Too much Text in RPGs vs. Not Enough Text

 In 2026 I finally realized that the tabletop RPG market appears to be heavily weighted in two directions: those games of enormous page count, laden with a density of information; and on the other side of this curve is a veritable mountain of tiny, often zine-shaped games filled with what can only be described as a strangely minimalist approach to content. 

I feel like there's probably a line to be drawn from how RPGs used to be, and how for many people the barrier of entry was finding the time and energy to read hundreds of pages of material to get familiar with a game or setting to run it, and today, where you have games like Mork Borg where 90% of the game experience is interpreting the surreal art and parsing out tiny nuggets of rule or setting data. 

The interesting question is maybe not whether minimalist game systems are a response to the older style of dense, text- heavy games, but rather: is the market for more "information lite" game systems and text actually a sign of changing times? Even dense tomes like the newest 5.5 edition of D&D are actually rather information light; these books use less of the page with a bigger font to convey less information per page; just look at the D&D 2014 race write-ups to the 2024 ancestries for a fine example. Or take the 2014 DMG, which is packed with stuff (both to its betterment and its failure) compared to the briefer and lighter 2024 DMG. 

There are plenty of games where word density and system or setting depth is important; just witness Pathfinder 2E for proof this is still a thing. Cyberpunk Red, Shadowrun 6th, Coriolis, Call of cthulhu, Mythras, etc....there are plenty of these sorts of games, the "old guard" if you will out there and in circulation.

But then we have some games where the line is crossed: Shadowdark is what got me thinking about this notion in the first place. I mean, Shadowdark is a minimalist spectacle where you get the Big Fat Rulebook experience with a torrent of supplemental material, but the actual result is a shockingly low word count, a system that appears to be allergic to exposition or setting depth, and a paucity of rules content that borders on a sort of weird art. 

I was going to argue that Old-School Essentials is more of a middle ground here, given it is a precise retelling of the original B/X D&D system, and it really is....but all that demonstrates is that the idea of "rules with lite content in presentation" was also a thing in the early eighties. Indeed, one need only remember the myriad titles of Fantasy Games Unlimited to remember that this is actually a very old concept. So if oneis trying to ascribe the current wave of minimalist RPGs exclusively to short attention spans of modern crowds, I think that is probably not true, because we had plenty of games like this back in the day. What is true now is that the density of informtion in current rulesets is even skimpier and more graphically dependent than the many old FGU games ever were, though.

On the other hand OSE is a great example of how even a famously simple ruleset that has been presented in a somewhat minimalist fashion (B/X D&D editions) later evolves into something much more dense and complex (D&D Rules Cyclopedia). Indeed, for fun just read through the original Basic Set (Otus edition) D&D book, then contrast it with the OSE book (which is probably of the same word count, but manages to organize the information much more efficiently) then contrast the two with the much more elaborate and denser combat rules section of the Rules Cyclopedia. Same game....but just now with more density and more use cases being documented. 

Lately I have been a bit torn about the fact that I definitely fall in to a more old school camp when it comes to how I like my rulesets, dense and thick with too much information, vs. the fact that a game like OSE is so wonderful in its concise get-to-the-point approach of design, and then Shadowdark, which I love because it is designed to reduce complexity that could get in the way of jumping right to the part where you play the game, but perhaps at the expense of making its rules tomes and supplements anything more than utilitarian outlines that feel like a Cliff's Notes edition of D&D. 

This means that....if you are still in a corner of the hobby where part of the experience is reading and figuring out these rulebooks and their systems, then a game like Shadowdark really doesn't offer much to you.

Ah well....I guess while I mull that conundrum over I shall just resume reading the latest batch of Mythras books I just got (a Fioraccita supplement, Mythic Venice, and several third party modules I found on drivethru that I finally took the plunge on). Mythras is unquestionably in the old school camp of "there is no such thing as too much information." 

Or maybe I will read through some of my Mothership books....despite being definitely part of the zine scene where the "rules lite, informtion lite" era of gaming has been flourishing lately, a nontrivial number of Mothership books are actually super information dense (albeit for scenario and setting content), but in a tricky way where it disguises this density through the medium of contemporary short-form module design. 

I guess the one thing I can say for sure is: there's definitely something for almost everyone out there!

Odd Rulings That Become Rules (Mythras vs. BRP)

 I was recently weighing Mythras Imperative against Basic Roleplaying (spoiler - BRP wins by a modest margin, but I will convert a lot of Mythras stuff over to BRP) when I noticed this odd rule on skills, regarding situations where the PC can attempt the skill a second time: in essence (to paraphrase) the Mythras rules indicate you can do so at a increased step penalty, because per the writer of the rules (for I disagree that there is any universal agreement on what is stated here), the PC will be too shaken and off balance during the second attempt. They give two examples where this could happen: climbing and picking a lock.

I had to mull this over a bit in my head. Climbing I could imagine a scenario for being more difficult a second time after a first failure; you may be rattled, shaken by a near-fall event or even just fatigued from the first try. But lock picking? It's almost certain that after a first failure you will actually go in to it a second time even more certain of the action because you have already tried and failed a certain approach, which thus narrows your range of options down to more likely vectors of success. Many skills might fall into this category. 

A lot of what is written in Mythras has a semi-unspoken rule of "decide on what makes sense, realistically," and that could hold true here. But the very two examples given are such that I feel the rule could have been written to say, "If common sense says the second try will be harder, then make the difficulty harder. But if trying a second time is informed and improved by the first failure, then don't penalize it." And the two examples given would support such a notion, I feel. 

Anyway, it just struck me as odd.....the certainty of the author in the rule that a second try will always be at penalty due to the character being rattled by the first failure seems inherently contradictory to so many scenarios where that simply is the opposite of reality that I was surprised at the boldness with which the statement was made.

Just a thought! Sometimes maybe a specific notion on how something works may not be the ideal arbiter of a standard rule. This leans slightly into my main pet peeve about Mythras, which is that the specials in combat come as a happenstance after an attack, rather than being a goal of the attack. That, however, is perhaps a gripe for a different post!

As the Werewolf Changes

 During last night's game I was surprised to notice that Jackalweres no longer have a problem with silver in the 2025 Monster Manual. So in checking out the other lycanthropes I discovered that hey, it turns out in D&D 5.5 you can harm werewolves with anything, normally, now. They get a few extra HP and a slight AC boost but lose all the mythological flavor of the thing they used to be.

This got me to thinking about how they looked in other systems, so I thought I'd plunge down that rabbit hole a bit to see:

AD&D 1E/2E: Can only be harmed by silver or +1 weapons. So at this stage in the game, low level PCs who have trouble finding magic weapons really need to carry a silvered weapon with them just in case.... In rereading their entries I assume they transform as an action but maybe it was as part of their movement. I seem to recall running AD&D where they could move, transform and attack all in the same combat round, which makes sense in the longer 1E turn cycles.

