RESIDENT EVIL (2002)

Hidden deep under Raccoon City is a secret experimental complex called The Hive. It is owned and operated by the Umbrella Corporation, a huge multinational that controls a major part of all commerce on earth. The Hive is used to carry on and control dangerous and illegal experiments of both a biological and viral nature. As Resident Evil begins, someone is stealing one of these experimental viruses; this unknown person intentionally exposes the complex to the contagion as he leaves. The Hive's controlling computer, known as The Red Queen, detects the contamination and locks the facility down to keep the virus from spreading outside — killing everyone still trapped inside in the process. From here the film cuts to a gothic mansion in which Alice (Milla Jovavich) has just awakened in the shower, her mind affected with amnesia. A young policeman, followed by a black-clad commando squad from the Umbrella Corporation, invades the house. The squad takes Alice and the cop prisoner, explaining that she's an employee of the Corporation stationed in the house to guard a secret entrance to The Hive. (As part of the Hive's automated defense mechanism, she was incapacitated by stun gas pumped into the house to knock out intruders. The amnesia is a short-term side effect.) The squad proceeds into the underground complex to discover the reason for the lockdown and take back control of the facility from The Red Queen. This turns out to be harder than they hoped. Although the virus has now been cleaned out of the Hive's air system, the effect of the virus on the dead bodies inside has turned them into murderous zombies with a taste for human flesh. Couple that problem with The Red Queen's attempts to kill off the invaders and a strict two-hour time limit before the entire complex is sealed from the outside - permanently - and the tension level skyrockets.

RESIDENT EVIL is a damned good junk-food movie. This film is never going to be anyone's idea of a classic, but it does work on a strong entertainment level. There's a nice central mystery and enough violent surprises to keep your eyes off the clock. I can't comment on how fans of the various video games it's based on will like it, but as a horror movie fan I found it to be great fun. The long sad cinematic history of movies based on video games is littered with so many bad films that a sane man turns from thinking about them lest he be locked away begging for death by joystick or Tetris block. When I learned that Paul W. S. Anderson had written and directed this one I despaired for I have seen his previous movies and have disliked them all. I know Mortal Kombat, Event Horizon, and Soldier have their defenders, but I can find next to nothing good to say about them. So imagine my surprise when I found myself actually enjoying this film! Not that there aren't problems. There is at least one point right after the initial zombie attack where it appears that a bit of narrative has been cut out to speed the pacing at the expense of clear storytelling. Overall I was happy with the film even though at times it felt like a game of 'spot the film reference'; many scenes are homages to other movies (if you're charitable) or outright steals (if you're not). Often this type of thing will anger me but here it didn't. I attribute this to the confidence and forceful momentum of the story. Every few minutes we are introduced to a new situation or problem that pushes the characters around like rats in a maze. One criticism I've heard from others is that for an R-rated zombie movie, RESIDENT EVIL is very light on gore and I have to agree  - there should have been a good deal more graphic violence. Unfortunately it looks like the producers were afraid to go too far, knowing that, since it's based on a popular video game, parents' groups just might have a fit should little Billy see entrails flying about. It's too bad, really, because the potential was there for a better movie had more daring filmmakers been in charge. 

Anyone who sat through Tomb Raider knows that live action movies based on video games are probably never going to be a great idea, but RESIDENT EVIL avoids most of that film's dreadful pitfalls. It's not a great movie; it's not even one of the better zombie movies... but it is fast and fun - the cinematic equivalent of hot buttered popcorn that you can't stop eating until it's gone. I just wish it had worked harder for that R rating.

Maybe I need to review each film in this series? Dumb fun is the short form call. 

What I Watched in March

I saw a wide variety of movies last month but the one trip to the theater was hardly worth the cash. Showing just how out of touch with a certain subset of the entertainment world I really am, I was unaware that NEED FOR SPEED (2014) was based on a video game. If I had known this I would never have agreed to spend money to see it, but we learn and we grow, huh? Still, I was interested to see Breaking Bad's Aaron Paul on the big screen. It might have been worth the trip out to determine if he has a chance at moving from small screen to large so I'm not going to claim too much of a wound. I find Paul to be an engaging and extremely talented actor and I'm glad to be able to report that he is very good in this film. He is able to breathe some visible emotion into a character written as thinly as you would expect from a game adaptation. He does his best with the material but there is only so much you can do with this lifeless. The only other real plus the film has is something you would also expect from its source - very well shot car crashes. Well- I'm sure that there are some people actually interested in car races - which the film has to spare- but its the crashes that are worth seeing even if the rest of the movie is by turns predictable, stupid and thin to the point of emaciation. NEED FOR SPEED is worth seeing if you can fast forward through the dull, pointless stretches and just get to the car footage.

And what the Hell is Michael Keaton doing in this movie? He plays a character that never interacts with anyone else and mostly just stares into the camera pontificating about the Zen of Racing. He speaks convincingly whatever words he has to say but its all gibberish and comes off as a cinematic afterthought. It's as if they thought they needed a narrator but realized paying Keaton for a day's work would seem more impressive and less of a storytelling cheat. You know the film is confused about his character when we are told up front that no one knows what he looks like but we then see that he broadcasts an internet video show almost every day. How can no one know what he looks like? As I said - the film is pretty damned stupid.

HIT MAN (1972)- 6 (it has a certain lack of forward momentum but overall its a pretty good action film)

EYEBALL (1975)- 8 (rewatch)

REVENGE OF THE NINJA (1983)- 3 (rewatch) (terrible, but entertainingly bad)

THE BEAST OF HOLLOW MOUNTAIN (1956) - 6 (rewatch)

SKULLDUGGERY (1970) - 7

LUST FOR A VAMPIRE (1971)- 6 (rewatch) 

47 RONIN (2013)- 7 (well done fantasy)

JOHNNY COOL (1963)- 6 (good but not great crime tale)

THE GOOD, THE BAD AND THE UGLY (1967)- 10 (rewatch)

CURUCU -BEAST OF THE AMAZON (1956)- 3 (not very good monster tale)

ACT OF VENGEANCE (1974)- 7 (interesting rape revenge film)  

NEED FOR SPEED (2014)- 4 (pretty silly and dumb revenge/carsploitation film- not boring but very paint by numbers)

THE INITIATION (1984)- 6 (well done slasher)

FRIGHT NIGHT 2 (2013)- 3 (not a sequel but a second remake of the original -colorful and pretty but dumb)

TRANCE (2013)- 9 (excellent mystery thriller)

THE BISHOP MURDER CASE (1930)- 6 (pretty good Philo Vance mystery)

ALL-STAR SUPERMAN (2011)- 9 (excellent animated film)

THE HOUSE WITH LAUGHING WINDOWS (1976)- 8 (rewatch)