Showing posts with label Stuttgart Opera. Show all posts
Showing posts with label Stuttgart Opera. Show all posts

Wednesday, July 3, 2013

Ana Durlovski is La Sonnambula

Amina sings of her joy (?), while Mom
makes some final alterations to her party dress.
The other day I made a comment on Earworm Opera's blog about the silliness of the plot of La Sonnambula.  I went back to double-check the reference before I started on this post, and noticed that Earworm had been talking about I Puritani! She was kind enough to respond to me without commenting on my error. Really, it was a comment on Bellini plots in general. Many of Bellini's opera plots are far-fetched, silly, and/or undramatic. 

Then I found this Stuttgart Staatsoper performance of La Sonnambula on Arte LiveWeb. Widely acclaimed (in Germany, anyway), it took me a whole year to find out about this production. Directors Jossi Wieler and Sergio Morabito update the setting and probe the background of the story and the possible interrelationships of the characters, particularly complicating the dynamic of Annina and Elvino and their arranged marriage. They add a whole lot of interest and intrigue to the story line that complement and contrast with the beautiful music. They also manage to add humor and just a bit of obligatory ickiness.

Thursday, November 15, 2012

Die Entführung aus dem Serail – Stuttgart, 1998 (Part 2: Buy One, Get One Free)

Konstanze & Belmonte 2 (far L & R)
congratulate the singers after a
lovely performance of the Act 2 Finale.
Double casting Entführung (or any opera) raises questions. What's the difference between the singing and the acting on stage? What separates the singers from the actors? What brings them together? Are we supposed to recognize each pair as playing one character? Don't you just love it when my reviews degenerate into a list of questions?

Wednesday, November 14, 2012

Die Entführung aus dem Serail – Stuttgart, 1998 (Part 1: Double Fun)

A lot of folks have already written thoughtfully about this Hans Neuenfels' Die Entführung aus dem Serail , so I will stick with some observations that I think are my own and that I think no one else has pointed out, or at least not dwelt on as much. In this production, Neuenfels has cast each role (save one) with both a singer and an actor. But not in a way that you might be expecting. 

Konstanze and Belmonte 1 (center) have decided to die for love.
No one else thinks this is a very good idea.

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