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Showing posts with label legend. Show all posts
Showing posts with label legend. Show all posts

Sunday, September 27, 2020

Hellooobaby! The Best of The Big Bopper 1954-1959

 

Jiles Perry "J. P." Richardson Jr. (October 24, 1930 – February 3, 1959), known as The Big Bopper, was an American musician, singer, songwriter, and disc jockey. His best known compositions include "Chantilly Lace" and "White Lightning", the latter of which became George Jones' first number-one hit in 1959. Richardson was killed in a plane crash in Clear Lake, Iowa in 1959, along with fellow musicians Buddy Holly and Ritchie Valens, and the pilot Roger Peterson.

Richardson, who played guitar, began his musical career as a songwriter. George Jones later recorded Richardson's "White Lightning", which became Jones' first No. 1 country hit in 1959. Richardson also wrote "Running Bear" for Johnny Preston, his friend from Port Arthur, Texas. The inspiration for the song came from Richardson's childhood memory of the Sabine River, where he heard stories about Indian tribes. Richardson sang background on "Running Bear", but the recording was not released until August 1959, six months after his death. The song became a No. 1 hit for three weeks in January 1960.

The man who launched Richardson as a recording artist was Harold "Pappy" Daily from Houston. Daily was promotion director for Mercury and Starday Records and signed Richardson to Mercury. Richardson's first single, "Beggar to a King", had a country flavor, but failed to gain any chart action. He soon cut "Chantilly Lace" as "The Big Bopper" for Pappy Daily's D label. Mercury bought the recording and released it at the end of June, 1958. It slowly began picking up airplay through July and August, and reached No. 6 on the pop charts spending 22 weeks in the national Top 40. In "Chantilly Lace", Richardson pretends to have a flirting phone conversation with his girlfriend; the record was comical in nature, with The Big Bopper presenting an exaggerated, but good-natured caricature of a ladies' man.

In November 1958 he scored a second hit, a raucous novelty tune entitled "The Big Bopper's Wedding", in which Richardson pretends to be getting cold feet at the altar. Both "Chantilly Lace" and "Big Bopper's Wedding" were receiving top 40 radio airplay through January 1959. 


                                    The Best of the Big Bopper 

 



Wednesday, September 23, 2020

Carl Perkins...Restless: The Columbia Recordings (1958-1968)

 

Most of the tracks here were made after Carl Perkins jumped from Sun Records to Columbia in 1958 and stayed there five years with a major label that promoted his friend and former Sun colleague Johnny Cash to superstardom but had little idea what to do with Perkins. Nonetheless, there's a lot of great rock here -- even the shoe songs (obvious attempts like "Pink Pedal Pushers" and "Pointy Toed Shoes" to capitalize on Perkins' great hit at Sun) are exciting, driving rock. 

The album contains two tracks from his "Whole Lotta Shakin'" album of rock covers, including Jimmy Lloyd's "Where the Rio de Rosa Flows" -- transformed from a nice little mid-tempo country honky-tonker into driving, scorching rock that stands alongside "Blue Suede Shoes," "All Mama's Children," "Dixie Fried" and "Matchbox" atop Perkins' discography. 

The disc also has three tracks from Perkins' second period as a Columbia artist (1968-1973), including the surprise country hit "Restless" and a remake of "All Mama's Children" with the 1960's band NRBQ. But it's the tracks from Perkins' first Columbia stint -- including sly, infectious country-rock pieces like "Honey, 'Cause I Love You", "L-O-V-E-V-I-L-L-E" and "Sister Twister" -- that make this disc a must-have for fans of pre-Beatles white rock. 

                                   Restless:The Columbia Recordings
 


                                          Pink Pedal Pushers

 

Friday, October 27, 2017

Fats Domino...1928-2017...legendary rock and roll icon...tribute post


Antoine Dominique "Fats" Domino Jr. (February 26, 1928 – October 24, 2017) was an American pianist and singer-songwriter of Louisiana Creole descent. He had 35 records in the U.S. Billboard Top 40, and five of his pre-1955 records sold more than a million copies, being certified gold.

Between 1955 and 1960, he had eleven Top 10 hits, and his record sales were reportedly surpassed only by Elvis Presley. During his career, Domino sold more than 65 million records. His musical style was based on traditional rhythm and blues, accompanied by saxophones, bass, piano, electric guitar, and drums.

