ASSAULT

 

Gloriously epic Indonesian stadium crust from 2017 that would have destroyed a musty Midwestern US basement in 2004. From the stunning tempo changes in "Eviction Warning" to the anthemic black metal march of "Suffering From A Systematically" and right into a quasi-fastcore DBeat with "Culture vs. Modern," every breath of The Final Apocalypse holds a purpose and holds your attention...I'm not sure what more you could ask for. 

THE FINAL APOCALYPSE

LEMOTS

 

More raw blasts from the early waves of DIY hardcore / punk that spread through Indonesia and helped build the foundation for one of the strongest, most vibrant punk scenes in the world. We Don't Give A Fuck was recorded in 2002, and from the harsh shout that opens "Stupid System" to the discordant guitars making an utterly simple riff in " Kami Akan Tetap Bertaham" sound like a revolution, to the relentless rapid fire blasts in the closer "Confused" there can be no doubt that it holds up as a brilliant example of intense and honest punk mania. You can't fake this shit. 

WE DON'T GIVE A FUCK

============================================

RSG

 

When I opened the most recent package of gold from Indonesia I remember just kinda staring and poring carefully over the contents. Almost 100 tapes spanning two-and-one-half decades of DIY punk from the fourth most populous country in the world. A capital city with as many people as the state of California (throw in both Dakotas, Hawaii and Maine for good measure). A DIY punk scene that ignited a full generation after most of the "first" world, an ignition and growth inspired and encouraged by the public pressure that led to the downfall of a military dictator. Indonesian punk and hardcore exists in a world all its own because they don't need "us" to validate their existence or their worth - they take notes and they take note, but what they're doing often has little to do with the rest of the world even when they're paying homage (like ZABØGART covering URBAN WASTE and CHARLES BRONSON last week). I stared at that box of tapes and I scoured the titles....dozens of bands I had never heard of. Hardcore, crust, emo, punk, Oi!, grind.....tape after tape from DIY punk bands creating and inspiring and existing on an entirely different plane. RSG was the first tape I pulled out of the box and I popped it in immediately - it sounded like I needed it to sound in that moment; raw, insistent, intense DIY crust/grind that could honestly have been from anywhere. But it wasn't. I'm looking forward to the next box before I've even made a dent in this one, because the more you learn, the more you know how much you have to learn. 

INNOCENT PEOPLE ARE ALWAYS BE THE VICTIM OF GOVERNMENT POWER

====================================

THEIST

 

Different presentations of these songs are on the THEIST tape I posted a few years ago, but I enjoyed revisiting this absolute bulldozer so much that I figured there must be some would-be interested parties who may have missed out the first time around. A glorious amalgamation of epic stadium crust and crushing doomsludge...and then they go fast, and when they go fast I suggest you strap in. The closer "At The End Of The Maze" probably captures all of the power most effectively (makes sense that it's the closer then, no?), building on everything from the stoner grooves that open "Antidogma" to the breakneck epic DBeat assault of "Endless Lust" and the atmospheric interludes "Aeon" and "Arche" that separate this release from their other self titled cassette.
Here I am in 2026 listening to a recording from 2014...wishing it was 2003. 

THEIST

ZABØGART

 

You're standing at the intersection of Crust & Grind just minding your own business, and then a dumptruck drops a healthy load of Fastcore right on top of the pavement and a steamroller with a flipped up hat starts crushing it all. And then, just six minutes later, you have ZABØGART. Fourteen doses of relentless distorted fury, and it's done before you even know what happened. URBAN WASTE and CHARLES BRONSON covers to keep them honest, but ten years from now some kids on the other side of the world are going to record their version of "Polotik Identitas" and I hope I'm hear for it. 

FUCKSCENE

====================================

DISSÖLVE

 

Nostalgia is a frequent visitor to these pages; I suppose it comes with the territory when you're posting old(er) sounds and documents alongside newer versions, the comparisons provide context and the nostalgia is inevitable. We can't live in it though. We can't live in what used to be or what we used to have or what we used to be a part of. We can, however, use those lived experiences as a starting point for new ones. Somehow this wisdom relates to DISSÖLVE's debut release Oathbreaker and how I feel as I listen to twelve blasts of furious hardcore from Indonesia. This could have been a band I heard twenty (five?) years ago...ballistic crust tinged with DBeat and fastcore fronted by throat searing vocals from Sleepy...and those words should be all the motivation you need. The band's sound is embodied by "Unforgiveness," which lands near the middle of the track listing - the fasts are faster here, the vocals will raise the hairs on your arm and then after a breath or anticipation, DISSÖLVE the fiercest breakdown outro imaginable. But it's the whole damn thing and not just one track, it's blast after relentless blast for a solid half hour, and it's awesome. This tape from 2024 makes me feel alive and makes me feel like I have lived...which is putting that nostalgia to good use.

