Today is a good day. Today is a wonderful day - any day that starts out like this is. I found a house full of words. Bold, fearless, silky, abrasive, Today is a good day. Today is a wonderful day - any day that starts out like this is. I found a house full of words. Bold, fearless, silky, abrasive, wounding words. Warsan Shire is a house full of words. Words that don't cuddle you, words that envelope you. There's a deep sense of melancholy to her words and quite a lot of her poems contain explicit content - which I have absolutely no qualms about. If you don't do bold and abrasive, then this probably isn't for you. But personally, I love the way the words burn, sometimes sweet and silky is just too much of that - sweet and silky. I think that's the beauty of poetry, the creeping subtlety of it's power is you never know which line will sink or float you, make or mar you. You never know which line you'll latch unto and cling to for dear life. I've always thought that poetry emphasizes the delicacy of words and maximizes it's full utility. Where books might be pretentious, extravagant or redundant with fine literary sounding words, I've always thought, in a way, poetry thrives on it. But that's not to say it needs it, simply there's love to be found even in those that prove tedious. Maybe I feel this way because I knew poetry before I knew stories and novels. Some poems in this are more of 3's than 4's but on average, I rated this a 4 because it was a really good collection.
Shire's collection of poetry in order of appearance: ⚫ What Your Mother Told You After Your Father Left ⚫ Your Mother’s First Kiss ⚫ Things We Had Lost in the Summer ⚫ Maymuun’s Mouth ⚫ Grandfather’s Hands ⚫ Bone ⚫ Snow ⚫ Birds ⚫ Beauty ⚫ The Kitchen ⚫ Fire ⚫ When We Last Saw Your Father ⚫ You Were Conceived ⚫ Trying to Swim With God ⚫ Questions for Miriam ⚫ Conversations About Home ⚫ Old Spice ⚫ My Foreign Wife is Dying and Does Not Want To Be Touched ⚫ Ugly ⚫ Tea With Our Grandmothers ⚫ In Love and In War
❗ A little about my favorites: ◾ UGLY
Your daughter is ugly. She Knows loss intimately, carries whole cities in her belly
This poem speaks of a foul sense of loss and longing. The type that one wears like a perfume but stinks like a sewer. It's not pretty. It's not the kind of sorrow anyone wants to hold, comfort or be associated with. That kind of heaviness means auto-ostracism. Shire presents that kind of ugly sorrow in this poem. What I love most about it are the last lines which make you think it may be ugly but damn it's beautiful.
Your daughter’s face is a small riot, her hands are a civil war, a refugee camp behind each ear, a body littered with ugly things
but God, doesn’t she wear the world well.
◾ Conversations About Home(At the Deportation Centre) This was cutting. From the title, I think it's fair to say that one knows what to expect from this poem. In this, the speaker's voice is cold, calm and resigned, but underneath that you can detect the anger. Anger at their misfortune. Anger at being run out of their homeland because of something so globally stripping as violence and war. Most of all, they're angry at being turned into a refugee - a symbol of superfluity.
Well, I think home spat me out, the blackouts and curfews like tongue against loose tooth. God, do you know how difficult it is, to talk about the day your own city dragged you by the hair, past the old prison, past the school gates, past the burning torsos erected on poles like flags? When I meet others like me I recognise the longing, the missing, the memory of ash on their faces. No one leaves home unless home is the mouth of a shark.
The last stanza made my heart hurt. I know war and I know violence, but rejection - that's something I can't pretend to understand.
I hear them say, go home, I hear them say, fucking immigrants, fucking refugees. Are they really this arrogant? Do they not know that stability is like a lover with a sweet mouth upon your body one second and the next you are a tremor lying on the floor covered in rubble and old currency waiting for its return. All I can say is, I was once like you, the apathy, the pity, the ungrateful placement and now my home is the mouth of a shark, now my home is the barrel of a gun. I'll see you on the other side.
I simply love this poem to bits.
◾ My foreign Wife is Dying and Does not Want To be Touched Here you can think of all the hurtful names you can call cancer, and it wouldn't stop killing. It wouldn't stop taking.
◾ In Love and War This poem is very simple. It's three lines.
To my daughter I will say, ‘when the men come, set yourself on fire’.
❓ WHAT GOT ME INTERESTED IN SHIRE I was casually strolling by one of my friend's profile when I stumbled upon a poem. And it's titled For Women Who Are Difficult To Love. After reading and rereading it, I hopped on to Youtube to find a reading of it. And I did. I listened to it, again, and I fell in love with it, all over again. I can't tell you what I felt while I listened to it, it was like food to my soul. And those last lines...simply eye-watering and strengthening. So, Hayat didn't really recommend this to me directly, but I feel like she did and I'm so grateful for finding this poem(and writer) through her.
⏩ FOR WOMEN WHO ARE DIFFICULT TO LOVE
you are a horse running alone and he tries to tame you compares you to an impossible highway to a burning house says you are blinding him that he could never leave you forget you want anything but you you dizzy him, you are unbearable every woman before or after you is doused in your name you fill his mouth his teeth ache with memory of taste his body just a long shadow seeking yours but you are always too intense frightening in the way you want him unashamed and sacrificial he tells you that no man can live up to the one who lives in your head and you tried to change didn’t you? closed your mouth more tried to be softer prettier less volatile, less awake but even when sleeping you could feel him travelling away from you in his dreams so what did you want to do love split his head open? you can’t make homes out of human beings someone should have already told you that and if he wants to leave then let him leave you are terrifying and strange and beautiful something not everyone knows how to love
The long and short of it is don't doubt your passion, your femininity, or your boldness. Don't make yourself small. Not like that....more
OH MY GOODNESS. BOOK I SALUTE YOU [image] And would you believe I almost dumped this book in the beginning because it bored me to tears?
▶ LET ME BREAOH MY GOODNESS. BOOK I SALUTE YOU [image] And would you believe I almost dumped this book in the beginning because it bored me to tears?
▶ LET ME BREAK IT DOWN FOR YOU(Because, believe me, while I was reading those first pages I kept wishing someone would) STORYLINE
“There are four worlds,” he said. “Think of them as different houses built on the same foundation. They have little in common, save for their geography, and the fact that each has a version of this city straddling this river on this island country, and in each, that city is called London.”
In the old days, before the black plague, the doors between worlds were opened, magic was balanced, and people traveled from one world to another. Now the doors are closed, and the only thing left after the black plague are dark stories of the fall of Black London - and every other London conquered by magic. Kell is a royal messenger, possession son, adopted by Maresh empire which rules Red London. He is also an Antari. A blood magician, one of the only two people left who is capable of traveling between worlds, and one out of the two left of his kind. As it turns out, dark magic is still alive, so together Kell and a Grey Londoner, Lila Bard, set out to dispel it in order to stop it's spread.
▶ I NEVER THOUGHT I'D GET TIRED OF SEEING THE WORD "LONDON" The story is built around a fantasy world where 4 interconnected worlds, all named London, are either ruled, ravaged, or consumed and vanquished by magic. The four worlds in order of their placement. Grey London: Grey London is ruled by a mad King, George. In this London, magic is dead. The citizens are oblivious to it's existence. They have little or none of it. And like their name suggests, they are grey- as in not lively, boring and quiet.
Grey London receded into quiet obliviousness
Red London: Red World is a world ruled by the Maresh Dynasty(they've got the hotties. Just so you know where my vote lies). In this world, Life flourishes and magic is practiced, revered and balanced.
Red not only survived but flourished
White London: White London is ruled by the Dane twins, Astrid and Athos. This London is ruled by hunger and violence, and a bloody thirst for power. In the old days, they sought to bind magic, overpower and control it. But things got out of control, magic turned on them and instead they were ravaged by it, sucked dry and left hungry and more savage than they originally were.