He was born and raised in New Orleans, Louisiana, the youngest of eight children born to Antoine Caliste Domino (1879–1964) and Marie-Donatille Gros (1886–1971). The Domino family was of French Creole background, and Louisiana Creole was his first language. By age 14, Domino was performing in New Orleans bars. In 1947, Billy Diamond, a New Orleans bandleader, accepted an invitation to hear the young pianist perform at a backyard barbecue. Domino played well enough that Diamond asked him to join his band, the Solid Senders, at the Hideaway Club in New Orleans, where he would earn $3 a week playing the piano.[8] Diamond nicknamed him "Fats", because Domino reminded him of the renowned pianists Fats Waller and Fats Pichon, but also because of his large appetite.

Domino was one of the biggest stars of rock and roll in the 1950s and one of the first R&B artists to gain popularity with white audiences. His biographer Rick Coleman argues that Domino's records and tours with rock-and-roll shows in that decade, bringing together black and white youths in a shared appreciation of his music, was a factor in the breakdown of racial segregation in the United States. The artist himself did not define his work as rock and roll, but as a Dixieland music, saying, "It wasn't anything but the same rhythm and blues I'd been playin' down in New Orleans." 




Domino was also an important influence on the music of the 1960s and 1970s and was acknowledged as such by some of the top artists of that era. Elvis Presley introduced Fats at one of his Las Vegas concerts, saying, "This gentleman was a huge influence on me when I started out." Presley also made this comment in a 1957 interview: "A lot of people seem to think I started this business. But rock ’n’ roll was here a long time before I came along. Nobody can sing that music like colored people. Let’s face it: I can’t sing it like Fats Domino can. I know that."

Both John Lennon and Paul McCartney recorded Domino songs. According to some reports, McCartney wrote the Beatles song "Lady Madonna" in emulation of Domino's style, combining it with a nod to Humphrey Lyttelton's 1956 hit "Bad Penny Blues". Domino also recorded the song in 1968. Domino returned to the "Hot 100" chart for the last time in 1968, with his recording of "Lady Madonna". That recording, as well as covers of two other songs by the Beatles, appeared on his Reprise album Fats Is Back, produced by Richard Perry and with several hits recorded by a band that included the New Orleans pianist James Booker









Tuesday, March 21, 2017

Chuck Berry...1926-2017...R.I.P...Tribute Post



Charles Edward Anderson "Chuck" Berry (October 18, 1926 – March 18, 2017) was an American guitarist, singer and songwriter and one of the pioneers of rock and roll music. With songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958), Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive. Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.

Born into a middle-class African-American family in St. Louis, Missouri, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student he was convicted of armed robbery and was sent to a reformatory, where he was held from 1944 to 1947. After his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffs and showmanship techniques of the blues musician T-Bone Walker, Berry began performing with the Johnnie Johnson Trio. His break came when he traveled to Chicago in May 1955 and met Muddy Waters, who suggested he contact Leonard Chess, of Chess Records. With Chess, he recorded "Maybellene"—Berry's adaptation of the country song "Ida Red"—which sold over a million copies, reaching number one on Billboard magazine's rhythm and blues chart. By the end of the 1950's, Berry was an established star, with several hit records and film appearances and a lucrative touring career. He had also established his own St. Louis nightclub, Berry's Club Bandstand. But in January 1962, he was sentenced to three years in prison for offenses under the Mann Act—he had transported a 14-year-old girl across state lines. After his release in 1963, Berry had several more hits, including "No Particular Place to Go", "You Never Can Tell", and "Nadine". But these did not achieve the same success, or lasting impact, of his 1950's songs, and by the 1970's he was more in demand as a nostalgic performer, playing his past hits with local backup bands of variable quality. His insistence on being paid in cash led in 1979 to a four-month jail sentence and community service, for tax evasion.



                                          


Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986; he was cited for having "laid the groundwork for not only a rock and roll sound but a rock and roll stance." Berry is included in several of Rolling Stone magazine's "greatest of all time" lists; he was ranked fifth on its 2004 list of the 100 Greatest Artists of All Time. The Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll includes three of Berry's: "Johnny B. Goode", "Maybellene", and "Rock and Roll Music". Berry's "Johnny B. Goode" is the only rock-and-roll song included on the Voyager Golden Record.

A few choice album selections....








See also other posts on this blog:

The Chess Box
America's Hottest Wax, Rare and Unreleased



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Friday, May 20, 2016

Not Fade Away...Buddy Holly 1957: The Complete Recordings


This 90 track collection features every known 1957 Buddy Holly recording, the hits of which were issued alternately as by The Crickets ("That'll Be the Day", "Oh Boy", "Maybe Baby") and as by Buddy Holly ("Words of Love", "Peggy Sue", "Listen to Me"). Also here are the album tracks of the period, alternate takes, demos, air shots and more. 

