gem excavated from the Yugoslavian back catalogue that should be treated as a precious jewel. A brilliant and adventurous experimental psychedelic music!

Igra Staklenih Perli - Igra Staklenih Perli(1979)
The only Yugoslavian psychedelic band but the best space psych rock i ever listen to !Its a mix between Tangerine Dream and earlier Pink Floyd(its an 1979 record,so a bit late for western standards,cause it could be made in late 60s in England or Germany) .Its a true psychedelic albums with very mellodic and catchy riffs and rythms,you dont need mush,lsd or else with this,it will blow you away for sure!An engaged young band with Oriental influences,extra talented and inspired,the album is lasting only 29 minutes,but there is no dull moments at all.You need to check this album,its surely a masterpiece of psychedelic rock,one of the best you can get! dark_d3

Igra Staklenih Perli - Drives (1977)

Album "Drives" is the last of the trio of vinyl albums, issued by German- based label Kalemegdan Disk in the early 1990s. It contains previously unissued material that is taken from the 4-hours improvisational jam session recorded live in a rehearsal room, back in April 1977. In late 1991, former band members - percussionist Predrag Vukovic and guitarist Vojkan Rakic - with guest keyboardist Zoran Zagorcic re-mixed this old material with some newly recorded instrumental parts.


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All reviews taken from Prog Archives