D&D 3.5: Gain damage reduction 10/silver but only in hybrid and wolf form, interestingly! Shapeshift is an action. Looking at the old format for D&D 3.5 stat blocks on monsters reminded me of how convoluted and information dense they were; how interesting to see that the 2025 MM swung so far to the opposite direction that the current stat blocks feel anemic and drained of all color and flavor.

Pathfinder 1E: Have resistance 10 to all attacks except silvered weapons! Change shape is a move equivalent action, and they induce lycanthropy on a failed saving roll following a bite.

Pathfinder 2E: They have shapeshift as an action, and are vulnerable 5 to silvered weapons. Lycanthropy is induced on a failed save.

D&D 4E: they have regeneration 5, but silver stops their regeneration. They shapshift as a minor action, and they do extra damage against bloodied opponents. Instead of imparting lycnathropy as a disease they induce moon frenzy, which behaves a bit like the confusion spell (but does not end with the inflicted turning into a lycanthrope, interestingly). Diseases and curses in 4E were notoriously weak and ineffectual.

D&D 5E (2014): resistant to nonmagical or silvered weapons, but shapeshift as a standard action. Still have some flavor text that leans into making werewolves interesting in a traditional way. If bitten, on a failed save you just have lycanthropy now.

D&D 2024 (5.5): They gain 13 hit points and get a better AC, but lose any special resistance to ordinary damage, and silver is not even mentioned. They can shapeshift as a bonus action. Lycanthropy if bitten, but you have to reach zero hit points for it to take effect.

Tales of the Valiant: Werewolves are resistant to non-magical damage (silver is not mentioned here either). They induce lycanthropy as a curse after biting someone who fails a save.  

How about some of the other games out there? Let's see:

Swords & Wizardry Complete: mirrors AD&D 1E; so they can probably shapeshift as part of their turn, and are immune to nonmagical, non silvered attacks. Lycanthropy is automatic in an opponent reduced to 50% of their hit points by the werewolf.

Dragonbane: Werewolves hate silver as it deals full damage (along with fire) and messes with their senses. They take half damage from non-magical weapons. taking even 1 point of damage from the werewolf induces both paralysis (potency 9) and lycanthropy, and can only be cured with powerful magic or wolvesbane. And on its monster attacks a 6 induces a berserker frenzy in which your party probably dies!

Basic Roleplaying/Call of Cthulhu: They have regeneration, are immune to most damage (silvered weapons will do full damage and kill them on a serious wound, though), and taking any damage from a bite induces lycanthropy, which can maybe be avoided on a luck role if the bite also severs the limb that was bitten. Nice! The BRP statblock addresses magic and fire doing full damage as well.

Cypher System: they are level 4 creatures, which normally would mean 12 health but they have 24 health. They can cause lycanthropy if you are sufficiently injured to be reduced on the damage track. They take a long time (1D6 rounds) to shapeshift if caught in the act.

Dungeon Fantasy RPG (GURPS): These things are terrifying with damage resistance 15 against all attacks except silver (which does double damage and ignores the DR), and they regenerate 1 HP per second (GURPS combat rounds are 1 second long, so for D&D purposes that's 6 HPs of regeneration for a D&D round). Interestingly Dungeon Fantasy punts on the lycanthropy as a bite-induced curse with some flavor text about how the local temples try to keep that under control, and the rest of the statblock ignores it. GURPS Werewolves from the 3rd edition sourcebook of course does a lot more that I won't belabor here.

Fantasy AGE: They show up in the Bestiary sourcebook, and can induce the lycanthropy curse on a stunt, with the difficulty being based on how many stunt points are applied. The inflicted makes checks each night until the full moon; if they don't kick it before the full moon they go full lycanthrope. There's a section on lycanthrope vulnerabilities, but silver is mentioned as only one possibility, with the GM encouraged to customize for the campaign.

Mythras: Mythras punts on this one terribly and you need to go dig in the wolf section to get a sense of it. Ostensibly they are emulating older, more archaic notions of shapeshifters rather than more modern takes on lycanthropy, I guess? 

Mork Borg: It's actually a character class, the Cursed Skinwalker (in Feretory). You die, and your body is possessed by an animalistic presence, returning you to life as a cursed skinwalker. a bloody, skinless wolf is only one of your options. Tangentially werewolfish, but it wouldn't be Mork Borg if it was conventional now, would it? 

Okay, it was at this point that I ran out of energy (I was looking at The Fantasy Trip's take, which is to lump werewolves and vampires together as cursed/diseased species when mental fatigue just overwhelmed me). I have to say, if you want a werewolf to be scary, then there are two games that do this exceedingly well: Call of Cthulhu/BRP and Dragonbane (with honorable mention to GURPS/Dungeon Fantasy). The least scary edition of the the werewolf can be found in the current D&D Monster Manual for 2025, which is a real shame; it really lacks any of the color and vibrancy of the mythology it derives from. Curiously, they have done a better job with some other monsters in the book (medusa got a slight improvement imo, for example) so it is a shame to see them drop the ball here just because, apparently, someone might not want to be bothered with finding a silvered weapon? Weird. Very weird. Aside from D&D 2024, the next worst take on werewolves is (imo) Mythras, which puts the least amount of effort into the concept, delegating lycanthropy to a paragraph in the wolf statblock section.

This is making me want to consider Dragonbane for gaming in the very near future now, though. 

Mythras Core vs. Mythras Imperative

 Last week our Mythras session ended with more confusion on certain rules, and a need to brainstorm solutions. Some clarity came from the Mythras reddit, but overall the group (and myself especially) were frustrated at interpreting some of the book's rules. 

While researching in anticipation of the Wednesday night game, I discovered an important fact: Mythras Imperative, the latest edition, had all our answers fairly clearly spelled out. In fact, I dare say it had all the clarifications and errata we needed, right there. Does Blind Opponent work that way? Can you use an improvement point on a skill more than once at the end of the session? When you heal up, are you still considered to have a serious wound if you go above 0 HP? etc. etc. 

Sometimes its not a case that the Mythras Imperative book is clarifying something, too. Rather, its more concise approach makes the information needed a bit easier to locate. It is, by virtue of its more focused design, easier to navigate. I hope there is a plan to eventually re-write and refocus Mythras Core, which I have found could benefit a lot from a cleaner, more precise presentation on many rules. 

A great example of how this could be done is to look at Open Quest, and compare, say, how Open Quest defines spirit combat. While OQ is designed to be a more streamlined and easier version of the same game system, it does so in many cases less by simplification and more by simply structuring the rules in a clear and unambiguous fashion. As a result, spirit combat in OQ is fairly simple to understand, while spirit combat in Mythras, though far more elaborate in presentation, is not necessarily any more complicated....it just feels that way as the core mechanical conceits are embedded in a lot of expository discussion text. That text is absolutely fine, but partitioning the mechanical process in a way that clearly states it rather than obscuring it within the more interesting (but less mechanically useful) discussion text would be a better approach for clarity's sake, and for making the rules useful as a reference. 