OATHBREAKER

BLINDED HUMANITY

 

Blazing mid-00s Lion City street crust with just enough earnest energy to keep them honest. The way "Sensou Soochi" stomps, the way "Vanished" flies completely off the handle after the intro - they're a product of their influences and it rules. '90s US crust and classic Japanese hardcore all doing battle with ramshackle DBeat, using distorted guitars as weapons. 

ENDLESS MASSACRE

****************************************

MONOLITH // DEAD SYSTEM

 

Raw blasting grind/crust from Austria's MONOLITH. I hope you're ready. 
Raw blasting crust/grind from Indonesia's DEAD SYSTEM. I hope you're ready.

You're going to want to hydrate before listening.

MONOLITH // DEAD SYSTEM

SAMIN ANARKIA

 

Sometimes you need to feel the surge of the crowded room, moving as a cohesive and chaotic organism as the band you can barely see makes the walls shake. Condensation on the ceiling, beer all over the floor, studded jackets digging into the flesh on your arms as you brace yourself - not knowing if you're preparing for the next body blow or the next riff. This is stadium crust built for basements, walls of sound laying waste to the room while clenched fists pound the air. SAMIN ANARKIA accomplishes in less than fourteen minutes what the previous decade of DIY punk worked to achieve.

MALAPETAKA

IT'S ALL ABOUT FUCKIN' RAGE

 

I hope you're sitting down, because this thing is going to knock you on yr fukkn ass. A perfect assemblage of early '00s DIY hardcore and crust focused on USA (A.O.S., DISSYSTEMA) and Sweden (CROSSING CHAOS, AVSKUM, DISKONTO, PROJECT HOPELESS) with SICK TERROR (Brasil), DISBEER (Austria) and RECHARGE (Germany) filling in the gaps. A strong tip of the hat to Indonesia's Hardcore Curse Records for not only putting this compilation together, but for including a couple of shit-fi tracks from countrymen DICKHEAD so all of the punks know wheat belongs where....and DICKHEAD absolutely belong sandwiched between AVSKUM and DISKONTO even if (especially if?) their tracks sound like absolute shit.

IT'S ALL ABOUT FUCKIN' RAGE: A Compilation Of International D.I.Y. HC/Punk Bands

GRASP OF DYNAMITE

 

This is the embodiment of '00s stadium crust never realized......except that it was realized. TRAGEDY and and THE TOTAL END and ZEROID and FALL OF EFRAFA and....GRASP OF DYNAMITE but a decade later. They took the sounds and the energy and made it something else entirely. Something you already know but something you've never felt before...not like this. 

THE ABYSS

KONTRASOSIAL

 

Ferocious ScanDBeat from the subgenre's heyday in the mid-2000s. You can imagine KONTRASOSIAL added to a Pointless Fest basement gig or Chaos In Tejas after show easily; shit would have been the perfect recipe for joyous chaos...and if you know what I meant then you know precisely what I'm talking about. Fist banging kång and lightning fast mid-tempo moshes, it's like THE TOTAL END and DISMACHINE linked arms and doused the entire warehouse with beer. Relentless, in your face and dedicated to the craft - this is the DBeat band I was dreaming of when I dreamed up KS MUTATION with Jon and Anton fifteen years ago....that one four-song set wasb't enough, but we have KONTRASOSIAL.  

KONTRASOSIAL

HEKTIKS

I used to make a point of highlighting blown out guitars and bombastic distortion every Monday. Listening to HEKTIKS.....I kinda think I should get back into the habit. Can't really think of a better way to put this shit life into perspective than the complete destruction of your senses. 