White London had taken the opposite approach, seeking to bind power in any way they could. Power in Balance became Power in Dominance.
White was forever changed. The city, once glorious, fell to chaos and conquering. Blood and ash.
Black London: Is a barren and deserted London ruled by no one. A London vanquished by magic because they blindly let it in, let it overpower and consume them.
Black London had let magic in, let it take over, let it consume.
Blood was magic made manifest. There it thrived. And there it poisoned. Kell had seen what happened when power warred with the body, watched it darken in the veins of corrupted men, turning their blood from crimson to black. If red was the color of magic in balance—of harmony between power and humanity—then black was the color of magic without balance, without order, without restraint.
▶ DO I WANT TO TALK ABOUT THE WORLD BUILDING? Hell yeah. Buuuuut first a little about the writing Which uses third person narrative. I know. I went "Boooooo!" too. But, if you're able to get past that, you'd be surprised to find that the writing, though not poetic, is very engaging and fluid. It wasn't as evocative as I would have liked, but I won't be greedy. So what was I saying about the world building? For want of a better word, can I just say it was magical. Simply awe-inspiring. I mean, honestly, how do you build something as complex and distinct as that without it tying a knot of confusion around itself? Sure, there were a few holes here and there, but they didn't mar the splendor of it all. I was still very entranced by the fantastic world our characters lived in. I honestly didn't think I could be enthralled by a fantasy world anymore. But this one was a pretty neat surprise. And I bet there are many like me who don't believe in the uniqueness of a fantasy world anymore. But I'm just saying [image]
▶ THE LONDONERS I CARE TO MENTION ✔ Kell of Red London: All I can say is [image] Ha. If only that were true. Kell is a fairly endearing character who assumes two roles in his life. The first as a royal prince, and the second as a smuggler and dealer in contraband goods. Of course, since they're contraband, it's only reasonable for a price to weigh heavily on those who are caught smuggling the aforementioned goods. The crime is treason, and the price is death. But anything for thrill, right?Kell isn't my typical swoon-worthy hero. There was just something about him that never quite resonated with me. But I really love his character ⬅⬅ in a very, very platonic way. The thing is, with respect to the characters in this book, my emotions rest pretty much in a gray area. Neither here nor there. But if we're giving points based on their general awesomeness - and not on my personal relations with them - they pass pretty much with beautiful flying colours.
✔ Lila of Grey London Kick ass. She is just KICKASS. Well.. She's also a thief, a highly skilled pickpocket to be exact, but, she's also an incredibly strong character. Initially, to be honest, I didn't like Lila at all. I just felt like she was too showy and pretentious for my liking. Like her character was a bit emphasized and over personalized. There were so many moments when I felt greatly irritated by her demonstrations, it was like her character was trying too hard to prove she was not just any other girl in a fantasy book; trying too hard to fit the tomboy image. Just trying too hard. But I really can't tell you when everything changed for me. I just started liking her better for her astounding qualities, I guess.
✔ Holland of White London: Holland is the second of the last two Antari left. He possesses the same abilities as Kell, if not more. And let's just say his character is...something. He's the kind of character who straddles the thin and fragile line between full blown villainy and non-villainy. A very difficult character to decipher indeed. But the reality is, his goodness is very much in doubt - and possibly nonexistent. So much of my frustration stemmed from his presence in this book, and though there were a lot of times when I thought he'd make my choice easy, he just ended up infuriating me all over again, every single time. He was just a big disappointment, and yes, I know it wasn't his fault, but I really have to say it [image] [image] [image]
▶ ROMANCE (BLANK SPACE)
Nothing to see here, romance lovers [image]
▶ ALL THE POTHOLES AND YOU DIDN'T REALLY THINK I'D FORGET ABOUT THE ADVENTURE NOW DID YOU? Let me be honest with you, and let me be honest with myself. And please don't bite me. There is nothing really outstanding about this book save for the intriguing world and the amazing action and adventure-filled scenes.But that's just my humble opinion. This story is just really appealing. I had problems with the first part of this book because I felt like there was a lot of telling and no doing. I was bored. But in retrospect, I think that had more to do with me being a little bit impatient than it did with the book itself. But I'm glad I stuck through it all, because I was rewarded, and greatly so. There was also the more nagging problem of the magic being performed. I quite frankly did not understand the pattern to it at all. I mean, it's manifestations were awesome and impressive, but - and it's a humongous but - the pattern eluded me. It just felt a bit rowdy and in disarray. And let's not even talk about the many issues which were hinted at or introduced into the story,but left unaddressed.
So maybe I'm a bit biased about my rating, because I'm an adventure junkie and this book is teeming with perilous escapades and a lot of action. One minute, our hero and heroine are in the clear, and the next they're in danger and on the run. Then they're making stupid decisions. Careless stupid decisions. And it's just so very simple [image]
THEN DON'T FREAKING DO IT.
I don't even want to talk about how it felt like a never ending series of adrenaline rush towards the ending. It's almost the same feeling I get when I'm watching football. I seriously dropped my book and applauded and jumped about for a bit whenever the good guys had their winning streak. [image] [image] GRYFFINDOR WINS!!! AGAIN.
▶ ANNE'S CHECKLIST OF AWESOMENESS ☑ Awesome writing ☑ Awesome world building. ☑ Awesome characters ☑ Awesome romance Let's not be liars now. ☑ Awesome adventure packed scenes ☑ Awesome-not so awesome villains(I'm kind of iffy about this last bit)...more
Poseidon,’ I said. Then I whispered, ‘Help me with Nico, and Luke, and Grover’s problem …
Problems...problems...problems everywhere.
▶ Nico hates Pe
Poseidon,’ I said. Then I whispered, ‘Help me with Nico, and Luke, and Grover’s problem …
Problems...problems...problems everywhere.
▶ Nico hates Percy and blames him for his sister's death. Would he pose a new problem? ▶ Grover is about to be exiled by the council of elders because he hasn't found the god Pan. ▶ Luke remains forever the faithful antagonist, who doesn't relent in his vengeful schemes and plans to bring back Kronos, the Titan lord, bring down Olympus and end the reign of gods. ▶ Annabeth is still trying to come to terms with the fact that NOT EVERYONE CAN BE SAVED. Let go honey. Luke is not worth it. ▶ The old gods are stirring, to whom would they pledge allegiance? And what about the minor gods? ▶ And wee...it's about time Percy's hormones started raging. Uh. Not. All these sum up to the need for a quest(of course) which leads Percy, Grover, Annabeth, and my baby Tyson into Daelalus's labyrinth in search of god pan and answers concerning Luke's new scheme. And of course we get our usual dose of adventure and infusion of new characters.
My thoughts I never thought I'd be the one to wish an 11year old kid dead, no matter how steadfast they were in the their path, on the wrong side of the road. But I did, I kept wishing Nico(and Luke) would just die already at the beginning of the story. [image] [image]
You know how the question of salvation for the lost is always a touchy one, a very hard subject to explore indeed. How far off the deep end does someone have to go before you deem them unredeemable? How broken and lost do they have to be before you finally say to yourself, " I can't do it anymore. You're gone. I give up". This is just a children's book series but the topic keeps popping up as an underlying theme; First with Luke (Percy's antagonist), and for a while with Nico. And I just love how the story impresses the importance of family and friendship too. That's probably what I love most about this series. Well that and the adventurous air about it
Annabeth annoyed me so much, she became so bitchy really unpleasant in this book. What an appropriate response to the change in dynamic between you and Percy! *Clapping like a giddy child* Bravo Annabeth. [image]
UGHH JUST STOP
The books prior to this, I received as gleeful entertainment, it was all games and fun. I'm pretty sobered up now. The war is finally at the heroes' doorsteps, this book is the final step towards the doom prophesied to take place in the last installment of the series(when Percy turns 16). One last book before the end of the series. I just wish it wouldn't end yet. I've really come to love this series, the characters, their world, and the foundation it's built on;Greek mythology. I really appreciate everything this series offers.