So for the Wednesday night game we shall be relying on Mythras Imperative to answer all rules questions except those explicitly not covered in the book. I am still going to show off Open  Quest and suggest that maybe it would be a better fit for the group, though. I personally find that the granularity of the Mythras specials system is hampering in play, and slows down narrative coherence. Unlike other systems where this is a similar issue (Pathfinder skill feats, cough), where I can mitigate or ignore such system elements, it is really hard to ignore the Mythras specials system as its core to the game's combat mechanics. Advice from other Mythras players and GMs I know has been that most people eventually just gravitate to the obvious ones: bypass armor, max damage, called shots, impale and leave it at that. Though, with that said, I am sure that if you play long enough this all gets to be old hat eventually. We'll see.  

Mythras By Session Three - Glory to the Ranged Combat

 Much of session 3 in Mythras involved some exploration of a mysterious hidden elven passage (thought to be Elven, then they realized it might once have been until kobolds (see the kobolds in Book of Schemes, lovely little bastards) occupied the passages. The group ended up having an interesting long range battle with a gang of orcs pursuing an escaped prisoner later on, which helped teach everyone how ranged combat works, as well as reminding us that a bow takes 2 action points to reload, and also get some proper range on experimenting with charges. Also, when you spend an AP to evade you go prone, another thing we were forgetting before.

Mythras has a lot of entertainingly fiddly bits, is what I am saying. But its good, because you realize just how much depth the system offers for a surprisingly well modeled realistic combat experience. It shines a hard light on just how gamified and artificial combat feels in modern D&D style games these days.

An odd thing has happened to me, though. As I am diving deeper into rekindling my old brain cells remembering how to play Mythras and Runequest, I am suddenly developing a really intense craving to start playing GURPS again, too. GURPS is the only other system where you can portray highly accurate combat with the appropriate level of lethal gravitas. I like systems where the best way to survive combat is to avoid it, but if you do plan to go into combat.....do it smartly, and take advantage of all the resources you have to stay alive. GURPS was a darling of mine for so many years, and I unfortunately really got out of sync with running it, I think the last time I actually ran a game was.....hmmm....2013 or 2014 maybe?

Anyway, this is all good. 2025 is shaping up to be the year I get back to the game systems that make me think, and give me a discreetly different and interesting experience from the popular conventional games out there. 

The Ever Changing Gaming Prospects for 2025

So! The conundrum set off for me by my dislike of the design direction of the current edition of D&D has led to a close evaluation of options. It has led me down the following path:

Mythras - So I am actually running Mythras on Wednesdays now, which is not much of a stretch as I have run Mythras on and off over the last several years. My goal this time is to maybe, just maybe, stick with it for longer than a short campaign. We shall see; the problem is that my intrigue at the style/approach Mythras offers is often occluded by the more conventional approach D&D and Pathfinder take; or put another way, sometimes deep simulationism and verisimilitude are not as fun, long-term, as slightly gamified fun can offer.

D&D 5.5 - One of my friends sort of talked me into giving it a try, to look at the good options and maybe hold judgement on the bad bits until I see how it plays at the table (and over time). I decided this is a possibility, if I run a campaign that is new, built ground-up on the implied expectations of the new edition. I did devise a decent campaign outline so far, but I am still not feeling overly motivated to run D&D 5.5; my theory is that secretly, maybe even almost unconsciously, I am just really burned out on it all and this is as good an excuse as any to take a break. 

Dragonbane - I want to run this but I feel like it needs an expansion rulebook to hold long term interest, and I am regularly thwarted by my players' threats to roll all mallards. 

Pathfinder 2E Revised - this actually looks like the best overall prospect to me for continuing a D&D-like style of play without all the finnicky expectations of a new edition that foundationally change the core feel of the game. That said, Pathfinder 2E Remaster has its own special issues, not least of which is trying to figure out what monsters have been arbitrarily renamed or remastered into analogous replacements (e.g. gnolls now being kholos and such). But, aside from that, and my general irritation at may little design decisions in the system, it is still shaping up to maybe be the best choice for me. Except, of course. for.....

Tales of the Valiant - So it's basically D&D 5E, but with some nice revamps, and its main problem is not offering enough player choices (yet). But that aside, it is sort of the default no-brainer for me to continue gaming with. My group does seem deeply interested in D&D 5.5, but I think if I push hard enough I can get them to at least give this a shot. 

In digging through my collection I also found a few choice relics that I would like to play but which often get neglected when time to plan something comes up. Specifically:

Swords & Wizardry Revised - this lovely remaster of the S&W Complete rules, now with two additional rules/monster tomes filled with new content and classes are really my favorite iteration of the OSR (aside from OSE). Alas, my only problem with running it is that I am just not sure I could get most of my group to tolerate going to back to an old school state of mind. Last time I ran it (and OSE) I find about half the group would rather sit out a few sessions than bother to play an OSR game. Yeesh!

Forbidden Lands - I was really enjoying reading up and learning the intricacies of this Year Zero Engine based game and in looking at it again I realize it would be a fascinating experience to play. All I need to do is figure out how to "make it my own" in the sense that its default world assumptions are not always in alignment with what I want to do with it.....note that this is the exact same problem I now face with the new D&D books, they have shifted away from D&D as it has existed in prior editions (though maybe not as extreme as FL in terms of the implied world assumptions), but who knows, maybe I could find time to absorb the default setting and figure it all out as it is intended.

Cypher System's Godforsaken and More - Cypher System is a great game, and easy to run. I love a lot of it mechanical elements and focus on story. It has a good series of sourcebooks for supporting fantasy play. Maybe I should consider looking to it for my D&D-likes. It certainly is flexible enough to support the campaign settings I want to adapt to whatever system I pick.

GURPS Fantasy and Dungeon Fantasy - I have never been overly keen to run Dungeon Fantasy because it is essentially taking the core strength of GURPS (its generic, universal flexbility for realistic gaming) and wedded it with D&Disms. If I want D&D dungeon delving, there's always D&D. Same problem with Classic Fantasy for Mythras. But there is regular GURPS and the Fantasy sourcebook (and Magic). It's main problem is one of scope and work; I'd need to put a lot of effort into building stuff out for a game, and at my age I no longer have the time and interest to deal with GURPS's level of fiddliness (Mythras is on the edge of my tolerance level). But! I used to run GURPS all the time with a fairly low level of prep, though usually for modern day or SF games. Maybe I can find a happy middle ground here. Worth thinking about at some point.

Savage Worlds - With the Fantasy Companion and the Pathfinder for Savage Worlds books this would seem to be a no-brainer, but for various reasons I can't quite pinpoint easily, I was finding myself less than satisfied with the system in a recent Supers campaign I ran. I think the sense of gravitas and engagement with the mechanics were not there. Almost....dare I say it....too simplistic and swingy for my tastes, although maybe also my fault for picking a genre (comic books) my group was not terribly into or familiar with. The net result was disppointing, at least to me. So maybe doing fantasy with SW is actually a better bet as the group is most definitely more familiar with this genre and the system in that sense.

Okay! So enough pondering on this for now. 

