Alejandra Pizarnik

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Alejandra Pizarnik


Born
in Buenos Aires, Argentina
April 29, 1936

Died
September 25, 1972

Genre

Influences


Born in Buenos Aires to Russian parents who had fled Europe and the Nazi Holocaust, Alejandra Pizarnik was destined for literary greatness as well as an early death. She died from an ostensibly self-administered overdose of barbiturates on 25 September 1972. A few words scribbled on a slate that same month, reiterating her desire to go nowhere "but to the bottom," sum up her lifelong aspiration as a human being and as a writer. The compulsion to head for the "bottom" or "abyss" points to her desire to surrender to nothingness in an ultimate experience of ecstasy and poetic fulfillment in which life and art would be fused, albeit at her own risk. "Ojalá pudiera vivir solamente en éxtasis, haciendo el cuerpo del poema con mi cuerpo" (If I cou ...more

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La condesa sangrienta

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Extracting the Stone of Mad...

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En esta noche, en este mundo

4.17 avg rating — 2,269 ratings — published 2005 — 2 editions
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Diarios

4.66 avg rating — 1,697 ratings — published 2004 — 13 editions
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Árbol de Diana

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Prosa completa

4.10 avg rating — 1,094 ratings — published 2003 — 13 editions
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Cartas

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Los trabajos y las noches

4.18 avg rating — 683 ratings — published 1965 — 12 editions
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El infierno musical

4.27 avg rating — 505 ratings — published 1971 — 11 editions
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More books by Alejandra Pizarnik…
Quotes by Alejandra Pizarnik  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Melancholia is, I believe, a musical problem: a dissonance, a change in rhythm. While on the outside everything happens with the vertiginous rhythm of a cataract, on the inside is the exhausted adagio of drops of water falling from time to tired time. For this reason the outside, seen from the melancholic inside, appears absurd and unreal, and constitutes ‘the farce we all must play’. But for an instant – because of a wild music, or a drug, or the sexual act carried to its climax – the very slow rhythm of the melancholic soul does not only rise to that of the outside world: it overtakes it with an ineffably blissful exorbitance, and the soul then thrills animated by delirious new energies”
Alejandra Pizarnik

“Because no one has more thirst for earth, for blood, and for ferocious sexuality than the creatures who inhabit cold mirrors”
Alejandra Pizarnik

“Quiero estudiar, quiero aprender, quiero escribir. Tengo veintidós años. No sé nada. Nada fundamental. No sé lo que debería haber aprendido hace muchos años. Nadie me enseñó nada. Sé, en cambio, lo que debería saber mucho después. De allí que me sienta anciana y niña al mismo tiempo.”
Alejandra Pizarnik, Diarios

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