It's amazing how imparting books are even when they don't mean to be. If there's one thing I've learned about books it's; Children's books, young adult books, adult books--never discriminate, you can never tell what's waiting on the inside....more
You bewitched little thing wrapped in paperback! [image]
I don't know how the books in this series manage to coin 5 stars out of me at the last minute. You bewitched little thing wrapped in paperback! [image]
I don't know how the books in this series manage to coin 5 stars out of me at the last minute. Oh wait, I do know. Rick Riordan is the master at rocking concluding pages. Or at least he's high up there somewhere in rank. The plot twists at the end are SO GOOD.
The plot A Percy Jackson story does not begin until a quest arrives. For me, everything before it is boredom and everything after is pure adrenalin. I get so absorbed in the story once the quest is underway. So, let's do a check list, shall we? We have: ☑ Percy ☑ Grover ☑ Annabeth Annabeth's missing ☑ The Quest ☑ and the new additions to the character list. That's all there is to know about the plot.
The INTRUDERS I mean new characters. Oops. I was so infuriated by Thalia's character(Thalia: Former tree daughter of Zeus come back to life. Sorry if you were spoilered) at the beginning. Of course I had to be. Hello? Mouthy Intruder alert. I just kept wishing someone would give her a wedgie. I guess its normal to react this way. I'm comfortable in my sense of familiarity with characters I've bonded with since book 1. Percy's a mess. But he's my mess. He screws up things big time --and a lot too-- and does the most undemi-godlike things. But I know that already, so I'm not so mad at him when he gives away victory to his opponents during a game of "Capture the Flag", or when tries to be mindlessly heroic instead of turning and running the other way, opposite the danger, with as much speed as he can until his legs touch his head. There's just this fierce sense of solidarity and allegiance, that comes with being in a leading character's head for so long. So I got mad whenever Thalia said something unwelcoming or upsetting to and about Percy. In the end I warmed up to her, because the girl is a fighter, and brave too. But Yes. Because of one book I've become the irritable, hateful, frustrated chump who makes it hard for the new kid on the block.
The other additional characters like Zoë(and her annoying use of "thy"), Bianca and Nico were very exerting in their importance in this story, but I don't feel the need to go over their fine qualities. Oh, and let's not forget the new gods which we were introduced as well. I always look forward to the next god Percy makes an encounter with.
This book didn't fail to deliver on all the aspects which I've come to love the series for; ADVENTURE, Gratifying action scenes, the crazy laughs and fine humor, spirited and endearing characters, morals on human connections and relationships which need to be conveyed to readers of a young age(to whom this series caters to)like: family, teamwork, companionship, even rivalry. And what I love most, how it relates the true meaning of friendship. Friendship like these guys had back in the day. [image]...more
Please people read this book!! Do it for me. Do it for yourselves...but mostly do it for me(just excuse my selfishness this once hmm?). I need someonePlease people read this book!! Do it for me. Do it for yourselves...but mostly do it for me(just excuse my selfishness this once hmm?). I need someone to rave about this book with!! I just need!!!
Once upon a time there was an empire called Solaris. It conquered and ruled above all others. In this kingdom where one wasn't born into magic, where magic chose people, lived a girl named Vhalla. Vhalla loved books. She loved them enough to secure a job as a librarian in the palace's library where she could be surrounded by them all day. These are the things Vhalla knows of magic:Magic changes things; magic made more men die at war, magic could turn a human into an abomination. Because though, yes, magic is alive, the people live in fear of it.
In the same kingdom lived a boy named Aldrik. Aldrik was the crown prince of the Solaris empire. Aldrik was special, because he was a sorcerer. Magic chooses Vhalla, and because life is good Vahlla meets the Prince. The prince and Vhalla go on many adventures together, fall in love and later get married and live happily ever after.
DON'T YOU WISH. (haha. Couldn't help messing with ya) Remember how that storyline was just enough for us when we were younger? I don't know, the thought just crossed my mind.
Anyway...
▶ WHAT REALLY HAPPENS IN THE REAL FICTIONAL WORLD
Magic is not in the blood Magic chooses us.
These are the things Vhalla knows of magic; Magic changes things; magic made more men die at war, magic could turn a human into an abomination. In her world where magic is acknowledged and scorned, revered but feared, where sorcerers are looked upon with disdain and set apart from others, it's no wonder why she refuses to accept the fate she's dealt as magic has chosen her. On a journey of self discovery, in a bid to uncover the mystery of her gift and make a decision to either embrace or reject it, she goes under the tutelage of Aldrik, the crown Prince of the Solaris empire who happens to be a sorcerer himself.
▶ The writing and World depiction The story uses the 3rd person narrative in it's relation. And while I'm not too fond of 3rd person narratives, I believe this one carried on well. For me, the writing wasn't anything spectacular, but it captures the world of the characters clearly, and I didn't find it hard at all to piece their world together and get that film rolling in my head. One thing I really liked was the idea of the world which the author was trying to build, it kind of had an avatar vibe to it, what with all the attribution of gifts/talents to affinity for the elements; Water, fire, air, and of course, earth. Though embellishments were made - because aside from the ability to manipulate and control the elements, the sorcerers possessed various other abilities - if it's even remotely avatar-ish, you have me already. So that point sold pretty big for me. There wasn't really much action in the beginning, so don't let that discourage you action-lovers! Push on, and you'll be rewarded in the end. And also a note to take note of the historical facts and records revealed in the book, it might get confusing trying to connect dots as you progress. No one likes to do multiple page-backflips during a read. I'll admit I got a bit confused at some points and had to refer back a few times.
▶ The Main Characters Vhalla: To be honest, there isn't really much to her character. She's just a really nice and calm girl who works as a librarian. she doesn't ooze badassery and neither does she make any promises of the extraordinary. But I don't know how to put it, it's just...She's all that(and yes, loved that movie haha). In comparison to her love interest, they couldn't be more different. She's intellect and books; he's experience and practice.
Aldrik:The man clad in all black. No, seriously the guy's got a thing for black clothing. And like I said he's all about experience and practice. What I loved about him? He knew when to drop the stone-face-I'm-all-rock-and-cement act and just apologize like he meant it when he was in the wrong. Just gimme gimme.
▶ The Romance I felt like this book was laughing at me and mocking me with every romantic scene. Sometimes Vhalla and Aldrik would be like this, all PG 13 and stuff. Just cute.
[image]
Other times they'd be like
[image]
And I'm like, hmmm getting warmer...
And then nothing.
At this point I'm just going [image]
[image] YOU'RE SUCH A TEASE.
But I'm going to read your sequel nonetheless.
Sidenote: The reason I gave this 4 stars was because I just needed to see a lot more magic performed. I hope the next book remedies that though!...more
To all my friends: I shall begin disowning all of you now in alphabetical order for not urging me to read this sooner. Excluding those who haven't readTo all my friends: I shall begin disowning all of you now in alphabetical order for not urging me to read this sooner. Excluding those who haven't read this yet: Your punishment will be very severe. I feel like going into advertising and marketing just because of this book. [image] [image] [image] Needless to say, all advertising companies would most certainly be out of business if they employed such methods. But anyway...