Mythras Arrives! Plus Alien and The Electric State

 We did it! We started Mythras on Wednesday. The campaign setting is one I have used in the past for D&D 3.5 (some games I ran during the pandemic period), as well as D&D 5E and Pathfinder 2E. None of those were ever a perfect fit for what I wanted to do with the campaign, which was a fantasy allegory for the post-Roman collapse period around 450-550 AD. As it turns out, Mythras is a perfect fit.

I'm leaning in to story elements and beats that will showcase for the group the unique features common only to Mythras, Runequest and some other BRP titles. Stuff such as spirit combat and animism, the ubiquity of folk magic for those who wish to learn it, and a predilection toward humans as the norm with optional other species being exceedingly rare or exotic. The first combats will be design to teach the players in the group who are new to the potentially lethal vagaries of the Mythras combat system. 

Overall I am quite pleased, and this shift has distinctly energized my GM interest in a way that has been flagging for a while. 

On Saturday, my son will run another Alien RPG campaign as well! This one will use material from Building Better Worlds and will be a (presumably) slower paced colonization campaign, with less of the cinematic pacing. I am also excited for this, its really fun to play in my son's games, he has the GM's gift, and it is good to see that torch can be handed down to him. 

Further down the road I plan to run The Electric State RPG in the near future. This is a really intriguing low-key post apocalyptic alternate timeline setting, something Free League Games excels at. The ambience the game exudes is very tantalizing, and I am intrigued to see what I can do with it. After my son finishes his Alien RPG campaign, though. 

Interestingly, while googling for a link to the game I discovered there is a planned Netflix movie for The Electric State (here). Interesting....although from the trailer I see nothing about the virtual devices which are fairly important to the fall of humanity in the RPG, so I wonder how much the show will deviate from the source material. 

Reality Incursion

 Ah what a January! Grim flu ripping through the family (I was out for a whole week), lots of work catch-up, and no shortage of micro emergencies mixed in. The usual fun times.

I got a reprieve from my Wednesday group for a bit. My son ran two sessions of the Alien RPG using the Chariot of the Gods module, and it was pretty dang fun. He is 13, but already appears to be a chip off the old GM block, having acquired his dad's talent for improvisation and storytelling. It was a glorious adventure and everyone died by the end of session two, which is ironic as that mirrors the way many of my early scenarios went when I was the same age. TPKs were just a thing that happened back in the day, and while its arguable that Alien RPG's approach can make those more readily obvious, I would also argue that not having a TPK in The Caves of Chaos was fairly unusual....TPK was the usual default, especially the first round in.

I haven't been away from GMing exactly; I have now run two sessions of a Savage Worlds Supers campaign, using a blend of classic Supers rules with the Horror Companion for a more "Dark Horse/JLA Dark" style campaign, although in truth I found myself feeling less interested in restricting myself thematically in actual play and the scenario ended up feeling more heavily influenced by the likes of The Titans, Suicide Squad, Nemesis and other thematic elements. I'm not really trying to plot too hard on this one, I decided. Better to just let it all go where it will.

For returning to Wednesday I rapidly ploughed through all my dreams and visions of breaking away from D&D and have accepted that Dragonbane and Mythras are both game systems I would like to tackle, but I still don't reside in the right timeline or frame of mind to accomplish this at the moment. To do justice to either I need to find personal time to invest my energy in the systems,* teasing out what is needed to make them comprehensive campaigns catering to each system's strengths, and be ready to act as tutor to the players, and to do battle with the rules lawyer. I just ain't got that sort of energy anymore. Maybe at some point, or with the right sort of group (the nostalgic one I remember having 25 years ago would be a fine set of test subjects for such a game) but today? Today I need the thing that I already know too well. And even that thing, D&D, requires I spend a bit more time with it to learn the new incongruities and alterations to its recent botox treatment. 

Monster Manual 2025 will be out in like 2 weeks, anyway. Going to be interesting to see how or if it is a game changer for the play experience. 

*The problem is, I have some X amount of free time, but I have 25 things vying for control of it. When I sit down these days to use that precious 2-3 hours a night I have to enjoy something, the time ends up going to a mix of book reading, comic reading, maybe a video or two, and more recently some sessions in World of Warcraft Classic or Path of Exile 2 with my wife. The interest I once had in obsessively sitting down and crafting NPCs and materials for a game system like mythras while building out a campaign that leans in to the unique developmental ethos of the game world of the system just no longer grabs me like it once did. I don't believe this is even a case of "other things are easier," anymore, because I can easily spend hours crafting a campaign setting and scenario set for D&D; it's because I no longer crave that sort of synergetic interaction with rules systems anymore, I find it tedious and uninteresting. It is okay for me, I have accepted, to admit that maybe I have done this hobby too much for too long, and some of it now feels a bit old hat to me, a bit less interesting. That could change with time, or not. But my strength of interest lies in the world building and the storytelling, and the game system which lets me do that with the least amount of fuss is what I must roll with for now, even if I do find the "old me" occasionally surfacing and eyeing Mythras of Dragonbane hungrily, even for but a moment.

Eridu: An ancient Sumerian Campaign Premise and Scenario for Mythras, BRP and other Suitable RPGs

 I originally used this with Mythras a few years ago for a short campaign. One of many things I have not posted to the blog before as far as I can tell! 

   When I originally ran this it was before Mythic Babylon had been announced for Mythras. This campaign takes place roughly around 2400-2300 BCE so it can stand on its own, as the Mythic Babylon book handles a more "contemporary" era during the height of Babylonian power, and this mini campaign is about Sumeria during its heady early days of power-jockeying city-states. 

   Though I used Mythras at the time (and it works well for such), I would probably just use BRP 5th Edition for it today. As written this is a "notational" overview and I also had a lot of book references at hand. Some especially handy tomes include "Mesopotamia: The Invention of the City" by Leick (Amazon), and "Gods, Demons and Symbols of Ancient Mesopotamia" by Black (Amazon), a nice categorical reference. One of the more useful online resources I like is located here (Facts and Details), that site alone is practically a campaign guide unto itself. Many of the details below come from one or more of these sources. 

The Eridu Campaign

We'll start with a discussion on the pantheon of gods and then move on to the regional gazetteer.

Mesopotamian Gods of Note

Enki – god of Eridu

Deity of the rivers and men, giver of life and protector, civic deity. Eridu is described as a god who walked from the waters and brought civilization to men. His temple at Eridu, the Abzu, has rested for thousands of years.

Enlil – God of Magic

A ghost and demon to some, wizened sage to others, Enlil is the god who will one day seek to wipe humanity from the earth. Both wizened and capricious, Enki keeps him at bay. He is the purvue of sorcerers and maddened shamans in the desert.

Inanna – Goddess of Uruk

The three-fold goddess of birth, fertility and death, she manifests as three different images in life from the whore, the mother and the crone. She is the patron goddess of Uruk where she has given birth to a pantheon of goddesses and gods who are her children. Her temple is magnificent.

