Thomas
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Thomas

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The Everlasting
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by Alix E. Harrow (Goodreads Author)
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Getting What You ...
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  (page 146 of 399)
"Putting this one on hold for now, having finished the section about admissions. Relevant and helpful advice despite the book's publishing date of 1997. Now I just need to do my part and work hard." Jul 31, 2014 09:11PM

 
As We Have Always...
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Edwidge Danticat
“We cannot write about death without writing about life. Stories that start at the end of life often take us back to the past, to the beginning - or to some beginning - to unearth what there was before, what will be missed, what will be lost.”
Edwidge Danticat, The Art of Death: Writing the Final Story

Jami Attenberg
“What if I start making art again? What if I just did that? That is the thing I love, that is the thing I miss the most. For so long I have believed I could never catch up, but now I realize there’s nothing to catch up to, there’s only what I choose to make. There’s still time, I think. I have so much time left.”
Jami Attenberg, All Grown Up

Olivia Laing
“Loneliness is personal, and it is also political. Loneliness is collective; it is a city. As to how to inhabit it, there are no rules and nor is there any need to feel shame, only to remember that the pursuit of individual happiness does not trump or excuse our obligations to each another. We are in this together, this accumulation of scars, this world of objects, this physical and temporary heaven that so often takes on the countenance of hell. What matters is kindness; what matters is solidarity. What matters is staying alert, staying open, because if we know anything from what has gone before us, it is that the time for feeling will not last.”
Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

Louise Erdrich
“Life will break you. Nobody can protect you from that, and being alone won't either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You have to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, or left, or hurt, or death brushes too near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself that you tasted as many as you could.”
Louise Erdrich, The Painted Drum

Olivia Laing
“It seems funny to think that healing or coming to terms with loneliness and loss, or with the damage accrued in scenes of closeness, the inevitable wounds that occur whenever people become entangled with one another, might take place by means of objects. It seems funny, and yet the more I thought about it the more prevalent it was. People make things – make art or things that are akin to art – as a way of expressing their need for contact, or their fear of it; people make objects as a way of coming to terms with shame, with grief. People make objects to strip themselves down, to survey their scars, and people make objects to resist oppression, to create a space in which they can move freely. Art doesn’t have to have a reparative function, any more than it has a duty to be beautiful or moral. All the same, there is art that gestures towards repair; that, like Wojnarowicz’s stitched loaf of bread, traverses the fragile space between separation and connection.”
Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

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