▶ THE STORYLINE I'll give it to you in the lovely narrator's words: It's just a small story really, about, among other things: * A girl * Some words * An accordionist * Some fanatical Germans * A Jewish fist fighter * And quite a lot of thievery I saw the book thief three times. This is a story about words that formed threads, which wove and linked so many lives together and binding them tightly, carried them through the hell in Nazi Germany.
▶ THE MOMENT I BECAME INEXPLICABLY ENTHRALLED BY THE STORY. Just when you think you couldn't be surprised by a book anymore. You think it's all been done before. I've seen it all is the phrase. Then a book like this comes along and book-slaps all your motor skills out of you. This probably has the most remarkable and unique prose I've read since...well, when I can remember. Last year I guess. And I read so many amazing books last year. Couple such wonderful prose with a most unlikely narrator, and the remarkable scale is stepped up in ways I never thought possible. I don't think I wanted to believe it when I first guessed that death was the narrator of the story. It seemed absurd to me at first. I won't lie. I had to stop. Contemplate. Imagine how the story was going to play out. Exactly how? [image] I just stared for a while, wondering, really, about the possibility of such an oddity. I only had to read to find out. And I read beyond a doubt that it was true. It's not a very hard puzzle to piece together. A story + An atrocious, bloodsoaked time and setting + An official collector of souls/unofficial story narrator = A suspicious audience dragged along for the ride as the collector made his rounds. So do I need to say that throughout this book, I was filled with a nagging and haunting sense of foreboding? Who would be next? With death making a bold, explicit, and firm assertion of his status as the omniscient narrator, it was all I could do to be alert and wary of the ending of this story. To be alert and suspicious with every page I turned. [image] It was always only a question of who would be next.
▶ DEATH IS UNDOUBTEDLY ONE OF THE BEST NARRATORS TO EVER RELATE A STORY Death is a spoilering spoiler with a beautiful, endearing, philosophical and sympathetic voice(perhaps, in reciprocation, I became an immensely sympathetic reader). He divulges quite early in the story that he's not into withholding information, building suspense and creating a mysterious air to sate our needs. He contemplates the contrasting qualities of humanity. It's so clear, timeless and enduring as he is, he can't claim a full understanding of the human race. He's seen it all, and yet he's continually surprised by humanity's inconsistency - and consistency. By our ability to kill and nurture, destroy and build, in the same vein, and hate and love with equal, unwavering passion. I, myself, marveled at it all over again. Of course, it wasn't new information to me, but the way death presented it, it was almost hypnotic. Like another great love song: Same idea, same theme, different lyrics, different melody, and a sure and lasting effect. On me that is. Only it wasn't a love song he sang, it was an ugly war song. The lyrics sang about the futility and tiredness of the business, the violent and disturbing facets of human nature that won't let us stop fighting until there's nothing left to fight for and no one left to fight(as death tells us that that period was not only marked by the bloody 2nd world war, but also by little battles here and there that left an endless supply of souls for collection. Even with the many deaths caused by our own hands, we sought for more. Proof of man's determination and relentlessness in the vilest situations). And by the way, I saw many instances where death was referred to in pronoun "he," some are probably going He.He.He.He too, right now. Like I did. It's so easy to adapt the referenced pronoun. He - [image] How do you know death wasn't a woman? It was definitely humanized and personalized, but not genderized. Women can also wear black robes too. Aaaand I'm kidding. Only mildly. I remember when we studied about the world war 2, Hitler's cruelty, Stalingrad and whatnot in class. I quietly stood up and excused myself from the lesson and spent the rest of the period in the toilet. Such cruelty. I didn't care for it at all. I didn't want to hear about it. And I don't think I'll ever truly want to hear about the gravity of Hitler's heinous crimes, there are enough mad people to deal with in this time already and I don't need to visit the 1940's to experience the sadistic blend of cruel and crazy. I'm pigheaded like that. But funnily, I love books like this that allow me snippets of events that marked the time.
▶DID YOU KNOW ABOUT THE WORDS? The injury of words. Yes, the brutality of words. The beauty of words. The clarity of words. The safety of words. The power of words.
I think every reader knows. Liesel knew. And the people whose lives became entwined with hers knew. It's so easy to relate with Liesel because of this. It's so easy to love this story just because of this: it impresses on the efficacy of words, their ability to endorse everything from good to evil. This story shows the two extremes, with words as seeds which could either grow into edible and nutritious fruits or poisonous, suffocating weeds, and even ultimately weapons of mass destruction. It was the loveliest thing to read about Liesel's introduction to the world of books, follow her slow but admirable progress. Though death was the narrator, I could still hear Liesel's - and every other characters' - voice in the story. Clearly. And I loved Liesel's character, even from the early age of ten, it was easy to tell she assumed a lot of presence and with much gusto too. And the words! So many lovely words from so many characters in here. And now I'm getting that feeling again. I want to pluck the words out of the pages of this book and pocket them. I want to carve the words in here on my skin, have them etched deep in me, on skin and soul, forever. A tattoo would be milder but a carving would feel closer, deeper. I feel like this book is a gift to me. A gift to all readers.
▶ A FEW RANDOM BUT MEMORABLE MENTIONS ✔ The characters.Liesel Meminger(the book thief and daughter), Hans(the father and accordionist) and Rosa(the stern but affectionate mother) Hubermann, Max Vandenberg(the Jewish fistfighter turned refugee), Rudy Steiner(hmm...the lemon-haired boy next door) and all the extras. I can't think of a more spirited and lovable set of characters right now. I fell in love with Liesel and Hans over and over again throughout this story. They made the perfect portrait of a phenomenal father-daughter relationship.
✔ Hans Hubermann. Zusak epitomized such simple virtues as selflessness and kindness with Hans' character. And apart from that, his character made me wonder about how one careless swing of events can cause a meandering of fate. A narrow escape from death. With a story like Hans Hubermann's, it's almost easy to believe that you get as much as you give, that the world can sometimes be that generous and fair.
✔ I only picked up all the foul German words in this book. **smiles sheepishly** It seems those are the easiest and first things to grab from a foreign language, for me. I'm properly shamed, no need to tell me. But I'll say one thing in my defense. It's all Rosa Hubermann's fault. ✔ Why The Late Show with Stephen Colbert would be an approved show on my child's watch list. [image] ✔ Even though the sadness was a slow and creeping one, it was a hard and heavy blow when it finally culminated in a climaxing hollowness. Even though I was alert and waiting, I did not expect the ending. Maybe the signs were all there, and others saw it coming. I don't know, I can be blissfully blind like that. MY HOUSEMATE [image] WHAT MY FACE SAID [image] [image] What my lips lied: NO
✔ I already said the writing was beautiful. Astoundingly poetic and beautiful. And I already told you I was surprised by it(and the narrator). It seems there are still some tricks left in that old and crumbling book of surprises and ambushes. Yet another book that restored my withered faith. And I just want to shout it from the rooftop. [image]
✔ I loved Max's short stories so much! ✔ Why are humans condemned to love the dead and not the living? Why do we love more in death?
❎ The only problem with reading a great book like this is when the journey's over, I never quite know what to do next, what to read next. I'm just so lost right now. [image]
▶ SOME QUOTES I LIKED. ALL MADE BY DEATH.
He had already cheated me in one world war but would later be put into another (as a perverse kind of reward), where he would somehow manage to avoid me again.
To most people, Hans Hubermann was barely visible. An un-special person. Certainly, his painting skills were excellent. His musical ability was better than average. Somehow, though, and I'm sure you've met people like this, he was able to appear as merely part of the background, even if he was standing at the front of a line. He was always just there . Not noticeable. Not important or particularly valuable.
The first time we were in the vicinity of each other Hans was twenty-two years old, fighting in France. The majority of young men in his platoon were eager to fight. Hans wasn't so sure. I had taken a few of them along the way, but you could say I never even came close to touching Hans Hubermann. He was either too lucky, or he deserved to live, or there was a good reason for him to live.