Nanna – god of Ur

The goddess of the moon, night cycles, women’s  menstrual cycles, bulls, male fertility and astronomy also is valued by navigators. Ur, resting on the mouth of the Euphrates, is home to fishermen and sailor alike who count on his guidance. He is also associated with change…including lycanthropic change.

Utu – God of the Sun

Revered everywhere but noted for his temple as Ashur, Utu is the god of the sun and the deserts, a wizened and ancient man who is the seat of power of the very universe itself.

Nisaba – Goddess of Writing

As the mother of Enlil she is given special prominence in the lands of the world, but she is also seen as the goddess of most importance to record keepers and the budding community of scholars who have become so important to the records of the kings, priests and their gods.

Assur – god of the northlands

This deity is revered in the north among the nomads and settlers in the region, a rowdy and wild lot known for their capricious and mercenary ways.

Ninkasi – goddess of beer

The goddess who is patron of brewing has a profoundly quiet but respected cult among the brewers of the land.

Nergal – god of war and death, Lord of Kutha

With the aspect of fire, war and death his to command Nergal rules the underworld with his wife Ereshkigal. He is revered in the remote city of Kutha, which bows before none. Rumor is there is a direct gate to the underworld in Kutha, the domain of Irkalla.

Demons of Mesopotamia

Anzu

The bird-demon is a ferocious beast, a god in its own right, and it seeks to steal the Tablets of Destiny from Ninlil. The tablets are kept in Enlil’s temple in Uruk.

Lilitu

The serpentine demon goddess who harries men and reflect the darker aspects of women. Known to steal babies and seduce men, sometimes kidnapping or murdering them.

Pazuzu

Demon king of the wind, bearer of storms and draught.

Asakku

Vicious spirit demons which kill by plaguing the head with fevers.

Asag

A demon so terrifying it boils the rivers where it wades. Accompanied by rock demons.

Edimmu

Restless dead, ghostly spirits who possess the living and make them commit criminal acts if not appeased.

Lamashtu

A goddess demon with the head of a lioness, a hairy body, donkey’s teeth and ears and eagle claws. She is served by the lilitu, and steals children in childbirth.

Kur

Serpentine dragons which plague the land.

Lammasu and Shedu

The animal-spirit protectors of men and their households, with the bodies of bulls, heads of men and wings of eagles. They are benevolent spirits and good magi can call upon them.

Rabisu

Vampiric spirits, these malevolent demons are sometimes men transformed, or perhaps fallen divinities. The Rabisu can be repelled with sea salt, or trapped in inverted magic bowls with sacred inscriptions written within. The Rabisu are violent and very dangerous vampires otherwise.

Humbaba

A great giant, after whom other giants are also named, who guards the celestial guardian of the gods.

The Major Cities of Mesopotamia (ca. 2,900 BCE, give or take)

Eridu

Ruled by Alulim, Eridu is the center of power and the other cities in the region either are perpetually at war with Eridu or seek to buy it off by tribute. Alulim is said to be tens of thousands of years old, and possibly given immortality by Enki himself. The temple Abzu is here, dedicated to Enki. The city is largely content with its prosperity but a local noble named Alalngar is among those who have been plotting wasy to overthrow Alulim, after a discovery they believe proves he sacrifices innocents to extend his life. Eridu is also considered to have the finest magi and healers in the land.

Kish

Ruled by Aga, who is at times friend and enemy to Lugalbanda.

Ur

A coastal port, ruled by Mesh-Ana-pada, a wizened sage and priest-king of Nanna.

Uruk

The great city of Innana, and the home of King Lugalbanda, father of Gilgamesh, who’s decades have shined as the servant of the goddess Ninsun, who walks as his mortal wife.

Kutha

Ruled by Naram-Sin, this city is reverent to the gateway to the dead.

Sippar

Western and Eastern Sippar are two united cities on the banks of the Euphrates, ruled by En-men-dur-ana, a benevolent lord deducated to Utu, the god of the sun.

 

Other Regions

Assur, to the north

These nomadic barbarians in the north are constant trouble for the region.

Elam, beyond the Zagros Mountains

Beyond Zagros are nomadic tribes who call themselves the Elam. The Elam are nomads who revere three great kings in Ansham, Eawn and Shumaski. The largest capital is Susa, along the river Karun, which pays tribute to Kish. Susa worships Insusinak, the god of the city (Lord of Oaths, Judge of the Dead, Symbol of the Serpent). Other gods worshipped included Ismekarab (the infernal goddess of oaths), Lagamal (the goddess of no mercy, the judge), Humban (god of the sky), Pinigir (goddess of heaven) and Manzat (The Great Lady).

Ebla is the western empire and the men of that region are effectively civilized but the Canaan are barbarian the coastal tribes who worship Dagan. (Yes, that Dagan, alias Dagon). Whether he's really an early proto-semitic god of grain and fertility or a vile fish god from the deeps is up for you all to find out.

Dilmun

Distant trade empire to the east. Beyond them is Indus, which has no direct contact with Sumer. It may be the home of the immortal Ut-Napishtim, and is a major source of copper trade. In some regards, Dilmun supplies Sumer with the metal needed to wage war. Dilmun is located on an isle deep in the great Abzu Sea.

Egypt (Khemit)

Ruled by Pharaoh Qa’a, Egypt is a remote land but hostile to foreigners.

Magan

This distant kingdom is located in the region of contemporary Oman. Little is known of it, but they are a major supplier of copper.

Meluhha

This may be the most distant kingdom known, and is one name for distant Indus. The closest trade port is Sutkagen Dor.

Kassu in the Zagros Mountains

The men of Zagros, the Kassu, who are raiders and dislike the Elam and Sumer of Ubaid alike, are difficult to deal with. The bandit warlord culture of the Kassu make travel through the mountains dangerous.

West of the Two Rivers: Hamoukar of Canaan and Ebla

The region of the Levant is prehistoric at this time and influenced by the local nomads and the Sumer-influenced cities of Hamoukar and Ebla. Hamoukar was known for its obsidian quarries while Ebla was known for its limestone quarries and aggressive trade network. Both provided coastal trade routes to the western sea. Ebla is ruled by Hakume, a shrewd and dour king. Other settlements in the area include the township of Chagar Bazar, Nagar and Arbid, all along the Khabur River Basin.

Hamoukar is also known for its weird local cult to the “God of a Thousand Eyes,” and is known to produce eye effigies in his worship. This worship is considered profane by the men of Uruk and they have sieged and razed the city at least once in historic memory….but the cult always retuns. Hamoukar is preliterate and does not use any writing system.

Amartu

The nomads of the west are distinct in their uncouth and simple nature as pastoral herders with limited grasp of civilization. The Amartu will one day grow strong but in this era they are a nuisance to the western deserts, raiders who seek to take the riches of Ubaid for their own.

Player Guide

Barbarians can come from Assur to the north. Nomads would come from Elam to the east of the Zagros Mountains (though civilized Elam dwell in Susa), and the Elam do have their own developing language with simple writing inspired by the Sumer. You will also find barbarians in the Zagros Mountains: the Kassu, a rough and simple folk prone to raiding. 

