PSYCH-OUT 1968

"These are the PLEASURE LOVERS !"

"They'll ask you for a dime with hungry eyes..but they'll give you love for NOTHING"

    A pony-tailed Jack Nicholson helps flower child in training Susan Strasberg search for her missing brother in an A.I.P. version of 1960's hippie San Francisco. Produced by Dick (American Bandstand) Clark this was based upon an earlier script titled THE LOVE CHILDREN written by Nicholson. It was later re-worked seemingly enough not to have Jack credited as a writer, but he was able to get himself cast into what is essentially the male lead (although Dean Stockwell is top billed). One of those movies that's instant fodder for jokes and "so bad its good" viewing recommendations its actually a lot better then its reputation and plus where else are you going to get to see Jack fronting a psychedelic rock band in 1960's San Francisco ?? Sure its a bit hokey at times, but does feature a well written script with some depth to it, beautiful cinematography by Laszlo Kovacs, earnest work by its leads and best of all there's an almost impossibly cute Susan Strasberg.

    Straight off (literally) the bus deaf runaway Jenny Davis (Strasberg) arrives in the midst of counter culture 1968 'Frisco to search for her missing brother. Wandering into a coffee shop she makes the acquaintance of "Stoney" (Jack Nicholson) who along with his friends Ben & Elwood (Adam Rourke & Max Julien) head up a rock group known as Mumblin' Jim. Hiding her from the police in their Mumblin' Jim day-glo painted Chevy van they take her back to their commune located in an old Victorian house that comes complete with hippies lounging around and making love on pillows, plentiful drugs and trippy lighting. As it turns out Jenny's missing brother Steve is a local street corner preacher and sculptor known as "The Seeker" who's disappeared from his apt. after sending Jenny a postcard that reads mysteriously reads "JESS SAES God is alive and well and living in a sugar cube".

    After being informed that local artist Warren (who also designs Mumblin' Jim's concert posters) is "freaking out" on STP Jenny and the boys arrive just in time to stop him from cutting off his supposedly rotting hand with a circular saw and plus he imagines everybody as festering zombie-like creatures !  There Jenny recognizes a sculpture as her brothers work which leads them to guru Dave (Dean Stockwell) who's the "oracle and speaker of the truth" character that's always around in hippie films. Dave was also a past member of Mumblin' Jim but quit because he thought the band was too concerned with success and "playing games for the man". He's standoffish to Stoney but seems attracted to Jenny (with motives that don't seem all that "truth seeking") and is eager to help her whereupon he gives them information that leads Jenny and the boys to a local junkyard for clues to the missing Steve.

 Watch out for that bad acid !!

  Mumblin' Jim jammin' at the ballroom !!

    Once there they see a Jesus Saves sign with a couple of letters missing which ties into Dave's cryptic postcard to Jenny. They also run into into gang of short haired thugs who attempt to rape Jenny (and as it turns out are looking to put an ass whoppin' on The Seeker). Luckily during the fight a stoned Elwood hallucinates that the junkyard thugs are knights and dragons and proceeds to wipe them out with a hunk of metal pipe.
   Meanwhile Mumblin' Jim seems to headed for the big time as they get an offer from a promoter to perform at "the ballroom" (a reference to the Avalon or Fillmore) on a bill with The Strawberry Alarm Clock and as Stoney says "maybe be as big as the Airplane". This causes a major rift between Stoney and guru Dave as he feels the band is "selling out" and "chasing the dollar" (Hey !, where's my official band sanctioned Mumblin' Jim t-shirt !). Stoney's preoccupation with making it big also hurts his burgeoning love affair with Jenny (which was punctuated by some stoned out blurry love making) and this allows Dave to start putting some non-guru like moves on Jenny and trick her into drinking some acid laced Kool-Aid (with resulting dire climatic consequences including hallucinatory exploding fireballs, flashbacks to evil moms and Golden Gate Bridge freak-outs). To top everything off it seems that "The Seeker" is a somewhat crazy and wacked out Jesus like figure and is played by everybody's favorite crazy and wacked out actor Bruce Dern. Holy Crap !