You see? Even death has a heart.
He was the crazy one who had painted himself black and defeated the world. She was the book thief without the words.
I've seen so many young men over the years who think they're running at other young men . They are not . They're running at me.
She was a girl. In Nazi Germany. How fitting that she was discovering the power of words.
...and they never saw Arthur Berg again. As for me, I can tell you that I most definitely saw him.
Not many men are lucky enough to cheat me twice.
Where's the fight? he wondered. Where's the will to hold on?
Exactly what kind of people Hans and Rosa Hubermann were was not the easiest problem to solve. Kind people? Ridiculously ignorant people? People of questionable sanity? What was easier to define was their predicament.
“I wanted to explain that I am constantly overestimating and underestimating the human race - that rarely do I even simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant... I am haunted by humans.
CHRISTMAS GREETINGS FROM MAX VANDENBURG "Often I wish this would all be over, Liesel, but then somehow you do something like walk down the basement steps with a snowman in your hands."
A human doesn't have a heart like mine. The human heart is a line, whereas my own is a circle, and I have the endless ability to be in the right place at the right time. The consequence of this is that I'm always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both.
Please, trust me. I most definitely can be cheerful. I can be amiable. Agreeable. Affable. And that's only the A's. Just don't ask me to be nice.
Well... I finished. And the ending blows, but it left me curious enough to want to read the next book in the series, so I guess mission accomplished MWell... I finished. And the ending blows, but it left me curious enough to want to read the next book in the series, so I guess mission accomplished Marie Rutkoski
Now how to go about writing a review of this... ........... My noodle-y brain is done rearranging It's disarrayed thoughts!
I'll be honest, my reading of this book was veeery mechanical. I kept reading words, without giving meaning and emotions. And I didn't relent until I had read more than half of the book...I keep going over scenes, revisiting dialogues and quotes in my head, trying to figure out if the problem stemmed from the book or from me. Or from a distorted correlation between the two parties.
I look at this book in big and smaller pictures. The big picture being a tale of star-crossed lovers from opposite sides of a war, the smaller being a ruthless territorial battle for freedom and supremacy between two groups of people. Or maybe I've switched it all up? o.O I don't know it depends on perspective, everyone's picture is different.
But anyway, at first I didn't care much for the story - or the plot - but I enjoyed reading about the world the characters lived in. It was written and built well enough to make capturing it easy. But the whole "It's either her or my people/him or my people tale" stopped exciting me a long time ago. But this story came in an action and adventure-filled package so enter my perseverance. I'm not exhausted in my tolerance of the typical-star-crossed-lovers-set-in-a-time-of-war plot enough to dismiss a well written book.
With regards to the characters, I really have no complaints except for our main character, Kestrel. Kestrel is kickass. But there were so many times I wanted to kick her ass out of frustration. I received her character as one who was pretentious and hypocritical. And her characterization was just a little bit too controversial for me to stay in love with her for long periods of time.
And here's the itchy part... The ending When I said "It blows", I mean It bloooowwwws. For me at least. It foretold of an impending love triangle in the sequel. And God do I hate those(Oops. My dad said hate's too strong a word to throw around carelessly). BUT I HATE THEM. They totally blind my sense of objectivity and obscure my view and perception of every other element in a book. I swear if Jem had not gotten a chance with Tessa in The Infernal Devices series , I would have given that book series a very biased, aggressive, satisfying 2 stars. That's how petty I got. Totally blindsided. Not really... But you know what? Up until the very ending of the book, every page felt like a prologue to me. That ending felt so much more like the beginning. And I'm curious. So I'm ready to bite my inner cheek to nothingness and dig my teeth into my lower lip until they form crater-sized indentations, I'm ready to be a long sufferer if only the love triangle I foresee proves significant and Kestrel maintains her kickass-ness in the next book. Someone please tell me there's no love triangle in the sequel...
Now I better go revise and study some before the only things I can come up with in ENT class tomorrow are black dueling tights and makeshift knives....more
Keep your pants on people, Leo Stepanovich Demidov is back again! And I love him a little more than I did in the previous book. ....... So where to begiKeep your pants on people, Leo Stepanovich Demidov is back again! And I love him a little more than I did in the previous book. ....... So where to begin? Like I said, Leo's back, with his wife Raisa and his newly adopted daughters--well not newly, it's been 3 years now-- Zoya and Elena(in Russian, that would be pronounced with a "Y"- Yelena). And now it's no longer a matter of political oppression or living a life in constant fear of the 4:00am arrest; Times are changing, powers are being threatened by challenging forces and one woman, one very spiteful and vengeful woman from Leo's past headily rides the messy waves of events which sum up this book. And all it took to set these events in motion was the accidental-not so accidental publication of *Cue in the name of the book* The Secret Speech made by Khrushchev, condemning the Stalinist government.
And I'm screaming "Poor Leo!", "Why Leo?", "But he's a changed man!". And so, his slate must be wiped clean? This book says NOT.
I acknowledged while reading this book that no matter how times change, in every age we can always find the uglies , and ultimately the concept of life in general is no less threatening. It suffices to say, The Beautiful Years Are Not Yet Born. Tom Rob Smith made me an empathetic mess of a reader. His characters frustrated and agitated me, but in the end, I could pick no sides and justify none of their actions- but don't get me wrong, I did know who the villains were, but I understood the significance of their nefariousness.
THE REPRESENTATIVES OF TWO OPPOSING WORLDS. LEO: Never underestimate the retributive justice of Karma. Leo is the poster boy for the saying: You reap what you sow. Now, from page to page, from the first book till now, I love Leo. But I felt like the suffering he endured in this book was crucial to his journey, his search for redemption. I was enthralled by how focused a character he was, so determined in his cause; Even when his efforts were ridiculed and his strength put to test, he never lost face. He's not just a representative of the good, he is a symbol of hope and second chances. With a story like this, it's easy to believe some people are hurt as much as they've hurt.
FRAERA: I swear, I need a pill for every time this woman made me feel murderous.
Fraera says: "When the police are criminals, the criminals must become the police. The innocent must live underground, in the shit of the city, while the villains live in warm apartments. The world is upside down. I'm merely turning it the right way up".
BUT YOU'RE NOT SO INNOCENT NOW FRAERA, ARE YOU?
See her idea is, you become beasts in order to fight the beasts, hurting more than they have hurt, condemning more than they have condemned. No problem if innocent people have to die so some misguided lot can make a point. Fraera's actions are ruled by hate, vengeance and selfishness. She couldn't care less about the good of the people and the country that failed her years ago. And In a way, I understood her grief.
I gave every character consideration, a benefit of a doubt even, to some. But the contrast between Leo and Fraera couldn't be more appalling. How does one get eaten alive by one's own hate and get spat out, morphed into such a monstrous character? And how does the other reconcile his past with his future, by admitting to the evils he committed and rising above them? It's the easiest thing to say; "You could've just let it go Fraera". Would you have?
This book wasn't as bedazzling as the first one, but it embodied all the things that made me love the first book in the first place:
▶ Murder, Mind Games and Mystery "Someone wouldn't let him forget, sending him photographs of men and women taken against a white wall, cropped so that they were just a face"
"I had no choice" With those words thousands died not with bullets but with perverse logic and careful reasoning"
▶ Politics and Conspiracy : I swear the concept of politics has never looked so seductive to me.