You could have a civilized foreigner visiting from Dilmun, as well. Dilmun was East of Elam, along a trade route to Indus.

Languages you can learn (spoken, not written): Sumer, Assur, Elam, Dilmun, Egyptian, and Kassite

Character Generation: Use the 80 point build.

Cultures:  Barbarian, Nomadic, Civilized and Primitive are all fine, but there's almost no written language at this time....written systems are basic counting and markers, and have little recognizable language structure as we think of it. Cuneiform is in an early developmental stage at this time....and paper does not exist. Clay tablets and clay balls with beads, counters and figurines are how information is conveyed. So one "Language (Cuneiform) skill will suffice to understand all writing known to men in this region of the world.

Humans can be from Eridu, the capitol city of the kingdom of Ubaid. If you're from one of the rival city-states at Kish, Uruk, or Ur you will need to be a responsible profession with a trade appreciated abroad to justify your presence, or have a decent social class....wanderers of little means or skill are looked at as thieves and robbers.

If you are from Eridu you at least pay lip service to Enki, the god of the kingdom and benefactor of men. If you are from Uruk you respect Innana, goddess of life. If from Ur then you revere Nanna, god of the moon and bulls.

For magic: folk magic is "sorcery" as men think of it in this age and a magus would know the art, but common men rarely do....and if you know the art, then you are no common man. Magi also know of animism. Sorcery is so rare no one can start with it and only those who figure out dark pacts which teach them the marks of power have a shot at it. Mysticism is possible to those who pursue it....in this age when some men claim to be divine in origin, mysticism is possible. Theism is practiced by the cults of Enki, Innana and the other gods, but like other magic it is very rare and only a few prominent priests know of any theistic miracles.

Also...if you want to play a barbarian (like all out) but want to be a wanderer type who's visiting Ubaid (but Not to officially siege a city and take it's stuff), Assur to the north is a good choice, as is Amartu to the west, or coastal Canaan. Ebla is the western empire and the men of that region are effectively civilized but the Canaan are barbarian the coastal tribes who worship Dagan. (Yes, that Dagan, alias Dagon). Whether he's really an early proto-semitic god of grain and fertility or a vile fish god from the deeps is up for you all to find out.

And don't forget the men of Zagros, the Kassu, who are raiders and dislike the Elam and Sumer of Ubaid alike. 

Silver as Coinage: (the below is quoted but I forget the source, might be from this useful site: here)

In Mesopotamia, silver became the standard of value sometime between 3100 B.C. and 2500 B.C. along with barley. Silver was used because it was a prized decorative material, it was portable and the supply of it was relatively constant and predictable from year to year.

 Sometime before 2500 B.C. a shekel of silver became the standard currency. Tablets listed the price of timber and grains in shekels of silver. A shekel was equal to about one third of an ounce, or little more than three pennies in terms of weight. One month of labor was worth 1 shekel. A liter of barley sold for 3/100ths of shekel. A slave sold for between 10 and 20 shekels.

 

Adventures in Ubaid:

 

Part I: The Witch and the Heart

Ur-Nisu has a son who died in battle, and his loss drove him to a greater evil. He hires an adventurer group to go with Ur-Nisu (or on his behalf) to find the witch and take his son’s heart back. Then paid to take the heart and his daughter to Haiadi to see if he can put the heart to rest!

 

The Witch’s Lair: located in a small encampment of huts deep in the Red Desert where loyal nomads seek her out for healing and seances, Emiska is in fact protected by her followers but also by the lilitu demon which she has struck a pact with. Having his heart, she can also summon the vampiric rabasu Hamattu and call upon him for protection….wise heroes will know sea salt, purified, will drive him back.

 

Emiska will negotiate with the heroes if they try to reason with her. She will offer the heart in exchange for a deed: go to the high mountains of Zagros and bring her a different heart, that of the warlord of the Kassu named Ninhadda. Kill Ninhadda, bring her his heart, and she will exchange it for Hamattu’s.

 

If the heroes try to take her out, she is protected by the lilitu, which initially manifests as a spirit seeking to possess….Emiska’s followers willingly supplicate and the demon will take control, transforming them as it does (use the Lamia stats). Even if Emiska is slain the lilitu will seek to stay, not wanting to let go of it’s host, and will seek to kill all witnesses.

 

Emiska will also call upon the power of the heart……but even if she does, Hamattu will not come if it is daylight, or if the adventurers thought to consecrate the hut with sea salt. If they did not and it is dark, he will arrive but reluctantly….he cannot face his father if he is there. If not, he will attack with a vengeance, but will recoil from fire.

 

Warlord Ninhadda: if the PCs cooperate with the witch, that takes them thirty miles in to the western mountains where a warrior who spurned the witch’s advances works with his small army in a long series of dug-out caves in the mountains. He plots to siege Hadoukar and become king of Ebla. A year ago he went to the witch and ask her to speak of his omen, to learn if he would be king. She said payment was his infidelity, and that she wanted his seed for a child. He was deeply offended, being loyal to his single wife Atane, and he rebuffed the witch. Emiska was enraged. She sent an assassin to poison him but he killed the assassin and sent the body to her village with the warning that if she tried again he would raze her village to the ground.

 

Going to Ninhadda is a huge risk, actually…he is a tough fighter and well protected. But if the PCs tell him what they were asked, he will agree to raze the village and give them the heart. If they try to substitute a heart of someone else, the witch will know and then curse them before summoning the vampire to hunt them. If the group somehow does kill Ninhadda, it creates a power vacuum among the Kassu tribes.

 

Part II: Journey to Susa

Ur-Nisu needs men willing to take a shipment of goods into the Zagros Mountain Highlands. He needs the goods taken to Susa, to a merchant prince named Haiadi, and for the hired men to escort back the payment. Ur-Nisu is too frail to make the journey which is close to 100 miles distant and requires transport by river boat for much of it. The journey will take the hired crew from Eridu to the gulf, to the river passage to Susa…..not difficult, but the possibility of river pirates is a risk.

 

Ur-Nisu promises 1,000 silvers to the group in exchange for this service, no questions asked….the adventurers were previously hired by him to go to the Red Desert and take the reliquary from the witch Emiska then he will hire them based on loyalty. For those who did not… He tells them that they are not to listen to his daughter, that she has had maddened ravings since being exposed to the malignance of a Asakku demon who came to her in the night when she was serving as a temple priestess to Inanna.

 

The goods it turns out include six clay vases filled with copper ingots, a large layered clay pot (a cold-storing pot from Meluhha) sealed in wax that contains a blackened, beating heart. Finally there is Ur-Nisu’s daughter, Ur-Erishti. She is seventeen and appears to be very unhappy with this journey, or the fact that (if pried later) she reveals she is to be gifted to Haiadi, and she will tell the adventurers that she think Haiadi is actually a necromancer who worships Nergal. She claims her father has saved the heart of his eldest son, Hamattu, who fell in battle last year during a siege in Ebla. His body was returned, and her father purchased a substance….a black tar like substance from the Red Desert sold to him by a witch, to coat on his son’s body. His son is now kept in a cool subterranean chamber, but her brother’s heart has been taken out and is to be transported to Haiadi for a ritual to retore him to life. 