As well as all of the 1957 recordings marketed as by both the Crickets and as by Buddy Holly, this three CD set also includes a wealth of tracks on which Buddy and his friends backed other Country, Pop and Rock 'N' Roll singers in the Clovis studio - such as the first (?) recordings by future folk star Carolyn Hester - along with the soundtracks from TV shows, on-air interviews and amusingly-tailored promo jingles to massage the egos of various music industry figures.



Track Listings
Disc: 1
  1. I'm Lookin' For Someone To Love - Buddy Holly
  2. That'll Be the Day - Buddy Holly
  3. Last Night - Buddy Holly
  4. Maybe Baby - Buddy Holly
  5. Last Night - Buddy Holly
  6. Words Of Love - Buddy Holly
  7. Words Of Love - Buddy Holly
  8. Mailman, Bring Me No More Blues - Buddy Holly
  9. Not Fade Away - Buddy Holly
  10. Not Fade Away - Buddy Holly
  11. Everyday - Buddy Holly
  12. Ready Teddy - Buddy Holly
  13. Valley Of Tears - Buddy Holly
  14. Tell Me How - Buddy Holly
  15. Buddy's Hone Call To Paul Cohen OF Decca Records - Buddy Holly
  16. Go Boy GGone - Gary Dale
  17. Gone - Gary Dale
  18. Go Boy Go - Gary Dale
  19. The Golden Rocket - Gary Dale
  20. Gone - Gary Dale
  21. I Overlooked An Orchid - Gary Dale
  22. On My Mind Again - Billy Walker
  23. Viva La Matador - Billy Walker
  24. A Whole Lot Of Lovin - Jim Robinson
  25. A Whole Lot Of Lovin - Jim Robinson
  26. A Whole Lot Of Lovin - Jim Robinson
  27. A Whole Lot Of Lovin' - Jim Robinson
  28. It's a Wonderful Feeling - Jim Robinson
  29. Starlight - Jack Huddle
  30. Believe Me - Jack Huddle
  31. Starlight - Jack Huddle
  32. Believe Me - Jack Huddle

Disc: 2
  1. Peggy Sue - Buddy Holly
  2. Peggy Sue - Buddy Holly
  3. Listen To Me - Buddy Holly
  4. That'll Be the Day - Buddy Holly
  5. That'll Be the Day - Buddy Holly
  6. Oh, Boy! - Buddy Holly
  7. Oh, Boy! - Buddy Holly
  8. That'll Be the Day - Buddy Holly
  9. I'm Gonna Love You Too - Buddy Holly
  10. Send Me Some Lovin' - Buddy Holly
  11. It's Too Late - Buddy Holly
  12. Send Me Some Lovin' - Buddy Holly
  13. It's Too Late - Buddy Holly
  14. Man From Texas - Jim Robinson
  15. Honey, Honey - Gary Dale
  16. Look To the Future - Gary Dale
  17. By the Missio Wall - Fred Crawford
  18. Wreck Of the Old '97 - Carolyn Hester
  19. Scarlet Ribbons - Carolyn Hester
  20. Sugartime - Charlie Phillips
  21. One Faded Rose - Charlie Phillips
  22. One Faded Rose - Charlie Phillips
  23. Sugartime - Charlie Phillips
  24. One Faded Rose - Charlie Phillips
  25. Humble Heart - Sherry Davis
  26. Borken Promises - Sherry Davis
  27. Moondreams - Norman Petty Trio
  28. Moondreams - Norman Petty Trio
  29. Moondreams - Norman Petty Trio

Disc: 3
  1. You've Got Love - Buddy Holly
  2. Maybe Baby - Buddy Holly
  3. An Empty Cup (And a Broken Date) - Buddy Holly
  4. Rock Me, My Baby - Buddy Holly
  5. That'll Be the Day - Buddy Holly
  6. That'll Be the Day - Buddy Holly
  7. Peggy Sue - Buddy Holly
  8. Interview With Ed Sullivan - Buddy Holly
  9. Little Baby - Buddy Holly
  10. You're So Square (Baby I Don't Care) - Buddy Holly
  11. Look At Me - Buddy Holly
  12. Mona - Buddy Holly
  13. Mona - Buddy Holly
  14. Mona - Buddy Holly
  15. Mona - Buddy Holly
  16. Peggy Sue - Buddy Holly
  17. Don't Do Me This Way! - Rick Tucker
  18. Patty Baby - Rick Tucker & the Picks
  19. Don't Do Me This Way! - Rick Tucker & the Picks
  20. Promotional Spot For Bill Randle #1 - Bill Randle
  21. Promotional Spot For Bill Randle #2 - Bill Randle
  22. Promotional Spot For Don Passerby #1 - Don Passerby
  23. Promotional Spot For Don Passerby #2 - Don Passerby
  24. Promotional Spot For Don Passerby #3 - Don Passerby
  25. Promotional Spot For Don Passerby #4 - Don Passerby
  26. Interview With Red Robinson - Red Robinson
  27. Promotional Spot For Red Robinson - Buddy Holly
  28. Interview With Freeman Hoover - Freeman Hoover
  29. Promotional Spot For Interview With Freeman Hoover - Freeman Hoover

