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New Orleans French Quarter Quotes
Quotes tagged as "new-orleans-french-quarter"
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“New Orleans' rebellious and free-spirited personality is nothing if not resilient. And so the disruptive energies of the place- its vibrancy and eccentricity, its defiance and nonconformity, and yes, its violence and depravity- are likely to live on.”
― Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans
― Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans
“On the prow of the wagon, in an attempt to attract business among the Quarterites, Ignatius taped a sheet of Big Chief paper on which he had printed in crayon: TWELVE INCHES (12) OF PARADISE. So far no one had responded to its message.”
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“This was, after all, New Orleans in 1890- the Crescent City of the Gilded Age, where aliases of convenience and unconventional living arrangements were anything but out of the ordinary, at least in certain parts of town. Identities were fluid here, and names and appearances weren't always the best guide to telling who was who.”
― Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans
― Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans
“New Orleans, it was often observed, was the first American metropolis to build an opera house, but the last to build a sewage system.”
― Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans
― Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans
“Are you gay, Cherie?
Me, No… I’m not anything… I-I mean I prefer not to indulge, I stammered.
“Really... how do you mean?”
Well love has been an elusive story, like a fairytale adults tell children but I have never known any of it to be true. In reality it reminds me of religion. I am not sure God is real either, if God is real why do so many innocents suffer?
Innocents suffer because it is their destiny to suffer.
What? What does that mean?” I’m annoyed.
God has nothing to do with it. We are born into this world to experience all that is not God-like, so we can then be inspired to reach for higher spiritual goals.
I have never thought of it that way before. If that is so then I must be preparing for sainthood. Am I to think that all of my suffering as a child has been to prepare me for greatness?”
― Angel Sins
Me, No… I’m not anything… I-I mean I prefer not to indulge, I stammered.
“Really... how do you mean?”
Well love has been an elusive story, like a fairytale adults tell children but I have never known any of it to be true. In reality it reminds me of religion. I am not sure God is real either, if God is real why do so many innocents suffer?
Innocents suffer because it is their destiny to suffer.
What? What does that mean?” I’m annoyed.
God has nothing to do with it. We are born into this world to experience all that is not God-like, so we can then be inspired to reach for higher spiritual goals.
I have never thought of it that way before. If that is so then I must be preparing for sainthood. Am I to think that all of my suffering as a child has been to prepare me for greatness?”
― Angel Sins
“We believe that, despite a possibly cruel temperament and an impetuous nature that she followed throughout her life, Madame Delphine Macarty Lopez Blanque Lalaurie was not a serial killer, a sexual sadist or a perpetrator of bizarre medical experiments. She was a willful, spoiled, beautiful Creole socialite whose temper led her down the path of infamy.”
― Mad Madame LaLaurie: New Orleans' Most Famous Murderess Revealed
― Mad Madame LaLaurie: New Orleans' Most Famous Murderess Revealed
“The wild notes of tuba and trumpet and trombone rattled and hummed through the trees. In the first group of musicians, there were kids as young as fourteen playing the tuba and one kid who probably couldn’t drive banging a bass drum. They stomped together in rhythm to the music. Two ladies had dressed up in what looked like princess outfits. They wore white gloves and socks with tassels.”
― Imogene in New Orleans
― Imogene in New Orleans
“Ever since I could remember reading, I was a fan of Horror Novels, then just an Avid reader of all things dark and deeply written or off the cuff styles and not so bland and sterile as if the grammar police forensically wrote it to be safe, then re-edited it to be even more annoyingly not from an emotion but from a text book, I love dark dark fiction that's why i write it. Some of my favorite writers are Anne Rice, Hunter S. Thompson and Clive Barker, perhaps you can sense this in my writing.”
― Lalin: Bayou Moon Series Volume I
― Lalin: Bayou Moon Series Volume I
“He turned around to see the bass drum popping and the horn sections pointing their instruments to the balconies and sending glorious notes to the rooftops.”
― Imogene in New Orleans
― Imogene in New Orleans
“A good crowd had formed along the sidewalk and the concrete ledge that bordered Louis Armstrong Park. The anticipation was dizzying...New Orleans had the big-boy parades and [Jackson & Billy] couldn't wait to attend a second line...”
― Imogene in New Orleans
― Imogene in New Orleans
“Brave men don't fight for nothing, like children.' protested Howell's (Major Joe Howell) friend. 'We want to know what we are fighting about. If we are wrong we may apologize.”
― The French Quarter: An Informal History of the New Orleans Underworld
― The French Quarter: An Informal History of the New Orleans Underworld
“Steam fingers reached up through Decatur's freshly scoured sidewalks as they did each morning, the ancestors of the Choctaw and Saint-Dominguens and Spanish and French, no doubt reminding them they would not reliquish this colony again to the Americans.”
― Tiny Righteous Acts
― Tiny Righteous Acts
“The whiffs of coffee and chicory and fried dough danced awkwardly with the occasional and unmistakable wafts of urine left by naive tourists or wild fraternity brothers or desperate homeless people or all of the above. Beset among throngs of tourists identified by lanyards and name tags, and dramatic straw hats, the board awaited the delivery of mountains of beignets dusted like the Alps with sweet snow.”
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“Walking around the Quarter with its horses and buggies, cobblestone streets, and kerosene lamps felt like stepping back in time, all the way back to the time when Louise was a small child living in Fayetteville. I imagined her in a linen jumper with a white collar, skipping along the cobblestones, avoiding the cracks that would break her mother's back.
It was quiet outside as well as sweltering August temperatures kept tourists off the streets and residents inside their homes. The blocks felt private and sensual as Gabriel and I held hands and walked under the lush vegetation spilling from the baskets that hung off the balconies of the houses on St. Philip.
I could smell the sweet olive and the jasmine and I had the pleasant sensation of knowing that they were coming from outside of my body. New Orleans was my equal in scent, and as long as it was night and the air was a degree or two cooler than in the daytime I was sure I could walk around freely without attracting any unwanted attention.”
― Scent of Darkness
It was quiet outside as well as sweltering August temperatures kept tourists off the streets and residents inside their homes. The blocks felt private and sensual as Gabriel and I held hands and walked under the lush vegetation spilling from the baskets that hung off the balconies of the houses on St. Philip.
I could smell the sweet olive and the jasmine and I had the pleasant sensation of knowing that they were coming from outside of my body. New Orleans was my equal in scent, and as long as it was night and the air was a degree or two cooler than in the daytime I was sure I could walk around freely without attracting any unwanted attention.”
― Scent of Darkness
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