"The system required the consent of everyone even if they consented by doing nothing"
"Ideas are more powerful than guns. We would not let our enemies have guns, why let them have ideas"
▶ Just plain old crazy: "I wanted him to. I want him to smash this city to rubble and fill it with dead citizens! I want the world to see the true nature of our country. No more secrets"
"The truth is Maxim...I was nothing until I hated you"
GIRL YOU NEED A LIFE
▶ And then the feels... "His body fell on top of the fire underneath his son. As they burned together, many in the crowd were already hastening away"
"As the roof exploded, fragments of slate burning into her arms and face, she had no doubt her last photograph would be her greatest of all"
I really don't know how else to love this book. I love how it ravaged my mind and left it raw. I love how this story was given a setting which had history as a backdrop of it's creativeness.
"The price of this story was the audience's innocence" Quote from Child 44.
My hands are twitching with what I can only acute as Excitement.
I am so giddy writing this review. This book had me like I was on a sugar-induced crazMy hands are twitching with what I can only acute as Excitement.
I am so giddy writing this review. This book had me like I was on a sugar-induced craze.
Firstly, I have to say, I think i went through every possible reflex while reading this book: Shudders, cringes, fist clenches, nose scrunches, eye pops, slackened-jaws, eyebrow dances, heartbeats-turned-rebellious, tingling, stomach flips and churns--
And i say, "Please beloved, would you take on human form? Oh the ways i would love thee"
This story calls to the most primal human emotions. Strip away the simplistic entertainment of a story revolving around the heinous politics of the Soviet Union, in the Stalin-ist era, in the year 1953; strip away the thrill of mystery and murder and you're left with more in-depth and plaguing questions:
Do we become beasts or are we beasts in dormancy, waiting for opportunity to open way to the justification of our inhumanness?
And while we seek atonement and absolution, redemption as a salve for our sins and guilt: Is it to be disregarded just because it is self-serving?
Can I truly imagine a state of perpetual fear so demoralizing?
"Not even those who kept this machinery of fear ticking could be certain that the system they sustained would not one day swallow them too".
I have never--Never read a book which had it's writing bounce back and forth between So Many characters' narrative voices and perspectives. Truly commendable--how such manoeuvring was done without the dialogue and plot coming off as muddled. It was just a circus: Enter character. Exit character. I learned not to form early attachments, as the plot utilizes the element of surprise--or rather ambush--expertly.
I DON'T KNOW HOW MANY TIMES I DROPPED THIS BOOK OUT OF SHOCK AND SHEER PERPLEXITY.
Tom Rob Smith did an excellent work of conveyance and portrayal: The emotions of the characters were almost palpable. I think Leo's journey to be one of clarity. He, along with Nesterov and Raisa grew to be such compelling heroes--and heroine.
I don't want to champion this book, claiming undying love for it as 2015 has not yet come to an end. But this may very well be MY ONE....more
I think I've succeeded in weaning myself off books about faeries.
I'll admit to having the jumper's syndrome. Even with really gripping reads, I find II think I've succeeded in weaning myself off books about faeries.
I'll admit to having the jumper's syndrome. Even with really gripping reads, I find I have to fight to keep myself from hopping from one book to another, and then another, and another...and before you know it I'm juggling 7 books at the same time. I'm very polygamous when it comes to reading.
But God did I want to to jump ship with this book! But I didn't. Well I did...for a while. But I decided I needed to get to the end of the book before I decided it wasn't for me.
And so with a clear conscience: It wasn't for me.
Mackayla Lane, Mac,If you will, had been living a perfectly fulfilled life until the day her sister, Alina, turned up dead in Dublin. Worse than dead, nobody cares about finding out what happened to Alina, Who happened to Alina. Mac knows something's wrong, and she wants to find out what. But since no one would listen she takes it upon herself to go sleuthing. It's in Dublin she finds Jericho Barrons, a man who guides her as she unveils dark secrets and navigates a dangerous underground world where nothing is what it seems.
"You want to believe in black and white, good and evil, heroes that are truly heroic, and villains that are just plain bad, but I've learned in the past year that things are rarely so simple"
And the piano of doom goes: TAN TAN TAN
Mac is Barbie turned Xena: Warrior princess I get that Mac was trying to be portrayed as a young girl confident in her feminine skin. Aware of her sexuality. Your regular everyday girl thrown into a world she didn't belong in. But Gosh this reeked of materialism. Maybe stark distinctions were trying to be made between two separate entities: Colorful and dainty; Dark and menacing. But it worked too hard to sell the idea, and after reading books, lots of books, which hardly make such impressions in their writing, the pattern only seemed unduly pronounced and overemphasized. And unwelcome. And that's why I say, this really isn't for me. At all. I don't want to read about how she came to decide that her short white skirt was the way to go; or about her fondness for her dainty flip flops; or be continuously reminded of her pink talons and claw-like nails. Those things only seemed too petty and very unimportant in relative significance. I mostly tolerated Mac because we share a mutual love for books and music. That's the only way in which I identified with her. But of course, she wasn't all bad, she did have her shining moments.
I didn't experience a single moment of climax while reading this. Not even once. The only time I felt the beginning of a spark which never did burn long enough to turn into a bright flame was when i had like 40 something pages left to finish the book. It was like I had finally gotten into my dancing shoes and then someone turned off the light saying "Party's over". The plot just lacked that on-the-edge-effect. There was no action. And when I say action, I mean action like in relation to the quality of dynamics of the plot. A book doesn't always have to be stuffed full with scenes of knives clanging in meeting, of fists and boots flying around here and there to keep me alert and wanting to fly through pages. I just really couldn't plug into the story.
What I did like was the endearing sisterhood between Mac and her sister. Even though Alina was dead and made no active input into this book, I could still feel the enduring bond between her and Mac, and Mac's fierce loyalty. That's what got the story rolling in the first place. But it's not a simple case of murder or appeal for justice anymore. The story's progressed... into pages and pages of sequels
I don't know should I? That ending left a promise though
"A war was coming. I could feel it in my bones. A war to end all wars"
NOOOOOOO! OMG. WHY IS IT NIGHT TIME NOW? I NEED TO GET THE THIRD BOOK NOW. LIKE RIGHT THIS MOMENT NOW.
Hold on...let me go check out the movie before INOOOOOOO! OMG. WHY IS IT NIGHT TIME NOW? I NEED TO GET THE THIRD BOOK NOW. LIKE RIGHT THIS MOMENT NOW.
Hold on...let me go check out the movie before I post my review. ...... I've finished watching the movie, and I just want to scream and cry for everything that got lost andtwisted in translation in the movie adaptation. But I get it, movies shouldn't have to adapt a book with exactness. But I stick to my belief-books arealmost always better than movies. It's like every movie's adapted from a book. I can't even see a movie now without running in search of the possible book from which it was adapted. Today I saw the movie Jupiter Ascending and I just thought, "This has got to be a book". Next thing I know, I'm asking google for "Jupiter Ascending the book". But alas, it wasn't sooo...shame on me.
Anyway...
This installment was so sweet, it was like a set-up for a family reunion. And I loved it!
Hermes shrugged. “Families are messy. Immortal families are eternally messy. Sometimes the best we can do is to remind each other that we’re related, for better or worse … and try to keep the maiming and killing to a minimum.”
Percy goes on another quest, this time in search of something that has the power to save Camp Half-blood which is now under attack due to a breakdown of it's protective barrier. The thing he seeks lies somewhere in the sea of monsters(like the name isn't enough of a warning). And of course, we can expect the many obstacles and hurdles Percy and his companions meet along the way, as well as some sweet family bonding moments. My favorite novel character was Tyson. Gosh, is he the sweetest little-talk about proper irony- brother or what! He was just too adorable. I love him to bits and pieces, I got so warm and emotional while reading his lines.
