Hermann Hesse
Born
in Calw, Württemberg, Germany
July 02, 1877
Died
August 09, 1962
Genre
Influences
Siddhartha
2803 editions
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published
1922
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Steppenwolf
861 editions
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published
1927
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Demian
415 editions
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published
1919
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Narcissus and Goldmund
by
207 editions
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published
1930
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The Glass Bead Game
by
330 editions
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published
1943
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Beneath the Wheel
279 editions
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published
1906
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The Journey to the East
by
185 editions
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published
1932
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Demian / Siddhartha
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Peter Camenzind
by
217 editions
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published
1904
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Knulp
236 editions
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published
1915
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“For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.
Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.
A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.
A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.
A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.
So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.”
― Bäume: Betrachtungen und Gedichte
Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.
A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.
A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.
A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.
So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.”
― Bäume: Betrachtungen und Gedichte
“If you hate a person, you hate something in him that is part of yourself. What isn't part of ourselves doesn't disturb us.”
― Demian
― Demian
Polls
September 2017 New School Classic Poll
I Know Why the Caged Bird Sings by Maya Angelou, 1969, 246 pgs
The Secret History by Donna Tartt, 1992, 559 pgs
Ender's Game by Orson Scott Card, 1985, 324 pgs
The Godfather by Mario Puzo, 1969, 448 pgs
Dubliners by James Joyce, 1914, 207 pgs
Sophie's Choice by William Styron, 1979, 562 pgs
Corelli's Mandolin by Louis de Bernières, 1994, 437 pgs
The Jungle by Upton Sinclair, 1906, 335 pgs
The Heart is a Lonely Hunter by Carson McCullers, 1940, 368 pgs
Steppenwolf by Hermann Hesse, 1927, 256 pgs
Possession by A.S. Byatt, 1990, 555 pgs
Buddenbrooks: The Decline of a Family by Thomas Mann, 1901, 731 pgs
Swann's Way by Marcel Proust, 1913, 468 pgs
A Handful of Dust by Evelyn Waugh, 1934, 308 pgs
The Prophet by Kahlil Gibran, 1923, 127 pgs
We by Yevgeny Zamyatin, 1924, 225 pgs
The Street by Ann Petry, 1946, 435 pgs
Maud Martha by Gwendolyn Brooks, 1953, 180 pgs
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