This Magic Moment – Mozart at the Bregenzer Festspielen 2013

© Bregenzer Festspiele/Karl Forster 

David Pountney’s fantastical, gigantical Zauberflöte is on display this summer (and next) on the stage in the lake at the Bregenzer Festpielen. There is a video on Arte Live Web, but apparently it’s only available to European viewers. It keeps telling me, very politely of course, “Sie haben keine Rechte...”

However, there’s always hope that someone will make it available to all via that video-sharing website or other pirate-y sources. But in the meantime, there are a handful of video clips to tease, titillate, or tick us off. Among the fine (double and triple) cast of singers is Rainer Trost as Tamino. The lovely and talented Ana Durlovski reprises her Queen of the Night, last seen in Baden Baden; she also appeared recently as our damaged sleepwalker im Stuttgart.

The Plot is Thicker than Water – La Sonnambula at Staatsoper Stuttgart

Act 1

We’ve already discussed the lack of drama inherent in this opera libretto (isn’t that nicer than calling it “stupid”?) and I think that any literal stage interpretation of La Sonnambula cannot be much more than a pretty evening of singing (provided the singers are good.)

It’s interesting how the directors have changed this from a fluffy plot to something quite tragic (though with comic elements) without changing or really being untrue to the text. In some scenes and arias, Amina’s happy lyrics come out as ironic, and in the end she is totally unhinged. Her wild coloratura makes a dramatic statement, with some of her brilliant outbursts coming out more as screams* (particularly at the end of the finale. It's a scream, but it's brilliant and musical.) 

Ana Durlovski is La Sonnambula

Amina sings of her joy (?), while Mom
makes some final alterations to her party dress.

The other day I made a comment on Earworm Opera's blog about the silliness of the plot of La Sonnambula.  I went back to double-check the reference before I started on this post, and noticed that Earworm had been talking about I Puritani! She was kind enough to respond to me without commenting on my error. Really, it was a comment on Bellini plots in general. Many of Bellini's opera plots are far-fetched, silly, and/or undramatic. 

Then I found this Stuttgart Staatsoper performance of La Sonnambula on Arte LiveWeb. Widely acclaimed (in Germany, anyway), it took me a whole year to find out about this production. Directors Jossi Wieler and Sergio Morabito update the setting and probe the background of the story and the possible interrelationships of the characters, particularly complicating the dynamic of Annina and Elvino and their arranged marriage. They add a whole lot of interest and intrigue to the story line that complement and contrast with the beautiful music. They also manage to add humor and just a bit of obligatory ickiness.