Sally Mann

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Sally Mann


Born
in Lexington, VA, The United States
May 01, 1951

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Sally Mann (b. Lexington, VA, 1951) is one of America's most renowned photographers. She has received numerous awards, including NEA, NEH, and Guggenheim Foundation grants, and her work is held by major institutions internationally. Her many books include At Twelve (1988), Immediate Family (1992), Still Time (1994), What Remains (2003), Deep South (2005), Proud Flesh (2009), The Flesh and the Spirit (2010) and Remembered Light (2016).

In 2001 Mann was named “America’s Best Photographer” by Time magazine. A 1994 documentary about her work, Blood Ties, was nominated for an Academy Award and the 2006 feature film What Remains was nominated for an Emmy Award in 2008. Her bestselling memoir, Hold Still (Little, Brown, 2015), received universal cr
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Average rating: 4.14 · 15,918 ratings · 1,204 reviews · 39 distinct worksSimilar authors
Hold Still: A Memoir with P...

4.07 avg rating — 8,102 ratings — published 2015 — 17 editions
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Immediate Family

4.20 avg rating — 5,825 ratings — published 1992 — 10 editions
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Deep South

4.22 avg rating — 754 ratings — published 2005 — 2 editions
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What Remains

4.21 avg rating — 343 ratings — published 2003 — 3 editions
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Still Time

4.46 avg rating — 263 ratings — published 1994 — 3 editions
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At Twelve: Portraits of You...

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4.44 avg rating — 219 ratings — published 1988 — 3 editions
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Sally Mann: The Flesh and T...

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4.43 avg rating — 79 ratings — published 2010 — 5 editions
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Proud Flesh

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4.18 avg rating — 71 ratings — published 2009
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Remembered Light: Cy Twombl...

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3.72 avg rating — 25 ratings2 editions
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Art Work: On the Creative Life

4.07 avg rating — 14 ratings4 editions
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More books by Sally Mann…
Quotes by Sally Mann  (?)
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“I tend to agree with the theory that if you want to keep a memory pristine, you must not call upon it too often, for each time it is revisited, you alter it irrevocably, remembering not the original impression left by experience but the last time you recalled it. With tiny differences creeping in at each cycle, the exercise of our memory does not bring us closer to the past but draws us further away.”
Sally Mann, Hold Still: A Memoir with Photographs

“As for me, I see both beauty and the dark side of the things; the loveliness of cornfields and full sails, but the ruin as the well. And I see them at the same time, and chary of that ecstasy. The Japanese have a phrase for this dual perception: mono no aware. It means "beauty tinged with sadness," for there cannot be any real beauty without the indolic whiff of decay. For me, living is the same thing as dying, and loving is the same thing as losing, and this does not make me a madwoman; I believe it can make me better at living, and better at loving, and, just possibly, better at seeing.”
Sally Mann, Hold Still: A Memoir with Photographs

“I struggle with enormous discrepancies: between the reality of motherhood and the image of it, between my love for my home and the need to travel, between the varied and seductive paths of the heart. The lessons of impermanance, the occasional despair and the muse, so tenuously moored, all visit their needs upon me and I dig deeply for the spiritual utilities that restore me”
Sally Mann

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