Small Faces were an English rock band from London. The group was founded in 1965 by members Steve Marriott, Ronnie Lane, Kenny Jones, and Jimmy Winston, although by 1966 Winston was replaced by Ian McLagan as the band's keyboardist.
The band is remembered as one of the most acclaimed and influential mod groups of the 1960's. With memorable hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing", "Tin Soldier", and their concept album Ogdens' Nut Gone Flake, they later evolved into one of the UK's most successful psychedelic acts before disbanding in 1969. After the Small Faces disbanded, with Marriott leaving to form Humble Pie, the remaining three members were joined by Ronnie Wood as guitarist, and Rod Stewart as their lead vocalist, both from The Jeff Beck Group, and the new line-up was renamed Faces. A revived version of the original Small Faces existed from 1975 to 1978.
Small Faces are also acknowledged as being one of the biggest original influences on the Britpop movement of the 1990's. Despite the fact the band were together just four years in their original incarnation, the Small Faces' music output from the mid to late sixties remains among the most acclaimed British mod and psychedelic music of that era.
This is the digitally remastered and expanded reissue of the Small Faces' 1966 debut, originally released on the Deram label.
1. Shake
2. Come On Children
3. You Better Believe It
4. It's Too Late
5. One Night Stand
6. What'cha Gonna Do About It
7. Sorry She's Mine
8. Own Up Time
9. You Need Loving
10. Don't Stop What You're Doing
11. E Too D
12. Sha La La La Lee
13. What's A Matter Baby
14. I've Got Mine *
15. Grown Your Own *
16. Almost Grown *
17. What'cha Gonna Do About It *
18. What's A Matter Baby *
19. Shake *
20. Come On Children *
21. You Better Believe It *
22. Own Up Time *
23. E Too D *
24. Come On Children *
25. Don't Stop What You're Doing *
* bonus tracks (alternative versions)
Before Pink Floyd became (deservedly) famous in the mid-70's for Dark Side Of The Moon, Wish You Were Here, and later for The Wall, they were a different band--they were Syd Barrett's band. Instead of the epic, moody, atmospheric, trippy rock forged primarily by the synergy of Roger Waters and David Gilmour later on in Pink Floyd's existence, The Piper at the Gates of Dawn finds the band making music that is very much of its time (1967). The music that became known as "psychedelic" is loosely defined as music that combines creative sonic textures and surprising sounds with bizarre, often whimsical lyrics to either simulate or enhance a drug experience. With the Beatles just down the hall in Abbey Road Studios recording Sgt. Pepper's Lonely Hearts Club Band, The Pink Floyd (named after obscure American blues men Pink Anderson and Floyd Council) were on the cutting edge of the British psychedelic scene while recording The Piper at the Gates of Dawn. (Amazon review)
This debut still endures today as a classic of its genre, thanks to Syd Barrett's unique vision and inimitable songwriting.
This is Santana's debut album from 1969 and the first of three albums by the classic Santana lineup: Carlos Santana on guitar, Gregg Rolie on keyboards and vocals, Dave Brown on bass, Mike Shrieve on drums, and Jose Areas and Mike Carabello on percussion. The band's sound was then still strongly rooted in the blues (especially on "You Just Don't Care") and many of the performances are absolute classics -- especially the fiery organ-guitar duel on "Waiting" and the explosive "Soul Sacrifice". Those familiar with Santana's radio hits will of course recognize "Evil Ways" and their chugging version of Olatunji's "Jingo", while the laid-back Latin groove of "Treat" provides a nice respite. The album is a brilliant combination of Rock, Latin and African influence. If you like the stinging guitar and swirling organ of early Santana, then this will not disappoint.
1. Waiting
2. Evil Ways
3. Shades Of Time
4. Savor
5. Jingo
6. Persuasion
7. Treat
8. You Just Don't Care
9. Soul Sacrifice