(view spoiler)[And oh, I couldn't help but notice how similar Hagrid's(Harry Potter) situation was to Chiron's. They both were accused of things they didn't do. Things that had fatal consequences on both of their establishments. Hagrid was accused of opening the door to the chamber of secrets in book 2 and Chiron was accused of poisoning Thalia's tree. I don't know, it just popped into my mind while I was reading! (hide spoiler)]
I have to say, this book was better than the first. I really appreciated the fact that the plot direction wasn't as predictable as the first book's, granted, the rest of the weaknesses of the first book followed into this story, like;Percy's ever-biting fallibility and tendency to fall fool and victim to every trap; safe in one page, in trouble in the following page, and conveniently saved in the next. I mean really, everything would be perfectly calm and cool, and my eyes would stray away from the pages of the book for one minute and next thing you know he's getting clubbed or pummeled or enchanted by some hideous creature. It gets really hectic. But I'm all for adventure, and in my book there can never be such a thing as enough or too much of adventure. This series I would say, thrives heavily on it, and that's great because that means we're très compatible. I'm an adventure junkie.
I thought I was going to end up giving this book a 4 star rating, but nahhhh. With that ending, it's just not possible for me.
My reaction following this book: Slack-jawed. ...... Mary Shelley Black is as peculiar as her name. A sixteen year old scientifically inclined girl who My reaction following this book: Slack-jawed. ...... Mary Shelley Black is as peculiar as her name. A sixteen year old scientifically inclined girl who dismisses spiritualism, relying on logic and hard-facts proven beyond doubt. The year is 1918, the villain is the Flu. The Flu: the reason people bathe themselves in the repugnant smells of onions and camphor balls, deluding themselves with a false sense of protection. Or maybe it's the war? The war which drives the hopeless to seek solace in the fraudulence of "Spiritualist photographers," in hopes of reaching their loved and lost ones.
The story centers around the mystery surrounding the death of Mary's beloved, Stephen. We follow Mary's story as she begins to question her own beliefs - or rather, non-beliefs - when Stephen's ghost begins to make appearances to her.
⚫ MY THOUGHTS: For most part of the book, some part of me was waiting on the sideline for the moment when this book would swerve into ludicrous land. It never did, well not in the way I imagined. And while I fussed and pondered what the significance of this book was, I missed out on the bigger picture being painted. I thought about whether the aim of this book was to denounce or attest to spirituality, and it wasn't until towards the end of the book that I realized that this story explores more thought-provoking themes like; Saudade - the beauty of memories and remembrance of a loved one, the pain of loss itself and the melancholic longing and love for someone that remains long after they're dead, the futility and darkness of war, death, the possibility of the impossible. This story was so good and very believable. In the end, we all agree war is monstrous and ugly enough to cut down the lives of so many without remorse or care. And just maybe, surviving is one of the hardest parts of it....more
Sometimes it's 3.8/5 When your most anticipated book of the year doesn't live up to your expectations: [image] At least that's how I felt for about 84% oSometimes it's 3.8/5 When your most anticipated book of the year doesn't live up to your expectations: [image] At least that's how I felt for about 84% of the book.
❎ SALT TO THE SEA. I LOVE THE TITLE SO MUCH. Salt to the sea is a tragedy. It is simply an unforgettable experience for me, not because it's a masterpiece of expert writing, not because of it's evocative powers, but because of the numbing relevance of the story. I didn't know there was more to this story than just another war story when I started reading it. I was disappointed with the book, with it's unimpactful execution, but when I abstract the historical context from the story, I'm devastated, impressed and overwhelmed by the catastrophic event this book sheds light on: The story of The Wilhelm Gustloff. This book is raising the dead, digging up bones and appeasing the ghosts of disregarded and forgotten lives. I just wonder: What kind of secrets has the earth seen and swallowed? What kind of horrors have been buried by the world? And what kind of things would it cough up if someone grabbed it by the legs, tipped it over and shook with all their might? I stayed up for hours last night after I finished the book, scouring the internet, in search of any and everything relating to the Wilhelm Gustloff. I stumbled across multiple accounts and records of it. I'm angry because this could have been everything, but I'll never forget how brave this book was. This particular extract from an answer given by Ruta Sepetys during one of her interviews left me reeling from the disbelief: And then the survivors themselves, in their memoirs, many of them said, "People truly looked at me as if I was making up a story. They didn't believe that something the magnitude of the Gustloff could ever be kept a secret like that."
THE STORY. THE WRITING. AND EVERYTHING ELSE I CAN SQUEEZE IN. The lives of children - people - from Lithuania, Poland, Latvia, Germany and beyond converge in a story of survival and fate on an icy winter in the year 1945. The story is narrated by four teenagers, all from different countries, but the writing uses the first person narrative style throughout the book. I've always liked first person narratives because I feel like they provide more intimacy with the characters. I'm afraid it wasn't so in this case. At least, not for me. For a significant part of the book I couldn't help feeling like the story was disjointed. I felt detached from emotions which ordinarily, it should've been able to stir. It read like it lacked intricacy and weightiness, which consequently left parts of the story seemingly simple and shallow, and well, boring. It's possible the briefness of the chapters and different POV's contributed widely to this problem. There wasn't enough time to get acquainted with the characters, their stories and various revelations made on course. It's said time waits for no man, well this book waits for no man. Whether you follow or not, the journey must continue. With the story flash forwarding to the next character. Flash forwarding to the next perspective. What I find truly commendable though is how the author managed to give an independent voice and life to each of the characters. The characters are so vividly portrayed. The hideousness and stark abhorrence of the world were glaringly captured.
❎ THE LOST SOULS THAT FOUND HOPE AND SOLACE IN EACH OTHER ⚫ A pretty Lithuanian nurse. ⚫ A Prussian copycat and art enthusiast. ⚫ A blue-eyed Polish girl with a blank fate. ⚫ A little boy who wandered out of the words. ⚫ A queer, wise old shoemaker called Poet. ⚫ A giant woman with a particular fondness for the word "sorry". ⚫ A 17 year old enlisted madman seaman in the German Navy.
❎ THE VOICES ✔ Joana: A Lithuanian nurse who is condemned to a choice between Stalin and Hitler. What the hell kind of choice is that? And yet Joana is strong and self-sufficient, and so full of compassion. Joana turns to the side of Hitler for survival, since her mother is German she's leveraged.
✔ Florian: The Prussian copycat. I don't know really, Florian was great, but I just couldn't connect at all with his story. For that reason, I extended him no sympathy or empathy. He and Joana fall in love regardless of the fact that she's older than him - by not much really - and skeptical about it. I wasn't really their number one fan, even though I did root for them towards the end. Gahhh I needed hope, something to hold onto and believe in whilst the maddening chaos ensued. But I'm SO SO glad that the romance didn't override the rest of the elements in the book.
✔ Emilia:I LOVED THIS BRAVE AND BROKEN GIRL. I felt Emilia's everything in my bones. Her pain, her despair, her hope, her quiet adoration of Joana and Florian, her love. I felt it all. This is a character I would love to know in real life. Emilia is a fifteen year old Polish girl in the center of two obliterating forces: Neither the Russians nor the Germans would spare her if she were caught. So what was the use of surviving when death stood at both doors? No side would take her even if the war was resolved. What was the use of hope, to what end, what future was it? Her story hurt me more than anything else. It begged the question: Does knowing the cruel blankness of your fate in advance make it easier to accept?
✔ Alfred: The bumbling fool. The character I cared the least about. I didn't even understand what he was even doing in this story. His chapters were the most elegantly written - and reeked of boredom. He writes mental letters to his love, Hannelore, who he left at home. The guy is just a freak through and through. I don't know how else to put it. He's the one hiding in your closet peeping out through the little gap between the doors as you shrug out of your clothes at night. Every single time I turned the page and saw the title of the next chapter: Alfred I just sighed a deep sigh of exasperation [image]
After all, everything I achieve, everything I have done, it is all for you. For you and for Germany.