    In addition to the appearance by The Strawberry Alarm Clock (who also supply several songs to the soundtrack) there's also Sky Saxon and The Seeds preforming at a mock hippie funeral. Although there is some great documentary style footage street footage of San Francisco (complete with a quick appearance by Jerry Garcia) the majority of PSYCH OUT was filmed in Los Angeles, including Jack Nicholson's actual house. This might explain the presence of two Los Angeles bands in the form of The Seeds and Strawberry Alarm clock rather then San Fran based bands. Director Richard Rush's original cut was 101 minutes (and this was mistakenly issued on video cassette by HBO), but was cut down for release to 82 minutes - which is now the cut available on DVD from MGM. I've never seen Rush's 101 minute version, but seemingly how there is some filler here the shorter version probably works best.
    The cast were all in their late 20's with this seemingly most apparent with Nicholson as his looks practically scream out NARC (!) and would probably be pretty much guaranteed to clear out a hippie pad in no time. As mentioned Kovac's photography is beautiful (this would look gorgeous on blu-ray) such as the opening close-up of a wistful Strasberg gazing out of the bus window while coming into San Francisco and the film makes great use of the bright psychedelic color scheme of the time.

Hey, Mumblin' Jim have even got themselves a flute playin' hippie chick ! Far Out !

   With its in the open drug use (plus showing its sometimes ugly after result) along with Nicholson's presence make this an interesting companion to Peter Fonda and 1966's THE WILD ANGELS as precursors to EASY RIDER. The pretty girl stringing beads all over the commune at one point is played by Mireille Machu who was Jack's girlfriend at the time and played "The Pleasure Girl" in The Monkees HEAD (billed as I.J. Jefferson). Pretty cool stuff !  

  

 LOOK OUT ! Some more trippin' on that nasty ol' bad acid !

 

THE DUNWICH HORROR 1970

Really Zonked Out & Creepy Wizard Dean Stockwell is Conjuring up a Bunch of LSD Inspired Lovecraftian Evilness by Way of a Virginal Sandra (Gidget) Dee & a Big Slithering Yog Sothoth !

H.P. Lovecraft Movie Night # 1 !

     H.P. Lovecraft has never faired too well as far as faithful movie adoptions are concerned. His sometimes dense (and occasionally overwrought) narrative style doesn’t translate well to cinema and his descriptions of vast cyclopean lost ruins and huge multi-tentacled beings from another dimension are always going to be a challenge to visually adopt. Stuart Gordon’s highly entertaining screen versions of RE-ANIMATOR, FROM BEYOND & DAGON took just the basic premise of the Lovecraft stories and catapulted them into updated territories beyond even ol’ H.P.’s imagination. DAGON although perhaps being the least known of the trio has the best Lovecraft vibe running thru it with probably the most faithful re-imaging of the Lovecraft “old ones” mythos and is based upon The Shadow over Innsmouth. Plus the H.P. Lovecraft Historical Society has released a couple of excellent b&w feature adaptations of THE CALL OF CTHULHU and THE WHISPER IN THE DARKNESS.

    A.I.P’s 1970 version of THE DUNWICH HORROR was probably less envisioned as a Lovecraft vehicle but more as a way to cash in on Hollywood’s popular post ROSEMARY’S BABY craze for all things satanic. The company did do Lovecraft earlier with DUNWICH’s director Daniel Haller tackling DIE MONSTER DIE (based upon The Colour out of Space) and in 1963 there was Roger Corman’s excellent & atmospheric THE HAUNTED PALACE. Although titled after an Edgar Allan Poe poem (and marketed as such - complete with a Vincent Price Poe recital over the opening credits), PALACE is based upon Lovecraft’s The Case of Charles Dexter Ward and is also notable for being one of Lon Chaney Jr.’s last good roles and the very beautiful Debra Paget’s last role before retiring.