 

The stories are all half true……Hamattu did die, and his body was preserved, but the story her father told her is not quite the reality. The witch in the Red Desert, named Emiska, called upon Erishkigal for the power to revive his son, but his son returned instead as an insatiable vampiric Rabisu. She removed the heart, which beats blackly, and kept it for her own purposes. Adventurers who aided him in this task in Part I will know how that all went down.

 

Pursuit of the Rabisu: Hamattu is growing increasingly corrupted, a vampire in truest form, as he descends into madness and darkness driven by Ereshkigal’s curse. As the crew makes its way on the river barge each night evidence of the vampire is present, as he shapeshift’s in to a demonic lion and follows the barge along the waterline, or turn in to an eagle and follow by air. During the day he can only manifest as an eagle, or sometimes as a vaguely humanoid shape in the recessed shadows along the river bank. He unerringly can appear in shadow near the region of his heart no matter what.

 

The journey is going to take about a week upriver to travel 100 miles. So long as the heroes stay on water the rabisu will remain at bay. If the river raft stops at one of the many villages along the way, it gives the rabisu a chance to board. Once aboard, he will seek to slay everyone and then coerce a risen dead to take the heart to a remote location in the desert for safe-keeping. Each slain foe will rise as a zombie to aid him.

 

River Pirates: during the fifth and sixth nights river pirates will try to take the ship. Led by a bandit named Unhaka, they have been told by a rival merchant that a valuable bride and wealth rests on the boat. Hidden inside the copper ingots of the hold is silver….lots of it. They will try to board the boat, about 16 men in total, during the night using river boats to steal aboard. If they capture the boat (and they will take prisoners for ransom to sort it all out later) then when they dock that is when the rabisu attacks. Each foe slain by the rabasu will rise as a zombie to aid him.

 

Arrival at Susa: assuming the group survives travel (done easily by warding the boat with sea salt) then arrival at Susa requires bribing guards at the docks with good coin to allow safe passage in to the city. Here they can find the Black Tower of Haiadi, located adjacent to a dour temple to Nergal, which allegedly holds a capstone to one of many passages to the underworld.

 

Haiadi will perform a ritual to lift the curse of the heart. Unknown to Haiadi he is doomed from the get-go…unbeknownst to all, Hamattu had prior to his battle at Ebla a year before gone to the witch Emiska for magical aid, and she gave him protection from all weapons in exchange for his seed. He gave this to her, promising to return and even take care of the child with her…..but he lied, and after sleeping with the witch he beat her soundly until she miscarried, then went to battle. So it was that he survived all weapons, unblemishing his skin, until he was doused in burning oil and died (ergo the blackened heart).

 

Now his evils have caught up to him….as Haiadi beseeches the Annunaki of the underworld to restore him in the name of the evil of the witch, winged demons erupt from the ground and take the black heart….and the vampire if he is present….dragging them in to the darkness of Irkalla. As this happens the chamber is filled with terrifying death spirits….any who star upon them must make a contested POW roll or succumb, souls ripped away to the afterworld.

 

When all is done Haiaidi….warded against such contingencies….flees in madness to the temple of Nergal to beg forgiveness. The merchant’s daughter Ur-Erishti has a profound revelation in her madness and flees to seek out the cult of the infernal goddess of oaths, Ismekarab, and to renounce her evil family.

 

The adventurers are left with an empty urn, and possibly a lot of silver that Haiadi has abandonded. When they return to Eridu they find that Ur-Nisu’s house mysteriously burned down the same night of the ceremony, and his body as not found.

2021: Death Bat's Top 5 Role Playing Games (Tabletop)

 The top 5 for role playing games...those things you play in person or in VTT, you know....this is a harder list to assemble as a lot of good stuff came out this year. Still, I think I can narrow it down a bit to the following distinct books which have had the greatest impression on me in 2021, and which will continue in to 2022:

#5 Open Quest 3

This third edition of Open Quest is very much the best edition of the game to date, with great interior design, layout, artwork and smart improvements to the rules all around. Newt Newport and D100 Games has easily crafted the best non-Runequest BRP iteration on the market, next to Mythras (which at this point feels like the "advanced" edition to OQ3's basic edition style). The game is so well written and designed that it just begs to be played.

#2 Old School Essentials Advanced Edition

The OSE Advanced Player's and Referee's Manuals from Necrotic Gnome let you play classic B/X D&D or AD&D as you see fit, with an enormously inclusive ruleset that give you all the tools to make what you will of your own game, no fuss and no muss. Its support with a series of modules that provide copious content in an economy of style are equally impressive. 

#3 Mythic Babylon (Mythras)

This is the best sourcebook out there on gaming in ancient Mesopotamia during the rise of Babylon, and not only is worth looking at for Mythras fans but for fans of serious, well-researched historical gaming. The only way it could be better is if it were also statted for GURPS at this point.....but Mythras is itself ideally suited for this sort of historical gaming and the Design Mechanism has once again outdone themselves.

#2 Traveller Core Rules 2022 Update

I actually got my copy of the new Traveller Core Rules a couple of weeks ago, so I am including it in this list even though it is, technically, the "2022 update." This revamp of the current edition of Traveller is primarily focused on clearly restating the rules, fixing some errata, and reworking the layout, design and art to match the current reign of products, which are bar none top of the line. The old days of Mongoose being known for subpar design is long gone, and the newest iteration of Traveller amply demonstrates this. I am already planning a new Traveller campaign for 2022, and this new update of the core rules is one of my favorite "surprise releases" of this year.

#1 Mothership RPG v.0

Mothership just finished a massively successful Kickstarter for a version 1 boxed set of the game which I backed at the top level, as this game, which takes the genre of horror SF and blends all of its influences into one giant pot, is easily the most fun I've had with an RPG in years. From a design which compels the players to act out as if they were trapped on the Nostromo or the Event Horizon to a wealth of chapbook scenarios and trifolds which use the new-style "economy of information" to layout comprehensive scenarios that don't require a huge slog for the GM (warden) to prep, this is easily the best new game with a pickup-and-play aesthetic on the market. Even better, its smartly written and its design is easily understood by most, something not a lot of other chapbook/zine era RPGs are as good at. Game of the Year from Camazotz, hands down.

No honorable mentions, though there are many books that came out which were certainly worthy of consideration. My main problem this year was that a nontrivial portion of my gaming time was focused on older stuff....D&D 3rd edition (3.5) mainly, and lots of Call of Cthulhu, which always stands out as worthy books to buy, read and play. So....yeah! Overall just a good year all around for cool new RPG stuff. 