Another thing I find notable about Alfred is he's an unflinching supporter of Hitler who dreams of a Hero's welcome and medal. He's the kind of character that makes you wonder if he's just stupid or stupidly in love. If you picked any one of the two options, you would still be dead wrong. He is simply a lunatic. Stark raving madman. And his inclusion in this story is a slightness that disturbs the integrity of it. I could not for the life of me find the essence of his existence. I bet there's one, but I won't be the one offering up any theories.
Four characters. Four stories. Four secrets. It's weird, Alfred's story actually touched me. Not in a way that I sympathized with him, but it emphasized the theme of loyalty and destructive love.
❎ I WILL NEVER GET OVER HOW UNSPEAKABLY INHUMAN THE ERA OF WWII WAS Soldiers raping innocent women, crowded streets filled with despair, and blood. Blood everywhere. I don't think I can capture the bloodiness of that time, no matter how imaginative, creative, crazy or tortured I am. I don't think my imagination can do such tragedy justice.
Mothers tried hurling their infants to passengers up on deck, but they couldn’t throw high enough. Their babies smashed against the side of the ship and plunged into the sea. Women screamed and dove into the water after the children. A man dressed as a woman was beaten by a sentry when he tried to rush the gangway. I watched it all from above, sick with sympathy as they cried and screamed that they would die if they were not allowed to board. The Gustloff was their only hope.
What sick irony. Hope. What a cruel thing it turned out to be. At this point, what should be every author's biggest dream was fulfilled. [image] Mission accomplished. [image]
I guess at the end of the day, this book disappointed me, but it was a success in many ways. I hope that makes sense. Ahhh. I'm so exhausted [image]
QUOTES I LIKED(and funny enough, a fair amount of them were made by Alfred. I'm slightly worried.)
“The shoes always tell the story,” said the shoe poet. “Not always,” I countered. “Yes, always. Your boots, they are expensive, well made. That tells me that you come from a wealthy family. But the style is one made for an older woman. That tells me they probably belonged to your mother. A mother sacrificed her boots for her daughter. That tells me you are loved, my dear. And your mother is not here, so that tells me that you are sad, my dear. The shoes tell the story.”
“Everyone has a price,” she said. “But clearly not everyone has a soul,” said Poet
The Wilhelm Gustloff was pregnant with lost souls conceived of war. They would crowd into her belly and she would give birth to their freedom. But did anyone realize? The ship was christened for a man, Wilhelm Gustloff. My father had told me about him. He had been the leader of the Nazi Party in Switzerland. He was murdered. The ship was born of death. -Emilia
“That kid. She’s a warrior.” “Yes, but fighting who?” He looked at me, surprised. “Everyone. Everything. Fighting fate.”
But when she sat alone her face looked cheerless and forlorn, full of tears waiting patiently to fall -Emilia
Yes, life can be lonely for the truly exceptional, darling. So I build my own nest and feather it with thoughts of you. -Alfred
We cannot be too cautious, Hannelore. Just because someone knocks on the door doesn’t mean you have to open it. Sometimes, sweet girl, there are wolves at the door. -Alfred
My secrets padlocked the gates. I’d be a torn kite stuck in the dead branches of a tree, unable to fly. -Emilia
Mother was anchor. Mother was comfort. Mother was home. A girl who lost her mother was suddenly a tiny boat on an angry ocean. Some boats eventually floated ashore. And some boats, like me, seemed to float farther and farther from land.
“Six years,” said the shoemaker. “This war has stolen six years from the world. I was born in Germany and have lived here my entire life. I have dear friends who are Russian. They tell me the Russian people are suffering terribly. Stalin, Hitler”—he lowered his voice to a whisper—“there is no happy ending here.” -The shoe poet
The old man nodded. “There’s a saying, ‘Death hath a thousand doors to let out life; I shall find one.’ We all have a door that waits. I know that. I accept it. But the children. That’s what I struggle with.” He shook his head. “Why the children?”
Yes, I know it must all sound hostile, but this is war. Brave men are reduced to numbers. These numbers are engraved twice on an oval metal disc we wear around our neck. In the event of death, they shall snap the disc in half. Half will be buried with my body, the other half turned in to Command with my papers and personal effects. I am 42089. -Alfred
As a child my Mutter would shield my eyes from sickness and deformity. She was quite right to do so. There is so much ugliness and imperfection in the world. We know it exists but we create further trauma by being forced to look at it. Some things are better ignored. -Alfred
You are of the fairer sex and for that I am glad. May your fingers never know a fist. May your ears never ring with the call of duty. Before this war is over, all men will have an opportunity to reveal their true selves. I welcome that opportunity. -Alfred
I found this book to be strange. The truth is, I would have to read the sequel before I pledge any allegiances--right now I'm in purgatory. .......... WI found this book to be strange. The truth is, I would have to read the sequel before I pledge any allegiances--right now I'm in purgatory. .......... With that said; There was a lot of good stuff in this book. It was particularly hard to get into though and some times I was just "surface reading": not absorbing the words and investing in the story--but that has nothing to do with the book's allure or efficacy.
The plot and development was amazing, writing style almost impeccable and pacing apt. But, I wasn't a fan of the characters' names and there were subjects I wanted expatiated on. I couldn't distinguish a remarkable scene which marked a climax--it felt like though there was plot development, the story was riding on level ground. I guess that's not a bad way to go, so in sum this book was good....more
Take me back to the 1940's back back to Lithuania to the time of war and apathy when children screamed and mothers pleaded while beasts roared creat Take me back to the 1940's back back to Lithuania to the time of war and apathy when children screamed and mothers pleaded while beasts roared creating hell on earth.
This book in many ways reminds me of the The Diary of Anne Frank. The story follows the life and subsequent experiences of a girl, Lina-and her mother and brother-after she gets caught up in the gruesomeness of war.
This book retells a typical war story, everything we know-- or rather can imagine: War enunciates a mother's love and dedication, unleashes undiscovered strength, inspires courage, and helps us appreciate the little things we refuse to acknowledge, it leaves hope after there is nothing left to cling to, and it bares our inhumane side. All of that is told in this story.
It really is a tragic tale, so much so, that with every page I turn I am grateful that I didn't live through the 1940's. Back back in Lithuania....more
The name of the book. It was the very first thing that spoke to me. It's the most simple phrase, as simple as a cup of coffee. It didn't boast of any The name of the book. It was the very first thing that spoke to me. It's the most simple phrase, as simple as a cup of coffee. It didn't boast of anything extraordinary, neither did it evoke any profound thoughts. It just made me feel expectant, locked in anticipation of what the life which the title implied entailed.
For most part of the book, there were no lengthy conversations, or exchanges of an oh-so-intriguing nature. Most things felt like a report of some sort, like we, the readers, were getting off on second hand information. The style of writing was refreshing.
I didn't really care for the romantic picture painted of Daisy and Edmond. It was the hope and life that sprang from it that had my attention centered. Daisy, the main character , as she had so named herself to fit her deposition, engaged us with her thoughts mostly. It was rich, and I felt like I had literally stepped into the book, living and feeling her own thoughts.
Then there was the war. It wasn't anything glamorous like a clash of worlds, planets or universes . There were no alien life forms invading the earth, no futuristic end of the world notions, just good old man-made war. It felt real and happening, just as important and sad but not too overwhelming.
And then, there was the end. It was not the "over". It felt like a transition into something much more . And even though I had read the last lines that concluded the book, I could still picture Daisy and her world, a world away , healing and living on. And that's how good the book was for me. ...more