    Originally envisioned by A.I.P in the early 60’s as vehicle for director Mario Bava starring Boris Karloff and Christopher Lee (which is pretty exciting to wonder about), Haller’s 1970 take on THE DUNWICH HORROR has always gotten a somewhat ill-deserved bad rap. Starring a seemingly perpetually stoned Dean Stockwell and a wooden post -Gidget Sandra Dee (looking to kick start her career), it’s sometimes uneasy collision of gothic ambiance combined with psychedelic trapping & clothes (you could almost land a jet on one of Stockwell’s ties) have all been a source of ridicule. It does however keep the basic core of one of Lovecraft’s best stories intact and in spite of its budget restraints has some excellent set pieces, along with a wonderful alternately trippy & creepy score by Les Baxter and is helped immensely by the presence of character actors Ed Begley (in his last role) and Sam Jaffe (who as here seems to be channeling Dr. Zorba from BEN CASEY into the elder Wizard Whateley role).

    Stockwell plays Wilbur Whatley who ventures from the family ancestral home in Dunwich to hopefully study The Necronomicon, a text of ancient and evil ritual practices for which he hopes to use to conjure all sorts of Yog Sothoth madness & mayhem. At Miskatonic University in Arkham (where else!) he finds the book is kept under lock & key and he persuades the seemingly already possessed Nancy (Sandra Dee) to allow him to look at the book whereupon visiting professor Dr. Henry Armitage (Ed Bagley) gets mightily upset at this (and even more upset when realizes Wilbur is descended from an infamous wizard who was lynched in the town square of Dunwich).

    Upon conveniently missing the last bus back to Dunwich Wilbur talks Nancy into giving him a ride back to Dunwich where they find surly residents aplenty and the Whatley house which looks to be a combination of The Addams Family & a hippie crash pad with Sam Jaffe as Wilbur’s grandfather wondering around with a large wizard-type staff warning of impending doom. Sabotaging her car and slipping her some potion induced tea Wilbur keeps Nancy in a sort of drugged up haze as she has dreams of wildly painted hippie orgies complete with distorted fish eye lens shots and pulsating colors. An increasingly wild eyed & spaced out Wilbur seems to have plans on using Nancy for a mother and/or sex partner (maybe sacrifice ??) to allow the “old ones” to enter our dimension and for her to give birth to Wilbur's offspring (which ties into the popular at the time ROSEMARY'S BABY scenario and hints at the open ending here).
     Dr. Armitage and a friend of Nancy’s show up looking for her which in turns leads to Armitage teaming up with local Dr. Cory (the always fun & scenery chewing Lloyd Bochner) whereupon we get the back story on the Whateleys including Wilbur’s insane mother and his evil “twin” which is kept up in the attic and eventually turned loose on the countryside. Plus there’s an early appearance by future ROCKY and GODFATHER alumnus Talia Shire.

    Haller, who had served as art director on many of the Corman Poe movies, certainly knew how to stretch a buck and is spite of its budget limitations THE DUNWICH HORROR is a handsomely mounted production with some wonderful set design and a pretty nifty matte painting of the devil’s hop yard and altar. One big drawback is the filming locations around Mendocino CA. filling in for Lovecraft’s (and supposedly the movie's) haunted Mass. settings. The bright sunlight, green grass and sun drenched rocky beaches pretty much scream California and the town filling in for Dunwich with its neat rows of brightly painted touristy gift shops & art galleries looks about as menacing as Disneyland’s Main Street U.S.A.

    There’s been much speculation concerning Dee’s participation in her kinda/sorta look real carefully and you might see something nude scenes as her face is not in view thru much of them (and its filmed thru a gauze filter) and although she had hoped to use this as a springboard for more adult roles (and on which it failed) she always maintained that it was a body double. None the less it’s still rather startling to see Gidget being laid upon an altar while being groped by devil worshipping hippies and having her thigh & breasts fondled by a demented looking Dean Stockwell. The MGM DVD restored the fleeting nudity here and present earlier during the monsters attack on the Nancy’s friend.
    Anyone who’s ever read Lovecraft’s description of Wilbur’s twin would realize the impossibility of bringing it to life in a pre -CGI production (in addition a low budget one such as this) so Haller keeps it to some quickly glimpsed widely flaying ribbon-like tentacles and pulsating lights – with a howling wind heralding its arrival in the out of doors. Even with its early 70’s psychedelic ambiance the film does keep in the spirit of Lovecraft with the opening scene showing the birth of the twins presided over by albino witches being straight out of the book. A tripping & evil Dean Stockwell, an (almost) nude Gidget and Yog Sothoth – I’m there!!