Lucy Worsley

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Lucy Worsley


Born
in Reading, Berkshire, The United Kingdom
December 18, 1973

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I was born in Reading (not great, but it could have been Slough), studied Ancient and Modern History at New College, Oxford, and I've got a PhD in art history from the University of Sussex.

My first job after leaving college was at a crazy but wonderful historic house called Milton Manor in Oxfordshire. Here I would give guided tours, occasionally feed the llamas, and look for important pieces of paper that my boss Anthony had lost. Soon after that I moved to the Society for the Protection of Ancient Buildings, in the lovely job for administrator of the Wind and Watermills Section. Here I helped to organise that celebrated media extravaganza, National Mills Day. I departed for English Heritage in 1997, first as an Assistant Inspector and the
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Lucy Worsley isn't a Goodreads Author (yet), but they do have a blog, so here are some recent posts imported from their feed.

Six Wives with Lucy Worsley

We spent a wonderful summer all over Europe filming our new seriesSix WivesWithLucy Worsley,which you’ll be able to see in the UK from 7th December on BBC One, and in the US on PBS from 22nd January 2017.

Here are some pictures from behind the scenes, and I hope you enjoy it!

I spent most of my time wenching…

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Here,Maud Parr gets her make-up checked…

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I desp

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Published on December 03, 2016 06:33
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More books by Lucy Worsley…
Quotes by Lucy Worsley  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Many argue that the twentieth century’s council estates have had disastrous social consequences. People in poverty feel, and indeed actually grow, poorer if forced to live in a sink estate, while the middle classes flee to their own leafy ghettoes outside city centres. A successful ‘place’ mixes up the different groups in society, forcing them to mingle and to look out for each other.”
Lucy Worsley, If Walls Could Talk: An intimate history of the home

“And Jane all her life would be interested in ordinary, unexceptional girls and what might happen to them. Her quietest heroine of all, Fanny Price, had ‘no glow of complexion, nor any other striking beauty’, while Catherine Morland had ‘nothing heroic’ about her, and was ‘occasionally stupid’. Jane’s great achievement would be to let even the ordinary, flawed, human girls who read her books think that they might be heroines too.”
Lucy Worsley, Jane Austen at Home: A Biography

“This change in biological understanding had enormous implications for society. Women gradually shed their medieval stereotype as insatiable temptresses in order to become the Victorian ideal of pure, chaste, virginal angels. A society where sexual order was maintained by physical chastisement gradually began to give way to internal moral codes, where behaviour was policed by social forces such as shame and expulsion from the community for sexual transgression.”
Lucy Worsley, If Walls Could Talk: An intimate history of the home

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