OBLITERATION

BURNING FLAG

 

The title tells you what you need to know - Grind IS Protest and BURNING FLAG are standing tall in the face of authority and sonic competence on this 2014 release. No bass (at least not in the mix), raw dual high/low vocals punctuating political DIY grind - you don't need to know BURNING FLAG to know their sound. Tracks like "Revolusi" and "Fuck The System Government" would have been right at home in 1990s Connecticut (if you know, then you know) while "Dinoe Kasetno Indro" is a more primal, metallic lo-fi crust grind assault. Melodic hooks keep creeping out of the manic DBeat guitar riffs; never enough to actually develop...just enough to raise an eyebrow before tracks like "Ludahi Para Pendusta" rip your face off. Let Grind Is Protest serve as a reminder....I'm not sure of what exactly, just consider yourself reminded. 

GRIND IS PROTEST

POTEMKIN

 

A little over two years ago I posted Sludge Vol.2 and I said this:

You ever wake up feeling....ugly? I'm not talking about "not feeling yourself" ugly, I'm thinking something more like "willing to destroy yourself" ugly. You refuse to look in the mirror - not because you're scared of what you might see, but because you know what's going to be staring at you. And it's disgusting. You ever wake up feeling....hopeless? I'm not talking about "should have slept in today" hopeless, I'm thinking something more like "hopeless" hopeless. You refuse to see the light - not because you're stubborn, but because you know it's not there. You ever wish those feelings had a soundtrack? You ever wish those days had a soundtrack? Enter: POTEMKIN. Terrifyingly misanthropic sludge that understands your desperation and sees you for the ugly piece of shit you know you are. And sometimes...it feels good to feel seen. 

Well, it should come as no surprise that the same sentiment applies to the first volume. This shit is just so disgustingly honest and brutal. When people search for this band's music, results should come with trigger warnings....and this is why we keep listening: so we can feel. 

SLUDGE VOL.1

DEATH GASP

 

My fukkn stars this shit sounds so desperate. AMEBIX, INEPSY, VENOM. Low end cavernous churn. Absolute evil and/or sonic destruction. Pittsburgh man....let's go to Pittsburgh. 

EXECUTIONER

ASTRAL BUTCHER

 

I played with them once. It was in Sacramento - it was probably with NO STATIK even though my brain keeps telling me it was SUICIDE BOMB) - and ASTRAL BUTCHER felt fucking dangerous. They were like the drug dealers who showed up to the high school dance and lurked in the shadows. They played with irreverence, they destroyed with abandon. They fukkn destroyed the joint. 

CEMETERY GOATS

FILE UNDER: Blistering high-end black psychedelic metalcrust power trio.

AYPEROS

 

I often write about things that remind me of other things - about listening to things that make me thing about other times when I listened to other things. That's Nihspra in a nutshell, and I am fucking frothing while I introduce myself to AYPEROS because these sounds are emblematic of one of the best times in (my) punk history. This is mid-'00s stadium crust; PDX SweDe-Beat infused with black metal and CELEST(E) blasts and then just.......fukk man, just listen to the title track here. Please. PLEASE. 

NIHSPRA

GRASP OF DYNAMITE

 

A few weeks ago we went to see a bunch of black and death metal bands in San Diego. Some of them were pretty satanic and it was generally a really good gig....but I still left feeling like I wanted something else. Not necessarily something more, just something else, you know? Apparently what I wanted was GRASP OF DYNAMITE. A blackened satanic metal infused crust assault that is distinctly and undeniably punk in approach and delivery, Satanik Krust Impera does in four songs what those six bands tried to do all damn night (with the exception of CARDINAL, that shit ruled...but I digress). 

"In Darkness We Alive" in-fucking-deed. 

SATANIKA KRUST IMPERA

SKITKIDS

 

I truly hope that this needs no introduction, and I suspect that for most readers this will be a reminder to go (re)listen to one of the best releases of the '00s and not any kind of new discovery. SKITKIDS were a product of their time and place, and when Besöket Vid Krubban dropped it completely changed the game. I remember Mick giving me a copy in Philly and being stoked to crank it once I got home...he warned me devilishly that I was not prepared but even still I underestimated. It was like INEPSY and ANNIHILATION TIME and fucking TOTALITÄR all at the same time, but faster and wilder than any of them. The were shit-hot fire on stage, and as good as Onna For Pleasure was...this is possibly the only recording that came close to capturing that shit in the flesh. Hard to imagine anything hitting like this ever again. 

BESÖKET VID KRUBBAN