  30. Interview With Dale Lowery - Dale Lowery





Monday, February 15, 2016

Link Wray and His Ray Men...White Lightning The Lost Cadence Sessions '58..RARE release



Fred Lincoln 'Link' Wray, Jr. (May 2, 1929 – November 5, 2005), was an American rock and roll guitarist, songwriter and vocalist who first came to popularity in the late 1950's.

Building on the distorted electric guitar sound of early records, his 1958 instrumental hit "Rumble" by Link Wray and his Ray Men popularized "the power chord, the major modus operandi of modern rock guitarists", making possible "punk and heavy rock". Rolling Stone placed Wray at No. 45 of the 100 greatest guitarists of all time. In 2013 he was announced as a nominee for the Rock and Roll Hall of Fame. His musical style primarily consisted of rock and roll, rockabilly and country.

The kids of 1958 loved the Ray Men, and their first single for Cadence Records shot up the charts like a label owner's dream. This is the fantastic and fiery album that was supposed to have been released as a follow-up to one of the all-time great instrumental classics, the ultra-menacing "Rumble." But faster than you can say "Drag Race," everyone--Cadence label-owner Archie Bleyer included--was talking about this new threat to the morals of American youth. That's why Link and his boys were off the imprint, and this album of prime distorto-guitar-crunch cool remained unreleased for nearly 50 years. Well here it is, and it's every bit as dirty and dangerous as you would expect!





Reviews: 
"This rocks forwards and backwards. That it took so long to be released is borderline criminal. It's refreshing to hear the power chord from a new-old view."

"Raucous instrumental twangy guitar rock! As raw and tough as the 50's has to offer. This stuff will blow your mind!"



                                   





Sunday, June 7, 2015

Fats Domino...Rock and Rollin' with Fats Domino...1956


Antoine "Fats" Domino, Jr. (born February 26, 1928) is an American pianist and singer-songwriter. Domino released five gold (million-copy-selling) records before 1955. He also had 35 Top 40 American hits and has a music style based on traditional rhythm and blues ensembles of bass, piano, electric guitar, drums, and saxophone.






                                            


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Wednesday, March 4, 2015

Bill Haley...From Western Swing To Rock..Essential Collection


There is no denying Bill Haley's influence on popular music and, in particular, Rock and Roll. Whilst he is best known for "Rock Around the Clock", his beginnings were in Country and Western Swing, and his progression to his more famous rock and roll tracks made him a legend. This collection brings together tracks from his earlier days with The Four Aces and The Saddlemen and onto the classic Comets recordings and even offshoots from The Comets, The Jodimars and The Jaguars. 

With over 100 tracks, this compilation will have you swinging, rocking, rolling, jiving and everything else in between.










This 7 minute YouTube clip is from a 1954 short film entitled "Roundup of Rhythm" and shows the Comets live performing "Crazy, Man, Crazy", "Straightjacket" and "Shake, Rattle and Roll".

                                       


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Wednesday, February 4, 2015

Chuck Berry Rock & Roll Music - Any Old Way You Choose It - The Complete Studio Recordings Plus...! Deluxe 16-CD boxed set


Deluxe 16-CD boxed set from Bear Family;..with 2 hardcover books (356 total pages) in a cloth bound LP-sized slipcase. 396 tracks, for a total playing time of 21 hours and 11 minutes!