The Temple of Set for Mythras

Okay, this is officially very cool: The Temple of Set, a new Mythras module for use with Classic Fantasy is out, and it's Egyptian themed! Love the cover, and the interior art is equally awesome, so far as I read through I really, really want to run this:

You can find it in PDF and POD on Drivethru here (link), or just go directly to The Design Mechanism and get it in PDF or through POD at Lulu (here). 

This is reinvigorating my interest in running Mythras. I had been working on campaign ideas earlier this year but my enormous workload prompted me to stick with easy to run stuff for a while, but time is freeing up again, so I think this module makes a great excuse to revisit what I can do with Mythras going into the Winter and 2022. 

Roll20 actually has a Mythras character sheet someone devised, which says it supports various setting books, including Classic Fantasy....I need to check this out. Although, ideally, I'd like to run it face-to-face my plan would be to start running this as soon as my Saturday group winds down on the ongoing Pathfinder 2E campaign, which has just hit level 7 and may be, depending on how much people want to do in terms of plot and exploration, about 5 sessions away from a suitable resolution (or 20 if they just want to keep going), so who knows. Maybe as a side-game on the Mothership night, to break up the grim space game with some old-world action and adventure for levity? Hmmmm.

Choosing a Flavor of Mythras....

 I've noticed a trend during my gaming hiatus....I'm back to browsing endlessly through Mythras and associated tomes, reading and scheming about what I might  do with them. BRP remains a core go-to when it comes to Call of Cthulhu gaming, but Mythras covers all the bases so well these days, that its justifiably entered the realm of "universal systems" which the likes of GURPS and a few others normally hold the ring on. I mean....look at this breakdown:

Want to do Science Fiction? Mythras Imperative gives you essential tools, M-Space and its expansions carry it through. 

Want to do time traveling or alternate realities? Check out Luther Arkwright, which aside from being a useful sourcebook on an interesting but obscure British graphic novel series is also a useful dimension-hopping sourcebook.

Want to do D&D but with a D100 mechanic? Classic Fantasy has you covered, providing more than enough emulation to incorporate classes and a ton of D&D tropes without otherwise altering the core Mythras experience.

Just interested in straight fantasy? Classic Mythras has all you need in its core book, but you can also dive deep into mytho-historical adventures in Britain, Rome, Constantinople and now Babylon. It is also trivially easy to pull any GURPS sourcebook as a reference tool for use with Mythras.

Pulp adventure? Monster Island is an excellent resource, and Mythras Imperative covers the bases nicely, although I think there is room for more here.

Post-Apocalypse? Rubble & Ruin and Seasons of the Dead collectively cover most any angle on the genre you could want. R&R covers a low key near future apocalypse with plenty of science-fiction weirdness (not Gamma World level, but you could definitely use this for a quasi realistic post-apoc future). Seasons of the Dead has everything from zombie plagues to terminator robot invasions fully covered, something I did not expect prior to getting the book.

Weird alt-reality dystopian retro-futurist Sci Fi? Odd Soot is one unique and dark flavor, and there's Worlds United for an entire other "Flash Gordon" style flavor. I have the former but not yet the latter.....I'm not much of a fan for retro-futurism unless it incorporates the benefit of hindsight, but concede I haven't picked up Worlds United yet so maybe there's stuff I don't know about.

If you want mythos stuff, and don't mind "Mythras adjacent" from the OGL we have Delta Green, and there are other similar mythos-based OGL products online as well (that I don't have so can't comment on). Delta Green is nonetheless the best modern interpretation of the Cthulhu Mythos out there, so well worth it.

Supers is covered too. 3rd edition Mythras Imperative contains enough rules to start, and a forthcoming tome from TDM will provide the rest.

I see some spots that need more bits to fill in, of course: a proper Pulp Adventures setting book would be nice, I imagine, for those who want to run some hardcore Indiana Jones type stuff. More SF content would be welcome; a Gear Sourcebook for Mythras and/or M-Space would be extremely welcome. We could also use some more focused genre books on Cyberpunk and maybe something aimed at modern day adventuring, or modern horror that is not typically mythos based.

The issue I face now is: how to narrow down the focus to what I should run next? I'm leaning hard toward something Rubble & Ruin on the one side, and of course Mythic Babylon on the fantasy side. I also have the Bronze Age Egypt campaign I've been working on, which would be easy to fit within the Mythras rules. After that....M-Space, Mythic Britain, and more all demand attention. Maybe I can plot out several 4-6 session long mini campaigns in different settings, and let the group decide which flavor they are most keen on pursuing.

Too Much Mythras Coolness: Mythic Babylon, Odd Soot, Rubble & Ruin, and M-Space Companion

Mythras is doing really well, almost a renaissance of really cool and useful new content to fill the void left by BRP's quiet return to being an engine for Runequest and Call of Cthulhu. Mythras has only grown increasingly versatile and accessible thanks to the condensed Mythras Imperative rules, various genres popping up powered by Mythras, and a wealth of third party publishers taking Mythras in interesting directions. Anyway....here are four books you as a Mythras fan should not be missing right now:

Mythic Babylon

This released today, and I am perusing the impressive PDF this afternoon but can already tell its going to be a book I must run. The Design Mechanism has been knocking historical sourcebooks with mythical elements out of the park, filling a void not properly covered anywhere else save by GURPS. I'll post more on this as I read in more depth, but wanted to get word out that the book is now live while I wait for my print copy. I also ordered a copy of Fioracitta from TDM, a book which a friend of mine grabbed and looks like a fascinating take on a fantasy alt-Italy.

Odd Soot

While investigating my plans for M-Space campaigning in the near future I noticed this oddity on Frostbyte's storefront and decided to take a leap even though it sounded like it might be part of one of my least favorite genres (retro SF in which the SF is rooted in the golden age of science fiction and ignores the benefits of hindsight). Instead, it turns out this is an amazingly weird and unique take on doing an alternate history science fiction setting in a 1920's universe, but it defies the stereotypes of this sort of genre completely in favor of something weird and new and extremely compelling. You need to read it to see that it is unique and worthy of being a cult classic.

Rubble & Ruin

I was a fan of the original BRP monograph for post-apocalyptic roleplaying even though it needed more depth of design, and was surprised to discover quite by accident that it's been revamped (with two modules as well) for Mythras as a stand alone system. Rubble & Ruin provides all the rules and more for rough post-apocalypse gaming in a package that looks like it's not wanting for any content. I'll also be writing on this one more soon.

M-Space Companion

M-Space, despite my gripes with the very basic equipment and weapons list in the core rulebook, is still by far the best SF adaptation of BRP I've found on the market. It's only gotten better thanks to the M-Space Companion, which adds in some much needed SF content, most notably rules for cybernetic augmentations (good rules!), rules on playing robots as characters (also good rules!) and an expanded culture/background system that adds some randomized elements to character backgrounds. Well worth the asking price to provide useful additional content to M-Space. 

Speaking of M-Space, if you did not know, a quality color edition of the rulebook is available on DrivethruRPG now here. Previously you had to order it from Europe at prohibitive cost, or get a cheap copy in black and white off Lulu. Get it now before the cost of color printing skyrockets for POD in July!