Peter Drummond 's Reviews > Altered Carbon
Altered Carbon (Takeshi Kovacs, #1)
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It's weird for me disliking a story so full of things I enjoy. Morgan goes out of his way to tackle compelling notions about life and morality at the intersection of technology. He asks about the nature of what makes us human. He challenges the idea that memory and experience solely define us. The pages are practically bursting with genre favorites like Cyborgs, gun-play, hovering vehicles, and bionically enhanced assassins. Assassins, who by the way, can be needle-cast from colonized world to colonized world in an instant. An army of souls sleeved in flesh they’ve never worn to keep the peace, using some sort of tactile telepathy to recognize whose side they're on.
That sounds cool as hell.
I want to know more about all of those grand notions, don't you? Then, why is the story itself set on earth? Earth is clearly a relic world, a shithole careening through space while humanity flourishes among the stars - I wanted to adore this book so much!
But, wishing it doesn’t make it so, this book still sucks!
Written in the first person, which is usually a turn off for me, Morgan is quick to exhibit exactly why I'm not a fan of this narrative style. From the unlikable inner longings of the main character to the sex scenes that are more awkward and uncomfortable than lurid. Imagine having your mother overshare the details of your conception while using the word c*nt - it's like that. If this unfortunate pressing of the flesh happened only once in the story, I might have been able to overlook it…
It didn’t, so neither will I.
Morgan jumps from profoundly cool concepts to silly tough guy posturing, but these scenes are equally poor in their execution. The main character is a stereotypical hard man, cussing and throwing his weight around, but it’s mostly caricature. Takeshi Kovachs comes off like a terrified High Schooler trying to be hardcore: content to simply fake it and hope no one takes notice, bullying his way from scene to scene with little more than the inertia of intent.
Passable for a private dick in our distant past, but really, really stupid, for an intergalactic god stompingly badass member of the Envoy Corps in the distant future.
There is a whole lot of intrigue in this book, and I still can’t put my finger on what it is all for. Everyone is reprehensibly dirty and beyond pity or affection; their sole purpose is to serve as set dressing to prop up interesting ideas that are not integral to the narrative. Characters run round and round while their supporting cast - who are way cooler and decidedly more kick-ass than Kovachs ever got the chance to be - drop like flies.
And, in case I have undersold my dislike, here, let me spell it out for you: This was a book that was as hard for me to get through as it was for me to like, and it had cyborgs!
That sounds cool as hell.
I want to know more about all of those grand notions, don't you? Then, why is the story itself set on earth? Earth is clearly a relic world, a shithole careening through space while humanity flourishes among the stars - I wanted to adore this book so much!
But, wishing it doesn’t make it so, this book still sucks!
Written in the first person, which is usually a turn off for me, Morgan is quick to exhibit exactly why I'm not a fan of this narrative style. From the unlikable inner longings of the main character to the sex scenes that are more awkward and uncomfortable than lurid. Imagine having your mother overshare the details of your conception while using the word c*nt - it's like that. If this unfortunate pressing of the flesh happened only once in the story, I might have been able to overlook it…
It didn’t, so neither will I.
Morgan jumps from profoundly cool concepts to silly tough guy posturing, but these scenes are equally poor in their execution. The main character is a stereotypical hard man, cussing and throwing his weight around, but it’s mostly caricature. Takeshi Kovachs comes off like a terrified High Schooler trying to be hardcore: content to simply fake it and hope no one takes notice, bullying his way from scene to scene with little more than the inertia of intent.
Passable for a private dick in our distant past, but really, really stupid, for an intergalactic god stompingly badass member of the Envoy Corps in the distant future.
There is a whole lot of intrigue in this book, and I still can’t put my finger on what it is all for. Everyone is reprehensibly dirty and beyond pity or affection; their sole purpose is to serve as set dressing to prop up interesting ideas that are not integral to the narrative. Characters run round and round while their supporting cast - who are way cooler and decidedly more kick-ass than Kovachs ever got the chance to be - drop like flies.
And, in case I have undersold my dislike, here, let me spell it out for you: This was a book that was as hard for me to get through as it was for me to like, and it had cyborgs!
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Reading Progress
Started Reading
December 29, 2012
–
Finished Reading
February 5, 2013
– Shelved
February 5, 2013
– Shelved as:
science-fiction
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message 1:
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Jaspal
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rated it 2 stars
Jul 07, 2013 11:00AM
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Everyone had such glowing, kind, things to say about it. In light of such high praise in a genre that is important to me, reading it seemed so inevitable a conclusion; there was no way I was going to pass up the opportunity, especially with no dissenting voices to the contrary.
Live and learn I suppose.
The above is what people call an opinion (there are tools online to help you sound that word out if you're struggling with the pronunciation). You're more than welcome to love a book I hated. It's a bit strange that my review so filled you with fury at three in the morning that you felt compelled to visit me with ad hominem and then in the same breath call me a child.
Clearly your flair for irony isn't the problem.
You liked the book, that's great. I'm thrilled you're reading. Hell, based on your attitude, I'm thrilled that you even can. The adults in your life must've done at least that much correctly. I didn't like this book, I hated it. To that end I shared my thoughts, and look at that, others agreed with me.
And now, thanks to your comment, I get to take a better measure of some those who don't.
Thank you.
This is a site where people can fellowship over the things they like. The review section is purposely designed as a forum to express/discuss those likes and dislikes in detail. Using your example: If I read the bible and thought it was bullshit, and reviewed it accordingly, that would be my prerogative. You’re welcome to disagree. You’re even encouraged to discuss how your experiences differ. None of the latter discounts the former.
I didn’t give it 1 star; I actually gave it 4 simply because it was the author’s debut novel, and as far as first time books go, I thought it was impressive. It had the standard pitfalls: melodramatics, cheesy, gratuitous sex scenes, plot driving character rather than vice versa, and a bevy of cliched tropes given to us straight rather than subverted; but still, for a debut novel I liked it.
I like the show version because of the fantastic setting and mood. I can still feel the negatives of the book shining through in the plot, and some of the actors (Ortega) and casting decisions (Miriam) subtract, but it’s funny how much more I liked it just because of the cinematography.
The visuals are over the top, to a degree, but even that seems to mesh well with the melodramatic parts of the plot, making it seem almost like a subtle satire, allowing the bad parts to become brilliant deconstructions or subversions rather than poorly designed (or something; I haven’t given it much thought).
Now, if we could get the cinematography of this show with the plot of Neuromancer, THAT would be a dream come true.
I was with the show for the first third, it definitely comes off as you say, as subtle satire. Unfortunately, it falls apart as it goes on and all of the failings that drove me nuts above either show through or tangent into additions to the narrative which do not benefit the story. Poe is awesome though.