                                                            


''If you tried to give rock and roll another name, you might call it 'Chuck Berry.''' (John Lennon)

Since their launch in 1975, the Bear Family have wanted to honor Chuck Berry. There have been endless Chuck Berry compilations - more than anyone could possibly tabulate, but they wanted to do the ultimate Chuck Berry compilation, containing:
  • Every single and LP track, starting with a rare pre-Chess single with Joe Alexander from 1954!
  • All the celebrated and legendary Chess singles and album cuts from 1955 to 1966 and from 1969 to 1974.
  • All the Mercury recordings, and the Atco album. Every surviving alternate take as well.
  • Classic Live Recordings from 1956 to 1972.
  • Exclusive introduction by Sir Paul McCartney.
But wait,there's more! Expatriate British photographer Bill Greensmith lives in St. Louis and a few years back he found the photo archive of Chuck Berry's uncle, Harry Davis. Included are many previously unseen images of Chuck performing in St. Louis and hanging out with friends and family. In these images, Chuck is unguarded and relaxed. We also see him performing at blues nightspots in and around St. Louis before he was famous. These photos, included with this set in a high quality 104-page hardbound book, will open your eyes to Chuck Berry as you've never seen him.

Plus, there's a second 252-page hardbound book with a definitive essay from Chuck's biographer, Bruce Pegg, additional texts by Mike Snow and Roger Fairhurst, a comprehensive discography by Fred Rothwell, hundreds of published and unpublished photos, including several images made by respected French photographer Jean-Marie Perrier in 1964.

In other words, everything you want by Chuck Berry in one place! The last word on the first name in Rock 'n' Roll.


                                                                      


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Tuesday, April 26, 2011

Link Wray.....The Original Rumble plus 22 other Storming Guitar Instrumentals


Fred Lincoln 'Link' Wray, Jr. (May 2, 1929 – November 5, 2005), was an American rock and roll guitarist, songwriter and vocalist who first came to popularity in the late 1950s.

Building on the distorted electric guitar sound of early records, his 1958 instrumental hit "Rumble" by Link Wray and his Ray Men popularized "the power chord, the major modus operandi of modern rock guitarists", making possible "punk and heavy rock". Rolling Stone placed Wray at No. 45 of the 100 greatest guitarists of all time. In 2013 he was announced as a nominee for the Rock and Roll Hall of Fame. His musical style primarily consisted of rock and roll, rockabilly and country.

No collection is complete without an album by this man. Link Wray is the inventor of the power chord that influenced a whole generation of British and American guitarists. The Who, The Kinks and many more took the power chord to another level because of hearing Link DO IT FIRST! He was the inventor of a style of music that is such a deep part of musical history.

1. Rumble
2. The Swag
3. Batman (Theme)
4. Ace Of Spades
5. Jack The Ripper
6. I'm Branded
7. Fat Back
8. Run Chicken Run
9. Turnpike USA
10. Deuces Wild
11. Mustang
12. Blueberry Hill
13. Run Boy Run
14. The Sweeper
15. Hound Dog
16. That'll Be The Day
17. The Fuzz
18. Rawhide
19. Draggin'
20. Aces Wild
21. Bull Dawg
22. The Rumble Man
23. Copenhagen
                                                  

Wednesday, February 24, 2010

The Great Carl Perkins..Original Sun Recordings and more (updated 06/2013)


Carl Lee Perkins (April 9, 1932 – January 19, 1998) was an American rockabilly musician who recorded most notably at Sun Records Studio in Memphis, Tennessee, beginning during 1954. His best known song is "Blue Suede Shoes".



According to Charlie Daniels, "Carl Perkins' songs personified the rockabilly era, and Carl Perkins' sound personifies the rockabilly sound more so than anybody involved in it, because he never changed." Perkins' songs were recorded by artists (and friends) as influential as Elvis Presley, The Beatles, Jimi Hendrix, and Johnny Cash, which further cemented his place in the history of popular music. Paul McCartney even claimed that “If there were no Carl Perkins, there would be no Beatles”.



I didn't know Carl Perkins existed until I read the track listing on "The Beatles For Sale" LP. "Honey Don't" and "Everybody's Trying To Be My Baby" were both penned by someone called "Perkins". After a bit of research I discovered it was Carl Perkins. I also found out he wrote "Blue Suede Shoes" which, of course, I thought was an original Elvis song. I borrowed an LP of his from someone and hey presto, Rockabilly came alive to my ears!

Called "the King of Rockabilly", he was inducted into the Rock and Roll, the Rockabilly, and the Nashville Songwriters Halls of Fame; and was a Grammy Hall of Fame Award recipient.

Elvis may have been the King, but Carl Perkins was certainly the originator. He penned and recorded "Blue Suede Shoes" before Elvis covered it, "Honey Don't" and "Matchbox" before The Beatles and...need I say more? Classic and timeless rockabilly. Carl Rocks!

This compilation is a 58 track, 3CD set which includes the original Sun recordings plus alternative takes and demos. A must for any music aficionado.